The relationship we have and nurture with self lays the foundation for how we relate to and connect with others in our lives. Assessing the issues that discourage self-love from prospering are key in order to repair and reignite the freedom that comes when we finally believe the words "you are enough." I chatted with self-love advocate and lifestyle entrepreneur Shelah Marie – who you may remember from when her 2017 photo of doing yoga with boyfriend, rapper Ace Hood, went viral. Shelah's mission is to create a movement of total self-love and liberation for women of color through her platform Curvy, Curly, Conscious – a place where "self-help" meets "real talk" through virtual and offline events and retreats.
Shelah opens up about her healing journey and gives tips for others repairing one of most important relationships a woman will ever have: The one she has with herself.
To fully understand how self-love evolves over time, we must start at the beginning – childhood. "I grew up as the only person of color growing in my home..the only Black person in my neighborhood. I was the only one with hair like mine, skin like mine. I couldn't figure out why I was different. My [immediate] family wasn't open to talking about it."
"Because I had fundamentally saw the world through race at a young age...what I saw was a big deal. Everyone didn't look the same and it mattered. I learned to deconstruct the performance of race around me...I was aware of people's emotions and saw things that people weren't saying. I always wanted to create something that I never saw."
Acting, the performance of characters, and storytelling became a passion of Shelah's. Her 2010 move to New York City to enroll in a Master's program at the prestigious Tisch School of the Arts would be the domino that set off a chain of important events in her life. "My experience in New York changed who I was. I learned a lot about other cultures, languages, and how to appreciate the small things. I couldn't afford TV or cable or a car. I didn't have disposable income. I learned to exist on very little. I put everything into my craft."
A Journey Into Self-Love & Self-Healing
Photo Credit: Latoya Osborne
Courtesy of Shelah Marie
From juggling multiple jobs to dealing with seeing her friends "making it", Shelah became severely depressed and her anxiety peaked. "I was always surrounded by people, but I was always alone in my mind. My self-esteem was so low and I started to attract people that reflected that. I attracted men that were treating me in an unhealthy way. One relationship got extremely abusive."
An argument turned into Shelah's then-partner telling her, in front of her roommates, "Yeah, bitch. You're a bitch and I hope I'm the first person to ever call you that, bitch."
Enough was enough.
"I saw myself as a child and I realized the only other person to call me a bitch in front of people was my mom. This is where my spiritual journey kicked up a notch. I told myself that I get it. Whatever pain and hurt that is within me that feels the need to manifest this man to reflect my beliefs at me this strongly...this will never happen again. I will never be at this place again. Whatever I have to do to heal it, I will do. From then on, I put myself through Shelah's school of self."
Shelah recognized that in order to reach her potential, she would have to learn to navigate past the toxicity in her life. Over the next few years, self-healing became her priority. Four important things led the way for Shelah's transformation: Talk therapy, working with a healer, reading, and meditation. This work allowed Shelah to confront the trauma that was hiding in her subconscious. She was committed to equipping herself with the information so she could start to understand what she had been through in life.
Meditation was especially helpful as it allowed her to "get friendly" with herself. "I realized I was an adult and didn't know myself and have never sat with myself. I'd used men, career, work to distract me."
The reality of sitting in and embracing pain is something that many women of color often accept as a part of life, Shelah believes. "'I'ma talk to Jesus. I'ma go to church. I'm going to pray about it...get a new outfit, you'll be fine.' This is what we tell each other. It doesn't work. Black women are comfortable with sharing their pain just from a place of 'This is just how it is.' When I used to listen to a lot of Gospel, I would become addicted to how much pain I would feel. Sometimes we can get addicted to that space of talking about the pain, living in the pain, and being in the pain. That space is part of the process but I'm more interested in moving beyond that."
Photo Credit: Latoya Osborne
Courtesy of Shelah Marie
"Whatever pain and hurt that is within me that feels the need to manifest this man to reflect my beliefs at me this strongly...this will never happen again. I will never be at this place again. Whatever I have to do to heal it, I will do."
How Meditation & Self-Healing Led Her To True Love
Shelah's call for Black women? Listen to yourself. Honor your pain. Allow yourself to heal. Allow yourself to be connected and feel supported from within.
If you're starting out on the journey, Shelah recommends finding a therapist that caters to your needs, listening to guided meditations like The Meditation Mixtape by Shelah Marie, and filling yourself with knowledge. The books that aided her include A Return To Love by Marianne Williamson, Codependent No More by Melody Beattie, Radical Forgiveness by Colin Tipping, and The Four Agreements by Don Miguel Ruiz.
