
Jayne Allen Says 'Black Girls Must Have It All' Is A Love Letter To Black Women

From its lush cover featuring a dark-skinned Black woman with natural hair, down to its title, when readers pick up a copy of Black Girls Must Have It All, it's unapologetic in who the intended audience is. Author Jayne Allen has delivered a series, starting with Black Girls Must Die Exhausted, that is written for Black women, about Black women, by a Black woman.
Over the course of three books, Allen navigates the complexities of race and relationships in corporate America, the realities of Black maternal health, and the dynamics of love and partnerships, and she wraps it in a story built around sisterhood and family.
In this latest release, readers, along with the main protagonist, Tabitha Walker, are forced to reexamine what it means to “have it all” and question the life society has ingrained in us as acceptable.
xoNecole spoke to author Jayne Allen about Black Girls Must Have it All, her trilogy that has sparked debates, side-eyes, and “Girl….no he didn’t” moments and has inspired conversations and laughs for book clubs and readers across the world.
Courtesy of Jayne Allen
xoNecole: Let’s start at the beginning. Walk us through how Tabitha and her story 'Black Girls Must Die Exhausted' was formed.
Jayne Allen: I wrote this book by necessity. I came up with the idea around 2016, and that was a very vitriolic environment for Black and brown people, and combining that with being a Black woman, I just felt this weight.
It made me take a look at my life and what I was carrying with no sweat. This is a story about the day-to-day of navigating these layers of challenges and still being the incredible Black women that I've seen around me and that I try to be. We need to understand her daily journey, the struggles, and the triumphs, and we need to celebrate that. So I thought, if nobody's telling this story and nobody sees our worth in this way, then I'm going to do it. I'm going to celebrate Black women.
xoN: In bookstores we still don’t see a major selection of books that center Black women. Walk us through your journey and what you experienced as a writer in getting this story told.
JA: The feedback I got was: "This character is not relatable. We don't like her, but we love her grandmother, who is white." It was very interesting to feel the weight of race-based bias. Agents wanted to try and hide the characters with a different title. I said, "No, I’m [not] going to apologize for having a Black protagonist. This book is not going to hide Blackness or cater to acceptability with a different cover."
I was intentional, from day one, that I wanted this to be a celebration of Black women. I wanted readers, even non-Black readers, to come to this book and come to it as a book about a Black woman, with the knowledge and understanding that this is a story about a human being. Yes, you can relate to this person, and she has something to teach that's valuable, she has something to say that's valuable, and she is valuable.
"Agents wanted to try and hide the characters with a different title. I said, 'No, I’m [not] going to apologize for having a Black protagonist. This book is not going to hide Blackness or cater to acceptability with a different cover.' I was intentional, from day one, that I wanted this to be a celebration of Black women."
xoN: How do you think readers are going to react to this final book, 'Black Girls Must Have It All' and the closing of Tabitha’s story?
JA: I hope they have this moment of just being happy for their girl. That's how I felt when I wrote the last words of the book. Maybe it’s not a conventional happy ending in the way that we're conditioned to believe they're supposed to be. But, I think it's a very happy ending that’s hopeful and progressive. I wanted to give that feeling where you know your girl is gonna be alright. But she still has a long way to go.
xoN: Tabitha’s journey to motherhood started off in a very poignant and unexpected moment. Let’s discuss her journey on the other side of the delivery room.
JA: We don't talk about actual motherhood very often, and I wanted to examine the different experiences we face. We just talk about the various issues of Black maternal health and statistics but in, Black Girls Must Have It All, I wanted to see what that journey looked like for a Black woman because it looks different than what we see in something like Bridget Jones’s Baby.
There's been a societal vilification of Black single motherhood and the cultural perspective on traditional relationships to contend with. It was important to see Tabby navigate those things on top of the already stressful experience of being a new mother.
xoN: Readers are now three books in with Tabitha and her crew… what else can they expect in this latest book?
JA: The big thing in the third book is this theme of motherhood, but it's not just motherhood in the traditional sense. It's about nurturing and it's about how we nurture ourselves and how we mother our dreams. Some people are making choices not to pursue conventional motherhood, but that doesn't mean that the nurturing part of us doesn't get to shine.
We see Laila as an entrepreneur with her company, essentially her baby, and her friends in turn celebrating, nurturing her and her goals---going back to the theme of friendship, that nurturing of each other and ourselves---so that theme of motherhood and seeing the various perspectives on it. It was an important theme for the third book and not just traditional motherhood.
