Oftentimes, when I'm asked to list three things that aren't discussed nearly enough in marriage, I typically say something along the lines of 1) people who are hypocrites in their relationship in the sense of expecting from their spouse what they aren't prepared to be or give themselves; 2) folks who don't make friendship a main focal point in their relationship with their partner; and 3) individuals who don't get that, just like there are "seasons of sex" in long-term relationships, there are also, what I call "sexual growth spurts" that individuals experience too.
An example that immediately comes to mind is a couple I know who are basically sexless at the moment. A big part of the reason why is because the husband is arrogant. Oh, and lazy. What I mean by that is, he truly believes that since he is "packin'", that his wife should automatically be satisfied. Their situation isn't all his fault, tho. She admits that when they were dating—and even during the season of them living together—"bang, bang, bang" sex (you know, the kind that consists of subpar foreplay, not much intimacy and next-to-nothing afterplay) was cool. However, as she's gotten older and matured, that simply doesn't work, for her, anymore. He thinks she's trippin'. She thinks he's selfish. There is clearly a huge disconnect. It's an entire mess. Unfortunately, it's also not rare.
It's been heavily reported that 15-20 percent of marriages are considered to be sexless (this means that the couples in them have sex less than 10-15 times a year). But I'm not sure how much it is explored that a part of this could be due to the fact that one person is in one place sexually while another is someplace entirely different; that one person has had some personal epiphanies while the other has not…at least not yet. And, if that is indeed the case, if it is true that one partner has indeed encountered a sexual growth spurt while their partner has not, what should they both do? If the "growing one" is you, here are some suggestions to hopefully get your sex life back on track.
Get Clear About Where and How You’ve Changed
I'd have to say that about 70 percent of the time, while I'm in a session with a couple, I'm reminded of why poor communication is a leading cause of divorce. The reason why I say that is because, sometimes it can take hours' worth of meetings, just to get to the root of what their issue is. For instance, whenever one partner shares how "over it" they are, I ask why, and they say something along the lines of, "I'm just not the same person anymore" and then I inquire, "In what way?", you should see the look on their face when they can't figure out how to explain what they mean. Well shoot, if you don't know how you're different, how is your partner supposed to adjust to your changes and how can I help to facilitate that shift?
If you're doing this life thing correctly, you're supposed to be ever-growing and evolving, yes, even sexually. But if you don't know how to convey in what ways you are doing that, there's not much anyone can do to help you out; your partner included.
That's why, the first thing that I recommend is taking out a few hours to do some serious sex journaling. Reflect on how you were when you first became sexually active, when you first got with your partner, and the way you are now. What was it about how you were 10-15 years ago that may be totally different in this moment? Also, what about your relationship with your partner—both inside and outside of the bedroom—has changed to the point where your sexual needs and wants have transitioned too? Clarity can help to bring forth productive conversations between you and your spouse, which is always a good thing.
Express What Your Sexual Needs Are Now
There are a lot of conceited partners out here in the world. Oftentimes, that conceit translates into being patronizing and condescending as hell. Listen, just because you may be in a different headspace when it comes to sex, that doesn't make your partner "less than". It doesn't necessarily or automatically mean that you've "elevated" either. It simply means that your needs are different now and so you desire different things in order to be sexually fulfilled. That's only fair. But as you make strides to convey this point to your partner, it's important to not approach them in a way that makes them feel like you are somehow "above" them.
That is what I had to tell the wife of the couple that I mentioned earlier. Just because she wants more foreplay than she used to, doesn't make her husband a bad lover all of a sudden. The reality is that she's older than she used to be; menopausal too. Her hormones have shifted and that oftentimes requires more foreplay in order to get fully aroused. For a few months, she decided that the way to bring this up to her husband was to tell him that his approach to sex was "immature". What partner wants to hear that? Plus, it's not even true. Her body is different now. Full stop. Simple as that. Her sex life now needs to meet her where her body is.
That's just one example, but I think you get my point. A good lover is going to want their partner to be pleased, even if what it takes to do that is very different from what they are used to. But the only way that a lover can remain great is by receiving clear, concise and kind communication from their partner. Have the talk. Just make sure to deliver where you're currently at in a way that still makes your partner feel good about himself, the relationship and your sex life.
Accept That Sometimes We Grow At Different Times—and in Different Ways
Something that I really respect about healthy married couples who've been together a decade or more is the fact that it represents what it means to stay together, even if, as individuals, you're growing at different paces. In fact, I think that's what a lot of couples who break-up mean when they say, "We've grown apart"; for whatever the reason, they weren't able to master how to find the balance between remaining committed as a unit while still allowing each other to flourish as individuals…especially if it's in different ways and at different times.
Hormonal changes. Spiritual evolutions. Books. Therapy. Practices like orgasmic meditation and erotic self-focus. Time. All of these things can play a direct role in you coming to a new place about what works for you sexually and what doesn't.
What's important to remember, during your own sexual growth spurts, is your partner may be in a totally different place than you—and there is nothing wrong with that. A successful relationship is all about compromise. It's important to accept that while he may need to adjust to your "new normal", you may also need to be open to the fact that certain aspects of your sex life with him, to him, should remain the same.
Be Lovingly Patient
As far as relationships go, the word "patient" is, hands down, one of my favorite words to apply in sessions. While most of us automatically associate it with waiting, the definition that I like is, "bearing provocation, annoyance, misfortune, delay, hardship, pain, etc., with fortitude and calm and without complaint, anger, or the like". In the context of this particular article, let's go with the words "annoyance" and "delay". When you have recently encountered a sexual growth spurt, it's important that you bear with the annoyances and possible delays of your partner learning how to adjust to what you now need without complaining or getting angry. Whew!
Here's an example. A woman told me that, for years, she hated receiving oral sex (I know, right? What in the world?!). But something that therapy revealed to her was she associated cunnilingus with a guy from her past who left her devastated. See, it wasn't so much the act that she didn't like; it was that she didn't want to "open herself up" in that way to someone else. Not receiving cunnilingus was basically a wall that she built to keep emotional pain away. Once she came into that revelation, she basically started demanding it from her partner. Meanwhile, he is not a big fan of oral himself so, what used to be a mutual understanding for them (it didn't need to happen), it had now become a point of contention.
No one should feel pressured into doing something, simply because their partner up and changes their mind about it. Just like you've had to get used to your areas of growth, your partner will have to do the same. If he cares about you, he will. But in the meantime, meet him halfway and be patient. Don't complain. Don't get angry. Just help him get used to what your needs now are.
Remember That Good Sex Is Always About Establishing a True Connection
When it comes to sex, no matter what page you're on vs. your partner, the key is to make sure that you're still in the same book (hopefully, the same chapter too). And hopefully, what it's based on is making sure that an emotional connection continues to transpire. Sexual wants and even sexual technique both play a very essential role in establishing a truly lasting and fulfilling sex life. So long as both of you, both feel like you're in this thing—which, in this article, I mean the bed—together and you both want to please one another, the sexual growth spurts that come along the way will figure themselves out.
Life is all about growth. Bedroom action is not exempt from this fact. Keep growing, sis. Just make sure to keep your partner abreast, lovingly so, along the way.
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Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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