If she really wanted to focus on healing, Shelah knew that she'd have to be radical in how she invested in her learning and the expectations she set for those she surrounded herself with. "My healing was my job, and it still is. Everyone in my [tribe] knows this. Anyone I can keep around...if they are not actively healing, they will be phased out of [my life.]"
Shelah's healing journey allowed her to embrace the unknown when it unexpectedly appeared. She was new to loving herself and having standards in a relationship, when she met her now-husband Ace Hood, a few years ago in New York City. Upon first meeting him after an invite to a New York club during All-Star Weekend, Shelah knew there was something special.
"He was in the back. There were all these women and celebrities around him. [Ace] saw me and parted the divider and went, 'Shelah, hi! I love your videos on Instagram and you're so funny.' He had this big smile and his eyes lit up. I said to myself, 'I'm fucked. If I'm not supposed to go for it, I'm going for it. I don't care what happens.'"
As with any relationship, it didn't come without challenges – especially in the beginning. Though Ace was attracted to her personality and who she was – the two had to learn to coexist and understand their two very different worlds.
"I struggled for a while trying to fit a circle in a square peg and tried to make myself into what I thought a rapper's girlfriend should be. That didn't last long. [I had to understand that] this is who I am. I'm Shelah. This is me."
Though people had questions about how their relationship would work, Shelah emphasized the notion that you can redefine yourself and humans are layered individuals. When Ace became interested in learning more about the benefits of yoga, the two decided to go on a journey together. She saw something in Ace and knew that they could help each other become the best versions of themselves.
Even if you're not in a relationship and find yourself longing for companionship from a partner, Shelah reminds us not to wallow in self-pity. "When I was in NY [before meeting Ace], I was single and depressed. I had to be proactive about the feelings I wanted [and] I'd fuse that into my meditations. Do not leave it in the hands of someone else to provide you with what you need. Date yourself. Do nice things. Look good for yourself! Sometimes I'd get sad [or jealous], but I'd remind myself, 'Man, I feel so supported. I feel so loved.'"
Photo Credit: Latoya Osborne
Courtesy of Shelah Marie
"I had to be proactive about the feelings I wanted [and] I'd fuse that into my meditations. Do not leave it in the hands of someone else to provide you with what you need."
A Call To Black Women & Their Healing
Helping other women of color heal has been the core of Shelah's personal mission and her recent entrepreneurial pursuits as well. She mentions, "As that little Shelah [experienced], I wanted to create something that I never saw. With Curvy, Curly, Conscious, I was responding to what was being given to me. My Instagram started to grow. I did an event, it was a success. Four-city tour, success. Black women believed in me. I needed to keep giving them more. I wanted to produce high-quality, high-level beautiful experiences for Black women to heal and commune with each other because I believe we deserve it. Black women deserve beauty. It reaffirms our humanity."
However, Shelah again found herself having to confront deep fears and insecurities that would have stunted her ability to deliver on her promise.
"The biggest challenges as an entrepreneur have been overcoming all of my individual fears. You know how much courage it takes to take people's hard-earned money in advance for something? You have to deliver. I wasn't a business person. My background was in acting. I had to invite people in [such as bookkeepers to help me.] I had to [overcome] my own fears about not being good enough and not knowing enough."
For others looking to build a brand in the self-help space, Shelah notes that investigating your personal strength is a must.
"What skills do you have that everyone goes, 'How do you do that?' A lot of people try to copy and emulate. The reason my account grew was because my strong suit is sharing my story and talking. You don't have to have a big following to have a big business. Find your zone of genius and follow that. Just because social media is poppin, doesn't mean everyone has to have a page that's popping. Follow what you're good at."
When remembering where this journey all started, Shelah had some words she'd tell her younger self, the little girl struggling to figure out her story. "You're doing great. You're doing really well. It's fine."
For those of us also navigating the fluid waters of nurturing self-love, Shelah says, "We live in a society that is extremely driven. There's a little window into everyone else's life now. There's Instagram and Facebook. Sometimes it looks like everyone is moving at 100mph and you're just moving slow. Don't watch what everyone else is doing. You are doing fine, too."
Our self-love journeys are not monolithic, but one thing is true for us all: Growth is possible.
For more of Shelah, follow her on Instagram.
Featured image by Latoya Osborne
Originally published on February 13, 2019
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock