There's only a handful of Black women in the political commentator game and one that you should definitely get to know is Abby Phillip. At 31, the Virginia native is among the youngest White House correspondents but she isn't new to this, she's true to this. And she's had previous reporting positions at Politico, ABC News, The Washington Post and now CNN to prove it. However, two very visible moments of her journalistic career happened only within the past year.
Many began to take notice of Abby last fall. During a presidential briefing, she asked Donald Trump a question and he responded that her question was "stupid," which the Harvard grad is far. And the night before Joe Biden and Kamala Harris filled the 46th slot for President and Vice President of the United States, the nation was watching Abby when she boldly proclaimed live on TV:
"Not only would Black women put Joe Biden in the White House but they would also put a Black woman in the White House, as well. And while Donald Trump's political career began with the racist birther lie, it may very well end with a Black woman in the White House. Black women did that."
Abby's comment landed in publications like The New York Times and her social media following quadrupled. Minister Bernice King, the youngest daughter of Rev. Dr. Martin Luther King, Jr. and Coretta Scott King, shared her appreciation with a tweet of Abby's headshot. If a full circle moment had a face, this is what it would look like.
Last month, Abby sat for an interview with The Bakari Sellers Podcast where she talked about everything from her college experience to her future writing goals. And get this, she didn't even plan for an on-air position; in fact, she tried TV with ABC News, didn't like it and accepted a position with The Washington Post. But as life has it, it brings you right back to where you're supposed to be.
Here are five interesting facts to know about Abby:
Abby’s initial career goal was in medicine or law.
"I was going to be a doctor. And if that didn't work out, I was probably going to be a lawyer."
It turned out chemistry wasn't her ministry. She told herself that if she couldn't do math, then she had to learn how to write. She ended up not pursuing law, either. Abby decided to write for The Harvard Crimson, the student newspaper. She also became active in community service, ultimately getting her degree in government. What got her hooked on journalism was a school-sponsored public service trip to Oxford, Jackson and Sunflower County, Mississippi tracing the civil rights movement. She grew fascinated with it and wanted to be one of the journalists who brought the Deep South to the rest of the country.
Abby’s peers describe her as being more “reserved” than the typical reporter.
Abby describes herself as being a quiet child. After returning to the U.S. from Trinidad and Tobago at age nine, she was self-conscious about her accent so she didn't say much in class. Abby's teacher would send notes home to her parents saying that she needed to speak up. But that didn't deter her from excelling in a field dominated by more vocal peers who don't share our gender and/or look like us.
Today she still stands out from the crowd for her "poise" and "self-possession." John Harris, co-founder of Politicotold The New York Times that Abby has always been "very quiet and ambitious, but she doesn't present in a flamboyant way like some ambitious people do."
However, that makes her observant and means she can be very analytical in her approach to her questions and she can offer profound but relatable commentary. CNN's political director David Chalian said:
"Abby has an intellect that is unmatched and she has a pretty unique ability to synthesize information quickly both in her reporting and her analysis, and deliver it in a way that meets the viewers where they are."
Abby never wanted to be on television.
As much as she loves Oprah, Abby doesn't have Oprah goals, meaning there's no talk show in her future. Abby didn't ever want her job to be about her appearance; she simply wanted to write the stories.
"Being a Black woman as a print reporter was not always front and center. Before Twitter, people wouldn't have really known I was a Black woman. The thing about being on TV is that, that becomes a part of who you are."
She’s writing a book on Rev. Jesse Jackson.
Abby wants to remind us that Black political power is still growing and that it didn't peak during the Obama years. In her book, she talks about the origin of Black political power beginning with Jackson's presidential candidacy and his place as a civil rights and political figure. She'll also produce some old receipts such as the one where he was once an international hostage negotiator. How many of us forgot all about that?!
"Political history is rarely told by Black people. His story deserves a retelling."
Abby's book is scheduled to be released spring/summer 2022 in time for midterm elections.
Abby may indirectly credit 45’s administration for making her an even better journalist.
Abby covered our forever POTUS' time in the White House but what she finds with this administration is that she spends so much time – sometimes days! – trying to get to the facts and she does want to be fair. She also wants to be accurate and on-point with her questions because she also notices that questioning from Black women seems to set 45 off quicker than questioning from other reporters. He'll go back-and-forth with reporters of other genders, who again don't look like us, but when it comes to Abby, Yamiche Alcindor or April Ryan, things go left immediately.
Of course, we know that 45 will gladly take credit for Abby's journalistic prowess and say the rest is just fake news. Let him tell it, he answers all questions politely and thoroughly. But what we do know to be true is that come January, Abby Phillip will still be covering the White House. And 45? Well, he'll be ushered out of it.
For more of Abby, follow her on Instagram at @abbydphillip.
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I write about lifestyle and women's health and wellness. When I'm not in front of a computer screen crafting stories, I'm in a kitchen crafting cocktails. Follow me on the 'gram @teronda.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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