xoNecole's I Read It So You Don't Have To is a recurring series of self-discovery that breaks down self-help books into a toolkit of takeaways and tips that are meant to assist you in finding the best life you can live. Take what works for you, and leave everything else where it is.
At the beginning of the year, I knew I wanted to: 1) Prioritize myself and my dreams like never before and 2) Strive for authenticity in every aspect of my life. What I didn’t know was that in a few months, roadblocks would materialize, and old wounds would resurface. What started as well-meaning declarations slowly morphed into misguided attempts to chase after my dreams and show up for myself in the process. I felt overwhelmed by the unrealistic expectations I placed on myself and burnt out over balancing my responsibilities.
My belief in Jesus Christ is paramount and who I turn to first, especially when it comes to healing, but I’m also an advocate of therapy and utilizing positive resources that support my personal growth. I figured I’d try a resource that could complement my journey of inner work, provide insight into my personality, and remind me of the joy and peace that is within me.
So after ignoring the self-help and personal development aisle in the bookstore (I’m a fiction type of gal), I opted for Yasmine Cheyenne’s book The Sugar Jar: Create Boundaries, Embrace Self-Healing, and Enjoy the Sweet Things. As an educator, speaker, and mental-wellness advocate, Yasmine provides a thoughtful and impactful approach to healing and recognizing patterns in our lives that drain us.
Here are 7 takeaways from her book to embrace healing and practice self-care.
Care for Your 'Sugar Jar'
Cheyenne likens our body and mind to a jar. It represents who we are and how we present ourselves to the world. Within the jar is our sugar, or as she writes, “all the sweet parts of you.” It can be represented as our time, our energy reserved for the activities we care about the most, and our gifts/expertise. To prevent the sweetness in our lives from spilling out or from being given away frivolously, the lid on our jar serves as a boundary.
Caring for our jars, or our very essence, is more than placing them in a safe environment.
Through regular check-ins, we maintain the integrity of our jars. For instance, to recognize a sugar leak or a relationship/responsibility that drains our time and peace, we can pay closer attention to our needs and enforce boundaries to protect ourselves. We can change the size of our jars to hold more or less in our lives depending on the season we’re in. Most importantly, we can fill our jars by prioritizing self-care.
Prioritize Presence Over Performance
As a recovering people-pleaser, I often struggled with my desire to belong in spaces while showing up as my whole self. I would perform based on the expectations of those around me and find my worth in their praise of my performance. I would ignore red flags and pretend that I was okay to avoid having tough conversations. It was as if I wore a mask, shifting it in place or ditching it altogether, depending on who I was around. Performing in these ways drained me emotionally, physically, mentally, and spiritually.
Yasmine says that agreeing to perform is another way of saying, “I believe that who I am isn’t enough.” Instead of acting on the internalized belief that I have to be someone else to belong, I prioritized being fully present as my true self, even if it was uncomfortable.
I paid close attention to the suggestions presented in the book and began to:
- Recognize that it’s okay if I don’t fit in everywhere
- Acknowledge my emotions and desires even if it differs from those around me
- Cast imposter syndrome aside
- Refuse to downplay my successes
Know the Difference Between a Boundary and a Barrier
Boundary setting gets a bad rap. Often we view it as selfish or a way to bend others to our will lest they kiss a relationship with us goodbye. Cheyenne defines a boundary as “the rules or structures that we put in place that manage the way we interact with the people, places, things, and commitments that we have in our lives.” Boundaries help us communicate our needs and how we intend to show up in the world around us. They also keep us safe and protect our mental health. However, in an attempt to protect ourselves from experiencing pain, we sometimes build a barrier that ends up keeping good things from entering our lives.
For example, a boundary could be explaining your needs to a friend after feeling as though you aren’t a priority in their life. A barrier could be ending the friendship the moment you’re disappointed and swearing off getting close to others in an attempt to avoid future disappointment.
It can feel intimidating to set boundaries with people who might have constant access to you or even to set boundaries with yourself, but starting small is key. Here are a few tips to get you started:
- Say yes to opportunities that align with who you are and your beliefs
- Decline an invitation if you know you need to prioritize rest (or if you simply don’t want to attend)
- Ask yourself what you’re comfortable with and communicate it
The Sugar Jar helped me realize that letting go is an act of self-care. For most of my life, I held onto perfectionism and the notion that I needed to earn my worth. I could understand when others fell short of my expectations, but I would mentally berate myself if I missed my mark. I didn’t give myself the space to make mistakes and was far too tough on myself. I came to realize that holding space for myself when I am less than perfect means that I am human. And most importantly, I recognized that even with my flaws, I am enough.
Letting go also meant releasing the version of myself I’d outgrown without guilt. There were iterations of myself that existed for specific seasons. One version existed when I was content with playing small and believed that I didn’t have what it took to achieve my dreams. Another version needed to be in control 100% of the time to feel safe. I found joy when I realized that I could appreciate who I used to be but realize that there’s no shame in evolving.
Lean Into Acceptance
I used to bypass the inner work I needed to complete in my life by focusing on others. I wore my ability to encourage and counsel those around me as a badge of honor and poured so much energy into watching them transform. It’s no wonder I would feel frustrated if they chose a different path or if they felt content operating in a way that I didn’t agree with. I learned that acceptance doesn’t mean tolerating poor behavior but meeting people where they are.
Once I learned that it’s not my responsibility to change anyone (especially a person that doesn’t believe a change is necessary), the pressure I once felt decreased. Leaning into acceptance meant I recognized that we all have different capacities and timelines for growth.
Simply put, once I started to accept others for who they were I started to focus on my growth.
Dismiss the Urge To Be the “Strong One”
As I mentioned earlier, I derived a lot of pride from pleasing others. Not only did I lack boundaries, but I also played into the societal pressure to be strong 24/7. After all, wouldn’t I be liked even more if I showed that I could handle any and everything? Wouldn’t I prove I’m a great wife, mother, friend, and daughter if I supported my loved ones at all costs? I was wrong. Even worse, I had embodied the Black Woman Trope even though I knew better.
I justified my actions because I pegged myself as the “strong friend,” the “reliable daughter,” or the “super mom.”
There’s nothing wrong with exhibiting strength and showing up for loved ones, but this book gently reminded me that even the “strong ones” need support too. Consider the following questions that were posed in the book if you’re fighting the urge to constantly show your strength:
- Does someone’s need for me help me feel stronger, validated, or necessary?
- How can I be strong and worthy of connection without fully supporting everyone else’s weight?
Gauge Your Healing
It would be easy to gauge our healing if it presented itself as a simple cut on the hand. We'd watch the blood begin to clot and the skin around the wound seals itself until nothing but a tiny scar remained. Unfortunately, there's no clear-cut path to healing from the wounds we cannot see. The good news is that we can assess our healing by checking in with our emotions and taking stock of the improvements we've made (big or small).
Cheyenne says, "Just because you've learned some tools, it doesn't mean you won't have fears, intrusive thoughts, or concerns about choosing the 'right' things for yourself." There are no magic pills to take and no finger snaps that can erase the negative feelings associated with healing. But we're aiming for progress, not perfection, as we heal. So, for example, if you've struggled with setting boundaries, you might see that you are healing when you finally communicate it. You might still feel nervous about the action, and it might not even come out as smoothly as you want it to the first time. You'll notice you're healing even more when you're able to communicate your boundary with ease and can enforce it.
Embracing the intricacies of our healing and shedding parts of ourselves that no longer serve us takes dedication and a lot of work. But even as we work towards being a better version of ourselves, we can still experience the sweetness the journey has to offer.
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Amber Riley Is In Her Element
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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Janelle Monáe's Reveals The Real Reason Why She Stopped Wearing Her Signature Tuxedos
Singer and actress Janelle Monáe exemplifies how change can be a powerful catalyst for growth and transformation.
Monáe, who rose to fame in 2010 following the release of her debut album, The ArchAndroid, captivated fans' hearts with her powerful vocals, catchy tunes, and style. Around that time period, when various female artists were known to wear provocative ensembles on stage, the "Tightrope" songstress set herself apart by wearing her signature black and white suits and continued to do so for almost a decade.
In the later years of her career, after the release of her studio albums The Electric Lady in 2013 and 2018's Dirty Computer, many began to notice the shift in Monáe's artistry and fashion, which some widely praised.
Although the now 37-year-old rarely addressed the reason behind the transformation over the years, that would all change when Monáe sat down with radio personality Angie Martinez on her IRL podcast earlier this month.
During the interview, Monáe --who was promoting her latest album, "The Age of Pleasure"-- opened up about her mental health struggles, how she would cope, and why she chose to live in freedom.
Janelle On Why She Stopped Wearing Her Signature Suits All the Time
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In the May discussion, the "I Like That" vocalist revealed she suffers from anxiety, which she claimed would occur around "winter to spring."
Monáe added that when she has her bouts with anxiety, she tends to turn to food as a coping mechanism. Further in the interview, the "Lipstick Lover" singer disclosed that her emotional eating habits caused a weight fluctuation and that she could no longer fit into the suits she once wore earlier in her career.
Monáe explained that even though she tried to diet and exercise to return to her smaller figure, she ultimately stopped and made peace with herself with the help of therapy because she acknowledged that she isn't the same person she was nearly a decade ago and shouldn't try to be even if it was a highly "celebrated" version.
"I'm petite, but it can get thick... When I couldn't fit them suits anymore, and I was like, 'Oh my God, what is going on?' I would be dieting, running, or exercising, trying to fit into [it]. I'm just like, 'No. No, we're here. This is where we are.' We [are] not about to be utilizing life trying to be an old version of ourselves. No matter how celebrated that version of me was. I'm here. I'm here," she said.
Janelle On Freedom
As the topic shifted to freedom and what that meant to Monáe, the "Primetime" vocalist shared that in this new era of her life, she enjoys it because she can boldly express herself however she wants and honor who she is as a person right now.
Monáe also revealed that she had found ways to become a better artist and the best version of herself because of her freedom.
"What is the new version of freedom? What does that feel like? That's usually when I feel the most free is when artistically, I can honor exactly who I am right now," she stated. "I feel most free as a human when I can honor exactly who I am right now."
Monáe's fourth studio album, The Age of Pleasure, is set to be released on June 9.
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