I first moved to Spain in December 2018, bright-eyed and ready to dive into the culture. While I have loved every minute of my life abroad, I definitely received my share of culture shocks in Spain. Some were hilarious, some were surprising, and no matter how many times I was warned about others, they were still shocking!
When I first arrived in Spain, I was so used to the American mode of constant productivity. It almost caused me anxiety how relaxed most Spanish people are about everything.
In the United States, your career defines you; everything must be done correctly the first time and on time, and even your relaxation time should be productive. Spain is the opposite.
I learned to embrace it because if they’re not freaking out about it, why should I? It was an instant release. Spanish people place value on making time to relax, enjoying good company, and being outdoors in the sunshine. My mental health and ability to handle setbacks in stride improved a ton in Spain.
So as I near seven years living abroad, here are the biggest lessons the Spanish taught me about chilling the fuck out.
Lesson Number 1: “No pasa nada”
My first day working as an English Language Assistant in Spain couldn’t have gone more wrong if I tried. The bus that took me to the town where I worked never showed up. When I finally got to the town, hours later, I couldn’t find the school. When I finally managed to make it to a class (after missing my first three of the day), the presentation I had prepared didn’t work.
I remember looking up from the computer screen to a class of eager students and my enthusiastic co-teacher (who also happened to be my boss). My heart sank into my stomach, “I can’t open the presentation, Mabel.”
“No pasa nada, just talk to the kids, let them ask you questions.” Just like that? The kids were so excited to meet someone from the USA that the questions just kept coming, and they thanked me for a fun class.
No pasa nada translates to something like no worries, or it’s not a big deal, and I must’ve heard it at least 10 times a day every day in Spain. If something ever goes wrong, “No pasa nada.”
You can’t control everything all the time. Is anyone bleeding, dying, or injured? No? Then it’s not worth losing your head over. Just come up with the best solution you can think of at the moment and roll with it.
Courtesy of Ambar Mejia
Lesson Number 2: “Teacher, Did You Not Have Time for Breakfast?”
When I was working in the U.S., I often had all sorts of meals at my desk. Breakfast, lunch, coffee breaks. It wasn’t uncommon for me to sit in front of a screen, clacking away on my keyboard while taking bites and sips in between thoughts.
One day, in Spain, I showed up to school with a thermos of coffee and was sipping away while I led the class. One student raised his hand, “Yes Miguel?” “Uh, teacher, did you not have time for breakfast?”
Count on children to call you out! I thought he was just being an 11-year-old until later that week, a teacher asked me to go get coffee in between classes. When I went up to the counter to ask for it to go, she looked at me like, “What are you doing?” I said I was just grabbing it to go so we could get back to work. She said, "Yeah, we don’t do that here." And in fact, they didn’t even have a way to give me this coffee to go.
She later explained to me that it’s not usual for Spanish people to drink or eat while they walk or work. “Certainly you have 10 minutes to enjoy a cup of coffee and relax.”
(ENJOY my coffee? Interesting concept. I was just going to consume it for energy.)
In another instance, a Spanish friend of mine saw someone walking while eating a sandwich and said, “How depressing that they don’t even have time to sit and eat a sandwich.”
And actually, if you think about it, that is sad, but it’s not out of the ordinary in the U.S. But our bodies need food, and when we don’t even take those 10 minutes to enjoy a cup of coffee or actually chew a sandwich, we’re saying work is more important than caring for our bodies.
Even taking those 10 minutes to just focus on your coffee and be present can help you slow down and relax throughout the day.
Courtesy of Ambar Mejia
Lesson Number 3: “Y la sobremesa?”
I learned over the years living in Spain that food and meal times are sacred. It’s not just about getting something in to carry you throughout the day. Meal times are a moment to pause, relax, and unwind, and it’s always at the table!
Meals are also a time to gather with family and friends and have rowdy conversations about any subject under the sun (except work, as they consider this stuffy conversation).
This tradition of chatting after a meal is so important, it even has a proper name 'sobremesa' (over table). Long after the plates are cleared, the sobremesa will continue over drinks, coffee, or dessert. It can last several hours! (I once had lunch for five hours, four of which were just the sobremesa.)
If you try to get up without it, someone might ask, “Y la sobremesa?” like “What about the after-meal conversation?”
There is so much emphasis on connection in Spain, whereas American culture is more individualistic. Now, while I’m not suggesting all Americans have 5-hour lunches or do everything in pairs, there is something therapeutic about prioritizing your meals, not rushing, and being in good company.
Courtesy of Ambar Mejia
Lesson Number 4: Go have some sangria, walk on the beach, and try again.
In my second year teaching English in Spain, I moved to a different city in Spain and had the strange luck that my new boss was the strictest Spanish person I have ever met to this day.
When I couldn’t get an appointment to renew my residency card in time, she told me if I didn’t have it sorted by January 1, she wouldn’t be able to let me stay in the country.
I made an appointment in a nearby town, but when I showed up for the appointment, the police officer told me I had to do it in the town I lived in. I started bawling. As a child of people who had immigrated to the U.S., I was in panic mode.
He tried consoling me and begged me to calm down, but I only started shaking and crying more, “My boss won’t let me stay if I don’t have my card renewed.”
And I will never forget his next words, “It’s okay. It’s okay. This isn’t the U.S. We’re not going to come looking for you.” (In retrospect, it is kind of funny.)
“Why don’t you go have some sangria, walk on the beach, and try again.” This did not feel like the time for this “no pasa nada” attitude, but I took his words of advice.
I had the sangria. I walked on the beach. And I went home to try again, and guess what? I did in fact find the appointment.
Courtesy of Ambar Mejia
Lesson Number 5: Sundays are for soaking up the sun.
Everything in Spain closes on Sunday. Everything except restaurants. So you couldn’t even run errands if you wanted to. This is usually a day for family and friends to gather on the beach, in the park, at a restaurant, or out on the plazas underneath flowering trees.
Sunday is just about connecting with loved ones and enjoying the sunshine at your leisure. I’m sure you can notice a theme here: Spanish culture is all about letting things flow.
Something that struck me most about Spain was how much less they complained about their mental health. It feels like almost all of my friends in the U.S. are struggling with anxiety or depression, and not without good reason. American lifestyle can feel like a pressure cooker, but what I think we can learn from the Spanish is to slow down, take life as it comes, have moments throughout the day and throughout the week where we can just be, and always make time for good company.
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Featured image courtesy of Ambar Mejia
Originally published on October 10, 2023
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock