Janelle Monáe On Being Queer: "I'm A Free Ass Motherf*cker"
Amidst breakout roles in film, daring red carpet looks, and constant rumors about her sexuality, Janelle Monáe affirms that despite the opinions of others, the most important opinion is the one that we have of ourselves.
She is primed to transition from telling the story of the futuristic, human-loving android Cindi Mayweather, to telling the personal and, sometimes misinterpreted, real story of a 32-year-old woman from Kansas City, Kansas named Janelle Monáe.
Leading up to the release of her fourth studio album, Dirty Computer—set to drop on April 27—Monáe opens up in FAULT Magazine's cover story about speaking up for the marginalized due to their sexuality, staying present, and why choosing freedom over fear is the ultimate boss move:
This project is about my freedom and challenging myself to live in the present and not in 2719 through Cindi. I feel like I can contribute to the present day and that I should contribute. I'm choosing to live in the now and to celebrate the people that are not celebrated in the present day. I want to honour those living on the outskirts of society due to their sexuality or gender identity. These are people who I love, and that love me but waking up as an American who cares deeply about the American dream and the rights of all people to it, I feel there is too much at stake to be quiet and to mince my words on specific issues.
Monáe reveals that despite many of messages she's previously sent about embracing your uniqueness, she says was afraid that she would lose supporters if she had been completely open and vulnerable enough to tell her own truth. She has seemingly gained a new superpower in vulnerability which comes with a lot of self-love and soul-searching.
There is power in vulnerability, and I think that it needed to start with me. I was inspired by many movies, some of which I've been a part of and the stories I read and people I've met; when people shared their stories with me so honestly, it resonated.
I've been talking about it, but I feel I wasn't entirely embracing the things that made me unique. I was telling others to as part of my music, but I wasn't living it, and I think that I was afraid I would lose supporters for doing so. I had a lot of conversation with myself about who was going to be the subject of the album myself or Cindi, but I'm here now, and I think it's right that I stay in the present and share my story and walk in my truth as fearlessly as possible.
In shedding the persona of Cindi, Monáe is not only willing to live in her truth, she is also embracing the freedom that comes with pushing past the fear of others opinion and embracing this truth as the ultimate compass for her life.
It's not that I don't experience fear, but in those moments, I choose freedom and freedom is not free. Freedom always comes with great sacrifice, and there will be people who say hurtful things and not support me because I'm living my truth.
Monáe says she has already put in the work and is prepared for any criticism that might come. And while she hopes the music speaks for itself, she won't be strangled by anyone else's misinterpretation of her words or her intentions.
I have soul searched, and this time around, I think being honest is most important. It's about being able to say "hey I'm ok if people don't like that I'm embracing this side of me", it's the side that my friends and family get to see and they still love me the same. I think that my evolution is more important than pleasing people and I may not say it right, I might get some things wrong, and I may stumble along the way but was I honest, was I sincere, was my heart in the right place? Yes, yes and yes.
Monae's ability and willingness to be open and honest with not just those around us but with ourselves as well is an incredible message, in and of itself. Self-love is actually a process that can be arduous, scary and time consuming. Sometimes we might not even like what we find out, but it is essential for bossing up. We end up stifling our own growth by spending too much energy worrying about what others might think of our choices and ways of life.
The true measure of self-love is being able to take a look within and defining for ourselves who we truly are at our core.
This may ruffle the feathers of those who have their own perceptions of who we are and who have already placed us in their self-imposing boxes. Time to bust out of that box, because the freedom you receive from caring more about your own opinion of yourself over the opinion of others is both liberating AND empowering.
Monae is choosing fearlessness in all aspects of life and defining herself for herself in more ways than one. Once quiet about her sexuality, Monae has shown us through Dirty Computer how to truly show up and show out for growth and evolution. In a recent cover story for Rolling Stone, the "PYNK" singer came out as pansexual.
"Being a queer black woman in America, someone who has been in relationships with both men and women – I consider myself to be a free-ass motherf*cker."
She initially identified as bisexual, she clarifies, "but then later I read about pansexuality and was like, 'Oh, these are things that I identify with too.' I'm open to learning more about who I am."
I know I, for one, can't wait to hear what Janelle Monae has cooked up with Dirty Computer. No doubt we will be embracing our own "computer viruses" while we stomp it out and break it down like a true "Django Jane" would.
Read the full FAULT Magazine cover story here. Check out the newly released visual for "I Like That," the fourth single from Janelle Monáe's anticipated fourth studio album, Dirty Computer below. The album drops Friday.
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Michelle Schmitz is a writer and editor based in Washington, DC originally from Ft Lauderdale, FL. A self-described ambivert, you can find her figuring out ways to read more than her monthly limit of The New York Times, attending concerts, and being a badass, multi-tasking supermom. She also runs her own blog MichelleSasha.com. Keep up with her latest moves on IG: @michellesashawrites and Twitter: @michellesashas
ItGirl 100 Honors Black Women Who Create Culture & Put On For Their Cities
As they say, create the change you want to see in this world, besties. That’s why xoNecole linked up with Hyundai for the inaugural ItGirl 100 List, a celebration of 100 Genzennial women who aren’t afraid to pull up their own seats to the table. Across regions and industries, these women embody the essence of discovering self-value through purpose, honey! They're fierce, they’re ultra-creative, and we know they make their cities proud.
