The debut of the 2023 film adaptation of The Little Mermaidwas bigger than me. It was a major moment for my inner child who loved watching the original 1989, as well as the 2000 sequel The Little Mermaid II: Return to the Sea, but didn’t know that she could be a mermaid. Though I was never a fan of swimming - or really any aquatic activity - I saw myself in the character of Ariel because she loved to sing, be with friends, and be magical and mystical all day long.
The problem was I didn’t identify as a white woman with red hair and blue eyes.
The casting announcement of Grammy-nominated singer and actress Halle Bailey in the live-action remake of The Little Mermaid was nothing less than monumental. While we waited a few years to see the official character posters and trailers, I knew that having a Gen-Z Black girl play one of my favorite Disney princesses was going to shake the table for years to come - especially as someone who has always worn her natural hair.
“My relationship with my natural hair started very young. My mother actually locked my sister and I [our hair] when we were around five-ish years old, and so I have not known my life without my locs,” Halle told me during an interview about her and her sister Chlöe Bailey’s loc journey as she noted the spiritual importance of her hair journey. “I'm just grateful to be able to make my version of Ariel have my hair. I was so grateful that Rob Marshall, the director, allowed the essence of Halle to flow through who Ariel is. Especially as a Black woman, it's important for us to be able to see our hair be represented in these different roles.”
Halle Bailey attends the world premiere of Disney's live-action film The Little Mermaid.
Jesse Grant/Getty Images for Disney
According to Variety’s interview with Oscar-nominated hair department head Camille Friend, one of the biggest challenges of bringing Bailey’s locs to life was embodying the spirit of the original Disney princess while maintaining the health and integrity of the actress’ natural tresses.
“It was a really interesting one because I had never colored my hair before. I was excited about it,” Bailey told xoNecole about the dying and coloring process of her hair for her Disney princess debut. “When I saw myself with red roots for the first time, I was like, Whoa, because my whole life, it’s been dark brown. My natural hair is just dark brown, so it was really cool to see myself like that.”
As the first Black Disney princess to star in a live-action movie, representation was key, and both Friend and Bailey knew they had to use their platform to demonstrate to young girls that staying true to your heritage and cultural identity is first and foremost. Working carefully with her natural 24” locs, the wrapping process took a total of 12 to 14 hours to create the 30” custom-colored locs with three shades of red and Keratin tips.
"I'm not guesstimating, but we probably spent at least $150,000 because we had to redo it and take it out. You couldn't use it, and we'd have to start again. It was a process," Friend told Variety about the process following the hair at a beauty store in Chatsworth, CA. In an effort to put on the finishing touches of their hair to make it "dance" as Bailey moved through the water, Friend added loose body wave-type extensions to give a goddess, beachy-appeal for the final product.
The "ROYL" singer was no stranger to her responsibility as a vessel for change when it comes to the versatility of natural hair. Following the representation of microbraids in Rodgers and Hammerstein's Cinderella by Brandy, Bailey is the second Disney princess to wear a natural protective style as royalty.
From her 70s-style fro on the cover of EDITION by Modern Luxury to an auburn-red bob at this year's Met Gala, Bailey has proven that locs are more adaptable than the mainstream beauty industry believes. "I think it was just so important for me because it's the essence of who I am really. It's all I've known my whole life."
"I think it was just so important for me because it's the essence of who I am really. It's all I've known my whole life."
Halle Bailey attends The 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty."
Cindy Ord/MG23/Getty Images for The Met Museum/Vogue
Bailey continued, "I think that when Rob Marshall and Disney wanted me, it was a beautiful thing for them to want all of me and to not just pick and choose pieces of me, and allowed me to just be completely myself as a Black woman and show all the layers that come with that. I feel like mermaids would have locs, too. I feel like being under the water and your hair, I feel like it would fuse into locs anyways, like how it does in the movie."
"I think that when Rob Marshall and Disney wanted me, it was a beautiful thing for them to want all of me and to not just pick and choose pieces of me, and allowed me to just be completely myself as a Black woman and show all the layers that come with that."
In addition to being under the sea, Bailey feels on top of the world when she's indulging in activities and surrounding herself with things and people that she loves - both personally and professionally. "I think I feel my most happy and beautiful when I'm doing the things that I love, and I'm warm," Bailey said sweetly with a cherubic smile plastered across her face.
"When I'm warm, number one, when I'm in the sun and just kind of sunbathing, or when I'm quiet, or also when I'm underwater," she added. "Since this movie, I've really discovered a passion for diving and just have this curiosity and wonder for honestly the ocean now. I love scuba diving because it's so quiet down there, and you just kind of go into this meditative space and gratefulness when you get to see how massive this world is above and below us. It's really a cool perspective."
Now, in the midst of being a Disney princess, chugging along weeks of press runs and preparation, and gearing up to star in The Color Purple with Danielle Brooks and Fantasia, how does Halle balance it all? One word: Faith.
"I think I truly just put God at the forefront of my life. I remember that I'm here for a reason, and this is all happening because of God. I think that it's easy for me to stay grounded and humble when I remember that I am just being used as a vessel for good and love and light," Halle said humbly about being rooted in her relationship with her Lord and Savior, who is truly the head of her life. "
"I just hope that whatever is meant to be in my life, God just steers me in the right direction. I think I love being in nature the most because I love when I can feel small and that this is a great big world and that these things, even though this movie feels massive on days like this, and it's a lot of pressure to live up to, it's really nice to just lay back and realize that we're all just small crumbs in this universe. I'm just really grateful to be able to do what I love here and make a living out of what I love and just follow in whatever journey I'm supposed to be in."
The Little Mermaid is now in theaters.
Featured image by Don Arnold/WireImage via Getty Images
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock