
Jayne Allen Says 'Black Girls Must Have It All' Is A Love Letter To Black Women

From its lush cover featuring a dark-skinned Black woman with natural hair, down to its title, when readers pick up a copy of Black Girls Must Have It All, it's unapologetic in who the intended audience is. Author Jayne Allen has delivered a series, starting with Black Girls Must Die Exhausted, that is written for Black women, about Black women, by a Black woman.
Over the course of three books, Allen navigates the complexities of race and relationships in corporate America, the realities of Black maternal health, and the dynamics of love and partnerships, and she wraps it in a story built around sisterhood and family.
In this latest release, readers, along with the main protagonist, Tabitha Walker, are forced to reexamine what it means to “have it all” and question the life society has ingrained in us as acceptable.
xoNecole spoke to author Jayne Allen about Black Girls Must Have it All, her trilogy that has sparked debates, side-eyes, and “Girl….no he didn’t” moments and has inspired conversations and laughs for book clubs and readers across the world.
Courtesy of Jayne Allen
xoNecole: Let’s start at the beginning. Walk us through how Tabitha and her story 'Black Girls Must Die Exhausted' was formed.
Jayne Allen: I wrote this book by necessity. I came up with the idea around 2016, and that was a very vitriolic environment for Black and brown people, and combining that with being a Black woman, I just felt this weight.
It made me take a look at my life and what I was carrying with no sweat. This is a story about the day-to-day of navigating these layers of challenges and still being the incredible Black women that I've seen around me and that I try to be. We need to understand her daily journey, the struggles, and the triumphs, and we need to celebrate that. So I thought, if nobody's telling this story and nobody sees our worth in this way, then I'm going to do it. I'm going to celebrate Black women.
xoN: In bookstores we still don’t see a major selection of books that center Black women. Walk us through your journey and what you experienced as a writer in getting this story told.
JA: The feedback I got was: "This character is not relatable. We don't like her, but we love her grandmother, who is white." It was very interesting to feel the weight of race-based bias. Agents wanted to try and hide the characters with a different title. I said, "No, I’m [not] going to apologize for having a Black protagonist. This book is not going to hide Blackness or cater to acceptability with a different cover."
I was intentional, from day one, that I wanted this to be a celebration of Black women. I wanted readers, even non-Black readers, to come to this book and come to it as a book about a Black woman, with the knowledge and understanding that this is a story about a human being. Yes, you can relate to this person, and she has something to teach that's valuable, she has something to say that's valuable, and she is valuable.
"Agents wanted to try and hide the characters with a different title. I said, 'No, I’m [not] going to apologize for having a Black protagonist. This book is not going to hide Blackness or cater to acceptability with a different cover.' I was intentional, from day one, that I wanted this to be a celebration of Black women."
xoN: How do you think readers are going to react to this final book, 'Black Girls Must Have It All' and the closing of Tabitha’s story?
JA: I hope they have this moment of just being happy for their girl. That's how I felt when I wrote the last words of the book. Maybe it’s not a conventional happy ending in the way that we're conditioned to believe they're supposed to be. But, I think it's a very happy ending that’s hopeful and progressive. I wanted to give that feeling where you know your girl is gonna be alright. But she still has a long way to go.
xoN: Tabitha’s journey to motherhood started off in a very poignant and unexpected moment. Let’s discuss her journey on the other side of the delivery room.
JA: We don't talk about actual motherhood very often, and I wanted to examine the different experiences we face. We just talk about the various issues of Black maternal health and statistics but in, Black Girls Must Have It All, I wanted to see what that journey looked like for a Black woman because it looks different than what we see in something like Bridget Jones’s Baby.
There's been a societal vilification of Black single motherhood and the cultural perspective on traditional relationships to contend with. It was important to see Tabby navigate those things on top of the already stressful experience of being a new mother.
xoN: Readers are now three books in with Tabitha and her crew… what else can they expect in this latest book?
JA: The big thing in the third book is this theme of motherhood, but it's not just motherhood in the traditional sense. It's about nurturing and it's about how we nurture ourselves and how we mother our dreams. Some people are making choices not to pursue conventional motherhood, but that doesn't mean that the nurturing part of us doesn't get to shine.
We see Laila as an entrepreneur with her company, essentially her baby, and her friends in turn celebrating, nurturing her and her goals---going back to the theme of friendship, that nurturing of each other and ourselves---so that theme of motherhood and seeing the various perspectives on it. It was an important theme for the third book and not just traditional motherhood.
"It's about nurturing and it's about how we nurture ourselves and how we mother our dreams. Some people are making choices not to pursue conventional motherhood, but that doesn't mean that the nurturing part of us doesn't get to shine."
xoN: What readers can really appreciate about this series is your ability to give us pieces of so many different characters that at the end, we’re just as invested in the sisterhood of Lexi and Laila, Tabby’s mom, grandmom, her sisters, and Ms. Gretchen as we are in Tabitha. How did those storylines shape Tabby?
