I appreciate Very Smart Brothas and their content. To this day, one of my favorite pieces by them, is "Clifton Powell Hall of Fame for Role Players in The Realm of Black Excellence at the Cinematic Arts". If you know anything about Black movies—including the ones that never made it to the movie theatre—you know that Clifton Powell is a true treasure (he is hilarious in the movie 35 & Ticking). Full stop. Well, someone who is a younger version of that to me is Jason Weaver.
He played little Michael Jackson (quite well, I might add) in The Jacksons: An American Dream. He was a regular in the series Thea. He was Earnest in Drumline and Teddy in ATL. Three movies that you may or may not be familiar with are He's Mine Not Yours, Love for Sale and Dysfunctional Friends; I really liked him in those as well. I think what I enjoy most about Jason's acting chops is he has a way of making you wonder if he's actually following a script or making lines up as he goes a long. That kind of relatability is something that I dig in an actor, though. Plus, Jason can sing. Don't play. Who remembers "Love Ambition (Call on Me)"?
But perhaps his greatest claim to fame (at least thus far) is landing the role of young Simba in the original The Lion King. Well, kinda. The reason why "kinda" qualifies is because it was actually Jonathan Taylor Thomas who had the speaking parts of little Simba; what Jason did was sing young Simba's songs ("I Just Can't Wait to Be King" and "Hakuna Matata"). Again, quite well, I might add.
Yeah, Jason is necessary to the culture. However, what made me take this little stroll down memory lane was checking out an interview on Comedy Hype that appeared in my YouTube feed yesterday. It featured Sir Weaver. By the time I was done checking out the nine-minute bit, I hit up my editor and was like, "Can I please pen something about a few things that Jason Weaver just said?" Although he was simply sharing his experiences, in the midst of it all, I found about four solid gems that I thought you might like; especially one in particular.
Why Wasn’t Jason the “Entire” Simba?
According to Jason, while he was shooting The Jacksons film and performing "Who's Loving You?", Elton John was there. Jason sang the song live on set which ended up becoming an unofficial audition. Elton told Jason's mom that he had been hired by Disney to provide the music for an upcoming film, he thought that Jason had an interesting voice and extended the offer for him to officially audition. Jason accepted.
"I remember I went into the studio, sang the song…and getting like an overwhelmingly positive response from the directors and the producers. They had a quick pow-wow for a minute…and then they discussed offering me the speaking role."
So, why didn't Jason get the partner? Now before Black Twitter gets to poppin' (cause y'all know the kind of power that you have, right? Popeyes can definitely vouch for it!), basically it was because the music team wasn't aware that Jonathan had already been officially offered the position, 2-3 days before.
"So, for anybody who has always wondered that and was curious as to why that didn't happen, that was the reason why. It wasn't because Disney didn't offer it."
All these years later, how does Jason feel about how it all played out? He's not salty about it. Not at all. He continues to be mad appreciative for the opportunity. In part, due to the next part of this piece.
Did Disney Jack Jason in Any Way? (You Know, Financially)
"To this day, it's the gift that keeps on giving," Jason says with a smile on his face. "They compensated me well for it. The deal that I worked out with Disney is f—kin' awesome."
(By the way, I personally know a lot of artists. They can't even remotely say the same about the deals that they've made with companies over the years.)
As the interviewer breaks in and says, "'Cause I just want to mention that the movie made $968,000,000 in 1994…so, I would hope that they took care of you."
Jason nodded in agreement and then says, "Naw they did. I have no complaints about Disney whatsoever as it relates to compensation or residual income from any of the projects that I've been directly involved with."
Why exactly is that, Jason?
Jason Provides Some Really Solid Industry Advice
"Quick industry s—t 101. It all depends on how you negotiate your deal. People get f—ed over because they allow themselves to get f—ed over. Because they don't have proper representation; they don't know about their business; they're not reading their contracts; they're not educating themselves as to what they're getting themselves involved in [and] therefore, they don't have any understanding. Unfortunately, a lot of entertainers and even more unfortunately, a lot of Black entertainers have made that mistake, right?"
Indeed.
So, how did Jason avoid becoming a statistic? Here comes my favorite part.
Jason’s Single Mom Is Absolutely the S—t. He Says So.
