Oftentimes, in the Black culture, we place a high value on independence, particularly when it comes to achievements like getting an education, buying a house, or starting a new business. And this may be because many of us equate success with self-sufficiency. Make no mistake, independence isn’t a bad thing. But I think it’s also important to recognize that neither is dependence.
“I can do it myself.”
That was my go-to response. Even though there were times when I didn’t actually know how I was going to do it. I sure as hell wasn’t going to concede to that idea. There were even times in my warped thinking when I had convinced myself that some people only offered help (usually in the form of money) because they assumed I needed it. And I often did. But I wasn’t going to cop to that, either. I’d figure it out, and once I did, I’d feel so much better about myself. Or so I thought.
I read a meme online that said, "Hyper-independence is a trauma response to not being taken care of well." And on that particular day, it resonated with me in a way I didn't quite expect.
What is hyper-independence and is it a trauma response?
GiphyThe American Psychological Association (APA) defines trauma as an emotional response to a terrible event. This can include the loss of a loved one, physical abuse, or being bullied. In some cases, being the witness to a life-threatening event such as an illness or natural disaster can also cause trauma.
Dr. Joanne Frederick, a licensed professional counselor and a professor at George Mason University agrees that hyper-independence can be a result of trauma and may show up in one or more of the following ways:
- Taking on too much
- Saying no to help
- Having trouble with delegating tasks
For me, agreeing to projects, giving my last, and working full-time while also going to school nearly full-time gave me what I now know to be a false narrative that my self-worth was tied to what I could do rather than simply who I was.
Because of this, I said yes when I should have (and sometimes wanted to) say no. And on many occasions, I declined help from people who could have easily lightened my load which caused me to overextend myself to the point of burnout, emotional bankruptcy, and physical exhaustion.
The thing is, my independence was connected to my pride. Being able to accomplish the things that I did was my way of saying, “Look what I was able to do. Me, a little Black girl who was supposed to be a statistic. I made it on my own.” I didn’t want to demonstrate/depict/portray an image of “not having it together” and for me, that meant doing it without help. Black women are often praised for what many have referred to as “supernatural strength'' and I, like many others before me, bought into this narrative.
At first glance, it seems like a positive attribute until you look in the mirror one day and don’t physically recognize your own reflection because while you were busy trying to be everything to everybody, you forgot to take care of yourself with food and water and sleep. And yes, that actually happened to me.
I didn’t want to admit to the people (at my church, at my school, or on my job) that I wasn’t the superwoman they thought I was. More than that, I didn’t want to admit it to myself. For so long, I felt like the people who knew me, expected me to look, act, and behave a certain way. The way I had done my whole life. And on some level, I feared that people would think less of me if I ever showed that I didn’t.
I’m learning that the difference between independence and hyper-independence is acknowledging your own limitations.
In the past, I never wanted to seem incapable or incompetent and unfortunately, I associated asking for help as a (weakness) character flaw instead of realizing that it actually takes strength to admit when you need advice, guidance, or a helping hand. It’s not a character flaw. It’s actually an honorable trait. It shows humility and vulnerability. It shows that you are human.
Personally, I think social media and social comparison have also influenced my ideas around “doing it on my own” with the “self-made” culture and all. As good as it sounds, the truth is no one and I do mean NO ONE ever made it all on their own and many great leaders in history have said the same.
How to work through your trauma
Journaling For Me GIF by The BacheloretteGiphyThe first thing you’ll need to do in order to work through your trauma is to recognize that you have experienced a traumatic event. This could look like expressing your thoughts through journaling, or talking to a trusted family member or friend. It may also require seeking professional help through counseling or therapy.
You may also benefit from the following tips:
- The next time you feel inclined to resist an offer of assistance, take a moment to examine why. Do you truly not need the help or could delegating some responsibility actually make the situation better?
- Consider what it would be like to let someone else handle the situation. Perhaps that could give you more time with your family or take some time for yourself.
- If you don’t need help on the specific task they offered help on, assess your other duties to see if there are other tasks you could use assistance on.
- Remember that dependence is not bad and that interdependence is the “secret” to getting it all done.
As I reflected on reasons why Black women may experience hyper-independence, I was reminded of a concept I learned in grad school. Relational dialectics is a communication theory that was born out of the philosophical belief of Dialectics, which is used to explain the relationship between opposing thoughts. Basically, Dialectics is the discourse between two different points of view, or in layman's terms, a contradiction. Think of it this way in terms of a Black woman versus a strong Black woman.
