
These Two Artists Didn’t Allow Distance To Block Their Plan For True Love

In this How We Met story, I had the pleasure of speaking to two New York-bred artists: Crystal T. Williams and Alfred E. Rutherford. You may notice Alfred from Lifetime’s Keyshia Cole: This is My Story, All Blk’s LACE, or the currently trending Tubi movie Killer Beat. Crystal is also an actress and working producer who spends a lot of her time making movie magic.
But what many people may not know is that when they aren’t on set, the pair are together every day, proving that true connection is the real magic. The path wasn’t always easy, but they were both intentional about walking it. Check out this exclusive conversation with xoNecole to find out how a chance encounter, an uncomfortable prank, and two unique perspectives led to a happy marriage.
Let’s start at the beginning. How did you two meet?
Crystal: We have very different answers to that question. I first saw him at a screening where I was supporting fellow actors. But when I first met him in person, I actually walked up to him and introduced myself, told him how great he was at the screening, and gave him my card. But he never called. That was our first physical interaction. It was my way of telling him I thought he was attractive. Also, he was talking to a young lady, and I wasn’t sure what was going on there. They were really close. So I kinda stepped in and was like, ‘Sorry, did I interrupt?’ And once she said no, I just kept talking.
Alfred: Yeah, a lot was going on for me. As she said, we didn’t technically meet the first time, but I remember seeing her, and I loved her green eyes. I remember repeatedly asking my friends, ‘Who is the girl with the green eyes? Then when she came up to me at the actor workshop, I was like, “It’s the girl with the green eyes!’Courtesy
Okay, now how did it progress? Did y'all start talking on the phone after that?
Crystal: He never called me. I just kept seeing him randomly. I mean he was everywhere – auditions, a barbecue, everywhere. Long story short: he had a girlfriend. But this particular time I saw him, he was with a group of known actors, and I noticed there was an attraction between him and a beautiful super, talented actress who is a friend of ours, and she was interested in how we knew each other – so I uncomfortably answered, ‘well he’s kinda stalking me.’ I made it so uncomfortable. Then I walked off. I was just trying to block that situation.
Down the line, he messaged me on Facebook, which is interesting because he had my number. But still, nothing really happened. Finally, I saw him on 14th Street in Manhattan one day, tapped him on the shoulder, I said ‘hi,’ and we organized a date.
Alfred: In other words, she sabotaged my situation that I may have had going on. You see how much of a good guy I was? So even though I found her attractive, I had to make sure I was playing my cards right. The barbecue situation was hilarious to me. Everybody else looked shocked, but I loved it. That was the first time I really started to focus on her. I think some people would’ve been offended, but it was such a prank, and I found it cool. I tried to call her over to me that day, but she didn't turn back around (laughs).
What was the first date like? Do you remember anything that stuck out?
Crystal: Well, I was living in Brooklyn at the time, and he was moving to Brooklyn from the Bronx. So we met in Williamsburg at a popular restaurant called Taku Taku, that’s no longer around. I’m very funny about time, and he was over an hour late. I was fuming and wondering if I was being stood up. But he kept answering my texts. By the time he got there, I was MAD.
Alfred: Just to let everyone know, before I was a full-time actor, I was sports director at the YMCA – with all the little children. And there was a random crisis in the building going on. You know I love the kids, so I had to take care of that! To all the guys out there, you gotta know your purpose comes first.
So there was a post-work crisis, late to the date vibe going on. How did the energy change?
Crystal: Well, I liked him, and I knew I really wanted to get to know him. I felt like the chaser. I had been super outspoken and gave him my card. Plus, I feel like everybody gets a pass. So, that was his.
Alfred: I don’t feel like she chased me, but she did let it be known that she was interested. However, my grandmother and my mother raised a southern gentleman, so you know, I had to handle that situation the right way at the time.
But yes, on our date, she was visibly upset at first. I was wondering if I was going to have to go to the bathroom and leave because she was giving me such an attitude. But then she warmed up when I explained what happened. After that, it was a lot of fun. I made her laugh, and it all worked out.
I don’t feel like she chased me, but she did let it be known that she was interested. However, my grandmother and my mother raised a southern gentleman, so you know, I had to handle that situation the right way at the time.
Beautiful. Now, talk to me about the courtship. How did the journey develop?
Crystal: Listen, I had the key in like 30 days.
Alfred: Okay, wait a minute. I have a reputation to protect (laughs). Let me defend myself again. So when I moved to Brooklyn, she, of course, was already familiar with the area and used to ride her bike around there for exercise. And I didn’t want to have her just riding around outside. If something happened, her father was going to look at me. So I gave her the key and said if I wasn’t there, she could still go inside. That was the reason - just being a gentleman (laughs).
So that feels like exclusivity. Did y'all have “the what are we talk,” or did it just happen naturally?
Crystal: No, we never had that conversation. Well, not like “Will you be my boyfriend?” Or “Will you be my girlfriend?” We just knew we were in love with each other. I was in my early twenties, and I remember I asked him if he knew what “143” meant and he said it back (laughs).
Alfred: I had to ask my kids at the YMCA what it meant.
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As things developed, what challenges did you have to overcome together, and how do you think it affected your relationship?
Crystal: I grew up with a lot of siblings - and brothers. So I was very boyish. I was always used to doing certain things myself. And my father raised me to be very independent and to never rely on men for anything. But I had to learn to come back to myself as a woman and realize, hey, you have an actual physical man here. I had to learn to let him lead and guide.
Alfred: So again, I’m an actor, and I was moving to L.A. at the time. L.A. has some beautiful women but I also have a beautiful wife now, right? So the challenge, I think, for us was the things people said, ‘Well, girl, you know, he's going to be out there and it’s not gonna work.’ And I do think temptation plays a real important role in how the relationship is going to unfold. But I just started to live a bicoastal life. I was living in L.A. but spent more time in New York. So that was able to actually help us, and once we got serious - I moved.
Crystal: I have to add to that, I always said I would never do long distance. We really had to decide to make it work. I had a job that was remote so I could travel anywhere. We got to explore L.A. together, and it ended up being a blessing.
Alfred: And it turns out, living in L.A. wasn't for me. So you have to allow yourself room when you're in a relationship, and your partner gives you room to be – because we had an impasse. There was a night where we had a very real conversation about if we were going to break it off. But we decided to give it a shot. I'm of the mind that people make happen whatever they want to make happen. Everything else is an excuse. Distance is an excuse. It's not saying it's not going to be difficult, but anything worth having is worth fighting for. Me knowing what I wanted made it an easy choice.
I have to add to that, I always said I would never do long distance. We really had to decide to make it work. I had a job that was remote so I could travel anywhere. We got to explore L.A. together, and it ended up being a blessing.
What about day-to-day challenges? What do you typically argue about?
Crystal: Alfred grewup with a lot of women in his house, and he grew up in a way that wonderful West Indian women do things. Everything is in a certain place and done a certain way. I didn't necessarily grow up like that, although I do have West Indian roots. So he likes things structured. If anything is not where it needs to be or in the right place, that’s a conversation.
Alfred: Yeah, I'm a traditionalist, and I believe without order, chaos will ensue. I grew up in a household with West Indian women who were married for 50 and 60 years. And as a boy, I would be able to see them give my female cousins and aunts all these instructions about how to treat their husbands like I was at this university of relationships. I know at times I may seem like a very intense person to her, but I feel like I have very unique insight into why a lot of relationships falter. Some of it is systematic, particularly in our community. We just don't have things in order, and we weren't raised to be in successful relationships.
It’s interesting hearing how your backgrounds shaped different aspects of your relationship. I’m curious, what’s a focal shared value?
Alfred: I think one of the things that we’ve shared and actually impressed me a lot about Crystal was her view on family values. Not to be stereotypical, but she’s half Italian and half Jamaican – and both cultures are known to be big on that. Like during Christmas, we shop for everyone, even the little nephews. I’m always like why are we shopping for all these people? But secretly, I really like that because I come from a matriarch where my grandmother made clear that everything was God first and then family immediately after.
Finally, what do you love most about each other?
Crystal: I love how he loves me. But I also love who he is as a man, how structured he is, and how he tells me what’s best for me even when I don’t want to hear it.
Alfred: The reality is that she has the biggest heart that I’ve ever come into contact with in a romantic sense. I can be mad at her, and the second I see her in pain – I go to mush. It’s priceless. I don’t have children yet, but I understand how fathers melt when their little girl’s face melts. Plus, I’m an artist and a bit intense. You know how that goes. We have self-destructive tendencies sometimes. But I can honestly say that whenever you see me, I represent not only myself but my wife, my family, my mother, and my roots.
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Kirby Carroll grew up in VA but now calls Atlanta, GA home. She has a passion for creating content and helping brands grow through storytelling and public relations. When not immersed in work, you can find her sipping a mimosa at brunch or bingeing a new TV drama on Netflix. Keep up with her on social media at @askKirbyCarroll.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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