VIEW THE FULL ITGIRL 100 LIST HERE.
Don’t forget to also check out the ItGirl Directory, featuring 50 Black-woman-owned marketing and branding agencies, photographers and videographers, publicists, and more.
THE ITGIRL MEMO
I. An ItGirl puts on for her city and masters her self-worth through purpose.
II. An ItGirl celebrates all the things that make her unique.
III. An ItGirl empowers others to become the best versions of themselves.
IV. An ItGirl leads by example, inspiring others through her actions and integrity.
V. An ItGirl paves the way for authenticity and diversity in all aspects of life.
VI. An ItGirl uses the power of her voice to advocate for positive change in the world.
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The Champion's Path: How Cari Champion Is Redefining Roles For Black Women In Media
Cari Champion has had many dream jobs. All of them have helped inform what she does and does not want for herself moving forward. “I get more and more curious. My dreams evolve. My desires change,” she said. “And I feel sorry for people who can’t experience that because it’s a beautiful feeling, it’s a beautiful challenge, and it makes you everything that you are.”
When we speak in late April, the journalist and media personality is preparing for a visit to Atlanta for The Black Effect Podcast Festival. The trip would allow her to spend time in a city that she said taught her a lot about herself and working in the media industry.
Champion was still early in her career when she worked for Atlanta’s CBS affiliate news station, where she was fired, reinstated, and subsequently quit after being accused of accidentally cursing on air in 2008. (“I didn’t. They knew I didn’t. I said ‘mothersucka,’” she said of the hot mic incident.) Still, the Los Angeles native insists she only has the fondest memories of her time in the southern city.
“I grew up in West LA, then moved to Pasadena, and those kinds of familial, tight-knit Black groups just didn’t exist. LA is spread out in a lot of ways,” she said. “To me, Atlanta ultimately built this woman that I am today and [is] why I speak so comfortably for us and for Black people. I had to have that entire experience.”
"To me, Atlanta ultimately built this woman that I am today and [is] why I speak so comfortably for us and for Black people."
It’s been 16 years since Champion moved from Atlanta and her career, as well as her desire to center Black voices in her work, has soared. After working as an anchor and court-side reporter for The Tennis Channel, she spent nearly a decade working as a host and anchor on ESPN for shows such as First Take and SportsCenter.
By the time she began hosting Cari & Jemele: Stick to Sports, on Vice TV with Jemele Hill in 2020, Champion had increasingly become determined to shun the notion that only sports reporters and athletes could credibly discuss sports. The Vice show featured guests such as LeBron James and Magic Johnson, but also Pulitzer Prize-winning journalist Nikole Hannah-Jones and Sen. Cory Booker.
At a time when America was reckoning with its racial history, Champion solidified herself as a trailblazer for Black women in sports media, as well as a crucial voice for cultural commentary. Today, she regularly appears on CNN discussing sports, culture, and politics.
Champion is now hosting the fourth season of the podcast Naked with Cari Champion on The Black Effect Podcast Festival, which is a partnership between iHeartMedia and Charlamagne Tha God, a media personality and a friend. “We kind of grew up together in this game. And when we first started figuring out or getting attention on a different type of level than we were used to, we learned a lot together,” she said of Charlamagne. “He put this network together for people who are beginning [and] people who are old-heads in the business. He wanted to make sure that all of us had a voice.”
It’s been an adjustment for a traditional TV reporter to transition into podcasting, but Champion said she’s found the medium to be a “much more freeing world.” When she’s speaking to guests such as talk show host Tamron Hall, singer Muni Long, or retired athlete Sanya Richards-Ross, she can “get lost in a conversation” and embrace a more casual environment than the structure of a cable TV show would allow.
Behind the scenes, Champion’s still doing her part to make sure there continues to be a pipeline of Black and brown women in journalism and beyond, too.
In 2018, she launched the nonprofit Brown Girls Dream and enlisted her celebrity friends to help mentor young women in a way that she felt she was never able to receive in the early years of her own career. “When I was at ESPN, I used to get all these emails from different Black and brown girls in the business. They wanted to talk to me about how they could [have the opportunity to] do the same thing [as me],” Champion said. “It fills my heart to see somebody actually get an opportunity to talk to somebody who can guide them through their career.”
Current Brown Girls Dream mentors include journalists Jemele Hill and Nichelle Turner, marketing executive Bozoma Saint John, and more. “These women are just the dopest ever and they take time out to give back to brown girls,” Champion said. “It’s special.”
When she reflects on representation in sports media roles, the Naked host said she’s inspired by the women of color she sees on television today. “I think women of color are doing great. It’s become more and more common to be on air and be Black girl magic,” she said.
“I think that the next level for us, in terms of Black and brown women in this business succeeding, is having true power over what our words are and what the content is,” she added. “Because, when push comes to shove and we want to really tell a story, we sometimes have to acquiesce, and we can't tell the story the way we want to. The next level is that we actually do have editorial control.”
"I think that the next level for us, in terms of Black and brown women in this business succeeding, is having true power over what our words are and what the content is."
Ultimately, Champion is still dreaming and looking to make an impact. She said she wants to eventually launch her own Black news network. “I would love to have a huge platform that focused on the stories that I think Black and brown women care about,” Champion said. “There are so many stories that are being missed.”
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Featured image Emma McIntyre / Staff/Getty Images