

Our culture's growing willingness to discuss mental wellness with such openness has inspired the popular concept of self-care, which basically means "treat yourself". But consciously caring for oneself isn't just spa-days and long naps. It's also cutting "negative energies" out of your life. It's turning off your phone and going M.I.A. for days. It's ghosting without having to deal with confrontation. It's a lot of things that are considered selfish if anyone were to do it to you.
Before I go any further, I want to make it clear I'm not critiquing what self-care actually is, which literally means taking care of your emotional and mental wellbeing. Nor am I making light of those real moments when self-preservation is truly the only remedy for mental distress. I'm challenging pop culture's version of the practice.
The internet be like...
When I flake on people: It's OK to cancel last minute. It's OK to not explain why. It's self-care. :-)
When others flake on me: How toxic! How selfish! I DON'T NEED THAT KIND OF NEGATIVE ENERGY!
If you let social media tell it, self-care is all about the "You". Concern and regard for anyone else be damned.
Now, when I say "you", I'm not actually talking about you. "You" in this sense is an entity, a singular unique being whose importance ranks higher than anyone else's. Yet, somehow we are all this "You" and we expect everyone to recognize that we are the one and only "You" who matters.
Hop onto Instagram and you'll find countless memes that encourage people to drop friends who don't support them but hardly any messages that encourage people to support their friends. Your energy is ~sacred~ and anyone who disturbs Your energy (or just isn't fun to be around, tbh) is toxic. By this logic, we're all pure and toxic at the same time, we are all right and wrong, and we all undoubtedly deserve the love and support we believe others should earn from us.
We demand the very things we don't think we need to give back.
There's this message that suggests we're all living in a world where only Your existence is valid and everyone else is some sort of simulation whose sole purpose is to affect Your life. If we're all operating from such a self-serving point of view, how can we expect anyone to serve us or our needs? Social media's version of self-care is me-centered in all the wrong ways.
If I'm starting to sound all preachy, allow me to step off the soapbox and give a full disclaimer:
Self-care is one of my favorite excuses for whenever I don't want to deal with shit.
Adult responsibilities too hard and confusing to accomplish right now? I'll take a bunch of BuzzFeed quizzes instead, in the name of self-care.
Weird vibes in my sorta hopeful situationship? Cut all ties and move on without a word, in the name of self-care.
My fitness and health goals staring me in the face, begging me to just learn some discipline? Order some greasy Chinese takeout, in the name of self-care.
Need to address a pressing issue with a friend that could possibly lead to an uncomfortable conversation? Ignore the phone call, in the name of self-care. I can go on, but I think I've dragged myself enough.
As a person who struggles with anxiety and depression, checking-out is my way of checking-in. I can disappear for days, cutting off all communication with the world, if I'm really going through it. This coping mechanism is a result of me being a people pleaser and constantly spreading myself too thin. It feels good to take a break. It even feels good to ignore everyone else and focus on my issues. As I learn to be kinder to myself and set aside some me-time every now and then, I'm realizing the purpose of self-care should not be self-indulgent.
The whole reason behind taking care of yourself is to make sure you're the best version of yourself to help and serve others in the world.
There is a fine line between self-care and selfishness, and that line is defined by perspective.
I've straddled this line, sometimes falling on either side. I usually figure out which side I am on by how my self-care affects people in my life. Of course, we all know not everyone will appreciate our self-care. Not everyone will understand why you can't be available for them whenever they want you to be. But the way to gauge whether or not your self-care is selfish is to ask yourself if your actions are actually hurting anyone, or rather (if you want to keep it really real) if your actions are just rooted in resentment.
I think the whole "me-first, me-only" kind of self-care is steeped in bitterness. It's usually done in spite or to provoke a reaction from someone; and it definitely doesn't serve our best selves. I've experienced this on both sides — one side being the one doing selfish shit, and the other being on the receiving end of selfishness.
