

You never know when your "one moment" will be. That moment when a door of opportunity for your life and career opens in ways you could have never planned or imagined. Sometimes that moment comes right when you're about to give up. For celebrity manicurist Seanette, Nettie Davis, that moment came after a last-minute decision to not give up on her hustle.
Nettie had been working in a Santa Monica salon, barely getting by and struggling to convince clients to pay for a luxury nail experience although they were spending hundreds to get their hair done. However, one of the women she successfully pitched to turned out to be the mother of an agent at The Wall Group - a powerhouse for creative talent in the entertainment industry. She raved to her daughter about Nettie's work. A month later, Nettie received the call -- the door-opener. She would eventually sign with The Wall Group, initiating the start of a thriving career as a nail artist in the bustling Hollywood entertainment industry.
For the past ten years, Nettie has been on-call, catering to a bevy of celeb clients including Tessa Thompson, Kiki Layne, Halle Berry, Gabrielle Union, Letitia Wright, Issa Rae, Janelle Monae, among others.
Passionate yet humble, Nettie will quickly tell you that she's blessed to "have a job that doesn't feel like work." Though her days are sometimes hectic and unpredictable, it's what keeps her energized. Couple that with her ability to draw from creative inspirations and craft visually stunning nail art, she's quietly cemented a name for herself in a world that isn't always easy to navigate. In 2018, she launched Pottle, a one-of-a-kind container. The cleverly named Pottle, which Nettie describes as a "mix between a pot and a bottle" is geared to beauty professionals who need a reliable way to mix and store ingredients on the go.
Nettie spoke to xoNecole about her career evolution, tips for others interested in the industry, lessons learned as a product entrepreneur, what inspires her about her work and more.
What was your journey into the nail industry like?
Courtesy of Nettie Nails
I've been doing nails since I was twelve. When I moved out to Los Angeles from Houston, I wanted to be a costume designer. I did that for a while, but I was 100 pounds overweight, so it was a pretty hard job. When I got injured during pilot season on my third year, my mom told me to use my nail license that I had in California and start doing nails again. I didn't think it was a lucrative career decision. While I was on bedrest, I met some girls like Rihanna's manicurist, who were doing home spa parties. They started telling me how amazing their paychecks were doing nails for the industry. I called my friends who worked on set and told them I might be venturing into something different and if they needed a nail person for film to call me. They told me they'd keep their ear to the ground. It didn't pan out as fast as I wanted to. I started working in a salon, doing home spas and making body scrubs.
How were you marketing your brand in the early days?
I didn't even know what the [celebrity world] was. I was still hung up on, "When am I going to get back to my fashion career?" I let it take me where it took me since God really did open this door and I had asked Him to open this door. So, I walked through it. The Wall Group started calling me for all of these magazines and commercials. It [evolved into] call Nette Davis, the celebrity manicurist, instead of "call that girl to come to my house." When Instagram came out, I asked if I had to do this. Everyone was like, yes. I kept my website up-to-date but other than that, I was running around doing nails. It wasn't like, 'Oh, I'm going to brand myself.'
"I let it take me where it took me since God really did open this door and I had asked Him to open this door. So, I walked through it."
I was feeling a little stagnant in the celebrity world. You don't get to have fun unless you're working with a musical artist. Actresses, because they do so many jobs and have so many different shoots and opportunities, usually want nude, short nails. The trend of nail art was coming and I wasn't staying afloat and relevant. I really wanted to do that. To [practice and differentiate myself], I started doing nails for my friends. [Nail art] is slowly being filtered into mainstream media now. But, back in the day, it wasn't. When I do Sephora ads now, they always want nail art. That wasn't heard of seven years ago.
What are the key things you need to know in order to make it as a professional celebrity nail artist?
Know yourself and what it takes to get through a certain job. Know your strengths, weaknesses, and temperament. That is something that is going to be magnified when you start working with celebrities. I'm not a patient person but I know I have to channel my inner mom when I work with certain needy people in the industry. It's not always so cut and dry. Be excited and willing to have fun with everything -- even with the crazy mistakes. Practice makes perfect.
How do you navigate getting the most out of working with an agency?
If an agency has more than one manicurist, you're not number one. You're "one of." You have to be your own number one. Agent or no agent, you have to get out there and grind. Keep good relationships with people on set. You're still making a name for yourself. It should be your job to outshine the agency. If you're doing your job right, when [a client] calls, they are asking for you.
What inspired you to launch Pottle?
