
Meagan Good: "This Generation Has A lot Of Negative Influences"

Meagan Good is a fighter. No, not the type that's pulling weaves and throwing drinks on reality TV, she's been fighting for her career. It's far from easy to transition from being a child star to a well-respected actress, and equally as hard to make a shift from a sex symbol to a leading lady.
While many young women are trying to set thirst traps on the 'gram, Meagan has naturally mastered the art of seduction. Ask any guy before social media and they'll tell you that she was their “Woman Crush Everyday". Meagan may exude sex but don't forget, she's also a Christian and married to a preacher! Ironically, she connected with her husband, DeVon Franklin, on the set of Jumping the Broom--a film that he produced as a former executive at Sony Pictures.
In her two decades of acting, the 34-year-old has played in many supporting ensemble roles including Linda Jackson in Anchorman 2, Mya in Think Like A Man (1 & 2), and Kali in Californication. It's now time for her to play the lead. As the former star of the NBC drama Deception and the TV adaptation of Minority Report on FOX, it's safe to say that Meagan is now within an elite group of actresses that have appeared on network TV including Kerry Washington (Scandal), Nicole Beharie (Sleepy Hollow), Gabrielle Union (Being Mary Jane), Taraji P. Henson (Empire), and Tracee Ellis Ross (black-ish) who are at the helm of their own series.
Meagan's presence was felt at the Emmys when Viola Davis shouted her out while winning the award for Best Lead Actress In A Drama.
Kathy Hutchins / Shutterstock.com
For aspiring actresses looking at Meagan's career for inspiration, note that she has and continues to choose her acting roles by faith. While it may be tempting to take any and every role that comes across her path, Meagan shares that she's passed on various opportunities that weren't in line with what she's prayed for. This discernment has also helped her to cut off toxic relationships.
She speaks with xoNecole on how her growth as a woman and as an actress, as well as giving insight on what she and her sister are doing to make a lasting impact on students who want to pursue careers in the arts.
xoNecole: In a previous interview you said, “I think most of the damage that happens, especially as adults, comes from relationships that we should've never had or been in, in the first place." Earlier in your career, how did you discern who wanted to be your friend or in a relationship with you for the wrong reasons?
Meagan Good: Pray about every relationship that you allow into your life and you'll receive discernment. The truth is if what we want to do and what we're supposed to do are conflicting, that feeling is what causes confusion. But there's no confusion when you know deep down inside what's the right thing to do; it's just usually not what you want to do.
I went through that a lot in my twenties. There were so many friendships that I wanted so badly. I loved these people so much but the things they would do to me, other people or to themselves, I would make excuses for. I'm really good at assessing why people do what they do, but what I've learned later in life is regardless of the "why" they're still doing those things.
You have to believe and release someone when they show you who they are. It doesn't mean you can't love them. Doesn't mean you can't be there for them, but sometimes it has to be from a distance to protect your own spirit. Look at people's actions and really pray about it, and that's how you'll be able to discern their intentions. When you feel confused, just know it's not what you want to do or it's probably not what you're supposed to do.
With the challenges women of color face with getting leading roles in Hollywood, what validation did you feel when Viola Davis mentioned your name in her Emmy speech?
I cried. It meant so much to me to be acknowledged by someone like Viola, whom I have so much respect for. We all face challenges in this business, especially as Black women. It's been a really long crawl for me to transition from being a child actress to an adult actress, in addition to being in that "sex kitten" role in my early 20s and fighting to be taken more seriously. It's been a really long journey and to hear her say my name really blessed me. To listen to her journey and to know what she's gone through to be acknowledged for the great actress that she is…it's all of our struggles to get out of the box that people always try to put us in.
It's an incredible time for women and minorities in TV and film. There's been a massive shift that we've all been patiently waiting for. I'm a big believer in not complaining about the things that are wrong. Instead, I place my energy into being on the front line of change, having a positive attitude and fighting to see things shift. To be in Hollywood right now and have these opportunities as the shift is coming is incredible.
I loved your NBC show Deception. I was so sad that it only got one season, but it seemed to have been pitted against Scandal. Now we have so many more options of women of color on TV. You mentioned in another interview that you turned down another action role prior to landing Minority Report. How have you learned to wait for the right role instead of jumping at every opportunity?
I pray and read my Bible every single day, I stay close to God because He's what matters the most--everything else is secondary. My career can never give me what God can give me. When Deception initially came to me, I was afraid to do TV because it's a huge time commitment and you'll potentially be playing the same character for several years. And for at least six months of the year you're away from your family in a different state or even a different country.
I had all of these stipulations about what the situation had to be in order for me to do television. When the opportunity for me to star in Deception presented itself, it was everything I said it had to be, so I knew it was God. When it ended, I was very thankful because it created so many other opportunities for me in the process. Deception opened the door for Minority Report as well as my role in Anchor Man 2: The Legend Continues. God wanted me to have those different roles to be able to build a platform where I could be more affective as a Christian.
Deception allowed people to see me in a really different light. At the time I had just gotten married and being away from my family I had a lot of time to grow personally and professionally. So I wasn't disappointed when the show got canceled because I knew God had something else lined up. Similarly with Minority Report, I asked God for certain things within the role and it was everything I said it needed to be. It's a testament to not settling. I trust God so much that even if my decisions don't make sense to other people, I know that God knows what He's doing.
You and your sister, La'Miya established a foundation, For The Greater Good where you developed an arts education curriculum for the Compton Unified School Districts. How do you relate to the kids and what made you and your sister want to go above and beyond a traditional mentorship program?
You can definitely make a difference sharing your story through speaking engagements, but you don't really get to follow up and be a consistent part of their lives. My sister and I developed a curriculum to figure out how we could impact this generation in a consistent way. Growing up in the school systems, you're made to think something is wrong with you because your brain is creative. As a kid, I wasn't super book smart but I had a lot of wisdom. Our curriculum is geared towards the kids that learn creatively. They need to have history, math, science, etc., but it's infused with art and music. It definitely helps keep these students out of trouble and it includes mentorship at the same time.
We wanted to do something that had a lasting affect. We want to expand the reach of the program because this generation has a lot of negative influences. Young ladies are being encouraged to sleep around, do drugs and compromise their integrity. The images that are out there of what you need to do to get guys attention and what you need to do to be valuable are going to lead them in a direction that's destructive. So, we want to do what we can to give students another option.
Featured image by Kathy Hutchins / Shutterstock.com
Eva Marcille On Starring In 'Jason’s Lyric Live' & Being An Audacious Black Woman
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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Feature image by Leon Bennett/WireImage
Ryan Coogler Talks 'Sinners,' Black Ownership & The Deal That Has Hollywood Shook
Ryan Coogler isn't new to the acclaim, he's true to it. With his latest film, Sinners, a genre-defying vampire horror film set in the Jim Crow South, might just be his most personal work yet, and audiences are showing up for it! The film has already pulled in $163 million worldwide after just two weekends in theaters, according to Screen Rant (via The Numbers).
The Oakland-born filmmaker, who rose to fame with Fruitvale Station and reshaped modern cinema with Black Panther, has another bona fide hit on his hands with the R-rated story that blends history, horror, and deep-rooted Black storytelling in a way that only he can.
In a recent interview with Democracy NOW!, Ryan opened up about the inspiration behind Sinners, his longtime collaboration with Michael B. Jordan, who plays dual roles in the film, and why this project marks a turning point in his career.
“It’s ironic because what my grandmother and her mom before her and my mom are known for is their gumbo,” Ryan shared with the outlet. “They cook a style of gumbo that comes from Port Arthur, Texas... and this was my opportunity to make some cinematic gumbo. I took some things that might seem disparate in the description, but I think they go really well together.”
That gumbo? A moody, blood-soaked love letter to the blues, to his late uncle, and to the genre-bending power of Black art. After his uncle passed, Coogler turned to blues records for comfort, describing how it felt like conjuring his uncle’s spirit. That led him to Delta blues, and ultimately, to Sinners.
“Through my research into the music, I learned more about the music industry and how much the concept of genre is related to racism,” he said. “The classification of different types of music… even though it was the same song sung the same way, they were looking at the color of the skin of the person who was singing it and enforcing the apartheid even through the artistic business model.”
The film, in many ways, is his rebellion against that system. “I wanted to make a film that was kinda raging against the concept of genre,” Ryan explained. “Making the audience constantly question, even while they are watching it, whether genre is a music angle or a film angle.”
But Sinners is more than about transcending genres, it’s also a family affair. Ryan's wife and producing partner, Zinzi Coogler, helped bring the vision to life through their production company Proximity Media (founded in 2021 with producer Sev Ohanian). Currently pregnant with their third child, Zinzi remains an essential force behind Ryan’s work and his world. “Zinzi is my favorite person in the world,” he said tenderly.
“I’ve been around her a long time, and it still somehow feels like it’s not long enough. She knows me very well… We’re very different, which is very helpful. We got two different communication styles, two different ways of seeing the world. So in general, if I have an issue-situation that I can’t crack, because she comes at things with a different angle, normally she can crack it very easily.”
Their partnership is as spiritual as it is professional. When asked about how he got into filmmaking in the first place, Ryan reflected on Zinzi’s early support, calling her gift of Final Cut Pro the “kindest thing” anyone has ever given him.
(L to R) Zinzi Coogler and Ryan Coogler photographed at 'Sinners' premiere.
Jeff Spicer/Getty Images for Warner Bros. Pictures
And while Sinners is a love letter to the past, the business side of it is firmly about the future. His now widely discussed deal with Warner Bros. includes First Dollar Gross and IP ownership after 25 years, something that’s raised both eyebrows and excitement within Hollywood circles. “I’m not the first filmmaker to get any of these deals,” he told the host.
“And Warner Bros is not the first studio to provide these deals to a filmmaker. I think that a lot has been made of my deal in particular. I’m not totally sure why… I have my guesses, but I’ve been in the industry long enough to know what kind of deals are possible.”
When Democracy NOW! host Amy Goodman pressed further, referring to headlines like Vulture’s "Hollywood Execs Fear Ryan Coogler’s Sinners Deal Could End the Studio System," Ryan chuckled and offered a smooth but telling: “I’d rather not say.”
Still, he made it clear why securing that deal mattered:
“As a writer-director, I’ve made over $2 billion in the global box office, I’m not yet 40 years old. It’s taken a lot of time, commitment, energy, and I’ve missed out on a lot of things in my life on films that will always be owned by other people. For this one, because it’s so personal… I asked for a few things that were very important to me… Thankfully, I was able to get those things I was asking for.”
Sinners may be a film about blood, spirits, and survival, but more than anything, it’s a story of legacy.
For Ryan, it’s not just about the art or the accolades; it’s about reclaiming the stories, sounds, and soul of Black America and owning the narrative, both on-screen and off.
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Featured image by Tim P. Whitby/Getty Images for Warner Bros. Pictures