

“You’re shaming the ancestors by being ashamed of your hair.”
Intimidating words from a natural hair influencer I scrolled past on Instagram. They’re also a thought process I fully believed well into my late 20s – or so I thought.
My early years at Howard University didn’t agree with my lifestyle. My hair was big, but fine. Long, but not flexible. Workable, yet disobedient. Aside from not having time to bargain with mischievous curls ahead of 8 a.m. classes, the peer pressure was on another level. Howard girls have been known to carry themselves in the best-polished light. We’re changemakers in society, but trendsetters on the regular. It’s a vain, materialistic truth that I’m not ashamed to be proud of. So I questioned, who was I to contradict a century-long stereotype?
Natural hair after keratin treatment Courtesy
For years, I fought against getting a perm. Health concerns aside, it just felt categorically “anti-Black.” On the other hand, I was completely over my 4B hair and the disrespect it came with: constant frizz, never behaving, and never blending with my sew-ins. My frustration became a gateway into damaging habits. For a time, I got sew-ins and resorted to perming my leave out just to avoid the hassle. It was desperate (and embarrassing), but had to be done in order to withhold what an HU woman represented.
Moving to Los Angeles birthed an even more empowered version of myself. If you’ve ever been a Black woman living in LA, you know the standard of beauty is very monolithic. Ironically, the shared resentment we have from being mistreated based on misogyny is also what bonds us. Sometimes, it feels like wearing our type 4 hair loud and proud is a boisterous “F you” to society. Unfortunately, that pride comes with a lot of responsibility.
Keratin treatment
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Black women have an unspoken duty to love themselves no matter what. We side-eye women who wear colored contacts. We categorize women who get BBLs. And people with nose jobs or Botox? Straight to jail. It felt impossible to find a safe place to be vulnerable about any of my physical insecurities. Let’s be real. How can you picture something nicknamed “creamy crack” being socially acceptable? Many will say, “it’s just hair.”
But the conversation is bigger than that. Admitting I didn’t like one of the most obvious things that connected me to my culture was a painful reality to accept. I wasn’t allowed to feel or complain about it. I definitely wasn’t allowed to change it because I’d be “giving into the patriarchy’s standard of beauty,” meaning I didn’t love myself. So I forced myself to suffer through self-consciousness, afraid of displeasing MY people. That was until I heard about keratin treatments.
Applying keratin treatment
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Keratin treatments hit the scene in a very dramatic way. Primarily by people warning consumers about the risks that come with it. Many people don’t acknowledge that keratin is a protein that the body produces naturally. The treatment uses a keratin-based product that produces straighter and/or smoother hair (results vary depending on thickness and length). The formula typically has little to no smell, and rather than getting washed out, like the perming process, it’s sealed in with heat using a blowdryer, followed by several passes with a flat iron.
Call it fate (or TikTok’s algorithm), but the hysteria around it was too intriguing to ignore. A treatment that reduces frizz, adds shine, and can loosen curls with reduced breakage as the cherry on top? It sounded like the hair gods were finally listening. I had to get one.
Monica Jones of Beauty by Monica took me into her chair and under her wing. Though she educated me on the misconceptions behind keratin treatments and brought awareness to formaldehyde chemicals, my only thoughts were, is this actually going to work for me? Is this cheating? Can I still call myself a natural hair girly? Then it hit me. Does any of that really matter?
Hair washed after applying keratin treatment
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My hair is mine to do whatever I choose to do with it. Every crown is unique; no one’s is one size fits all. After the first keratin treatment, my confidence blossomed. Yes, partly because my curls were visibly a level looser and allowed more versatile styles. But also because I evolved as a woman. Every relationship changes as we grow, whether for better or worse. I choose to take control of my relationships including the one with my hair. We got to re-introduce ourselves to each other, allowing a clean slate with more patience and compromise.
