
From TMZ To Access Hollywood Live: Nina Parker Is Proof That It's Never Too Late To Follow Your Dream

It was 2007. Nina Parker—depressed and tired of answering phones as a call center agent for Verizon Wireless—cashed in her two weeks worth of vacation the following day, and drove to Los Angeles from Sacramento with a few thousand dollars in the bank and no place to live.
At 27 years old, she was starting over.
“My mom was like, 'You know you don't have to do this. You're in your 20s. You have a degree,'" Parker says. “I wasn't married nor had kids. She was like, 'I don't understand why you're suffering every day.'"
It's not that she was completely unsure of her passion in life. She grew up turning cardboard moving boxes into television sets, interviewing fellow classmates about their thoughts on drugs, and gaining valuable experience as an intern at a local news station. The San Francisco State graduate even had a job offer right out of college at NBC in Las Vegas, but turned it down in hopes of snagging a coveted gig as an MTV VJ. She packed her bags for New York City but quickly learned that a degree isn't a guarantee for immediate success.
Photo Credit: Nina Parker
“I was fresh out of college, arrogant, and they were like, 'Girl, you don't have any experience to do anything like that'," Parker says. It's hard to believe that the Access Hollywood contributor who got her big break as one of TMZ's first on-camera talent once struggled to find a job and shied away from the camera.
Hustling Hard
Parker arrived in L.A. with a dollar and a dream and was working as a temp in television when she got word that a new celebrity gossip site was hiring. Without hesitation, she submitted her resume despite her lack of experience working in entertainment news, and was offered a position as a runner. At the same time she was also up for a full-time opportunity with Paramount, who she had been temping for, but despite the pay being more, she chose the position that appeared to be less logical.
"I had to go where I felt I was going to be the most true to myself."
“At the time it was half of the money that I was making being in a corporate job, and I was like I want to do this because it spoke to my spirit to be there. I had to go where I felt I was going to be the most true to myself. I had decided when I moved to L.A. that I wasn't going to let money be a deciding factor for anything. I was okay with struggling for the short term to get a long-term goal that I knew would pay off later," says Parker.
A couple of weeks into her new gig, Parker was fired. “I was a horrible runner," she says. “I was really late with tapes and I didn't know most things Angelenos knew so I was really slow. Harvey [Levin] basically fired me and said that I didn't know where I was going, so I went to the bathroom and I cried."
Her instinct—and her ego—told her not to give up. After apologizing to the managing editor and expressing interest in writing and producing, she was brought back on as the writing PA, and within four months was promoted to producer. But it didn't come without its sacrifices. Working in a start-up entertainment company meant 12-hour workdays, including weekends and holidays.
“I didn't have a line for how hard I was willing to work," says Parker. “Sometimes people turn that switch off like I only want to work 40 hours a week, and to me if you're chasing a dream, you're always working on your craft. If you're not at a job all day, you should do something that day that benefits your craft. If you can outwork people, you're already winning because there are a lot of people who are really smart that aren't where they're supposed to be because they refuse to put in the work, and it's not going to be 40 hours a week."
While she excelled in her new position, Levin had another plan for the humorous and outspoken Parker, and found her to be a perfect candidate for the TMZ pilot show that they were shooting. But Parker, still battling with the insecurities of her 70-pound weight gain during her time in Sacramento, politely declined.
“I was very insecure, and basically you have this little Jewish man giving me this Black power speech where he's like, 'You have a voice, there's other black women that need to hear you, I think you can relate in a way that people understand. You're not afraid of me. You like to debate, and we need you on the show so I'm not really asking you that was just a courtesy, you're doing it.'"
Photo Credit: Nina Parker
As Levin predicted, Parker was a star in her own right, breaking stories and being a part of a new wave of reporting where people no longer relied on traditional television for their entertainment news—even if it meant spending 12-hour days outside of courthouses and hospitals hoping to be the first to catch a celebrity-sighting.
“I had gone from having to clock in and out to use the bathroom to being able to be free and do something that was entertainment," Parker says. “I'm bringing back this tape that's being watched by millions of people, so it was enough to motivate me to stay on that path. It was a crazy job to be coming out of Verizon Wireless, but it was refreshing to me after feeling like I wasn't in my purpose to now feeling like I wasn't doing what I wanted to do 100% but I knew I was on the path."
The Glow Up
Before hitting the set of Access Hollywood, Parker takes a few minutes to get her hair and makeup touched up, but she remembers when just a few years ago she couldn't afford to even get a touch up because her hustle was more important than her hair.
