
Content Creators Cam & Vicky Logan Share How They Make Their Modern Arranged Marriage Work

When we imagine arranged marriages in the traditional sense, our minds may trail off into stereotypes that reflect reluctant brides, invasive parents, with two coerced individuals, doomed to suffer in a loveless union. Not so romantic, right? But arranged marriages are not to be confused with forced marriages. See, the former centers the autonomy of choice: with two consenting adults, choosing to pursue one another for a lifetime - even after the allure of their parent's wise counsel fades. This was the case for content creators, Cam and Vicky Logan; who after 7 years of marriage illustrates what can happen when the potential for love is offered and accepted.
Courtesy of Vicky Logan
Cam and Vicky's parents were friends before the two of them ever met. Follow me: Vicky's father was celebrating his 40th birthday and invited Cam's father; it was there that Vicky met Cam's dad. Soon after the party, both sets of parents suggested that the two should meet, so Cam and Vicky started by adding each other on Facebook. Initially, there weren't any sparks that ignited their correspondence. In fact, Vicky shares that she never intended on dating someone who shared the same "Preacher's Kid" background that she grew up in, being that both her mother and grandmother were wives of preachers.
"I wanted a different experience and I knew how much work it would take," she shares. But what she didn't know was how God would use her expert-level background as preparation for the marriage awaiting her, "The joke was on me because since I knew how much it would take, it was just preparing me for doing the work with Cam."
Although reluctant at first, answering the call allowed her to step deeper into her purpose in becoming a helpmeet, which for Cam, was an answered prayer, "Growing up as a preacher's kid, various girlfriends didn't understand my necessity to be at church all the time, it's part of my life. As I got older and matured, I knew I needed someone that was going to understand this life in ministry and when I found out that she was a PK too, things started going off in my head like, 'Oh, this could work.'"
Courtesy of Vicky Logan
Their friendship grew even as the miles separating them widened, with Vicky finishing school in Texas, and Cam starting his post-grad life in Chicago. The distance between them allowed the space to be filled with what would fortify their relationship in the long run: deep and intentional communication. Still, the two had to get creative for things to work since, even in the early 2010s, technology still hasn't quite reached its peak, "We were recording videos on the back cameras of our iPhone 3s, we were on ooVoo and Skype. We communicated as much as we could to feel connected even though we were 1000 miles away," Cam says. Or as Vicky puts it, "We were definitely doing the most."
But you have to applaud the effort. Especially when you're young and dating at a distance, since, let's be honest, the innate reflex is to jump straight to the physical. Cultivating verbal and non-physical intimacy was fundamental for the two in their early days, "Since we weren't sexually attracted to each other at first, we were able to develop a natural, non-sexual friendship," Cam shares. "We genuinely talked about our interests and desires. It wasn't just, 'Aye girl, what you got on?'"
This approach laid a solid framework for their relationship because they were (and still are) truly friends, "At the end of the day, she's my homey, that's my best friend. Then you add the physical, sexual attraction and it just elevates how deeply we care about each other," Cam tells xoNecole.
"At the end of the day, she's my homey, that's my best friend. Then you add the physical, sexual attraction and it just elevates how deeply we care about each other."
One of the keys to making love work is building a relationship from a solid friendship. You never really know how important that can be until you're facing a difficult time with your partner, like a global pandemic, and realize there are some things that romance and sex just can't fix. As Vicky shares, you have to truly be in like with each other, "People like to ask me, how do we not get bored with one another? Well, we're friends! Do you get bored with your friends?" she shares laughingly.
The authenticity of their companionship not only beams over the phone but also through the camera. For over 10 years, YouTube has served as a digital archive for Vicky to document everything from ever-changing hairstyles, her colorful style hauls, and witty girl talk videos. So when the two got engaged in 2013, it was only natural for them to join forces to create their own vlog channel, Life With the Logans. As both platforms grew, there was one annual video that their community looked forward to the most: their Marriage Q&As.
Only in 2020, things were different. With COVID forcing everyone inside, Cam and Vicky decided to open their YouTube livestreams for their subscribers to ask them all things love and relationships advice. The response was so great, it springboarded their newest collaboration, the Everything is We podcast.
"We had a really good foundation because we spent a lot of time just being friends. Now, when we go through things as a married couple, we have our friendship to fall back on, it's not like our only connection was sexual or romantic. We had a true friendship where we enjoyed hanging out together, doing things together, marking each other laugh, no matter what we're doing, we're enjoying each other's company."
Courtesy of Vicky Logan/Instagram
On their faith-based, relationship-centered podcast, the two speak candidly about a range of topics from sex before marriage, toxic relationships, love languages, and even gender roles and submission. After 7 years of marriage, the two felt confident enough in their experiences to dish advice on their union from a place of transparency to host honest and open dialogue. "We know each other well enough to give people something of substance. This a 'we' thing, not just a 'me' thing," Vicky shares, explaining the origin of the show.
Creating as a "we" continues to add color and vibrancy to the Logans' relationship, with visual documentation being a vital part of how they keep record of their experiences together and connect with their audience. Vicky grew up with home videos and videotapes being essential in logging her childhood memories, so continuing that tradition was a natural progression for her and Cam's story. "I love documenting our relationship because I can always go back and see our memories happening on video. It keeps me grounded because I can see our progression as a couple," Vicky explains.
Courtesy of Vicky Logan
Documenting your life online for yourself and for the world to see comes with its own set of boundaries. For the Logans, that means staying true to their authentic selves and being present in the moments they share together. Cam expresses that who you are online should always match who you are in private. "I saw people that would vlog and become these public figures, and when they turn the cameras off, they're nothing like that. For me, in everything that I do, I want to be consistent."
Staying rooted as a content creator requires a deep level of self-awareness and routine check-ins with yourself. In fact, Vicky recalls a time early in her vlogging career where she found herself swept away in the process of creating a perfect memory, instead of participating in the moment. "When I was heavily into YouTube, I was vlogging so much, I felt like I have to go back and watch those videos to remember what happened because I wasn't present in the moment." She continues, "I was looking at my life through the lens instead of looking at it as my life. I never want to get back to that point. I try to prioritize being in the moment rather than creating content."
"When I was heavily into YouTube, I was vlogging so much, I felt like I have to go back and watch those videos to remember what happened because I wasn't present in the moment. I was looking at my life through the lens instead of looking at it as my life. I never want to get back to that point. I try to prioritize being in the moment rather than creating content."
When you've been with someone through your 20s and into your early 30s like the Logans have, evolution becomes the third wheel. Over the years, the two have seen each other grow and evolve as individuals with callings that stand alone and complement each other's purpose. Arriving at the place in a relationship where everything is truly about the we and not the me takes sacrifice, time, and the process of "dying to yourself" daily. That means pride and self-centeredness have no place. For the Logans, this required taking the time to learn how to truly love each other the way each person needs to be loved, not the way they assumed they needed to be loved. As Vicky puts it, "I think sometimes people come into relationships a little bit prideful and don't want to change."
But if the common goal is longevity, you have to forgo the "that's just the way I am" mentality. "We know that we're different people, but at the same time, we want to operate as a team," Vicky shares. "You have a partner for a reason: to help you."
Courtesy of Vicky Logan/Instagram
If you follow the #CamToria hashtag on Instagram, you'll find that the Logans are far more than your typical "relationship goals", they're the embodiment of steadfastness. A marriage that hasn't rushed through the years or the moments that they've shared together, but has instead made the daily decision to partake in the witnessing of one another's blooming growth. "My life has changed just by being friends with Cam," Vicky reflects, "He truly loves people and I try to be like that more and more every day."
For Cam, experiencing Vicky's growth has been the greatest honor to witness as a husband, "[Vicky's] ability to literally go after her dreams... I don't know if people realize how difficult that is in a society that trains you to do what people tell you to do." He adds, "She's a boss, but remains humble and loving at the end of the day. She's constantly growing and I'm just happy to be married to her."
The freedom in having an unconventional love story is in the license it gives to a couple to tell a story that's never been told before. Although arranged marriages aren't something that's typically highlighted in the Black community, the Logans exemplify what can happen when you follow the wise counsel of your parents, while fostering the "it takes a village" adage. "I think our community could benefit from the fact that our parents are connected with solid people with solid foundations, values, and morals," Cam says. When you're building towards a future legacy, sometimes the best way to know where you're headed to by trusting the wisdom and guidance of those who have been where you're headed. Even if that turns out to be your own parents.
"I know that when we have children, that's definitely something I plan on doing," Cam says.
To stay connected with Cam and Vicky Logan, check out their new podcast Everything is We on YouTube and Spotify. And follow them on IG via @victoriouslogan and @camlogan.
Featured image courtesy of Cam and Vicky
Aley Arion is a writer and digital storyteller from the South, currently living in sunny Los Angeles. Her site, yagirlaley.com, serves as a digital diary to document personal essays, cultural commentary, and her insights into the Black Millennial experience. Follow her at @yagirlaley on all platforms!
'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock