There's not much in this world that I love more than queen muva, Helen Folasade Adu. My mother used to tell me that she would have her sing to me when I was in the womb, which may be why her music has followed me from adolescence into adulthood (where she absolutely blasts regularly). Additionally, I grew up often hearing that sultry voice blaring throughout the house, as it was common for Sade Lover's Live DVD to be playing on infamous, clean-up Sundays. Sure, most of Sade's songs were created and released before I could even walk, but of course, that never mattered, her music always managed to translate regardless. And her lowkey aesthetic and dark, sexy, timeless, indie style-of-music, always seemed to hit the spot. Each classic: unmatched. Her voice: subtle, but powerful. And the melodies: carefully crafted just enough to get lost in.
In an era of hair bands, adult contemporary power players, a hip-hop uprising, and androgynous stars such as Bowie, Prince and Elton John, Sade showed that they could compete; compete as a black woman fronting white musicians, something never really seen before in it's time. Not many in this world make the caliber of classics that she has sung, yet her intentional and notorious out-of-the-spotlight persona, directly cheated our ideas of fame, and with it all, she is still one of the most beloved, brilliant, and important crooners of all time.
Recently, the queen and her band, Sade (because remember, Sade is the actual band's name), released an anniversary box set which is a collection of the band's six studio albums. That's right ladies, Diamond Life (1984), Promise (1985), Stronger Than Pride (1988), Love Deluxe (1992), Lovers Rock (2000), and Soldier Of Love (2010) have all been remastered and compiled into a career-spanning vinyl box set complete with a very detailed, intricate remastering process (girl, stop all that screaming!)
This Farwas released on October 9 through Sony music, and arrives on the heels of the 10th anniversary of Solider of Love's initial release. And as its title hints, the collection marks a milestone, but also suggests there's more to come. #crossesfingers
We wanted to take a moment to list out each album included in This Far to discuss the impact, history, and our favorite Sade songs on that album. So, if you haven't already, grab that wine and throw on Sade, sis, because we're vibing in here today!
Diamond Life (1984)
When Diamond Life hit stores in July of 1984, it changed the landscape. The record blew open an already vibrant rhythm and blues scene in the UK, where the band is from, and helped to dominate it as capable of standing shoulder-to-shoulder with its American counterparts. Further, Sade's rise to prominence cemented that a woman of color fronting a band of white male musicians, could be a persuasive platinum seller as much as any British music such as The Beatles, Sting, etc.
A 1985, New York Times article, and a sure reflection of the times, said about the album:
''Diamond Life'' has already sold just under a million copies in England (the equivalent of three million in the United States) and has spawned three international hits. The star of the group is a self-possessed 24-year-old singer-songwriter of Nigerian and British descent, named Sade Adu, who was born in Nigeria and brought up in the English coastal resort town of Clacton. Stunningly photogenic, Miss Adu possesses a dusky, haunting pop-jazz alto whose blase sensuality perfectly matches her sleek appearance. As an icon of a ''new pop elegance,'' Miss Adu already has the American fashion press stampeding after her."
With classics such as "Smooth Operator", "Cherry Pie", and "Your Love Is King", Diamond Life, has sold over 10+ million copies worldwide, becoming one of the top-selling debut recordings of the era and the best-selling debut album by a British female vocalist ever, a record that has stood for over 24 years.
Promise (1985)
To date, Promise is probably the album that resonates with me most. The band's second studio album boasts Sade songs such as "Is it a Crime", "Sweetest Taboo", and "Jezebel", as its lead tracks, catapulting Sade into superstardom with one million copies sold in the US, and a certified quadruple platinum production by the Recording Industry Association of America (RIAA). Paired with Diamond Life, the two act as a real life soundtrack for melodic euphoria.
The album turns 35 in November of 2020 and still rages as one of the band's most impressive bodies of work.
Stronger Than Pride (1988)
Perhaps one of Sade's most recognizable albums, and my personal favorite—if there is a such thing when it comes to Sade—is their third studio album, Stronger Than Pride. Released in 1988, three years prior to a back-to-back reign, Stronger Than Pride houses cult favorites: "Keep Looking", "Paradise", and title track, "Love Is Stronger Than Pride". She sings, "I can't hate you, Although I have tried..."
A mooddddd. Listen, throw this one on, and you're bound to get lost, sis. Lost in a type of music that not many can promise to you these days.
To-date, Stronger Than Pride has sold over four million albums, and Pitchfork listed it as one of the top 200 albums of the 80's. Also, fun fact, Sade made her acting debut as Athene Duncannon in the 1986 British film, Absolute Beginners, as well as sung on the movie's accompanying soundtrack. Of the album, Sade said:
"One of the reasons the album is how it is because allowed to be and it was quite free it was allowed to be that way. And I was away from the media, I was away from any suppression from the record company. We were all sort of in our own little environment and I think, if anything, that comes through on the album."
Received with open arms, and during what was one of the more competitive years in music, it peaked at Number 7 on the Billboard 200.
"I still really really love you, Love is stronger than pride." Whew.
Love Deluxe (1992)
Sade welcomed us into the 90's with Love Deluxe, the fourth studio album that housed Sade jams such as "No Ordinary Love", "Kiss of Life", and "Cherish the Day". Love Deluxe was released a full four years following Stronger than Pride, yetretained the band's classy and distinctive style. It was (and still is) seen by many as the band's best, a high-point in a career with many high-points. Although, Love Deluxe was less received and critically acclaimed of the prior three albums, it positioned the band in a more mainstream realm of music.
"No Ordinary Love" is the best known song, due to winning the 1994 Grammy for Best R&B performance, and was featured on the soundtrack of the 1993 movie, Indecent Proposal.
Love Deluxe was the only album the band release in the 90's. Following this album, Sade took a hiatus, where she had her first child, and the band's guitarist and saxophone player went on to develop the career of another R&B artist that you may know as...Maxwell.
Lover's Rock (2000)
It's been 20 years since this album was released but it's as sleek, refined, elegant and sultry as ever. Lovers Rock was released in November 2000, and it was titled after a style of reggae known as 'lovers rock'. All of Sade's music will have you grabbing bae, but the opening track, "By Your Side", will have you falling in love with him all over again.
Lovers Rock was met with mostly positive reviews, who praised the band's new sound. The album also earned Sade the Grammy Award for Best Pop Vocal Album in 2002. Commercially, the album reached number three on the US Billboard 200, and has since been certified triple platinum, having sold 3.9 million copies in the US.
This album proved that Sade can wait as long as she damn pleases between albums and there will always be an audience waiting.
Soldier of Love (2010)
In the band's most recent body of work—and by "recent", I mean a decade ago—enters Soldier of Love. This album was their last, complete with a full 60-stop international tour. Soldier of Love has sold over three million copies and went to #1 in multiple countries. Entertainment Weekly featured Soldier of Love in their "Must List" and gave the album an "A", and Rolling Stone wrote "it's unimpeachably excellent."
The album went on to be nominated for multiple awards and gained various accolades. A high-performance work of art, in a world where we simply don't, and won't, know her next move. And I'm OK with that, ten years later.
But in the meantime, as we wait for what they have up their sleeves..."I'm a soldier of love. Every day and night."
Feature image courtesy of Sony Music/Sade
On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Noted.
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
No flex.
Credits
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
For More: Cover Story: Issa Rae Comes Full Circle
