
I Quit A Job After 2 Weeks & It Was One Of The Best Decisions Of My Life

There's that age-old saying that applies to major decisions in your life: "When you know, you know." And when it comes to my sanity, happiness, or financial future, it's a saying that has rung true time and time again. Finding the right time to quit a job is never easy, whether you hate the job, love it but have to move on, or feel indifferent about it.
In my case, I knew that quitting a job after just a few weeks would be a far less painful experience than sticking it out. Continuing in the role, for me, would have led to the digging up of old career wounds and a horrible reversion in the progress I'd made both professionally and personally.
In just a short time at the job, I felt like I was in a nightmare remake of a Christmas classic, except this film would be called, Ghosts of Toxic Workplace Past. It was like allowing my ex to take me on a 10-day baecation cruise. Immediately, no.
And as much as I'm all for giving something (or someone) second and third chances (as I often did in the case of my ex), I'm a huge fan of Black women taking up space by not taking crap in order to prove our worthiness, tenacity, or stamina. As "strong" women, we're supposed to accept that "work 10 times harder" and big-girl-panties mission, even at a job that makes us miserable. Not only are we to survive, but we must overachieve and thrive. As my favorite auntie Betty Wright once said: No pain, no gain, right?
Well, after too many years of that, I now advocate for nipping things in the bud early, especially in matters of the heart and profession and especially when it's to your detriment.
While I don't recommend this as a smart option for every professional, it's a good idea to think through why you'd want to quit a job and when is best to do it. Here are a few red flags that led me to push the resignation button so soon:
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1. From day one, the job description did not match my understanding of the duties.
Keywords: my understanding. I often overthink almost everything in my life, so I definitely asked quite a few questions during the multiple rounds of interviews for the job. I also re-read the description and asked questions via email so that I could get a few things in writing before the actual offer was made. I thought I knew exactly what I was getting into. As someone with almost 20 years of experience in my field, I figured, hey, a few minor things might be adjusted, but the overall expectations of the job, the people I'll be leading, and the nature of the work, won't deviate much---at least not in the first six months.
Wrong.
Immediately upon starting the job, I noticed that not only was I suddenly given an extra team to lead, but the switcheroo was done very casually as if it were normal. I was taken aback and expressed that I was not aware that I'd be taking on managing more people than what was told to me during the interview process. The response: "Oh, it's just..."
Yeah, anytime someone of authority at work uses the word "just," it's a clear dismissal of what it truly takes to do your job, and from my experience, is a key sign that many of your valid concerns related to your job will be dismissed, whether passively or aggressively. And the dismissive responses to your concerns won't end. You'll end up a doormat and out of fear and obligation, take on more work than you have the mental capacity to do well.
You'll grow sick, physically, due to burnout, end up using the few sick days you have simply for a break, have none for when you actually do get sick, then be labeled "difficult" for finally setting boundaries one day in a frenzied act of tears and desperation. (Yep, this happened to me as well, which is why, again, this job clearly wasn't for me. Too many triggers. Too many oh-hell-naw signs to run. It was like being on a date with an ex.)
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2. For me, the actual (well... "updated") job requirements did not match the pay.
Again, keywords here: for me, as in, in my professional opinion based on the job's requirements and market value for the role. Additional team members were added, along with the time, energy, and talent it takes to manage them, with no raise in pay or update on my benefits package. None.
Do I need to say more? I'd worked at major companies and for major brands---proven myself time and time again--for almost two decades, with the career receipts and education to prove it, only to be flagrantly asked to do the extra work for free. And as a Black woman, I found it even more insulting.
3. My "manager" had totally different work experience and credentials that I felt were unrelated to mine.
While this particular person was amazingly welcoming and great at what she did, her talents and skills were for a totally different aspect of the business than mine, yet she was serving as my supervisor. I also learned that she'd floated around to various "management" positions in different departments. She'd been taking on multiple jobs and "helping out" in order to onboard me.
In my experience, I've known that professionals who do this are often either looking to be promoted elsewhere or are the go-to person who takes on tasks nobody else wants to do. I also knew that this was a recipe for disaster, especially if I would be looking for leadership and/or mentorship support in my role.
It seemed to me that this person was simply biding their time until a better opportunity came along or that the person was doing a favor for someone in order to advance in some other way at the company. Also, if the person judging me on my performance does not have the educational or professional background and/or credentials I have, how can they offer a fair and reasonable review of my work, especially in my role as a manager? This, too, just seemed too problematic.
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4. I was given the responsibility to lead a team that was already emotionally battered from previous issues at the company.
During my first few weeks, I knew it would be a smart move to have one-on-ones with the teams I was meant to lead. The company had gone through a series of lay-offs before they'd hired me, and my experience taught me that it's good to get a gauge of where the remaining survivors' heads were at so that I could be of service and approach managing them in a strategic way.
What I found from the one-on-one meetings were signs of disenchantment, disinterest in the questions I was asking, or lackluster responses when talking about what they love about working for the company. One person even seemed to be playing a game on his phone while in the meeting. There were a select few who were enthusiastic, welcoming, and forthcoming, but they seemed to have differing versions of their own roles and responsibilities. And the team members who were positive were newer hires, just like me.
The majority of the team seemed like they didn't even want to be there or as if they'd rather have been talking to someone else, maybe a previous manager who was laid off. As much as I love a challenge, at the time, I just couldn't stomach the idea of having to fight through and win the team members over. I just didn't have it in me. I'd be tasked with not only meeting certain company deliverables attached to my role but also appeasing the hardened hearts of disgruntled workers who'd been working at the company for years.
No, thank you.
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5. I found that I'd constantly have to re-affirm my credentials and skills.
As much as this is often seen as a "norm" at companies, I'd had my fair share and was tired of it. I went solo as a self-employed consultant for this very reason. I would no longer tolerate work environments where I didn't feel affirmed by those who managed me or who had the power to back me up when I'd need to assert authority. I also would not waste my time re-affirming what was already talked about during the interview process and was the very reason I was hired. This happens to Black women in leadership all the time and it not only takes a toll on your mental health, but it doesn't allow you room to grow in leadership.
I've had jobs where I had to test to even make it to the final round of candidates, where I've had to interview with multiple members of small staffs, and where I've had to constantly play along with what's called "micro" aggressions that were very much not micro or small at all.
And yes, I learned all of this after only a couple of weeks in that position.
Years later, I can say that quitting so soon was the best decision of my life. It was scary at the time because I wasn't sure how I was going to supplement my income, but God always comes through for your girl. And it helps that I'm not new to self-employment and the savvy of finding solutions to unemployment.
I went on to work with more freelance clients and made more money than I would have if I stayed at that job. I still have a flexible schedule, I can travel when and where I want, and I'm proud of the work I do, serving women professionals and entrepreneurs as both a coach and a seasoned journalist and editor. The companies I currently work with value my input and my experience and make me feel like a loved member of their fam. While I still face challenges, they're the type that allows me to grow in leadership and learn more about myself and the world.
So, sis, here's your confirmation: Don't wait for things to get worse. Send that resignation email (of course, after looking at your contract or offer letter) today. Stop second-guessing that gut feeling and go for yours. The time is now.
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Eva Marcille On Starring In 'Jason’s Lyric Live' & Being An Audacious Black Woman
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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Ryan Coogler Talks 'Sinners,' Black Ownership & The Deal That Has Hollywood Shook
Ryan Coogler isn't new to the acclaim, he's true to it. With his latest film, Sinners, a genre-defying vampire horror film set in the Jim Crow South, might just be his most personal work yet, and audiences are showing up for it! The film has already pulled in $163 million worldwide after just two weekends in theaters, according to Screen Rant (via The Numbers).