Halle Berry was doing a show called Extant. They wrote this storyline into the show where she didn't know she was an alien and her nails would grow every time she would grow. After that show, she kept asking what was a better alternative than acrylic. I said gel might be better. For my kit, it's always best to have bottles than pots because pots always leak and I need things to stay upright in my kit. Because she has an active lifestyle, I probably spent over $500 buying new gel products because certain formulas didn't work. I finally found some Russian gel that I loved because it was a pot, but it wasn't going to be all over my kit. I wanted to put it in a bottle and keep it moving but I couldn't do that easily. It was a very slow and strenuous process.
What came next?
I started getting ideas. I played around with the idea, put it on paper and drew it out. I got a provisional patent just to see if I really wanted to do it. I taught myself computer-aided design and sent those files to the right manufacturer. I made my own prototype on my 3D printer. I got molds made. I started using what I made myself and saw that it really worked. I thought, "If I have this problem, other people have this problem."
What was the hardest part about getting Pottle from idea to final product?
You'll never get someone else to that place where they are respecting your product and the manufacturing of your product the way you do. I talk to manufacturers in China every morning [about my product.] We go back and forth. If you want me to come back to your factory, you need to respect your own work. You send me samples and they look great. When I receive the product, they should look like the sample. Product managers, which hopefully I'll be able to afford soon, are important. You need one person to stay on top of your manufacturing.
It's a lot of time and time is money. Sometimes I get jobs in the middle of the day and haven't slept. I try to keep myself hydrated. The hardest part is trying to stay balanced.
How do you think Pottle will affect the nail industry?
It's really going to afford people a lot of freedom. I'm not just selling to manicurists. I'm selling to anyone who wants to mix any type of beauty material inside. It could be makeup or glue...whatever it is, I want you to be able to do that with the Pottle. It's a great product because you're reusing it until it falls apart. Hopefully this will be a game-changer and cause companies to make things in bulk containers instead of small bottles.
If someone is launching a nail business, what’s something to keep in mind?
Courtesy of Nettie Nails
Being versatile is very important. I've talked to people who I've tried to pull out of shops. With the explosion of entrepreneurship, people are traveling more and finding other ways to do things. You're going to have to travel. People are lazier and also have more money. If you do set up a shop, make sure you have a mobile division or flexible private nail techs available. You may also need a side hustle, such as having classes. Nurture younger people who may be taking your spot in twenty years.
What’s next for you and Pottle?
I'm forty years old. I don't see myself in ten years hauling around my kit. I need to be making plans to leave the industry, so Pottle is my exit strategy. It's not on the market so I have to be my own competition.
The Pottle re-design will be launched at the Pasadena NailPro show on May 5, 2019. The first was a concept and limited edition. Now it's time to dive into the added functionalities. I want to spread it across different lines, not just nails, but makeup or whatever you want to do with it in your beauty room.
What do you love most about your job?
I love the parts that don't deal with money, fame, or success. I love the parts that deal with the soul. There have been plenty of times where I've had to stop what I'm doing to pray with someone, hold them, or take them somewhere after a job. I enjoy those things where you feel like you're really needed and have something to do on this earth that has nothing to do with money or getting something from someone.
To learn more about Nette Davis, follow her on Instagram (@nettenailsit and @thepottle) or visit www.pottle.co.
Featured image courtesy of Nette Davis
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Rana Campbell is a Princeton University graduate, storyteller, content marketing strategist, and the founder and host of Dreams In Drive - a weekly podcast that teaches you how to take your dreams from PARK to DRIVE. She loves teaching others how to use their life stories to inspire action within oneself and others. Connect with her on Instagram @rainshineluv or @dreamsindrive.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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Feature image courtesy
Patricia "Ms. Pat" Williams has always marched to the beat of her own brutally honest drum — and that’s exactly what makes her so magnetic to watch. Whether she’s making us laugh until we cry on The Ms. Pat Show or now laying down the law on her courtroom series Ms. Pat Settles It, the comedian-turned-judge proves time and again that there’s nobody quite like her. Unfiltered, hilarious, and real to the core, she’s made a name for herself by turning her life’s journey — including the pain — into purpose.
Now in her second season of Ms. Pat Settles It, airing on BET and BET+, she’s not only delivering verdicts — she’s dishing out life lessons in between the laughs. The show feels less like your typical courtroom drama and more like your outspoken auntie running a court session at the family cookout, complete with celebrity jurors, petty disputes, and a whole lot of real talk. xoNecole sat down with Ms. Pat to talk about her wildest cases, balancing motherhood and fame, and why sleeping in separate bedrooms might just be the key to joy.
CASE CLOSED, BUT MAKE IT CHAOS
If you’ve ever tuned in to Ms. Pat Settles It, you already know the episode titles alone deserve awards. But when we asked Ms. Pat which case stood out most, she didn’t even have to think twice. “There was this one woman — Shay — who got out of federal prison and was working for her old bunkmate. But the bunkmate didn’t want to pay her!” she says, chuckling. “That girl came in the courtroom like a firecracker.”
