To Be Young, Gifted & Black: 5 Black Educators On The Power Of Representation In The Classroom
Matthew Cherry scoring an Oscar for his animated short film Hair Love, Beyoncé delivering a historic ode to HBCUs at Coachella, and Black Panther obliterating the box office as the top-grossing superhero film of all time aren't just mere moments in pop culture. They are potent reminders that representation matters.
This truth stretches far beyond entertainment. Though America's schools are more diverse than ever, the average teacher remains white and female with Black educators only representing seven percent of the teaching force. Black men, in particular, make up a mere two percent.
To no surprise, however, research testifies that Black teachers improve outcomes for Black students (and more). Indeed, the presence of just one Black educator has the power to curb high school dropout rates and deepen the desire to enroll in college, all while granting scholars tangible evidence of educational attainment.
To celebrate diversity in representation, xoNecole salutes the everyday heroes making an impact, both vital and undeniable, in the field of education. Here, we connect with five Black educators tearing through underrepresentation to ignite change in the lives of their students--our future.
Jasmine Merlette, 3rd Grade Teacher
Courtesy of Jasmine Merlette
Jasmine Merlette's first year as a teacher defied the norm for educators taking their first steps in the classroom. The Georgia native, whose love for children oozes through the phone, was no stranger to sharing everyday moments with her students on social media. When she posted their remix to Lil Nas X's "Old Town Road" on her then-private Instagram page, she never imagined it would go viral, much less land her national attention on Ellen.
"As soon as I posted it, my phone blew up. I had no idea it would have that effect, but it is probably the most humbling thing I've ever been a part of, especially the fact that it was with my kids," Jasmine tells xoNecole. "For me to have an experience like that in my first year--that doesn't happen. When I think about it, I literally get emotional and praise God because that was all Him. His hand was all over that."
If there is one thing Jasmine, an alumna of Xavier University of Louisiana, does want to promote now that she has drawn the attention of thousands, it's representation.
"I don't think people realize how impactful it is to have someone who you're able to look at every day that you share commonalities with, how much that changes the classroom experience and what that does for children," she says.
Seeing her take up space as a Black woman in education hasn't only left an impression on students and parents far and wide, but has also planted a seed in the next wave of educators to come. With humility, Jasmine notes that she has received messages from college students who have decided to major in education due to her example. "It's crazy!" she exclaims. "I can't wrap my head around it."
Capping off a year for the books, Birmingham City Schools honored Jasmine with the Creativity and Innovation Award at their Teacher of the Year Gala in May 2019. It's an accomplishment she didn't dream of so early in her career but is unsurprising when tracing her deep commitment to her students. "I'm a relationship person. If we're about to spend the next 180 days together, we need to know each other," she says of her approach in the classroom. "I'm not just invested in your education. I'm invested in you, the child."
In her second year, Jasmine continues to lead from a place of love, noting that her students' growth and belief in themselves is what she is after most. "When they see me, I want them to know I have their back," she expresses. "I want them to see me and be able to see themselves to the point that they see their visions, their goals, and what they aspire to be."
Sammy Rigaud, 2nd Grade Reading Teacher
Instagram / @sammyrigaud
When Sammy Rigaud shared a live glimpse of Freestyle Fridays, a regular event in his classroom that offers students an opportunity to celebrate 80s or above through rhyme, the image of a Black educator carving space for cultural expression tugged thousands of hearts. During our conversation, however, the Miami native reveals he had no plans of becoming a teacher, especially when thinking back to his experiences as a student.
"Before you're a Black man, you're a Black kid, and you feel disengaged in the education process," Sammy tells xoNecole. "The whole experience isn't really for you so by the time you're an adult, you have negative memories of school. You were always 'too hyper,' 'seeking attention'--those were the kinds of things you were labeled as. By the time you get to picking careers, that's the last place you want to go."
Deemed a "troubled kid", Sammy spent years in and out of jail. After his final arrest at the age of 19, a judge ordered him to complete community service at a local YMCA where he would soon rethink his decision to evade the classroom. It started with one task: keep children occupied during a turkey drive.
With nothing more than random equipment and a gymnasium, Sammy didn't simply make it work. He created an unforgettable experience. "I had the kids in there having a blast for an hour and a half," he recalls. "At the end, some of them were crying, asking if we could do this again. That was my first time feeling the influence I could have, and it shocked me."
While Sammy fully embraced the call on his life to be a leader and dove into teaching seven years later, he admits he didn't take in the gravity of representation until one conversation with a student added clarity to his purpose. "I had a student who had been retained who was so used to giving up. He was very short-fused. One day we had a talk, and it reminded me of how I was as a kid," he reflects. "I almost had a déjà vu moment, and I thought about what I would have wanted to hear as a student. I don't remember what I said, but he gave me a look where he knew that I was on his side, and we started our connection there, and I've had him bought-in ever since."
Sammy is committed to teaching the whole child and as a musician and author, he is a firm believer in making room for creativity. It was his observation of a group of underperforming boys in his classroom who seized any ounce of free time they had to listen to beats and rap that ultimately led to the birth of Freestyle Fridays.
Going viral wasn't the plan, but the local and national attention has since granted his students a much larger stage to flex their talent as rappers and their immense promise as scholars. "My mission is to give every student a chance at winning," he pledges. "Not just to tell them they can win, but to show them they can win."
Tanesha Forman, 6th Grade ELA Teacher
Instagram / @love.tanesha
New Haven, CT
When Book Character Day rolls around, you can find Tanesha Forman paying tribute to titles like Jason Reynold's Miles Morales Spider Man and New York Times bestseller The Hate U Give by Angie Thomas. As an ELA teacher, she believes it is "beyond important" for Black students to see themselves reflected on and between the covers of books and is adamant about ensuring the young minds in her care have access to such work.
"We truly have to change the literary canon," the Miami native stresses. "I think the classics are so white-centered. When kids don't see themselves, it prevents them from dreaming bigger."
Fourteen years into her teaching career, a path she knew she always wanted to travel, the weight Tanesha's presence carries in the classroom doesn't escape her either. It is the everyday occurings, over the grandiose, that she holds close.
"It's in those small, micro moments that are in the day-to-day hustle that remind me my students are watching and taking me in," she tells xoNecole. "This woman shows up as who she is. She looks like me. She gives me this vibe that I can't play with her, but I know she sees me."
As a veteran, Tanesha leads with a student-first mindset, refusing to play coy in the face of difficult conversations that are ultimately for their benefit. "I have heard and seen teachers operate in ways that fit their narratives for our kids that are not true," she states.
It's the reason why she has embraced the opportunity to facilitate monthly anti-bias and anti-racist sessions at her job. "It is not a destination. This work that we do is a way that we constantly ensure that we are doing the self-work that prevents our biases from coming to play in our classrooms," she explains. "When I'm leading these facilitations, it is the hope that we are doing the self-reflection that will allow us to see our kids for who they are and to ensure that anything we're putting in front of kids is rooted in power and love."
Though she has served as a teacher for over a decade, Tanesha never wants to become blinded by the fact that there's always room to outdo her previous best for the children set before her. "Leverage your experiences, but see kids in every year as individuals," she advises. "Sometimes people say, 'I'm just in my first year,' and I always say, 'I'm just in my first year with this group that I have right here.'"
Whether she's sharpening her own practice or supporting other educators in doing the same, Tanesha sums up the core of her drive in a few words: "I want my students to remember that 'my teacher was always rooting for me.'"
Alfred “Shivy” Brooks, 10th & 12th Grade Economics and Government Teacher
Instagram / @callmeshivy
After securing a spot in 106 & Park's Freestyle Friday Hall of Fame, Alfred "Shivy" Brooks was on his way to fame beyond BET's hit series. That is, until his best friend Sunny was shot and killed in 2007. Despite already dropping out of Rutgers University and making the move to Atlanta to stamp his presence in rap, the rising MC immediately reevaluated his decision. "The culture of hip hop at the time--there was a lot of hypermasculinity and murder," Shivy tells xoNecole. "When that event happened, I was just really turned off from music."
Creating distance from his one-time dream, the East Orange, N.J. native returned to school (this time Georgia State University) and shifted his focus to public policy. "I had said that my goal would be to serve Black and brown communities so that other young people would never have to go through the experience that my best friend did."
What Shivy didn't anticipate was that this desire would manifest in the classroom.
"My father is also a high school educator and has been the majority of my life, and I always tried to run away from it," he reflects. "Sure enough, you can run from a calling, but if God has something predetermined for you, you're just here to walk that walk."
Within four years of teaching, Shivy has been voted Most Influential Teacher twice, a testament that his presence in the classroom is no accident. His secret to making a difference lies in marrying his past with his present. "When I first got into education, I was really trying to separate my music and entertainment life from my professional life, but it wasn't the way I could flourish," he muses. "Now, I allow my students to see my duality. I tell them there has to be many sides and angles and nuances to a diamond for it to shimmer. The same goes for people. We're not one-dimensional."
Whether it's discussing the latest Roddy Ricch album, retracing his journey on 106 & Park, or hosting Teacher Talk Tuesdays, bringing his full self to work allows Shivy to cut through curriculum to deepen relationships with his high schoolers. "If you come from their world and you're of their world, the amount of impact and positive influence you can have on students is unmatched," he beams.