The Oakland-born filmmaker, who rose to fame with Fruitvale Station and reshaped modern cinema with Black Panther, has another bona fide hit on his hands with the R-rated story that blends history, horror, and deep-rooted Black storytelling in a way that only he can.
In a recent interview with Democracy NOW!, Ryan opened up about the inspiration behind Sinners, his longtime collaboration with Michael B. Jordan, who plays dual roles in the film, and why this project marks a turning point in his career.
“It’s ironic because what my grandmother and her mom before her and my mom are known for is their gumbo,” Ryan shared with the outlet. “They cook a style of gumbo that comes from Port Arthur, Texas... and this was my opportunity to make some cinematic gumbo. I took some things that might seem disparate in the description, but I think they go really well together.”
That gumbo? A moody, blood-soaked love letter to the blues, to his late uncle, and to the genre-bending power of Black art. After his uncle passed, Coogler turned to blues records for comfort, describing how it felt like conjuring his uncle’s spirit. That led him to Delta blues, and ultimately, to Sinners.
“Through my research into the music, I learned more about the music industry and how much the concept of genre is related to racism,” he said. “The classification of different types of music… even though it was the same song sung the same way, they were looking at the color of the skin of the person who was singing it and enforcing the apartheid even through the artistic business model.”
The film, in many ways, is his rebellion against that system. “I wanted to make a film that was kinda raging against the concept of genre,” Ryan explained. “Making the audience constantly question, even while they are watching it, whether genre is a music angle or a film angle.”
But Sinners is more than about transcending genres, it’s also a family affair. Ryan's wife and producing partner, Zinzi Coogler, helped bring the vision to life through their production company Proximity Media (founded in 2021 with producer Sev Ohanian). Currently pregnant with their third child, Zinzi remains an essential force behind Ryan’s work and his world. “Zinzi is my favorite person in the world,” he said tenderly.
“I’ve been around her a long time, and it still somehow feels like it’s not long enough. She knows me very well… We’re very different, which is very helpful. We got two different communication styles, two different ways of seeing the world. So in general, if I have an issue-situation that I can’t crack, because she comes at things with a different angle, normally she can crack it very easily.”
Their partnership is as spiritual as it is professional. When asked about how he got into filmmaking in the first place, Ryan reflected on Zinzi’s early support, calling her gift of Final Cut Pro the “kindest thing” anyone has ever given him.
(L to R) Zinzi Coogler and Ryan Coogler photographed at 'Sinners' premiere.
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And while Sinners is a love letter to the past, the business side of it is firmly about the future. His now widely discussed deal with Warner Bros. includes First Dollar Gross and IP ownership after 25 years, something that’s raised both eyebrows and excitement within Hollywood circles. “I’m not the first filmmaker to get any of these deals,” he told the host.
“And Warner Bros is not the first studio to provide these deals to a filmmaker. I think that a lot has been made of my deal in particular. I’m not totally sure why… I have my guesses, but I’ve been in the industry long enough to know what kind of deals are possible.”
When Democracy NOW! host Amy Goodman pressed further, referring to headlines like Vulture’s "Hollywood Execs Fear Ryan Coogler’s Sinners Deal Could End the Studio System," Ryan chuckled and offered a smooth but telling: “I’d rather not say.”
Still, he made it clear why securing that deal mattered:
“As a writer-director, I’ve made over $2 billion in the global box office, I’m not yet 40 years old. It’s taken a lot of time, commitment, energy, and I’ve missed out on a lot of things in my life on films that will always be owned by other people. For this one, because it’s so personal… I asked for a few things that were very important to me… Thankfully, I was able to get those things I was asking for.”
Sinners may be a film about blood, spirits, and survival, but more than anything, it’s a story of legacy.
For Ryan, it’s not just about the art or the accolades; it’s about reclaiming the stories, sounds, and soul of Black America and owning the narrative, both on-screen and off.
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Featured image by Tim P. Whitby/Getty Images for Warner Bros. Pictures