“Oh I died, I died!" she says with a laugh, sharing that she often sacrificed being social while living paycheck to paycheck. “It was hard. I had moments where I was at a check-cashing store."
Having a minimal budget meant that she had to get creative, such as hosting game nights with friends in lieu of going out, and finding side hustles to help make ends meet. “Ultimately I started getting involved in other projects and so it was like now I have multiple streams of income, so gradually it just got better and better. The buildings went from a bad neighborhood to a gated community. It definitely changed, but I had to be patient."
Parker's patience paid off as she began to build notoriety as a face of TMZ. But after five years, it was time for a change. She left the show in May 2011 without a job or an agent, but she did have valuable relationships that she had cultivated over the years. After taking time off for the summer she reached out to a Vice President at CBS through social media, who informed her that The Insider was looking for an Internet reporter. By the fall, she had secured a new contract.
"If you're good to people and they see you working hard, they give you opportunities that not everybody would have."
“This is why you have to network because in the real world you can't just hit up the VP of a network. If you're good to people and they see you working hard, they give you opportunities that not everybody would have."
While the position required Parker to be the face of their website, Parker made it her mission to also be involved in the television meetings, where her unique perspective as a woman of color caught the attention of the higher-ups, who began booking her for shorter segments before offering her a television correspondent contract just a few months into working with the show.
“Sometimes you have to go in a place and if it's not necessarily the job that you want initially, you have to create it. You have to meet with the people inside and get them to respect you with your opinion and your work and you're able to translate that into something that pays off in the long run."
Photo Credit: Nina Parker
After a couple of years she left The Insider and went on to host the Love and Hip Hop: Atlanta reunion as well as begin contributing to Access Hollywood Live. But more visibility also meant more criticism. “They're like who is this girl think she is as if being curvy eliminates me from having an opinion? As if a gap in my teeth means I'm less intelligent. As if because I don't have makeup on means I can't be passionate about my people."
It forced the woman who was once too shy to be in front the camera to turn her insecurities into empowerment. “I was like I don't care what this person says. I'm going to be on your TV and I'm going to tell you how I feel," she says. “You can say whatever you want, but every time you turn on the TV at this time you're going to see my face and you're going to hear my take. I can't imagine allowing the opinions of people I don't even know to affect my day to where I can't function properly. I wish I would let a stranger have that much power over me to determine my success. You're going to watch me get all of these checks."
"I can't imagine allowing the opinions of people I don't even know to affect my day to where I can't function properly."
Standing her ground and being a voice in an industry where women of color are few has given Parker a new purpose.
“I didn't have a lot of black women in this industry, as far as television news, that I could look up to and be like I want to do that. So, for me, it was important to be like, 'We don't have to get on TV and agree with everybody else. We don't have to agree with mainstream media, we don't have to placate anybody.' You can come and say what you have to say if you have a strong opinion and not offend anybody and give them a different point of view to look at. My experience, that's all I can speak about. I can't speak about a white experience. I had people in the community tell me how proud they were that I held my own."
Staying true to who she is and her vision has opened doors in ways she only once dreamed about. This year, you can catch Nina as a guest host on E!'s The Daily Pop and covering red carpets at The SAG Awards, Grammy's and more.
For someone who pressed the reset button on her career at a time when many are just settling into their positions, Parker is proof that there is no age limit to finding and walking in your purpose.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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Patricia "Ms. Pat" Williams has always marched to the beat of her own brutally honest drum — and that’s exactly what makes her so magnetic to watch. Whether she’s making us laugh until we cry on The Ms. Pat Show or now laying down the law on her courtroom series Ms. Pat Settles It, the comedian-turned-judge proves time and again that there’s nobody quite like her. Unfiltered, hilarious, and real to the core, she’s made a name for herself by turning her life’s journey — including the pain — into purpose.
Now in her second season of Ms. Pat Settles It, airing on BET and BET+, she’s not only delivering verdicts — she’s dishing out life lessons in between the laughs. The show feels less like your typical courtroom drama and more like your outspoken auntie running a court session at the family cookout, complete with celebrity jurors, petty disputes, and a whole lot of real talk. xoNecole sat down with Ms. Pat to talk about her wildest cases, balancing motherhood and fame, and why sleeping in separate bedrooms might just be the key to joy.
CASE CLOSED, BUT MAKE IT CHAOS
If you’ve ever tuned in to Ms. Pat Settles It, you already know the episode titles alone deserve awards. But when we asked Ms. Pat which case stood out most, she didn’t even have to think twice. “There was this one woman — Shay — who got out of federal prison and was working for her old bunkmate. But the bunkmate didn’t want to pay her!” she says, chuckling. “That girl came in the courtroom like a firecracker.”
It’s moments like those that remind viewers Ms. Pat isn’t just bringing the laughs — she’s giving people a platform, even if it’s a little messy. And if her court ever gets turned into a real-life franchise, we need Shay on the promo posters immediately.
WHEN THE CELEBS SHOW OUT
It’s already hard enough to get a word in with Ms. Pat running the show, but throw in a celebrity jury featuring Tamar Braxton, Ray J, TS Madison, and Karlous Miller? Whew. “I don’t even try to control them,” she laughs. “Thank God we have something called editing.” According to her, behind the scenes, things get wild — but that chaos is part of the magic. “People only see the cut-down version. What you don’t see is all of us losing it in real time.”
Still, Ms. Pat makes it work. The courtroom becomes a stage, but also a safe space for guests and jurors to show up as their full, unfiltered selves. “It was a wild season,” she explains. Let’s be honest — if your jury looks like a BET Awards afterparty, you might as well let it rock.
IF FAMILY COURT WAS REALLY A THING
Ms. Pat might wear the robe on screen, but at home, she’s still managing her own wild bunch. When asked what kind of case her kids would bring into her courtroom, she burst into laughter. “Oh, they’d be suing my oldest son for eating their food,” she says. “You know how you have that one roommate that eats up everybody’s food? I can see my oldest son getting sued for that..”
And let’s face it, we’ve all either been that sibling or have one. Ms. Pat says moments like that — the everyday family squabbles and real-life irritations — are what make her courtroom show so relatable.
THE VERDICT SHE WISHES SHE COULD REWRITE
Ms. Pat is known for keeping it real, even when the conversation turns serious. When asked if there was one “verdict” in her real life she’d change, she pauses for a second before answering. “I wish I had graduated high school,” she admits. “All my kids went to prom and I took all of their high school diplomas.”
“I wish I had graduated high school,” she admits. “All my kids went to prom and I took all of their high school diplomas.”
It’s a rite of passage in most Black households — your diploma doesn’t really belong to you, it lives at your mama or grandma’s house like a family heirloom.
HOW SHE STAYS GROUNDED
Between filming TV shows, headlining comedy tours, and running a household, Ms. Pat makes it very clear: she will find time to rest. “People swear I don’t sleep, but I do — I just knock out early and wake up early,” she shares. “And sometimes, I’ll just sit in my car.” She’s also a big fan of solo naps and mini getaways when things get overwhelming.
But one of her favorite forms of self-care? Separate bedrooms. “Me and my husband don’t sleep in the same room. That way, when I don’t feel like being bothered, I go to my space,” she laughs. She’s also found a new love for facials. “They’re addicting! I don’t need a lot — just sleep, a facial, and a little quiet.” Honestly? That’s a self-care routine we can get behind.
FROM PAIN TO PURPOSE
Ms. Pat’s story is one that’s deeply rooted in resilience — and she’s always been transparent about how her journey shaped her. Her advice to other Black women trying to turn their pain into purpose? Speak up. “You have to tell your story,” she says. “Because once you tell your story, you realize you’re not the only person that’s been through that situation.”
She adds that sharing your truth can be one of the most powerful things you do. “When you give a voice to pain so many other people who have that pain gravitate to you,” she says. “To heal, you have to speak out loud about it. What you keep inside is what eats you up.” Coming from someone who built an entire brand on truth-telling? We believe her.
WHAT’S NEXT FOR MS. PAT?
While Ms. Pat’s got her hands full with Ms. Pat Settles It and her comedy show, she hints there’s much more to come. “I got some stuff poppin’ that I can’t even talk about yet,” she teases. “But just know, like Kendrick [Lamar] said, we about to step out and show ‘em something.” That multi-genre deal with BET and Paramount is clearly working in her favor — and she’s not slowing down anytime soon.
She says one of her proudest moments in this chapter of her career is seeing things she once dreamed of finally come to life. “In this business, you never know what’s gonna work or what’s gonna stick. But now I’m working with a network that really understands me — and that’s special,” she says. “I feel seen. And I’m just getting started.”
Whether she’s in the courtroom cracking jokes or catching up on rest in her own sanctuary, Ms. Pat is living proof that success doesn’t have to come at the cost of authenticity. She’s rewriting the rules in real time — on her terms, in her voice, and for her people. As she continues to turn pain into purpose, laughter into legacy, and everyday mess into must-see TV, one thing’s clear: Ms. Pat is in her prime. And we’re lucky enough to watch it unfold.
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