"Fortunately, for me, I had a mother who was already involved in the entertainment industry. [She] knew how to comprehend and break down contracts. Was able to assemble a proper team around me of agents, managers and attorneys that looked out for my best interest. And things were negotiated properly to where now, I don't have to look back on my experiences with Disney or any other project that I've done and been slighted or short-changed."
Mama handled that. Jason's mama handled that. Here's some more industry info to take note of. According to Jason, Disney initially offered him a flat fee to sing the songs that he did. He goes on record saying that it was "an insane amount of money at the time". But peep what his mama was on.
"So, if you guys are willing to offer him this insane amount of money for a flat fee, where he won't receive any residual income after this, I wonder what the residual income would look like. Well, if you want him, we're negotiating based on those terms."
Get 'em, Ma. Jason said that agreeing to terms like that was "kind of a rarity back then." Jason goes on to share something that I didn't know. His mom was also a singer. She once had a deal with Capitol Records, alongside her sisters. Her group was called Kitty & the Haywoods. They did background singing work for Curtis Mayfield and were the featured background artists on the original Sparkle soundtrack (singing behind Aretha Franklin's "Giving Him Something He Can Feel").
"She knew the game. Was a very smart businesswoman. So, when I expressed a genuine interest in wanting to get involved, she knew how the position the Chess pieces on the board, in order to protect her son. And that's what she did. So, shout out to my mother. I love you mom, thank you. 'Cause you worked it out. You the s—t."
That last part? That is the biggest reason why I wanted to share this interview on this platform. I love that Jason shouted out his mom; that he proudly was like, "Don't get it twisted. It's my mama who had my back." And, because I know that sometimes single moms catch stress and drama, even in the media, I also like that Jason's mother is a brilliant example that single mothers are dope.
So, if you're a mom—and especially if you're a single mom—reading this, I sincerely hope that Jason and his mother have reminded you of just how special and significant you are. You inspire us in ways I'm sure you totally underestimate. And, in the eloquent phrasing of Sir Weaver, we feel that you too are the complete and total s—t!
For Jason's full interview with ComedyHype, watch it here.
Featured image by Strong Black Lead
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So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.
In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.
In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.
And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.
We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.
So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.
That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.
This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
"They asked for body products and we wanted to make sure we listened. But also layering fragrance begins with the body routine." The body wash is $33, and the body lotion is $35. Keep reading below to hear more about Tabitha and Chance's new collection, their body rituals, and what makes their partnership successful.
Fridays with Tab and Chance body collection
Marcus Owens
xoNecole: How did you come up with the scents for the collection?
Tabitha Brown: We love warm scents that make you feel sexy and loved. [We’re] both fans of gourmand [scents], including bergamot, vanilla, tonka and chocolate.
xoN: If you could describe your working relationship in one word, what would it be and why?
Tabitha: It's our first time building a product line together and our first time working with fragrance. So having patience with the process and each other has been the best way to build.
xoN: What is your body care ritual?
Tabitha: Exfoliate with a scrub a few times a week, but using a moisturizing body wash daily. After a shower, I spray a body mist that compliments what scent I am choosing for the day. Most times vanilla mist wins because it’s a perfect base for layering. I then hydrate [my] skin with lotion. Then, once dressed, I layer my favorite fragrance, Her Business, first and then His Business on top.
Chance: [I’m] way more simple. Just body wash and lotion and then my cologne and I’m good to go.
xoN: We enjoy watching you two together online, whose idea was it to start 'Fridays with Tab & Chance'?
Tabitha: It actually happened by accident. Back in 2018, my fans had just been asking about how we met, so we did a video answering questions one Friday and people in the comments [asked], will y’all do it again next Friday? And so we did and the next thing you know Fridays with Tab & Chance was born.
xoN: In what other ways do you plan to expand Fridays? Restart the podcast? TV show?
Tabitha: We are working on a lifestyle content show vs the traditional Fridays podcast. More to come soon.
xoN: You do many things together, but what would you say is your favorite quality time activity and why?
Tabitha: We are really simple. We love watching movies or TV series together on the couch or in bed. It’s really one of our favorite things to do together.
xoN: What is your favorite thing about the other person?
Tabitha: I love that he makes me feel safe and how hard he works to be an amazing father.
Chance: I love that she is crazy enough to pursue her wildest dreams.
xoN: What is the key to a successful partnership in business and personal?
Tabitha: The key is knowing that you both are going to change, and giving each other grace, patience, and understanding during those changes.
See more on tabandchance.com.
Feature image Marcus Owens