It’s moments like those that remind viewers Ms. Pat isn’t just bringing the laughs — she’s giving people a platform, even if it’s a little messy. And if her court ever gets turned into a real-life franchise, we need Shay on the promo posters immediately.
WHEN THE CELEBS SHOW OUT
It’s already hard enough to get a word in with Ms. Pat running the show, but throw in a celebrity jury featuring Tamar Braxton, Ray J, TS Madison, and Karlous Miller? Whew. “I don’t even try to control them,” she laughs. “Thank God we have something called editing.” According to her, behind the scenes, things get wild — but that chaos is part of the magic. “People only see the cut-down version. What you don’t see is all of us losing it in real time.”
Still, Ms. Pat makes it work. The courtroom becomes a stage, but also a safe space for guests and jurors to show up as their full, unfiltered selves. “It was a wild season,” she explains. Let’s be honest — if your jury looks like a BET Awards afterparty, you might as well let it rock.
IF FAMILY COURT WAS REALLY A THING
Ms. Pat might wear the robe on screen, but at home, she’s still managing her own wild bunch. When asked what kind of case her kids would bring into her courtroom, she burst into laughter. “Oh, they’d be suing my oldest son for eating their food,” she says. “You know how you have that one roommate that eats up everybody’s food? I can see my oldest son getting sued for that..”
And let’s face it, we’ve all either been that sibling or have one. Ms. Pat says moments like that — the everyday family squabbles and real-life irritations — are what make her courtroom show so relatable.
THE VERDICT SHE WISHES SHE COULD REWRITE
Ms. Pat is known for keeping it real, even when the conversation turns serious. When asked if there was one “verdict” in her real life she’d change, she pauses for a second before answering. “I wish I had graduated high school,” she admits. “All my kids went to prom and I took all of their high school diplomas.”
“I wish I had graduated high school,” she admits. “All my kids went to prom and I took all of their high school diplomas.”
It’s a rite of passage in most Black households — your diploma doesn’t really belong to you, it lives at your mama or grandma’s house like a family heirloom.
HOW SHE STAYS GROUNDED
Between filming TV shows, headlining comedy tours, and running a household, Ms. Pat makes it very clear: she will find time to rest. “People swear I don’t sleep, but I do — I just knock out early and wake up early,” she shares. “And sometimes, I’ll just sit in my car.” She’s also a big fan of solo naps and mini getaways when things get overwhelming.
But one of her favorite forms of self-care? Separate bedrooms. “Me and my husband don’t sleep in the same room. That way, when I don’t feel like being bothered, I go to my space,” she laughs. She’s also found a new love for facials. “They’re addicting! I don’t need a lot — just sleep, a facial, and a little quiet.” Honestly? That’s a self-care routine we can get behind.
FROM PAIN TO PURPOSE
Ms. Pat’s story is one that’s deeply rooted in resilience — and she’s always been transparent about how her journey shaped her. Her advice to other Black women trying to turn their pain into purpose? Speak up. “You have to tell your story,” she says. “Because once you tell your story, you realize you’re not the only person that’s been through that situation.”
She adds that sharing your truth can be one of the most powerful things you do. “When you give a voice to pain so many other people who have that pain gravitate to you,” she says. “To heal, you have to speak out loud about it. What you keep inside is what eats you up.” Coming from someone who built an entire brand on truth-telling? We believe her.
WHAT’S NEXT FOR MS. PAT?
While Ms. Pat’s got her hands full with Ms. Pat Settles It and her comedy show, she hints there’s much more to come. “I got some stuff poppin’ that I can’t even talk about yet,” she teases. “But just know, like Kendrick [Lamar] said, we about to step out and show ‘em something.” That multi-genre deal with BET and Paramount is clearly working in her favor — and she’s not slowing down anytime soon.
She says one of her proudest moments in this chapter of her career is seeing things she once dreamed of finally come to life. “In this business, you never know what’s gonna work or what’s gonna stick. But now I’m working with a network that really understands me — and that’s special,” she says. “I feel seen. And I’m just getting started.”
Whether she’s in the courtroom cracking jokes or catching up on rest in her own sanctuary, Ms. Pat is living proof that success doesn’t have to come at the cost of authenticity. She’s rewriting the rules in real time — on her terms, in her voice, and for her people. As she continues to turn pain into purpose, laughter into legacy, and everyday mess into must-see TV, one thing’s clear: Ms. Pat is in her prime. And we’re lucky enough to watch it unfold.
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Feature image by Earl Gibson III/Shutterstock