JA: I was speaking for myself as a Black woman. I am so much a reflection and a product of the people in my life. Close family ties are part of our culture. That's why you see multiple generations in the book. You have these multiple generations in your life that are influential to you, that matter, that your family matters. I couldn’t create Tabby’s character without showing the people who make her who she is.
Sisterhood is important for us as Black women in particular. Compared to our parents' generation, we get married later in life, especially when you're in a career. So your soulmate, a lot of times… is your girls. Friendship is the support structure that keeps Tabitha Walker standing, and we got to see and meet these people. I was really happy to see their story progress and mature, and the characters mature.
Friendship is self-care.
xoN: This series also brought up allyship and how that impacts Black women in corporate America. How did that come about?
JA: I wanted to examine allyship in the book because it's very much a part of the Black journey in corporate America, because we're still in very much predominantly white spaces. In the new release Black Girls Must Have It All, there's a scene where Tabby questions her coworker Lisa and asks, “Why are you trying to help me?”
I thought that was such an important question that felt authentic to Tabitha’s journey. Here you have this ally, and because of the nature of how Black women are treated in corporate America, you question when there's someone who seems to be friendly to you—who seems to be advocating for you because it doesn't happen enough.
Then you see another relationship with her boss, Chris Perkins. I wanted to show the diverse types of allies, advocates, and mentors that you experience in corporate America. There's a big difference between having someone who's going to make sure you're in the room and that you have a seat at the table. So, Tabby's got these different models of mentorship, and she has to navigate which one is going to serve her best.
xoN: In book three, 'Black Girls Must Have It All' we gain a new perspective into Tabitha’s love interest, Marc and his journey. Let’s discuss the layers that were revealed.
JA: Marc is a really important character to me. On paper, he's a person that you want to date. You would want him without really asking yourself the more important questions like, 'Who is this person behind being handsome, the success, and the Porsche? [How] is he showing up as a partner?'
I examine Marc's humanity and get behind that facade and see who's there, how he grows and evolves. I wanted to give him the opportunity to mature. I wanted the readers to see his journey, and I wanted to see what Tabby was going to do with it and how she was going to grow with him.
xoN: How do you respond to the criticism that the Black male characters in the book were not shown in the best light?
JA: It's not representative of all men or all Black men. It is representative of Tabby's choices, which start with her dad. And then her dad’s choices started with his dad, and you get to read all about that in the book. It's not a characterization of Black men. It's just these particular men, by virtue of who Tabby is attracted to, by virtue of who her father is, and how that came to be, which has a lot to do with racism. It’s a very specific story that intentionally speaks to generational legacies and how that affects women and our choices. I hope readers are asking themselves those questions.
xoN: In your journey as a writer, what do you hope to see differently when it comes to telling Black stories and centering Black characters?
JA: Often, we see pieces of our story told by somebody else, or we see just pieces of ourselves, but to see an actual book about us and about people that we know and people that look like us. That's very important, something that we don't see in the publishing industry, especially when reading women's fiction and contemporary fiction.
I would read stories where there is a Black sidekick, and she has kinky hair and this spunky attitude. She's the one that everybody leans on, and I'm like, 'This is a caricature. Why are you telling me this character is Black without showing me the humanity of this person? Where's her story?' So that was my intention.
It's not meant to be representative of all Black people and not every Black experience, but the culture is there, and there's enough there that should hopefully allow readers to feel seen and be celebrated in a way that hasn't been so common.
xoN: What’s next for Tabitha and the characters in the 'Black Girls Must Die Exhausted' series?
JA: Tabitha is headed to television! A series is in development, we have a writer and showrunner, no roles have been casted, but it’s moving along! There have been some major developments that I can’t say just yet, but it's very good!
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Featured image courtesy of Jayne Allen
Luxury Hairstylist On Viral 'Hey Boo' Texts & Professionalism In The Hair Industry
As Black women, our hair is our crowning glory - whether we paid for it or not. We take pride in how we wear and take care of our hair. As with everything, hair care and hair styling have evolved over the years. Long gone are the days of Blue Magic (although I hear it’s making a comeback).
Now, we have a plethora of creams, oils, conditioners, shampoos, and stylists to choose from. Beyond wearing our natural curls, we have a range of options, from wigs and sew-ins to tape-ins, I-tips, and K-tips. So much choice! But you know what they say about too much of a good thing...
The Black hair industry has definitely blossomed in the last decade with a wave of new stylists and salons popping up all over the place. As much as I love that for us, many of these stylists have become the subjects of viral TikTok and Instagram tirades because of their alleged questionable behavior and bizarre rules.
