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The Vital Reminder Pro Athletes Are Giving Black Women About Self-Care
We all have heard the terms "Black girl magic" and "self-care" thrown around a lot over the past few years, and they seem to do this very confusing dance that a trauma-bonded couple might enjoy. What self-care means can depend on the person, their socioeconomic status, their lifestyle, their culture, and their career. And, of course, Black girl magic seems to apply to any woman of color who is wearing that same superwoman cape Karen White very beautifully lamented about in the '80s.
And for many women, self-care is something that has to fold into their desires to hold their households, spouses, and families down or pursue the life of their dreams. If you work hard, achieve, and gain recognition—well, there's the "magic"—then you just throw in a few bubble baths, mani-pedi appointments, and European vacays in there for the self-care checklist, so you don't "burn out."
You might even go a bit deeper into therapy, diet and exercise transformations, 24-7 leisure living, or religious epiphanies. Go off, sis.
Well, I want to give an honor and shout out to the pro athletes who have recently shown many of us a very different version of self-care. Though their actions aren't new to celebrities and high-earning everyday professionals, they've shined a renewed light on what truly matters when one thinks about preserving what's important in the grand scheme of things. The concept certainly takes a whole different turn once sports records, millions of dollars, career credibility, and people's livelihoods are at stake.
I know I might hurt a few feelings with this one, but I'm going to go there: Their latest exercises in self-care on the part of our amazing athletic sisters put the term "Black girl magic" on its heels and sparks a question of identifying what "strong" can look like that many of us don't want to face.
Jamie Squire/Getty Images
Self-care takes a different spin when you think about the power of shaking off the mystical label given to Black women who are simply being excellent, gifted human beings (and should not be solely defined by race or skin tone when talking about our amazingness).
This version allows us to throw that stereotypical, overused, superwoman cape to the side, and really start to look at what being the best version of ourselves requires—no matter what phase of life we might be in.
Take pro gymnast Simone Biles, who was all set to light the Tokyo Olympic games on fire when she abruptly chose to sit this year's festivities out. She already holds records in her sport and is known as a young legend at 24, with more than 30 Olympic and world medals. She faced harsh criticism for her decision and was accused of letting down her team, but she stood her ground, telling reporters:
"I just felt like it would be a little bit better to take a back seat, work on my mindfulness."
She's also decided to focus more on mental health advocacy. For one of the few Black women on her level in a sport that's majority-white, that had to have been a difficult decision, and even beyond the racial aspect, there's this sense that athletes should be able to push through both physical and mental challenges to get the job done.
Just take a look at this story about Serena Williams' Australian Open win while pregnant or this one about a past Venus Williams win at the U.S. Open or this whole list of athletes that have performed—and triumphed—through painful injuries. (My own father played basketball and once completed a whole game with a torn ankle. By the time he got home, his whole leg looked like an elephant's. He shrugged it off, wrapped it, iced it, and was back playing a few days later.)
Sound familiar? As Black women, we're often expected to just bear the brunt of pain or hardship in order to "push through" or reach a certain goal, and even the progressive among us (i.e. me) who tell ourselves that we will not be defined by the echoing voices of our grandmas, aunties, or moms—those voices don't allow for "giving up" or "letting people down"—we still push ourselves to the limit almost by default.
There's a trigger there that says, "Nah, I can't just walk away. I have bills to pay," or "Taking a break is weak. I can do more. That's what it takes to be among the best. I must ride this wave until the wheels fall off and reach success by any means."
And to the sis shaking your head, like, "Nah, that ain't me," just think about that last time you didn't say no to an opportunity because you didn't want to miss out, when that Twitter post, IG photo, or Facebook message didn't trigger a response of wanting to do something that would push a boundary when you couldn't say "I'm busy" to that fantasy bae, or you had to get that 10th toy for your kids that you really couldn't afford. Yea, you, too. You are us, too.
Tim Clayton/Corbis via Getty Images
When Naomi Osaka, the world's second-ranked tennis player, withdrew from the French Open this year to focus on her mental health, she faced thousands of dollars in fines for not completing a press conference in her effort to preserve her sanity. She was publicly shamed and met with doubt, as critics turned on her stating that she was simply making excuses.
It's all "Black girl magic" until you need a day off or a break. Being great at what you do in your career doesn't allow for a sick day or even a change of course, and if you're this super-powered character--as many high-achieving Black women have been pegged to be—you can't really be human.
This, to me, is dangerously similar to those archaic, racist theories about the performance and endurance abilities of African slaves and how they had a "higher tolerance for heat," an built-in "immunity to certain diseases" and "were impervious to pain."
And here comes that trauma-bonding two-step between self-care and Black girl magic yet again. Who needs much self-care when you're a durable, high-functioning, well-oiled, enchanted supernatural creature who's just expected to thrive and survive?
Simone Biles, Naomi Osaka, Serena and Venus Williams, shot-put Olympian Raven Saunders, WNBA stars Maya Moore, Renee Montgomery, and Chamique Holdsclaw—these are just a few of our athletic Black queens who are showing us that self-care means taking the time to step away and advocate for the foundational parts of life that enrich all that so-called "magic."
Their pause-for-the-cause moments haven't diminished their accomplishments, greatness, or legacies—they've enhanced them.
Our mental and physical health and safety anchor us and allow us to be able to be our full selves, whether that means winning trophies, breaking records, making big bucks, or not. And there's no amount of superhuman stereotyping that can deny that.
These women prove that self-care can indeed mean walking away from high stakes and taking a few steps back to address and develop elements of our lives and selves that lend to balance. As Black women, we've got to be inspired by these athletes to redefine what self-care really means for our lives beyond a surface-level, fly-by-night buzzword.
When we lay the incredibly draining pressure of holding "magic" in our bosoms and embrace the vulnerability of our humanity in a way that honors the fullness and balance of who we are and what we're called to accomplish, we can truly reach our God-given potential.
Featured image Tim Clayton/Corbis via Getty Images
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This article is sponsored by Hulu.
UnPrisonedhas returned for its highly anticipated second season, delving deeper into the complex dynamics of the Alexander family.
The series premiere comes a year after its debut season garnered rave reviews from fans and critics and earned record-breaking ratings for Hulu's Onyx Collective brand. UnPrisoned's success can be attributed to its raw, relatable themes and comedic appeal.
Inspired by creator Tracy McMillan's life, the show follows Paige (Kerry Washington), a therapist and single mother whose life takes an unexpected turn when her father, Edwin (Delroy Lindo) --who was released from prison-- moves in with her and her teenage son, Finn (Faly Rakotohavana).
Throughout UnPrisoned's first season, viewers witnessed how Edwin's incarceration deeply affected Paige's life and relationships. In the series, Paige unpacks her trauma through interactions with her inner child and her online followers. Meanwhile, Edwin is overcoming specific struggles with his own past that led to his life of crime, including a dysfunctional upbringing and his mother's arrest. As the Alexanders attempt to reconcile, new challenges arise.
This new season promises to further explore their unconventional family dynamic. Here are several compelling reasons why season two of UnPrisoned should be on everyone's watchlist.
The Alexander Family Life Is Still In Shambles
UnPrisoned's second season resumes where the series left off, with Paige grappling with the fallout from her troubled therapy practice and Edwin navigating life independently after moving out. Meanwhile, Finn faces his own challenges. The teenager is battling anxiety and seeking information about his father—a topic Paige avoids discussing.
The Alexander Family Are Attending Therapy To Resolve Their Underlying Issues
Amid the chaos in their lives, the Alexander family decides to mend their bond by confronting their past traumas. They seek professional help and attend therapy sessions with a “family radical healing coach,” played by John Stamos, a new cast member. This collective effort aims to unravel the complexities of their shared history and strengthen their relationships.
The process of unraveling each character's internal conflicts and their potential impact on future relationships may clash with Paige's textbook therapy approach. While Paige is used to being in the therapist's seat in both career and family, this forces her into the unfamiliar role of a patient during therapy sessions. This shift would compel her to look in the mirror and try a radically different approach.
The Alexander Family Learned A Big Lesson During A Therapy Session
In therapy, the Alexanders are tasked with addressing their individual traumas to salvage their remaining relationships. One of the family therapist’s eccentric suggestions was an exercise involving a family wrestling match. During this session, Paige faces tough questions about her refusal to share information about Finn's father.
While it's unclear whether this scene is reality or fantasy, the image of the family duking it out in the ring certainly makes for hilarious yet compelling television.
Paige Tries Dating Again Following Failed Relationships
Amid her life's chaos, Paige decides to step back into the dating field. However, her many attempts have left her with mixed results. The dating apps have turned out to be a fail, and an outing with her ex Mal (Marque Richardson), who is also her father's parole officer, doesn’t go quite as expected after he brings an unexpected guest – his new girlfriend.
The situation takes an awkward turn when Mal's new partner learns why the former couple split, partly due to Paige's self-sabotage.
UnPrisoned Is A Perfect Balance Of Comedy And Drama
As a dramedy, UnPrisoned takes a comedic approach to its heavy subjects. The show takes us on a ride with Paige's dating misadventures and navigating a friendship with her ex.
Other lighthearted moments include Edwin's attempts at CPR based on online videos and, of course, the antics of the Alexander family's unconventional new healing coach.
The second season of UnPrisoned is now available on Hulu.
UnPrisoned | Season 2 Trailer | Hulu
Feature image courtesy
Blair Underwood Initially Turned Down 'Sex And The City' Because 'It Was About How Samantha Was Fascinated By Dating A Black Man’
Actor and heartthrob Blair Underwood is opening up about why he turned down Sex and the City the first time he was offered a role. Many fans of the HBO series may recall Blair's time on the show in which his character was dating Miranda (Cynthia Nixon). However, he was previously offered another role where his character would date Samantha (Kim Cattrall).
During his interview with AV Club, the Set It Off star revealed that he was uncomfortable with the initial offer due to the character's fascination with him being a Black man.
“I actually did say ‘no’ the first time,” he said. “The first time they had offered the role, to be honest with you, it was about how Samantha was fascinated by dating a Black man and wanted to know if, uh, all of the rumors were true about our anatomy! And I said, ‘Listen, I’m honored, thank you, but I just don’t want to play a character based on race, on curiosity about a Black man.'”
But that didn't stop them from reaching out again. This time he was offered to play Dr. Robert Leeds, the love interest to Miranda and he decided to go for it. "So they were nice enough to call about a year later, and I said, 'Well, is it gonna be about race?' And they said, 'No, no, no, we’re not even gonna mention race!' And I think it really did only come up maybe once," he recalled.
"It did five episodes, and I think Samantha mentioned it once, saying something about 'a Black doctor' that Miranda was dating. And that’s really been a consistent thing in my career: not wanting to be boxed as 'the Black guy.'
"I’ve had that conversation with many producers along the way, and they were so great. They said, 'No, he’s just a doctor who Miranda meets in the elevator, and they have a nice little fling.' And it was amazing."
Blair has had a wide-ranging career playing everything from a lawyer on L.A. Law to playing Madame CJ Walker's husband on Self Made: Inspired by the Life of Madame CJ Walker. And during his interview, he revealed another role that he initially turned down, Set It Off. The movie, which is considered a classic in Black culture, stars Queen Latifah, Jada Pinkett Smith, Vivica A. Fox, and Kimberly Elise. Blair's character, Keith, played a banker and love interest to Jada's character, Stony.
He explained why he said no at first and eventually accepted the offer. "I had initially said “no” to that. Because I was playing this historic, iconic African-American historical figure in Jackie Robinson, and the time, y’know, there was Boyz N The Hood, and Menace II Society was out there, and I’d finished playing this noble Negro… [Laughs]," he said.
"And I’m reading the script, and there’s a scene where Jada Pinkett’s character—Jada Pinkett-Smith now—was going to sell her body so she could make some money to send her brother to college. And I remember, honestly, I threw the script across the room. I was, like, “I don’t want to do this. I want to do something uplifting for the Black culture and Black characters, and I don’t know if I want to see this.”
After a conversation with the movie's director F. Gary Gray and the actor's manager encouraging him to finish reading the script, Blair had a change of heart. What he first thought about the movie turned out to be totally different.
"So I finished the script, and I saw that the character they were asking me to play was really the love story in the midst of all of this turmoil of all of these characters, the four ladies: Queen Latifah, Vivica Fox, Kimberly Elise, and Jada," he explained.
"It was so well-written, it was such a great platform for them. And to be able to play the love story and the storyline that gave Jada’s character a leg up and a way out of this world, something to hope for, to wish for, someone to love her… I said, 'You know what? I’d like to be a part of that.'
"And I’m so glad I did, because that film resonates to this day. People all the time come up to me and say that they love that movie. So I’m glad that I did it."