

It’s time to go back down in the Valley!
This Friday marks the premiere of the highly anticipated second season of STARZ’s hit drama series P-Valley. Set in the hot and steamy world of stripping located in the even hotter and steamier state of Mississippi, P-Valley quickly amassed a fanbase thanks to its sexy cast and its tackling of issues like sex worker rights and challenges, poverty, domestic violence, gentrification, queerness and more.
Katori Hall stands with the stars of P-Valley, (L-R) Nicco Annan, Elarica Johnson, Brandee Evans, Shannon Thornton, and J. Alphonse Nicholson at the P-Valley Premiere in LA
Rodin Eckenroth / Stringer
One person who wasn’t surprised by the show’s immediate success is its creator Katori Hall. “I had an inkling,” Hall tells xoNecole. “If the show had an opportunity to be seen, that it actually would take flight.”
Hall first got the idea for P-Valley in 2009, inspired by her frequent trips to strip clubs in the south and her brief time taking pole dancing classes. “My own experience with strip clubs and that class collided in my brain,” Hall says. “And it made me want to do a lot more research about the women who are dancers and just learn more about their lives.”
Hall initially conceived the idea for P-Valley as a play. The Pulitzer Prize and Olivier Award winner and two-time Tony Award nominee have been thriving in the medium since 2009. “Stripping is such a theatrical experience,” Hall explains. “I grew up down south, I grew up going to clubs. So I was really impressed and inspired by the show of stripping.” Once she saw her characters come to life on stage, however, she realized she wanted to explore them for a longer period of time than a stage play allows. “I want my characters to participate in more than just this story,” Hall says.“There’s so many other stories that I want to tell with these characters.”
Much of the success of the show comes from the vibrancy of the characters such as the flamboyant strip club madam of the Pynk, Uncle Clifford (Nicco Annan). Hall credits her family for providing the inspiration for those characters. “Uncle Clifford is actually a fusion of my real Uncle Clifford and my mom and my dad,” Hall says. “I just wanted to create this very gender-fluid character who was very feminine and masculine in equal measure.” Other characters she says like the Pynk’s OG star stripper Mercedes (Brandee Evans) or the Pynk’s fastest rising star Miss Mississippi (Shannon Thornton) are amalgamations of women she’s met in the strip clubs and also her older sisters.
As the youngest of four girls, Hall says that her parents were “tired” by the time it came to raising her, so she says that she was given the space to explore her creative interests more. “From the time I was itty, itty, bitty, I was writing in my journals and creating plays with my dolls,” Halls says. “I knew that I was destined to put words down on paper and create characters and worlds.”
When she attended college at Columbia University, she initially pursued theater as an actress. However, it was the dearth of meaty roles for Black women in her theater program that led to her wanting to create her own roles for herself and for other women that Hall says “look like myself.” It was through creating her own stories and characters that Hall realized the sort of power she was able to possess over her career.
Katori Hall and Megan Thee Stallion at the P-Valley Premiere in Los Angeles
Araya Doheny / Stringer
Hall says that she is committed to writing stories that center the Black female experience, stories about survival, and stories about the underdog. By setting P- Valley in a strip club, she allowed her to use that space as a metaphor. “Oftentime within a strip club there are moments of liberation and then there are moments of exploitation,” Hall says.
We see it all and more in the latest season, including more music from Lil Murda (J. Alphonse Nicholson) and even a track by Megan Thee Stallion. At the Los Angeles premiere of P-Valley on Thursday, Hall took the stage to tease what we can expect in season two of her hit show: “It’s deeper, it’s darker, and it’s 1000% better.”
Eva Marcille On Starring In 'Jason’s Lyric Live' & Being An Audacious Black Woman
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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Feature image by Leon Bennett/WireImage
'Leave Quicker': Keri Hilson Opens Up About Learning When To Walk Away In Love
What you might call Black love goals, Keri Hilson is kindly saying, “Nah.”
In a recent appearance on Cam Newton’s Funky Friday podcast, the We Need to Talk: Love singer opened up about a past relationship that once had the public rooting for her and former NBA star Serge Ibaka. According to Cam, the pair looked “immaculate” together. Keri agreed, admitting, “We looked good.” But her demeanor made it clear that everything that looks good isn't always a good look for you.
That was all but confirmed when Cam asked what the relationship taught her. Keri sighed deeply before replying, “Whew. Leave quicker.”
It was the kind of answer that doesn’t need to be packaged to be received, just raw truth from someone who’s done the work. “Ten months in, I should have [left],” she continued. “But I was believing. I was wanting to not believe [the signs].”
Keri revealed to Cam that despite their efforts to repair the relationship at the time, including couples counseling, individual therapy, and even sitting with Serge’s pastor, it just wasn’t meant to be. A large part of that, she said, was the seven-year age gap. “He was [in his] mid-twenties,” she said, attributing a lot of their misalignment to his youth and the temptations that came with fame, money, and status.
“There were happenings,” she shared, choosing her words carefully. “He deserved to live that… I want what you want. I don’t want anything different. So if I would’ve told him how to love me better, it would’ve denied him the experience of being ‘the man’ in the world.”
But she also made it clear that just because you understand someone’s path doesn’t mean you have to ride it out with them. Instead, you can practice compassionate detachment like our girl Keri. “You can have what you want, but you may not have me and that.”
When Cam jokingly questioned what if there was a reality where a man wanted to have both “you and a dab of that,” Keri didn’t hesitate with her stance: “No,” adding, “I can remove myself and [then you] have it. Enjoy it.” Sis said what she said.
Still, she shared that they dated for a couple of years and remain cool to this day. For Keri, being on good terms with an ex isn’t a sign of weakness; it's a reflection of where she is in her healing. In a time when blocking an ex is often seen as the ultimate sign of growth, Keri offers an alternate route: one where healing looks like resolution, not resentment. “I think because I have such a disgust for ugliness in my life. Like, I don't do well without peace between me and everyone in my life. Like, I really try to resolve issues,” she explained to Cam.
Adding, “I think that's what makes things difficult when you're like sweeping things under the rug or harboring ill feelings towards someone. When you're healed, when you've done your work, you can speak to anybody when you've healed from things. I think maybe that's the bottom line.”
Watch Keri's appearance on Funky Friday in full here.
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Featured image by Paras Griffin/Getty Images