
What Does It Mean To Have A 'Fatty'? Can You Do Anything To Change It?

If you’re curious about what inspired me to write on this topic (because it is kind of random, if I do say so myself), the backstory is this: while preparing to go on vacation, a friend of mine, who recently lost an impressive amount of weight, still wanted to cover up her bangin’ body and pretty swimsuits with several sarongs…and it was mostly due to just one thing.”
“Shellie, look at how big she is. She’ll have me looking crazy out here.”
What Is the Mons Pubis (and Why Do We Stress About It)?
I can’t tell you how much I rolled my eyes as I looked down to where she was pointing; by the title of this piece, I’m sure you can just about guess who “she” was: her vagina. Well, more specifically, her labia. Wait — let me get even more specific than that: hermons pubis, which is the fatty part of the female body that covers up the pubic bone. The reality is, although every woman has one, some do have more “meat” on them than others (just like some women’s labia have more skin than others), and, depending on how “thick” that part is, it could make you a bit self-conscious. I can, if you let it, that is.
What I’m hoping will happen is that, after you read this, you won’t let it, though. Because, honestly, while there is beauty in every woman’s rareness, from head to toe, if you do happen to have a “fatty,” I don’t know what in the world you’ve got to be ashamed of. Straight up.
First, for the People in the Back: a Fatty Ain’t a FUPA and a FUPA Ain’t Belly Fat
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Because there is something that I far too often hear about this part of our anatomy — and because it does seem like many folks are all over the place when it comes to this — I want to put something else on record before we get deeper into the whole fatty thing. What I am referring to is literally what I said in the intro: a fatty is a part of your body that you would see in the very front of your bikini bottom as you’re walking around. This means that no, I am not referring to FUPAs, which is an acronym that stands for Fat Upper Pubic Area because that is not where a fatty technically resides.
A FUPA is part of your lower abdominal region that is roughly an inch or two below your belly button and also a couple of inches before your bikini line. None of that goes into a bikini bottom, so it doesn’t qualify (I mean, even Beyoncé referred to her own FUPA as a “mommy pouch”). Oh, and while we’re here, having a larger tummy area is also not a FUPA. The part of your stomach that is above your belly button doesn’t fit the bill and the sides of your stomach don’t fit the bill either; all of that is simply your stomach.
Yes, it’s important that all of this is stated because I can’t tell you how many social media posts I’ve seen where the FUPA seems to be getting taller and wider by the day to the point where it’s taking up half of women’s bodies at this point. Uh-uh, chile. Okay, moving on.
Next, Everyone’s “Kitty” Is (Somewhat) Unique
If you’ve heard somewhere that vaginal plastic surgery is on the rise, you would be correct. Back when I used to tour with an organization that got people out of porn and sex addiction, one thing that I learned is there are some women who will want to alter the appearance of their vagina because they’ve seen a porn actor (I prefer that phrase to porn star) whose vagina — well, vulva because that is what you can actually see — who they thought was aesthetically-pleasing; due to that, they made a doctor’s appointment to duplicate it.
Although it should go on record that other women will get something like a vaginoplasty in order to “tighten up their vagina” (like, say, after childbirth) or a labiaplasty to remove excess skin that may be uncomfortable for them, there are some women who will also get one to get rid of their fatty (more on that in a sec).
To the ladies in the last category, it’s important to remember two things: surgical procedures always come with a certain amount of risk; therefore, you need to find out as much as you can about a labiaplasty before getting one. Two, every woman is unique; this means that, to a large extent, so is her vulva and her mons pubis. Y’all, it really is time out for us thinking that looking like toy soldiers is what makes us beautiful because the reality is that our differences are what make us so exquisite.
If you don’t believe me, check out Healthline’s “What Do ‘Normal’ Labia Look Like?” In it, you will see nine pictures of different types of labia. And you know what? Even with those shots, like each snowflake or fingerprint has subtle differences to them, so does your own genitalia…and that’s a good thing. It’s a part of what makes you…YOU. And why wouldn’t you want to be yourself over copying the image of someone else? C’mon now.
Third, You Can’t Do Anything to Lose Weight in One Area Alone
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And what if you’re over there on some, “Yeah, yeah, Shellie. Can I get this fatty down or not?” To be totally frank with you, the answer is “mostly no.” What I mean by that is, there isn’t really any type of weight loss regimen (via exercise or diet) that you can do to only lose the weight where your mons pubis is.
That said, there are certain things that you can do to burn some calories and ultimately transition some of the fat in that area over to muscle. Some of the exercises that can assist you in that department are located here and here. Also, if you’re like my friend and you’re trying to go swimming in something that you can feel good about, you may want to try wearing a reversible swimsuit.
The reason why is that those tend to be made from a stronger fabric that is able to hold and support your fatty better than other bathing suits can. Also, as far as the style of swimsuits goes, ones with a high waist for the bottom are ideal because they will give you more coverage, plus a lot more support.
Finally, there is a surgical procedureknown as a monsplasty that can remove excess fat or skin. Again, it is surgery, and overall recovery time is somewhere around 4-6 weeks (and you can’t even soak in a tub for three of those), so you need to think long and hard before making that type of time, health, and financial commitment.
Also, Fatties Are Bomb. Why Would You Want to Change It?
As someone who has somewhat of a fatty myself, someone who has talked to men about what attracts them to women (on the physical level) and heard them bring up fatties quite a bit (where do you think the saying “more cushion for the pushin’” partially comes from?) and also as someone who has seen pictures of women with fatties in lingerie and bathing suits and found them to be sexy AF, I promise you that I don’t get why, if you have one, you don’t feel exceptionally blessed.
Since I also know that genetics play a role in how our genitalia ends up looking (although it should go on record thatfluctuating weight and hormones can influence the size of your fatty to a certain extent too), it’s generationally passed down, it’s a part of your signature look and, I’m willing to bet some pretty good money that if folks are staring, it’s in awe not disgust.
All this to say that, why spend extra money and unnecessary stress on trying to change something that makes you who you are and is absolutely nothing to overthink or have anxiety over? Hell, if you’ve got a fatty, embrace it. It’s sexy more than anything. Ask others, if you don’t believe me. Real talk.
Now put that sarong back in the closet and get ready to go swimming — without it!
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It's kinda wild that, in 2025, my byline will have appeared on this platform for (what?!) seven years. And yeah, when I'm not waxing poetic on here about sex, relationships and then...more sex and relationships, I am working as a certified marriage life coach, helping to birth babies (as a doula) or penning for other places (oftentimes under pen names).
As some of you know, something that I've been "threatening" to do for a few years now is write another book. Welp, October 2024 was the month that I "gave birth" to my third one: 'Inside of Me 2.0: My Story. With a 20-Year Lens'. It's fitting considering I hit a milestone during the same year.
Beyond that, Pumas and lip gloss are still my faves along with sweatshirts and tees that have a pro-Black message on them. I've also started really getting into big ass unique handbags and I'm always gonna have a signature scent that ain't nobody's business but my own.
As far as where to find me, I continue to be MIA on the social media front and I honestly don't know if that will ever change. Still, if you need to hit me up about something *that has nothing to do with pitching on the site (I'm gonna start ignoring those emails because...boundaries)*, hit me up at missnosipho@gmail.com. I'll do what I can. ;)
'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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