I threw away the outside noise that made me question my blackness. Embracing my natural hair was considered “living in my truth,” but ironically, that wasn’t the case for me. I was lying to myself and did more harm mentally with the pressures I adopted. We already face challenges day-to-day that are out of our control. We need to be open-minded to people with basically no "c" hair getting braids because “Black people can’t own a hairstyle.” We have to support non-Black women getting surgery to create the physical attributes Black women naturally have and were once called “ugly” for. We’re to be understanding of people getting spray tans cosplaying as mixed race to be racially ambiguous.
Post Keratin treatment
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Meanwhile, dark-skinned women are still getting blocked from certain nightclubs. For some reason, it’s socially acceptable for other ethnicities to not “live in their truth,” but not Black people. The short end of the stick is constantly handed to us by others with the expectation of just being grateful for an opportunity, acknowledgment, etc. If no one’s going to give us grace, we must grant it to ourselves.
There’s nothing shameful about wanting to change something about ourselves, whether it’s internal or external. Black women are the strongest people on this Earth. And while strength is found in acceptance, it also lives in vulnerability and our unapologetic pursuit of pleasing ourselves before anyone else.
Post Keratin treatment
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Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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After Decades-Long Career, Terri J. Vaughn Is Finally The Main Character: Exclusive
Terri J. Vaughn first captured our attention in the late ‘90s as Lovita Alizay Jenkins on The Steve Harvey Show. Decades later, she is starring in her very own series, She The People, which is now available to stream on Netflix.
The political sitcom, which she co-created with Niya Palmer and later teamed up with Tyler Perry Studios, is about a Black woman named Antoinette Dunkerson who runs for lieutenant governor of Mississippi. She wins and becomes the state’s first Black lieutenant governor. Now, she’s forced to balance working with a racist and sexist governor while also trying to keep her family from running amok.
According to the beloved actress, this project was a long time coming. “I’ve been trying to get my own television series for like 20 years, pounding the pavement, meeting with people, getting clothes, being lied to, just a whole bunch of stuff,” she says in an exclusive interview with xoNecole.
“But just keep going, because this is what I do. This is what I love, and I know how important it is for us to continue to show up and make sure that we are seen, make sure that our voices are heard. For several reasons. I just never give up. So here I am, 20 years later, finally sold my show.”
She The People is inspired by the true story of London Breed, who became the first Black female mayor of San Francisco, Terri’s hometown. And to help make the show more authentic, the Cherish the Day actress tapped former Atlanta mayor, Keisha Lance Bottoms to come on as a producer.'“I’ve been trying to get my own television series for like 20 years, pounding the pavement, meeting with people, getting clothes, being lied to, just a whole bunch of stuff."
After bringing the former mayor aboard, it was time to pitch again. And this time, the companies were pitching them. Ultimately, Terri decided to work with Tyler Perry on the series.
“We decided to do it with Tyler for several reasons. I love that. Well, most of the companies we met with were Black-owned companies, but he was the only studio,” she explains. “Tyler is like Walt Disney. That's literally what he is. He has the studio, he has the content. He operates just like Walt Disney.”
And thanks to the cast, the show is nothing short of laughs. The series also stars social media creator Jade Novah as Antoinette’s crazy cousin/ assistant, Shamika, Family Mattersstar Jo Marie Payton as Anotinette’s mom, Cleo, and Terri’s husband, Karon Riley, who plays Michael, her driver and love interest.
While we’ve watched Terri’s career blossom in various ways. From directing to producing, and playing diverse characters, the mom of two says her The Steve Harvey Show character will always be her favorite.
“Well, Lovita was definitely my favorite, especially for my time, the age and everything that I was. Now as a grown ass woman over 50, Antoinette Dunkerson is everything that I've wanted to play. She's everything. She's a mother of two teenagers. She's divorced, so she's co-parenting with her ex-husband. She has to wrangle in a very eclectic family,” she says.
“So I like playing characters that are really flawed and trying to figure it out and doing their best to try to figure it. And she's very flawed and she is trying to figure it out, and she fucks up sometimes. But her heart and what she's trying to do and what her vision is and purpose, it's all for the people. I mean, she the people. She’s for the people, she is the people.”
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