

In an alternate universe – much fairer than the one we currently occupy – where Hollywood is a place that allows talent to actually flourish, Tracee Ellis Ross would be the biggest star in the world right now.
My mind struggles to think of anyone else that is as effortlessly funny, endlessly vibrant, and impossibly beautiful right now in Hollywood other than Ross. Of course, being the daughter of legendary Diana Ross certainly lends itself to her charisma. But it's the way she bursts out into a song. Her cackle that fills an entire room. Her smile that only rivals the sun with how bright it is.
If this was the '60s, Ross would give Hollywood comedic darling Carol Burnett a run for her money with the sheer breadth of her talent as an actress. I’m imagining Ross as the host of her own variety show where she’s singing, performing in sketches, and wearing an endless array of gowns.
I was too young during the initial run of Girlfriends. The Ross I fell in love with was not Ross as Joan Clayton – the high-strung yet sophisticated attorney – but instead, it was Ross the YouTuber. This was years after Girlfriends had been canceled and during the time when her acting career had briefly stalled, but proving she’s always ahead of the curve, Ross started making her own videos sharing hair care tips, beauty secrets, and moments with her rapping alter ego, T Murda.
Tracee was an influencer before being an influencer was a thing.
In 2014, the hit ABC comedy black-ish introduced Ross to a wider (whiter) audience as she played Rainbow “Bow” Johnson, the doctor and the matriarch of the Johnson family. It was this performance that would garner her the most awards praise and it was this performance that would bring her the most recognition from critics, talk show hosts, and magazines. Was it her best role? Debatable. Still, only Ross could elevate the overdone role of a woman whose primary function on a show is to support her husband and children into something bearable and even amusing.
Now, with the ending of the series, I’m giddy at the prospect of what Ross’ career will look like moving forward. In a recent interview with The Cut where she’s in conversation with the one and only Megan Thee Stallion, Ross speaks about owning her narrative saying, “By not letting other people’s ideas of me change my idea of myself. It means holding my own counsel and navigating my life on my compass, which is about my relationship with higher power, my relationship with those I trust and love. And then in terms of my career, it’s about saying what I want it to be.”
Already, the actress has the titular role in Jodie, the spin-off of the hit ‘90s cartoon Daria, lined up. I want to say the entertainment world is now Ross’ oyster, but knowing what Hollywood is has left me cynical. In my wildest dreams, I envision a career for Ross where she gets to be as effervescent on screen as she is off. Where she gets to play the love interest in a romantic comedy where her character is a fully realized person without a partner and romantic love just becomes a cherry on top.
I want her to play the eccentric but loveable character à la Maude from Harold and Maude. She could perform a one-woman show off-Broadway! She could play a good witch! She could play a wicked witch!
Tracee can and should be allowed to have it all. Give Tracee Ellis Ross the world, you cowards!
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Eva Marcille On Starring In 'Jason’s Lyric Live' & Being An Audacious Black Woman
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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Mother's Day is loading and so is our new series. Meet Michelle Ganey, Laurencia Bright, and Joy Ferrell as they each share their motherhood journey and the ups and downs that come along with it. Whether you're in your motherhood era, wanna be one, or just love yours deeply, The Mother Load series will have you laughing, crying, and calling your mom.
Motherhood is one thing, but Black motherhood is its own unique institution. From fears that only Black mothers can understand to the unspoken language that connects them, our series delve into the vulnerable conversations that are often not highlighted in mainstream media.
Laurencia Bright
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“They are products of their environment, of your parenting, of your personality, things like that. So check yourself,” Laurencia reminds us. Motherhood may come with a whole set of challenges and having to face yourself can be one of them. Laurencia opens up about how motherhood taught her to break generational cycles.
Joy Ferrell
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Joy, like most mothers, put their kids first. However, the mom of two is now learning that it's okay to put herself first. "It's okay to not fill your life up with your kids," she says. "It's okay to still be an individual and to actually actively and aggressively pursue being an individual versus a mom."
Michelle Ganey
xoNecole YouTube/ Screenshot
When it comes to Black mama rules, Michelle Ganey reflects on a classic one, "Do not embarrass me in public," she says. "I think one of my hardest struggles with kids is not caring about how they look when they leave the house and it feeling like its a direct reflection on me as a mother."
Watch the full The Mother Load series below:
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