"It's about nurturing and it's about how we nurture ourselves and how we mother our dreams. Some people are making choices not to pursue conventional motherhood, but that doesn't mean that the nurturing part of us doesn't get to shine."
xoN: What readers can really appreciate about this series is your ability to give us pieces of so many different characters that at the end, we’re just as invested in the sisterhood of Lexi and Laila, Tabby’s mom, grandmom, her sisters, and Ms. Gretchen as we are in Tabitha. How did those storylines shape Tabby?
JA: I was speaking for myself as a Black woman. I am so much a reflection and a product of the people in my life. Close family ties are part of our culture. That's why you see multiple generations in the book. You have these multiple generations in your life that are influential to you, that matter, that your family matters. I couldn’t create Tabby’s character without showing the people who make her who she is.
Sisterhood is important for us as Black women in particular. Compared to our parents' generation, we get married later in life, especially when you're in a career. So your soulmate, a lot of times… is your girls. Friendship is the support structure that keeps Tabitha Walker standing, and we got to see and meet these people. I was really happy to see their story progress and mature, and the characters mature.
Friendship is self-care.
xoN: This series also brought up allyship and how that impacts Black women in corporate America. How did that come about?
JA: I wanted to examine allyship in the book because it's very much a part of the Black journey in corporate America, because we're still in very much predominantly white spaces. In the new release Black Girls Must Have It All, there's a scene where Tabby questions her coworker Lisa and asks, “Why are you trying to help me?”
I thought that was such an important question that felt authentic to Tabitha’s journey. Here you have this ally, and because of the nature of how Black women are treated in corporate America, you question when there's someone who seems to be friendly to you—who seems to be advocating for you because it doesn't happen enough.
Then you see another relationship with her boss, Chris Perkins. I wanted to show the diverse types of allies, advocates, and mentors that you experience in corporate America. There's a big difference between having someone who's going to make sure you're in the room and that you have a seat at the table. So, Tabby's got these different models of mentorship, and she has to navigate which one is going to serve her best.
xoN: In book three, 'Black Girls Must Have It All' we gain a new perspective into Tabitha’s love interest, Marc and his journey. Let’s discuss the layers that were revealed.
JA: Marc is a really important character to me. On paper, he's a person that you want to date. You would want him without really asking yourself the more important questions like, 'Who is this person behind being handsome, the success, and the Porsche? [How] is he showing up as a partner?'
I examine Marc's humanity and get behind that facade and see who's there, how he grows and evolves. I wanted to give him the opportunity to mature. I wanted the readers to see his journey, and I wanted to see what Tabby was going to do with it and how she was going to grow with him.
xoN: How do you respond to the criticism that the Black male characters in the book were not shown in the best light?
JA: It's not representative of all men or all Black men. It is representative of Tabby's choices, which start with her dad. And then her dad’s choices started with his dad, and you get to read all about that in the book. It's not a characterization of Black men. It's just these particular men, by virtue of who Tabby is attracted to, by virtue of who her father is, and how that came to be, which has a lot to do with racism. It’s a very specific story that intentionally speaks to generational legacies and how that affects women and our choices. I hope readers are asking themselves those questions.
xoN: In your journey as a writer, what do you hope to see differently when it comes to telling Black stories and centering Black characters?
JA: Often, we see pieces of our story told by somebody else, or we see just pieces of ourselves, but to see an actual book about us and about people that we know and people that look like us. That's very important, something that we don't see in the publishing industry, especially when reading women's fiction and contemporary fiction.
I would read stories where there is a Black sidekick, and she has kinky hair and this spunky attitude. She's the one that everybody leans on, and I'm like, 'This is a caricature. Why are you telling me this character is Black without showing me the humanity of this person? Where's her story?' So that was my intention.
It's not meant to be representative of all Black people and not every Black experience, but the culture is there, and there's enough there that should hopefully allow readers to feel seen and be celebrated in a way that hasn't been so common.
xoN: What’s next for Tabitha and the characters in the 'Black Girls Must Die Exhausted' series?
JA: Tabitha is headed to television! A series is in development, we have a writer and showrunner, no roles have been casted, but it’s moving along! There have been some major developments that I can’t say just yet, but it's very good!
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Featured image courtesy of Jayne Allen
'Sistas' Star Skyh Black On The Power Of Hypnotherapy & Emotional Vulnerability For Men
In this insightful episode of the xoMAN podcast, host Kiara Walker talked with Sistas star Skyh Black, as he opened up about his journey of emotional growth, resilience, and self-discovery. The episode touches on emotional availability, self-worth, masculinity, and the importance of therapy in overcoming personal struggles.