On one hand, the “Black woman” is a minority who is used to struggling. And on the other hand, there’s the “strong Black woman” who can do anything that comes her way. Now imagine that you have to prove one idea is true and refute the other.
The theory of Dialectics is a way to help us recognize that both ideas may exist, simultaneously. This "push and pull" ideology dates back to the classical era of Greek philosophers such as Socrates, Plato, and Aristotle. Although called by a different name, the methodology/way of thinking was founded on the idea of two opposing/contrasting thoughts/ideas being so drastically different that they either: (1) determine one to be “true” over the other, (2) find neither to be true or (3) establish both to be true to some extent, resulting in further exploration of either or both sides. With this understanding, it’s easier to see how the two may be interconnected, perhaps even influencing one another.
Similar concepts exist in other cultures, for example, the dynamism of the Yin and Yang. Much like Dialectics, practitioners of the Yin and Yang concept believe “the balance of emotional values in a relationship is always in motion, and any value pushed to its extreme contains the seed of its opposite.” Thus, the study of Dialectics is really about how to have a conversation that leads to truth. This is different from the eristic method, which is when someone argues just to win, and from the didactic method, which is when one person teaches another. Essentially, Dialectics not only teaches us how people argue, but it can also demonstrate how we can learn from each other.
With this understanding in mind, I wanted to examine the relationship between dependence, independence, and hyper-independence. Maybe these states of being aren’t as compartmentalized as they seem. Maybe the act of being independent is having the ability to care for yourself enough to know when it's time to let someone else who also cares, care for you.
“I could really use your help on this.”
For so long, I was the person who said “no,” before I said, “yes.” But I’m learning to say, “This is actually hard but I’m so used to doing things all by myself. I really appreciate you for offering to help.”
And I actually feel stronger than ever.
Let’s make things inbox official! Sign up for the xoNecole newsletter for daily love, wellness, career, and exclusive content delivered straight to your inbox.
Featured image by Getty Images
- I Manifested Becoming A Single Mom - xoNecole: Women's Interest ... ›
- Amanda Seales Black Women Self-Care Wellness - xoNecole ... ›
- Beyonce Motivation Meme You Have The Same Hours - xoNecole ... ›
- Beyonce Motivation Meme You Have The Same Hours - xoNecole: Women's Interest, Love, Wellness, Beauty ›
- 10 Quick And Easy Journal Prompts For Entrepreneurs - xoNecole: Women's Interest, Love, Wellness, Beauty ›
- How To Cultivate Better Self-Worth - xoNecole ›
Also known as The Real Black Carrie Bradshaw for her relentless love of shoes and emotionally unavailable men, DeJa K. Johnson is unapologetic in her pursuits to find love, happiness, and orgasms. A graduate of UA Little Rock, DeJa earned a Master's degree in Applied Communication with an emphasis on Interpersonal & Romantic relationships. She is also the founder of TheBreakupSpace.com, a safe space for men and women who need help getting over the loss of a romantic relationship. To connect, you can find her on all social media @TheRealBlackCarrieBradshaw or send her an email to love@TheRealBlackCarrieBradshaw.com.
'Bel-Air' Actress Jazlyn Martin On Her Ongoing Identity Crisis And Its Influence On Her Creative Journey
Jazlyn Martin is a triple-threat performer known most for her role as Jackie on Peacock’sBel-Air. Her character’s fiery personality and questionable decisions have led to a few shocking moments in the series and quite a bit of convo on social media.
Now, I’ll be honest: as an avid TV-lover, I was well-prepared to hop on Zoom and jump into all the chatter around Bel-Air and her characters’ decisions. But after listening to her new EP Identity Crisis, I knew there was a lot more to talk about as well. During this exclusive conversation with xoNecole, Jazlyn Martin delved into the challenging journey she’s faced surrounding her identity, newfound fame, and family influence, and how it all plays a part in her art. Check it out!
xoNecole: So I know that your father is in the entertainment world, but when did you realize you shared the same passion?
Jazlyn Martin: I think it was very early on. I was a child who was full of attitude and fearlessness that would go after anything I wanted. I believe seeing my dad pursue music made me realize it was possible. I just had this hunger and fire, and my parents consciously fed and nurtured that - they are always all super supportive of whatever I do. So very, very early on, I was like, I'm meant to do this. And I just was like, I'm a star, and I know I'm a star.
xoN: Actually, let's talk about your family. What are some of your most important values, and how have your family and heritage played a part in shaping those values?
Jazlyn: I mean, my mom is like an angel; she's so graceful and kind, and I've had to work hard to get there. When I was young, I was very abrasive, headstrong, and stubborn. Whereas my mom gives an immense amount of grace in the way she carries herself. I had to learn that.
I think being strong is something I’ve always had. My parents always joke that they don't know where my personality came from. Because my dad is shy and timid and my mom is kind, and I'm a fireball. But my Dad always asked the important industry questions like, “Why do you want to do this?” And that instilled some purpose into me. It really carried me to keep going because it's so easy to be discouraged in this field, but that drive has helped me push through all of the challenges.
xoN: I bet. I have such a respect for actors and the way you all navigate the industry. Speaking of, let’s dig into “Bel-Air.” Were you a fan of the show? Did you have to go back and watch the episodes?
Jazlyn: So I actually did watch the show which is crazy because sometimes I don’t. I saw it was a reboot and was like, ‘Oh no, not another one.’ But I watched the first three episodes, realized how good it was, and ended up watching the whole season. I became a fan, and then a few months later, I booked the role!
I think the imagination is such a beautiful and powerful tool, and I feel like if you create something in your mind, it happens. It's a crazy thing, but I really just created Jackie's world - the house she grew up in, her parents leaving her, and everything. I created why she fell in love with dance. I really came at it from a human approach. If I see it, then the audience can see it.
xoN: Yeah, background plays into so much of how we deal with things, how we interact with people, and everything. And I feel like Jackie gets a lot of backlash. Like, we’ve all had a “Jackie Moment” to be real.
Jazlyn: She gets so much backlash! I just encourage people to give her grace and see the God in her because I do think she tells a lot of Black and brown girls' stories. People project on her, saying she’s too ratchet or hood, and I’m like does that mean she’s not loveable?
We have to be careful of what’s said and put out because Jackie has gone through things that I've never had to go through. The fact that she's alive and still highly functioning is a blessing. So what if she gets a little messy? I love her. Because she’s helped me extend empathy to people I don't necessarily want to or don't think deserve to have it. But she's 17, she's figuring it out, and she doesn't have parents. Like, that's such a huge factor.
"We have to be careful of what’s said and put out because Jackie has gone through things that I've never had to go through. The fact that she's alive and still highly functioning is a blessing. So what if she gets a little messy? I love her."
xoN: You mentioned how your character is viewed, which digs a bit into identity. So I want to talk a little bit about some of the emotional songs on your EP “Identity Crisis.” What inspired the track “Perfect?”
Jazlyn: When I was creating “Perfect,” I already had the EP title. So I kind of mapped out, like, the different conflicts I had in my head and categorized them into seven songs, and so one of my identity crises was being perfect. Because I feel like a lot of men tend to put women on pedestals. They're expected to be perfect - especially when you’re in the limelight. You know, you can't slip up. You can't say the wrong thing. Cancel culture is such a huge thing. And I just wanted to encourage people to give people grace to be themselves because that's not an easy thing to do.
I just wanted to take down this facade that I’m perfect because I never pretended to be. I never wanted to be. I think that's something people have placed on me, that I have it all figured out, I think I just carry it well, but that doesn't mean it's not heavy. I just wanted to be very vulnerable and honest. I think people think “perfect” is a compliment, but I think it's a cage because it doesn't allow room for error. It doesn't allow for you to be human and mess up and fail and take risks. So I just wanted to encourage grace.
xoN: Do you ever feel like you went through an identity crisis?
Jazlyn: I go through one constantly. Growing up, I didn't really have one. But I think as you get older and more aware and cognitive, you know how the world goes, and the world starts telling you who you are, instead of you deciding who you are. And I feel like being mixed played a big role in that, not feeling Black or Mexican enough. I wanted to belong to both worlds but didn’t so I was just “other.” That was an identity crisis in itself.
Also, being introduced to a level of fame has been interesting, too. I think we all go through identity crises all the time because we’re evolving and changing. It’s beautiful, but it’s also scary; you see yourself this one way, and then something happens, and there’s a shift. So yeah, I think it’s something we all go through but no one talks about.
"I think as you get older and more aware and cognitive, you know how the world goes, and the world starts telling you who you are, instead of you deciding who you are. And I feel like being mixed played a big role in that, not feeling Black or Mexican enough. I wanted to belong to both worlds but didn’t so I was just 'other.'"
xoN: I love that. And I know Hispanic Heritage Month is coming up, and you'll be speaking at the New York Latino Film Festival. Talk to me about what that moment means to you and what you hope to bring to the event. *Editor’s note: The interview was conducted before Hispanic Heritage Month began.