Excessive policies, strange fees, long wait times, poor performance, and the infamous “Hey boo” texts. Beauty is pain, they say… xoNecole got to the root of these issues with luxury hair extensionist Dee Michelle, who’s been in the hair game for 20 years and runs a seven-figure business - all while being a mom of four.
Antonio Livingston
“I started my business with my career in the hair industry [at] very, very young age when I was maybe like eight...So, over the years, I've just built a very successful seven-figure business very quickly just by offering high-end services and creating great experiences for my clients, many of whom are high-profile professionals,” she said. “I'm also a mother of four, including a set of triplets, which inspires me daily to show what's possible with my hard work and focus.”
Dee’s business has gone viral on social media because of what many call outrageous prices for her invisible K-Tip installs.
“When I developed my invisible K-tip extensions technique, I made sure that it wasn't just about the hair or the style, but about providing a high-end experience from start to finish. So, my clients just aren't paying for the extensions or just the style itself, but they're investing into my meticulous, seamless craft and premium hair sourced from the best suppliers…I've spent so many hours mastering my craft, creating this seamless method that gives my clients long-lasting natural results, and my pricing just reflects that - the value of my expertise and the exclusivity of the service.”
The K-tip specialist stands on business when it comes to catering to her clients and giving them an experience worth the cost.
“And it's just important for me to also say that my clients are high-profile individuals who value quality, their privacy, and their time. They want a service that fits into their lifestyle and their time. They want things that deliver perfection. And I deliver that every single time.”
I’m sure we’ve all seen the various TikTok rants about people’s nightmare experiences with stylists and uttered a silent “FELT!” We asked Dee her opinion on a few nightmare scenarios that beg the response, “please be so forreal."
On stylists charging extra to wash clients’ hair:
“I think they should just include it in the price, to be honest. Because I feel like when clients go to a stylist, they're expecting you to wash their hair. Personally, if I see that washing is extra, I just wouldn't go to the salon because it just shows a lack of professionalism, in my opinion, and a lack of experience.”
“I think they should just include it in the price, to be honest. Because I feel like when clients go to a stylist, they're expecting you to wash their hair. Personally, if I see that washing is extra, I just wouldn't go to the salon because it just shows a lack of professionalism, in my opinion, and a lack of experience.”
On ‘deposits’ that don’t go towards the cost of the service:
“I think that's kind of weird, too, for deposits to not be like a part of the service. I've seen people have booking fees and I just don't understand it, to be honest. I disagree with that kind of policy…By all means, people should do what works for them, but to me, it doesn't make sense. Why does somebody have to pay a fee just to book an appointment with you? I don't get it. It feels like exploitation.”
On stylists charging extra to style (straighten/curl) wigs, sew-ins etc., after installing:
“I don't get it. Clients come to us to get their hair done, to get it styled. So why is it extra for you to style it? If you're going to charge extra, just increase your price. I feel like it could be just a lack of confidence in those stylists, feeling like people won't pay a certain price for certain things, or just their lack of professionalism as well, because people are coming to us to get styled.”
On the infamous “Hey boo” text stylists send to clients when they need to cancel/reschedule:
“Professionalism in any industry, especially the beauty industry, is everything. So texting a client the, “Hey boo” is so unprofessional, and it's damaging to the client-stylist relationship. Clients book their appointments expecting a level of respect and care, especially when they're investing their time and money and a service. And I get it, emergencies happen, we're all humans. However, it should be done with a formal apology and a clear explanation.”
“Professionalism in any industry, especially the beauty industry, is everything. So texting a client the, “Hey boo” is so unprofessional, and it's damaging to the client-stylist relationship. Clients book their appointments expecting a level of respect and care, especially when they're investing their time and money and a service. And I get it, emergencies happen, we're all humans. However, it should be done with a formal apology and a clear explanation.”
We know all too well what kinds of things will keep us from ever gracing certain hairstylists’ chairs with our butts again. So, what should hairstylists do to provide a good service to their clients? What is good hairstylist etiquette?
“For one, being on time is an important rule for stylist etiquette. It's just not okay to require your clients to be on time, and you're not on time. Also, communication. Being able to communicate clearly, respectfully, and professionally, whether that's in person, via text, or on social media. Style is etiquette. Appearance matters. So just maintaining a clean, polished, and professional look. Clients respect you more whenever your appearance reflects your work. There's just so many things, but another thing I would say is active listening. So, being able to pay close attention to what your client wants and also clarifying any questions that they might have. Just to ensure that they feel heard and to minimize any misunderstandings.”
Dee also shared some red flags to look out for when considering a new stylist.
“Even me as a client, if I'm booking somebody and they have a long list of rules, I don't even book with them. That's, for one, just such a huge turn-off. Also, stylists who have inconsistent or unclear pricing, that's a red flag. People who change their rates too much without an explanation. Poor communication. So, if a stylist is responding very slow or responding unprofessionally, or giving vague answers to questions, that can make clients question whether or not they are respecting their time and their needs.
Another red flag - an inconsistent or low quality portfolio. And I feel like, I see this a lot with stylists stealing other people's work, and their portfolio on social media is just very inconsistent.”
We couldn’t let Dee go without getting the tea on what styles she predicts will trend in 2025.
“I feel like people are going back to natural-looking styles. So, a lot of people are ditching the wigs, the lace fronts, things like that. People are still wearing them, of course, but it is becoming more of a trend to embrace your natural hair and something that's not looking too fake. That’s one thing that we're going to be seeing a lot. I would say a lot of layers are coming back, heavy layers. Those are becoming really, really trendy. And people are leaning more towards platinum-colored hair. I've been seeing lots of like blondes coming out. Also, jet black is always going to be a trend. But I would say more like natural colors, but natural colors that are still making a statement.”
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Feature image by Antonio Livingston.
With Valentine's Day rapidly approaching, different shades of pinks and reds are heavy in rotation. And even though red lipstick is a bold statement no matter the time of year, this season in particular places a special emphasis on the timeless beauty staple. What says confidence and allure more than a red lip?
Vying for a place as your go-to red lipstick shade is The Lip Bar's latest release, "Good Karma," a warm rust-brown red lippie formulated with melanin-rich skin in mind. Finding the right red lipstick can be a game-changer when you're looking to make a statement, find your signature, or turn heads. And the beauty of dark skin means that the versatility of reds we can rock is limitless.
From rust-red or brick shades for warm undertones to intense reds, berry reds, or deep wine and true reds, melanin-rich skin has a richness to it that translates to a range of reds popping beautifully against our various skin tones. If you've been on the hunt for your one true pairing when it comes to the ultimate red lipstick shade, look no further than our list of Black-owned beauty brands.
The Best Red Lipsticks for Deep Skin Tones
"Good Karma" x The Lip Bar
"Good Karma"
Finish: Matte
Why It's a Winner: Following in the footsteps of The Lip Bar's "Bawse Lady," aka their #1 red matte lippie, "Good Karma" is a warm rust-brown red liquid matte that applies like a gloss and has all-day staying power.
"Elson 2" x Pat McGrath Labs
"Elson 2"
Finish: Matte
Why It's a Winner: Nicknamed "The Perfect Red," Pat McGrath Labs' "Elson 2" is a beauty lover staple and stays sold out. With its luxurious, highly pigmented formula and velvety smooth finish, this red lipstick delivers on its promise of pure color and then some.
"Sade" x UOMA Beauty
"Sade"
Finish: Matte
Why It's a Winner: UOMA Beauty knew what they were doing with their line of "Badass Icon Matte Lipstick" inspired by badass icons across generations. Talk about timeless elegance, "Sade" is a deep, balanced red that goes on as smoothly and wears as divinely as its namesake.
"Fierce" x Juvia's Place
"Fierce"
Finish: Matte
Why It's a Winner: "Fierce" is a standout in Juvia's Place's carefully curated Reds and Berries Velvety Matte Lipstick collection. The shades prove the beauty brand has the range when it comes to shades that have deep skin tones in mind and "Fierce"'s burgundy-red pigmentation is no exception.
"Blood Orange" x Mented Cosmetics
"Blood Orange"
Finish: Matte
Why It's a Winner: As a part of Mented Cosmetics' Sangria collection, the vibrant red-orange "Blood Orange" shade is a standout amongst the liquid matte lippies, offering a perfect pop of color that's not too soft and not too bold.
"Uncensored" x Fenty Beauty
"Uncensored"
Finish: Matte
Why It's a Winner: The Stunna Lip Paint in "Uncensored" by Fenty Beauty is a universally flattering true red that stuns on all skin tones, no matter the undertone. Bold, long-lasting, and kissably smooth, "Uncensored" is that red lipstick.
"Uno Love" x GloGirlCosmetics
"Uno Love"
Finish: Satin
Why It's a Winner: "Uno Love" is a fiery red lipstick shade with coral undertones that dares those who wear it to "live out loud." Enriched with vitamin E, the formula packs the pigment while ensuring your pout stays deeply nourished.
"Dare" x Wyn Beauty
Finish: Matte
Why It's a Winner: A ruby-red shade that is as hydrating as it is long-lasting, Wyn Beauty's "Dare" is a shade designed to keep your lips feeling soft while making an unapologetically bold statement.
"Rich AF" x LYS Beauty
"Rich AF"
Finish: Matte
Why It's a Winner: "Rich AF" is LYS Beauty's take on a classic red. This highly pigmented formula delivers bold color with one swipe while keeping lips nourished and soft for all-day wear.
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Featured image by courtesy