I've had someone I was really close with walk out of my life without explanation. Things had gotten weird between us — chemistry was off, unspoken tension. I addressed the awkwardness, which led to more awkwardness and just like that, I was cut off. No texts or calls. Not even a "Happy Birthday" for when the time came around.
A year later, I heard from the person who finally chalked up the friendship exile as misplaced anger disguised as self-care. Whatever they were going through, they felt as if I was a reason or reminder of their issues — those issues still existed without me by the way. (As they say, it's never really about you and it's never really about them. Our issues are our issues alone.) According to their words, they felt like hurting me would heal them — it didn't.
I'd be remiss if I didn't admit that I've also done something similar to others. Sometimes when we are under a lot of stress, we find blame in spaces it does not exist. Example: I'm unhappy because my loved one's life is going great and mine isn't. It's not fair. I suddenly don't like them.
Cutting your folks off or being rude to them will never fix your issues — at least, it can't be the only fix.
Self-care requires self-evaluation and self-work.
On the flip side, we also can't take the distance personally. Even if it's rooted in resentment, it could possibly be best for the person as they navigate their own healing. What if every time we felt someone was being a unsupportive or absent from our lives, it was really just them practicing self-care? What if the reason your mate was being distant and weird wasn't because of toxic energy but because they're dealing with heavy stuff they are unable to share? Imagine if every time your friend flaked on you or didn't call to check-in, they were busy caring for themselves (and maybe even hoping you'd check in on them). Why is it only self-care when You do it?
This world can feel very lonely and it's very easy to focus on our own problems in a way that makes it seem like they're the only ones that exist. But the truth is, everyone has stuff going on, everyone feels pain.
We're always going to be the protagonist in our story and we can only view life through our own perspective. Most of us probably believe we're on the right side of all situations. Most of us probably even believe we're the only ones who put the needs of others before our own.
But generally speaking, we are all givers and takers in some way or another, and I think it's worth evaluating what exactly are we giving too much of and then set boundaries from there.
Of course, no one needs permission to practice self-care; this isn't what this article is about. However, there should be a way of managing our relationship with the people in our lives and with our self without compromising either. For me, it comes down to communication, consideration, and checking my intentions. Am I ghosting this person because they truly are toxic to my mental health or am I trying to prove a point? Does my friend actually know why I'm pissed? Am I communicating my issues or am I unfairly assuming they already know? Is this self-care practice making me a better person? Are my actions burdening someone else?
I believe that recognizing that everyone has their own perspective elevates emotional intelligence and helps us better understand our relationships. No matter what you do, even if it's something as wonderful as catering to your own needs, there will be a consequence. For example, deciding to turn off your phone and skip an important meeting can be a great day for you but an awful and stressful day for your team. Being good to yourself doesn't have to mean being shitty to others. It would be ironic otherwise.
Why not grant each other the same peace we desire? Your boundaries, your "no's", your "me-times" are meant to make you a better, happier, healthier human being who can then have the capacity to deal with other human beings.
Your self-care shouldn't have to come at the expense of another's.
xoNecole is always looking for new voices and empowering stories to add to our platform. If you have an interesting story or personal essay that you'd love to share, we'd love to hear from you. Contact us at submissions@xonecole.com.
Originally published May 27, 2018
Featured image by Shutterstock
- A Simple Guide to Self-Care - The Atlantic ›
- What Is Self-Care And Why Is Self-Care Important? ›
- The Millennial Obsession With Self-Care : NPR ›
- This Is What 'Self-Care' REALLY Means, Because It's Not All Salt ... ›
- Practicing Self-Care Is Important: 10 Easy Habits To Get You Started ›
- The importance of self-care | TED Talks ›
- 45 Simple Self-Care Practices for a Healthy Mind, Body & Soul ›
Kadia Blagrove is a NYC-based writer for all things life and culture. You can check out her work on KadiaB.com and catch her tweets @KazzleDazz.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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