Pop culture moments in the making are always something to watch, but no one could’ve prepared themselves for what was in store for this year’s Academy Awards. In fact, I hate to bring it back up because it was so annoyingly over-discussed. Still, I’m bringing this to the table again, and ironically, because it doesn’t sit with me how quickly people used this as further proof of Jada Pinkett Smith ruining Will Smith. But, I’m calling bull! It’s one thing to turn on Will (though I don’t agree due to the murky history the Oscars have of uplifting actual predators), but to turn on Jada?
Well, that’s further evidence of my belief that this world is out to get women, especially those who stray from social norms in any shape or form. However, our society has a long-standing history of holding women accountable for the sins or wrongdoing of men.
Time and time again, history has demonstrated that women are expected to not only be pure, holier than thou beings but that when men go astray it is because the woman in his life was a stray arrow. I first learned of this concept in regards to sexuality, but it’s clear like many other aspects of life, that it has a trickle-down impact. Twitter critics came out in droves to crucify Jada because it was speculated that she gave Will a look signaling him to defend her honor, then again because of previous clips of her speaking on their relationship dynamic.
People used this as an opportunity to support their previous arguments that Jada was toxic because she as a woman should’ve willed Will to sit his ass down. They used inaccurate clickbait to have the public believe she had actually spoken against her husband, when in fact, all quotes have been from previous dialogues. While I would love to make this a Black woman issue, this is a woman issue!
This does not negate the fact that this phenomenon may take different shapes when experienced by Black women or be more complicated to navigate. In conversation with xoNecole, Psycho-Historian Shannon Hannaway notes how “blame has historically been shifted to Black women even in instances where the power dynamic in no way reflects the verbiage – even in modern times it is used to describe the events of the past.”
She further highlights Thomas Jefferson and his abusive relationship with Sally Hemings, which has never actually been stated that way in history books. To Hannaways’s point Hemmings, who was a Black slave, is often described as the dead president's “mistress” rather than “a survivor of sexual assault and abuse.”
While purity culture started out as a concept relegated to WASP (White Anglo-Saxon Protestants), I believe respectability politics played a role in Black women attempting to maintain these social constructs no matter how impossible it was due to the controlling images that continued to make a mockery of Black women’s attempts to successfully integrate amongst white women in this way (and many others).
Hannaway says, “Purity culture is very much so a WASP concept, although there are variations throughout the history of this idea, the version we know today in the United States is a direct result of the Cult of Domesticity – a movement that began between 1820 and 1860. To be pure and good was a status symbol for wealthy white women, absolute virtue was a sign of this status and women’s role in keeping the home, raising children, and acting in accordance with purity and goodness.”
“Traditional” womhanood is a farce. Because the femininity script folk speak of when they talk about feminity is a farce created to elevate white women. The purity, piety, domesticity and submissiveness. It is a script.
— Ava Anointing (@SoualiganAmazon) July 25, 2020
However, she pinpoints the tipping point and significant difference as it pertains to the racial piece of our intersectional identities being that “...at this same time slavery was still legal, and even after the Civil War, Black women experienced a shift from formal slavery to near-slavery in the homes of wealthy white women and in fact did a majority of home-keeping behind closed doors.”
Hannaway goes on to add, “White women were afforded the privilege to act in accordance with the Cult of Domesticity, whereas Black women and their families were expected and in fact still considered less than despite the end of slavery. Black women did not have the privilege of spending time with their own families, and [were] blamed for their inability to shift careers and be present in their families. Historically Black people have been treated in accordance with white colonial belief systems that commodify bodies and remove personhood, shifting moral righteousness to white people.”
This circles back to my initial point of Black women being held and expected to maintain the same standards as white women, as they are the pinnacle of purity and exemplify the behaviors that we Black women ought to mimic – yet constantly finding our best imitation to be unacceptable merely because of our Brown hues and the status attached to it.
Hannaway continues, “In the world we live in, men and women are socialized in a way that removes the blame from men and places a disproportionate amount of responsibility on women starting at an early age. Research reflects that as early as elementary school, the notion that boys are underachievers and girls are compliant and responsible begins. This is reinforced from then on every day, as children become teenagers and later adults, these roles within society become reinforced until they are locked in.”
We see it everywhere from the home to the boardroom, where Hannaway says women CEOs are held to more grave consequences than men if and when they fail. And even outside of the company, consumers are less likely to continue to allocate their money in the face of an error made by a woman CEO – further speaking to the collective socialization.
And of course, there are religious roots because aren’t there always?
“Women are even tasked with ‘changing’ men and this is a trope seen in even recent movies such as Failure to Launch, The Kissing Booth, Twilight, to name a few: of note, these are all films with a predominantly young, female audience," Hannaway adds.
I would argue that the sentiment of changing men and controlling, er, reining them in when their behavior is not in alignment with white colonial standards fall within the same vein. You see, apparently, it was more telling of Jada Pinkett Smith’s morality and virtue that she wasn’t able to predict her husband's next move and use some type of X-Men-like superpower to shift his mood for the greater good of humanity.
I am exhausted by this narrative that @jadapsmith is the reason for #Willsmith behavior. She’s not responsible for his behavior or his actions.All the stupid videos on YouTube should the taken down. Jada should sue 4 the toxic & misogynistic things being said about her.
— Ase (@MelaninKemet) April 22, 2022
When I asked Hannaway to further explain the origin of holding women accountable for the actions of men, she shared an interesting finding. “These belief systems and accepted mythologies gave men the ability to blame women for lustful thoughts by association with the paranormal. When a woman was not Christian and white, this belief was even more likely to be acted upon in accordance with the idea that people of color without a Christian God worked with the Devil, and by causing sinful thoughts were surely to blame.”
Even more eye-opening and disheartening was the reality that Hannaway spoke on:
“The oppression of women has historically been a way for men to maintain power and control. It’s worth noting, that because of this societal structure present in the church and in governments, women’s voices have largely been silenced and erased in history. Additionally, women have been the target of violence in the name of assimilation. One argument that makes the most sense, is that women are human beings with the ability to create life and are necessary to the continuity of humanity. To control women is to control life itself. In matriarchal societies, this oppression does not occur in the way it does in patriarchal societies. In patriarchal societies like modern western civilization, women are commodified and objectified.”
Needless to say, there’s so much more to be said on this matter – all of which is interesting because it holds so much truth. Though we can’t possibly get into it all in this one piece, I hope that this raises the consciousness of people everywhere who have managed to perpetuate these acts of misogyny. If change begins with us, I think it’s critical that we as a culture begin to evaluate on an individual basis the way that we interact with patriarchal scripts.
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Motor City native, Atlanta living. Sagittarius. Writer. Sexpert. Into all things magical, mystical, and unknown. I'll try anything at least once but you knew that the moment I revealed that I was a Sag.
Exclusive: Melanie Fiona On Making High-Vibrational Music & Saying Yes To Partnership
Melanie Fiona is back! After taking a little more than a decade-long hiatus, she has officially made her return to music and blessed us with two singles, “Say Yes” and “I Choose You.” While both singles are very different from each other, they both reflect who she is today and the type of music she wants to make. In our conversation, the mom of two expressed what she learned during her time away.
“It's interesting, even when I said it is like coming back, I don't ever feel like I really left because I was always still performing. I've still been public. It's not like I went into being this recluse person or version of myself, but the thing that I really learned in this process is that I think things take time,” Melanie says in a xoNecole exclusive.
“I think often we're so caught up in it, being on the timing of demand or popularity, or, like, striking while the iron is hot and the thing that I've learned is that everything is on God's time. That's it. Every time I thought I would have been ready, or, like, things were taking too long, I had to reship some things, personally, professionally, in my life. I also gave myself permission to make a living, not just make a living, but make a life for myself.”
Making a life for herself included getting married to Grammy-nominated songwriter Jared Cotter, starting a family, and embracing new landscapes, such as podcasting as a co-host of The Mama’s Den podcast. She also began doing more spiritual work and self-care practices like meditation, sound healing, Reiki, acupuncture, and boundary setting, which allowed her to get in touch with her inner voice.
“I wasn't putting out music, and I wasn't experiencing a number one record, but I was being a number one mom,” she says.
“I was experiencing things that were allowing me to heal and get in touch with myself so that I could make new music from a space of joy and freedom, and excitement again because I definitely feel like I did lose some excitement because of just politics and industry and what it can do to your mental health and even your physical health. So giving myself the space to really just say, ‘Hey, it's okay. Everything's right on time.’”
The joy and excitement are felt in one of two new singles, “I Choose You,” which is more of a lovers rock vibe, a tribute to Melanie’s Caribbean roots. While the Grammy award-winner is known for ballads like “It Kills Me” and “Fool For You,” she is becoming more intentional about the music she makes, calling it high-vibrational music. She says her music is a “reflection of my life,” as it captures every facet, from hanging out with friends to riding around in her car.
“Say Yes” has the classic R&B vibe Melanie is known for. However, both songs are inspired by her relationship. Melanie and Jared got married in December 2020, and the Toronto-bred artist dished on their relationship. Fun fact: he is featured in the “Say Yes” music video.
“When we first started dating, I had come into that relationship post a lot of self-work. I had gotten out of a long-term relationship, I had a year and a half to date and be by myself and do a lot of work on myself alone. And when we met, I remember feeling like this has to be my person because I feel it,” she says.
“And so when we went into that relationship, and we started dating, I was very clear. I was like, I know what I want. I'm very clear on what I need, and I'm not going to withhold my truth about myself in this process because of pride or fear of rejection. I know you love me, but I'm coming with my heart in my hand to let you know that if we're gonna get there, we have to put fear aside and say yes. So that was kind of like my open letter to him, which is why the video is us having a conversation.”
Melanie also shares that saying yes to her partner has empowered her in many ways, including motherhood and showing up for herself. Her new EP, also titled Say Yes, will be available at the top of 2025.
Check out the full interview below.
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Feature image by Franco Zulueta
There's something about snuggling up in your favorite blanket and watching a comfort show or movie on Netflix, and what better time to do just that than in December? As the weather outside gets cooler, staying in becomes more of the norm. Thus, Netflix and Chill is a go-to. Luckily, Netflix has released new Black films and series on their popular streaming platform.
From Tyler Perry's historical drama The Six Triple Eight, starring Kerry Washington, to the Will Packer-produced comedy starring Marsai Martin, Regina Hall, and Issa Rae, Little, this season is looking up.
See the full list below.
Little (12/1)
Regina Hall's character is a bossy tech mogul who has everyone scared of her, including her assistant, played by Issa Rae. However, when she transforms into her younger self (Marsai Martin), she learns how to be more kind to others.
Daddy Day Care (12/1)
Eddie Murphy stars in this film as a father who decides to open a daycare after losing his job.
30 For 30 Collection (12/2)
30 For 30 is an ESPN docu-series highlighting some of sports' legendary figures and moments. Some of the episodes include Winning Time: Reggie Miller Vs. The New York Knicks and Celtics/ Lakers: The Best of Enemies.
Jamie Foxx: What Had Happened Was (12/10)
In this special, the multi-talented Jamie Foxx returns to stand-up to give an unforgettable performance.
Blood, Sweat & Heels S2 (12/13)
The short-lived Bravo reality TV series documented the lives of a group of girlfriends making it in NYC. The show starred model-turned-podcaster Melyssa Ford, author Demetria Lucas, and the late TV host Daisy Lewellyn.
The Equalizer S1-3 (12/16)
The hit CBS show starring Queen Latifah is now available on Netflix. Watch the beloved actress kick ass and take names in this popular drama.
The Six Triple Eight (12/20)
The new Tyler Perry film starring Kerry Washington is a true story about the first and only Women’s Army Corps unit of color during World War II.
Christmas Game Day Ravens Vs. Texans (12/25)
While many will tune in to watch the Baltimore Ravens vs. Houston Texans game, others will tune in to watch Beyoncé perform during halftime.
Michelle Buteau: A Buteau-ful Mind At Radio City Music Hall (12/31)
Comedian Michelle Buteau's comedy special will focus on her life with twins, going viral, and much more.
Evil S3 (12/31)
While Evil was unfortunately canceled by CBS, viewers can rewatch the series on Netflix, with season three premiering December 31st.
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Feature image screenshot/YouTube