As a Black man, Shivy is aware that he is a rarity in education but is motivated, rather than deterred, by underrepresentation. "There is an absolute need for me to show up and give it everything I have on an everyday basis," he stresses. "To not just teach kids the standard, but to go above and beyond it."
Veroniqua Bernard, 3rd Grade Math Teacher
Courtesy of Veroniqua Bernard
New York, NY
Veroniqua Bernard was at a crossroads. As a nursing student, she could either commit to a major she had no passion for or step into the unknown to discover her true purpose. "I knew nursing wasn't my calling," the Brooklyn native tells xoNecole. "It was my parents'."
When competing for a seat in a LPN course at Farmingdale State College, Veroniqua drew the line. "I don't like science. I don't like seeing people in pain, and I really don't like nursing," she recaps her thinking. "I got up and just left during the test. I didn't know what I wanted to do."
Out of the number of issues she spotted in medicine, one stood out most. "While working with the mentally challenged, I saw many things I wasn't happy about," Veroniqua recalls. "A lot of times, their disabilities were seen as a crutch."
Thinking about her nephew, who too has a disability, this observation didn't merely strike a chord. It lit a fire. "That's when I made my mind up," she says firmly. "I wanted to become a special educator in order to be an advocate for students and people with disabilities."
After earning dual certification in childhood and special education, Veroniqua served as a special educator for New York's Department of Education before embracing her current role as a 3rd grade math teacher in Harlem.
With an outspoken nature, dazzling style, and undisputed passion for serving Black and brown children, Veroniqua's presence is easily felt in the halls of her elementary school. "This year I said I was just going to focus on the classroom," she says with a laugh, revealing that the students ultimately keep her active in school affairs.
She currently oversees student council and runs the Young Kings Boys Group, a program she created last year to support the social and emotional development of 4th and 5th grade boys labeled "at risk". While she is highly respected by the "young kings" under her counsel, her goal this year is to connect them to Black men who can reach them in a way their teachers and administrators have struggled to.
"Because there is a lack of men in education, I focus the speakers to be African-American men because I feel they do not get to see African-American men in great positions who came from the same situations as them, such as single-parent homes or being raised in the projects," she explains.
In the short time since she has designed the group, she's taken note of small, yet notable, changes--signs of good to come. "Last year, I saw a lot of progress with my heavy hitters wanting to do well--not really meeting the goal because I feel that is a much longer process--but going from 'I don't care if I get in trouble' to wanting to cut their [dean] referrals down and be in a different space when it came to behavior."
No matter what space she occupies at work, Veroniqua's goal as an educator to her students is simple. "I want to be that person who made them want to come to school," she expresses. "I want to take it beyond academics."
Featured image courtesy of Sammy Rigaud
Shanice Davis is a writer from New York, dedicated to illuminating women of color and Caribbean culture with her pen. Follow her on Instagram and Twitter: @alwayshanice.
Amber Riley Is In Her Element
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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The 7 Best Tina Turner Quotes About Love, Life, And Legacy
The world has become a little less brighter following the loss of the indomitable force known as Tina Turner.
The legendary singer --who was crowned the Queen of Rock 'N' Roll after captivating many hearts for six decades with her electrifying raspy voice, explosive dance moves, empowering life story, and much more-- died on May 24 at the age of 83 after battling a long illness. Turner's passing was confirmed in a statement released by the star's publicist Bernard Doherty.
In a statement to People magazine, Doherty revealed that Turner had "died peacefully" in her home in Switzerland, which she shared with her husband, music producer Erwin Bach. Doherty also announced that a private funeral service would be held at an undisclosed date for Turner's close family and friends.
"Tina Turner, the 'Queen of Rock'n' Roll,' has died peacefully today at the age of 83 after a long illness in her home in Küsnacht near Zurich, Switzerland. With her, the world loses a music legend and a role model. There will be a private funeral ceremony attended by close friends and family. Please respect the privacy of her family at this difficult time," the statement read.
Photo by Harry Langdon/Getty Images
In addition to the public statement, Turner's passing was also confirmed on her social media accounts. Although, at the time, details surrounding Turner's cause of death were limited, it was ultimately revealed that the "River Deep Mountain High" songstress passed away from natural causes. This comes years after Turner underwent a kidney transplant, which her husband donated, and suffering from various health issues. The list included high blood pressure, stroke, and intestinal cancer.
As the news circulated online, many of Turner's close friends and fans paid homage to the icon by expressing how much she meant to them. The list included Angela Bassett --who played Turner in the 1993 film What's Love Got To Do With It-- Beyoncé, Dionne Warwick, Mariah Carey, Ciara, and longtime friend Oprah Winfrey.
In an Instagram post, Winfrey recounted how her friendship with Turner started. The 69-year-old explained that she was a massive fan of the "Proud Mary" vocalist, and upon meeting, the pair's bond would blossom into a decades-long sisterhood.
During that time, Winfrey shared that she was in awe of Turner's resilience from her past childhood traumas and being abandoned by both her parents to how she overcame her violent relationship with ex-husband Ike Turner. The former television host added that Turner's ability to preserve through life's hardships inspired an entire nation.
"I started out as a fan of Tina Turner, then a full-on groupie, following her from show to show around the country, and then, eventually, we became real friends. She is our forever goddess of rock 'n' roll who contained a magnitude of inner strength that grew throughout her life. She was a role model not only for me but for the world. She encouraged a part of me I didn't know existed," Winfrey wrote while honoring her longtime friend.
Photo by Rob Verhorst/Redferns
"Once she claimed her freedom from years of domestic abuse, her life became a clarion call for triumph. I'm grateful for her courage, for showing us what victory looks like wearing Manolo's and a leather miniskirt."
Winfrey wrapped up her words by recalling her conversation with Turner regarding death. The Oprah Winfrey Show host revealed that Turner embraced it because "she had learned how to live surrounded by her beloved husband, Erwin, and friends."
"She once shared with me that when her time came to leave this earth, she would not be afraid, but excited and curious. Because she had learned how to LIVE surrounded by her beloved husband, Erwin, and friends. I am a better woman, a better human, because her life touched mine. She was indeed simply the best," Winfrey stated.
With Turner's untimely death, the "What's Love Got To Do With It" singer leaves behind an immaculate career spanning over 60 years. Alongside her countless hit songs, Turner's past accolades consist of eight Grammy Awards, a Grammy Lifetime Achievement Award, and a Grammy Hall of Fame for three of her songs.
"The Best" songstress' other achievements included Turner earning her own star on the Hollywood Walk of Fame, becoming a double inductee in the Rock 'N' Roll Hall of Fame once in 1991 with Ike Turner, and again in 2021 as a solo artist, etc.
Turner is survived by her husband, Erwin Bach, many friends, and fans. Turner had four sons, two of whom she adopted while married to Ike. Her biological sons, Craig and Ronnie, both sadly passed away in recent years. To date, it is unclear if Turner has mended her relationship with her two adopted sons, who belonged to her ex-husband Ike Turner.
Turner’s music has impacted many people thanks to the beautiful storytelling and powerful words. In honor of Turner's legacy, xoNecole is looking back at her most memorable quotes on life, love, aging, and beauty over the years.
Photo by Michael Ochs Archives/Getty Images
Tina On Life
"If you are unhappy with anything…Whatever is bringing you down, get rid of it. Because you'll find that when you're free, your true creativity, your true self, comes out."
-via 1986 interview with Ebony magazine.
Tina On Love
"He [Erwin] shows me that true love doesn't require the dimming of my light so that he can shine. On the contrary, we are the light of each other's lives, and we want to shine as bright as we can, together."
via Turner's book, Happiness Becomes You: A Guide to Changing Your Life for Good.
Tina On Her Greatest Beauty Secret
"My greatest beauty secret is being happy with myself. It's a mistake to think you are what you put on yourself. I believe that a lot of how you look has to do with how you feel about yourself and your life."
-via 2016 interview with Woman & Homemagazine.
Tina Turner - What's Love Got To Do With It (Official Music Video)
Tina On Aging
"Fifty is the new 30. Seventy is the new 50. There are no rules that say you have to dress a certain way, or be a certain way. We are living in exciting times for women. Keep up with fashion, keep up with your figure and the clothes you wear. If you look good and you can still do it, then go and do it. I have never worried about age."
-via 2009 interview with the Daily Express.
Tina On Death
"Even when it's time to go and leave to another planet, I'm excited about that because I'm curious to know what it is about. Nobody can tell you because nobody has come back. I'm not excited to die, but I don't regret it when it's time for me. I've done what I came here to do. Now is [time for] pleasure. I've got great friends. I have a great man in my life now. I have a great husband, and I'm happy."
-via 2013 interview with Oprah Winfrey.
Tina On The Legacy She's Leaving Behind
"My legacy is that I stayed on course from the beginning to the end because I believed in something inside of me that told me that it can get better…So my legacy is a person that strived for wanting it better and got it."
-via 2013 Oprah interview.
Tina On How She Would Want To Be Remembered
"As the Queen of Rock 'N' Roll. As a woman who showed other women that it is OK to strive for success on their own terms."
via April 2023 interview with The Guardian.
Although xoNecole and the world are mourning the loss of the incredible Tina Turner, it is humbling to know that she accomplished so many things, personally and professionally, during her time here and continues to show why she was, in fact, "simply the best," even after death.
We will miss you, Queen. Rest in Power!
Tina Turner - The Best (Official Music Video)
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Feature image by Paul Natkin/Getty Images