Jazlyn: I’m bringing some Afro-Latino-ness! I always grew up seeing Latinos being represented in a very specific way—very Spanish, not very Indigenous looking. So I'm really excited to bring the Black experience, with the Latino experience, to the stage because that's something a lot of people don't know exists.
People are always like, “Are you Black or Latina?” Well, I'm both! We were just dropped off in different parts. I’m excited to speak on that and highlight how prevalent anti-Blackness is within Latino communities. A lot of Afro-Latinos have faced an identity crisis because of it, including myself. It sometimes feels like you’re supposed to hate the other half of who you are.
For me, I held onto that little Black girl inside. I refused to let her go. And that’s what I want to represent when I speak—resilience and acceptance of our full selves. I’m also looking forward to meeting fellow Latino people, especially Afro-Latinos, and sharing our stories. It’s not a narrative that gets much attention, and I’m excited to represent.
xoN: I’m excited for you! Finally, with all the praise and recognition you’re receiving now, what has it been like to transition from working in music, dance, and acting to now being in the spotlight? How have you embraced this new level of fame?
Jazlyn: Um, it's overwhelming. I think that's the best word. Sometimes, I'm joyful, because I'm giving back to the community. People resonate with Jackie's stories and see themselves in her, which I think is the biggest compliment to me. But then sometimes, you know, I feel sad because I'm like, ‘Damn, I'm not doing enough,’ like I should be doing more. It's crazy, the industry is so fast-paced that you don't really try to celebrate wins. It's just a transition, an identity crisis of the like.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Featured image courtesy
From NBC Exec To Full-Time Creative Boss: Imani Ellis Shares The Story Behind CultureCon’s Unstoppable Rise
CultureCon, an idea sparked in founder Imani Ellis’s New York City apartment, began as a gathering of support, networking, and fun for 10 friends. Today, the conference—a must-attend for the who's who creatives in media, marketing, and entertainment—has expanded to draw thousands for panel discussions, brand activations, and even more fun in major cities, including Los Angeles and Atlanta. Past speakers include Tracee Ellis Ross, Chloe x Halle, Issa Rae, Spike Lee, Stacey Abrams, and Kandi Burruss.
This year’s event drew more than 20,000 attendees and boasted names like Cynthia Erivo, Yara Shahidi, and Law Roach. Former First Lady Michelle Obama also made an appearance at an event held during the conference week, where Janelle Monáe was the DJ.
“Never in a million years did I think I would get to this point,” Imani tells xoNecole in an interview. “When I invited 10 friends over to my apartment, I thought that was it. We're gonna do a potluck. But we kept inviting friends and inviting friends, and so to have 10,000 people at CultureCon—it's still blowing my mind.”
Jason Mendez / Stringer/Getty Images
The former NBCUniversal executive, now full-time boss, is also the brains behind The Creative Collective, a global resource and community for Black creatives.
“During the first few years, I was the vice president at NBC, you know, really growing there and that team and I also was trying to build CultureCon. And what I really learned was, you know, you've got to have time management. It's not always going to look the same. So, for a lot of days, there were early days and late nights. Early days really were kind of overlapping. And the entire time, I thought, ‘This is just, kind of, like my community-building part of my life. It just kept growing and growing until finally I realized that I was getting to the next chapter of my life, which was doing CultureCon full time.”
The theme for this year was “CultureCon Goes To Camp,” with the imagery and vibes of a “creative adventure.” Attendees enjoyed talks about “the future of Black business,” how to monetize your social brand, and tapping into your “creative genius,” among other empowering topics.
“I think the fact that there is no limit is so exciting. And so we'll say, ‘Let's make the theme ‘Camp,’ and then 11 months later, we're showing up, and it's actually ‘Camp.’ So to see your ideas in your mind and then collaborate with your friends and see it again in real life, I love that experience. So I'm so excited to see all the places where CultureCon can go. In the past, we've done CultureCon Atlanta, we've done CultureCon in LA. This year, we did the first-ever CultureCon on campus. We took CultureCon to HBCU campuses, so the sky is the limit.”
For more on Imani Ellis and future CultureCon events, follow on IG @CultureCon or CultureCon.com.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Featured image by Getty Images