Skyh Black on Emotional Availability & Love
On Emotional Availability & Vulnerability
“My wife and I wouldn't be where we are today if both of us weren't emotionally available,” he shared about his wife and Sistas co-star KJ Smith, highlighting the value of vulnerability and emotional openness in a relationship. His approach to masculinity stands in contrast to the traditional, stoic ideals. Skyh is not afraid to embrace softness as part of his emotional expression.
On Overcoming Self-Doubt & Worthiness Issues
Skyh reflected on the self-doubt and worthiness issues that he struggled with, especially early in his career. He opens up about his time in Los Angeles, living what he calls the “LA struggle story”—in a one-bedroom with three roommates—and being homeless three times over the span of 16 years. “I always had this self-sabotaging thought process,” Skyh said. “For me, I feel therapy is essential, period. I have a regular therapist and I go to a hypnotherapist.”
How Therapy Helped Him Heal From Self-Doubt
On Hypnotherapy & Empowering Self-Acceptance
Skyh’s journey is a testament to the power of tapping into self-development despite life’s struggles and being open to growth. “I had to submit to the fact that God was doing good in my life, and that I'm worthy of it. I had a worthiness issue and I did not realize that. So, that’s what the hypnotherapy did. It brought me back to the core. What is wrong so that I can fix it?”
Watch the full podcast episode below:
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Quinta Brunson Gets Real About Divorce, Boundaries & Becoming
Quinta Brunson is the woman who chooses herself, even when the world is watching. And in her June 30 cover story for Bustle, she gives us a rare glimpse into the soft, centered place she's navigating her life from now. From leading one of television's most beloved series in the last decade to quietly moving through life shifts, the creator of Abbott Elementary is walking through a personal evolution and doing so with intention, grace, and a firm grip on her boundaries.
Back in March, the 35-year-old filed for divorce from Kevin Jay Anik after nearly three years of marriage, citing "irreconcilable differences." The news hit the headlines of news outlets fast, but Quinta hadn't planned to announce their dissolution to the public so quickly.
Quinta Brunson On Divorce, Public Scrutiny & Sacred Boundaries
"I remember seeing people be like, ‘She announced her divorce,’" she told Bustle. “I didn’t announce anything. I think people have this idea that people in the public eye want the public to know their every move. None of us do. I promise you. No one wants [everyone] to know when you buy a house, when you move, when a major change happens in your personal life. It’s just that that’s public record information."
In regards to her private moves becoming tabloid fodder, Quinta continued, "I hated that. I hate all of it."
"I Am An Artist First": Quinta On Cutting Her Hair & Reclaiming Herself
Still, the diminutive phenom holds her crown high in the face of change and is returning to the essence of who she is, especially as an artist. "Cutting my hair reminded me that I am an artist first. I want to feel things. I want to make choices. I want to be a person, and not just stuck in having to be a certain way for business." It's giving sacred rebirth. It's giving self-liberation. It's especially giving main character energy.
And while the headlines keep spinning their narratives, the one that Quinta is focused on is her own. For her, slowing down and nourishing herself in ways that feed her is what matters. "It’s a transitional time. I think it’s true for me and my personal life, and it’s how I feel about myself, my career, and the world," Quinta shared with Bustle. “I feel very serious about focusing on watering my own gardens, taking care of myself and the people around me who I actually interact with day-to-day."
That includes indulging in simple rituals that ground her like "making myself a meal" which has become "really, really important to me."
That spirit of agency doesn't stop at the personal. In her professional world, as the creator, executive producer, and lead actress of the critically-acclaimed Abbott Elementary, Quinta understands the weight her choices carry, both on- and off-screen. She revealed to Bustle, "People used to tell me at the beginning of this that the No. 1 on the call sheet sets the tone, and the producer sets the tone — and I’m both of those roles."
She continued, "I understand now, after doing this for four years, how important it was that I set the tone that I did when we first started."
Quinta doesn't just lead, she understands the importance of curating the energy of any space she enters. Even amid a season of shifts and shedding, her power speaks loudly. Sometimes that power looks like quiet resistance. Sometimes that power is soft leadership.
And sometimes that power looks like cutting your hair and taking back your name in rooms that have forgotten you were an artist long before you were a brand.
Read Quinta's cover story on Bustle here to witness the fullness of Quinta's becoming.
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