As Told To is a recurring segment on xoNecole where real women are given a platform to tell their stories in first-person narrative as told to a writer.
This is Roberta Moradfar's story, as told to Charmin Michelle.
I am Santa Monica's favorite face sculptor.
And I love and enjoy every aspect of what I do.
My company is EFFACÈ Aesthetics. We specialize in expert facial aesthetics and beauty and have managed to build a solid business model around what we're most passionate about.
To put it blatantly, I am here to give my sistas the best botox, lip injections, fillers, or a variety of other premium services, to anyone looking to revitalize and refresh—allowing you to glowingly live your best wrinkle-free life.
In December 2019, I had the grand opening of my first full-service medical spa, and it was the most rewarding moment of my career. We have amazing aestheticians that have become a family of bomb women looking to serve you facial rejuvenation on a diamond-encrusted platter.
It takes years to achieve what we have, lots of practice, and ongoing education to keep up with the latest and greatest in aesthetics. And with lots of hard work, my platform is super prideful of our trained artistic eye and thorough comprehension of facial anatomy (blood vessels, nerves, and muscles' locations and functions), all the while having the motor skills to be able to smoothly, yet gently, achieve desired results.
My journey to where I am today, as with all entrepreneurs, was anything but easy.
But struggling with acne since the age of 14 and knowing the psychological effects it can have on any young man or woman, is why I was determined to become invested in skincare. Most importantly: ethnic skincare.
Changing Perceptions & Erasing The Stigmas
I started out as an ICU nurse in New Jersey when I was 22 years old and transitioned into laser and aesthetics just a few years after moving to Los Angeles at 25. I was hired at a well-known laser and aesthetics company based in Los Angeles. I had always loved beauty and skincare, but here, I began to really understand the science of medical grade cosmetic products and treatments. It helped me realize that all the expensive products that I would buy in department stores were just that: expensive products.
For many years, plastic surgery and aesthetics were always geared towards a rich, upper class society. And we were made to believe it's a "white thing" to get your lips and Botox done. There seems to be a lack of trust regarding products and services that claim to be safe for all skin types.
And ladies, why is this? Because graceful aging and rejuvenation is for us too!
Social media has been instrumental in showing and proving that. Celebrities, reality stars, and social media influencers have openly documented their aesthetic journeys, and sharing procedures that help keep their appearances fresh, regardless of race, but especially within the black community. This has influenced the younger generation to become much more open-minded to the idea of aesthetics, no matter ethnicity, and thus encapsulating what I preach every day.
As a result, we have seen an increase in that demographic, where they have been getting procedures like preventative Botox as well as minor enhancements using fillers.
I was actually so happy to see Deion Sanders become the first male spokesperson for Botox—or as I like to call it for the fellas, "Brotox". I especially think it was cool because not only is he promoting aesthetics services for men, but he's also a black high-profile athlete. I believe he has really sparked the interest of men who fear being "feminine" for wanting to follow through on anti-aging procedures.
Maybe She's Born With It, Maybe It's My Work
One of the most frequent components of my line of work, is constant questioning as to which service would be best to those of us who are hesitant to move forward with any face sculpting procedures.
And in response, my comprehensive list of misconceptions vs. benefits came into fruition:
Botox
Misconceptions: People often mistake full-looking lips as having "Botox in their lips" (that would be filler). Another misconception is that Botox makes you look unnatural.
Importance: Botox is a great preventative intervention to premature aging when done conservatively.
Fillers
Misconceptions: inserting a syringe in the lips will give you a “duck" look, or you'll look like the cat lady if you continue getting fillers. Another common misconception is that once you start getting Botox and fillers, it'll look worse once you stop so you're forced to continue.
Importance: Getting fillers usually helps you look more rejuvenated and they often go well when combined with Botox and other non-invasive treatments such as chemical peels or laser resurfacing.
Skin Treatments
Misconceptions: You'll appear to have bleached your skin if you get a peel. Or that chemical peels leave you with burns or that it hurts. Another one is that only one session of a laser treatment is needed for desired results.
Importance: Everyone needs to do at least one peel a year to help stimulate skin cell turnover—you'll have baby butt skin.
Laser Hair Removal
Misconceptions: You have to be a certain skin tone for this procedure, or that you can't have a dark complexion. Another one is that only a few sessions is needed for permanent hair removal. A really common one is that it hurts!
Importance: Laser hair removal is—hands down—a lifesaver! Everyone that has unwanted hair needs to do it!
A Journey Continued
Whenever I feel overwhelmed, I take in a few deep breaths and feed myself positive affirmations. I then follow that up with a little prayer.
Works every time.
I also try to routinely schedule myself for deep tissue massages. Because I have strange body mechanics while injecting, my neck, upper back and shoulders need adjusting from time to time, and I do occasionally see a chiropractor for that as well. I enjoy a good dinner with some cocktails with girlfriends, especially when we haven't had a moment to catch up on what's new in our lives.
I enjoy walks every other day, and my fiancé and I either do yoga together, or he swims laps in the pool for cardio as I watch on drinking a green juice.
Lastly, I read. I love self-care books and right now I'm reading Marie Kondo's The Life-Changing Magic of Tidying Up, and realizing during COVID-19 how all of our "things" really don't matter. So, I think after reading this book, trips to HomeGoods and Marshalls will be a wrap.
—
Fortunately, for my team and I, we haven't seen any affects from our current state of this pandemic, and business is actually booming thanks to our online beauty products—and social media. While most companies are losing money, we have been doing the exact opposite, which we don't take for granted.
As for what's next, we're introducing a team of highly-skilled physicians at EFFACÉ that will add services to our brand. We'll also be bringing on an in-house psychiatrist on weekends that specializes in depression IV therapy (which has been proven to be more effective and safer than medications).
But most importantly, we're going to continue to serve and encourage women—and men—to have the audacity to be fearless in feeling beautiful again.
And we'll do so one chemical peel, laser hair removal session, and Botox injection at a time.
To continue to follow Roberta's journey, you can find her on Instagram at @effacebyroberta.
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
Credits
Director of Content: Jasmine Grant
Campaign Manager: Chantal Gainous
Managing Editor: Sheriden Garrett
Creative Director/Executive Producer: Tracey Woods
Cover Designer: Tierra Taylor
Photographer: Ally Green
Photo Assistant: Avery Mulally
Digital Tech: Kim Tran
Video by Third and Sunset
DP & Editor: Sam Akinyele
2nd Camera: Skylar Smith
Camera Assistant: Charles Belcher
Stylist: Casey Billingsley
Hairstylist: DaVonte Blanton
Makeup Artist: Drini Marie
Production Assistants: Gade De Santana, Apu Gomes
Powered by: European Wax Center
Singer/actress Amber Riley brings the same emotional vulnerability to her art as she does her life—and we are all better for it. The former Glee star and Masked Singer winner opened up about her love life in her recent xoNecole digital cover story, revealing what it took to find the strength to end her engagement and, eventually, find love again.
Credit: Ally Green
Riley first met her ex-fiancé Desean Black, through an xoNecole #MCM post, which prompted her to slide into his DMs and make the first move. After going public as a couple and even appearing together on Netflix's Love That For Us series, Riley and Black decided to call off their engagement. Riley, for the most part, had been mum on the reason behind the split but shared exclusively with xoNecole what led to them ultimately parting ways.
