Meagan Good is a fighter. No, not the type that's pulling weaves and throwing drinks on reality TV, she's been fighting for her career. It's far from easy to transition from being a child star to a well-respected actress, and equally as hard to make a shift from a sex symbol to a leading lady.
While many young women are trying to set thirst traps on the 'gram, Meagan has naturally mastered the art of seduction. Ask any guy before social media and they'll tell you that she was their “Woman Crush Everyday". Meagan may exude sex but don't forget, she's also a Christian and married to a preacher! Ironically, she connected with her husband, DeVon Franklin, on the set of Jumping the Broom--a film that he produced as a former executive at Sony Pictures.
In her two decades of acting, the 34-year-old has played in many supporting ensemble roles including Linda Jackson in Anchorman 2, Mya in Think Like A Man (1 & 2), and Kali in Californication. It's now time for her to play the lead. As the former star of the NBC drama Deception and the TV adaptation of Minority Report on FOX, it's safe to say that Meagan is now within an elite group of actresses that have appeared on network TV including Kerry Washington (Scandal), Nicole Beharie (Sleepy Hollow), Gabrielle Union (Being Mary Jane), Taraji P. Henson (Empire), and Tracee Ellis Ross (black-ish) who are at the helm of their own series.
Meagan's presence was felt at the Emmys when Viola Davis shouted her out while winning the award for Best Lead Actress In A Drama.
Kathy Hutchins / Shutterstock.com
For aspiring actresses looking at Meagan's career for inspiration, note that she has and continues to choose her acting roles by faith. While it may be tempting to take any and every role that comes across her path, Meagan shares that she's passed on various opportunities that weren't in line with what she's prayed for. This discernment has also helped her to cut off toxic relationships.
She speaks with xoNecole on how her growth as a woman and as an actress, as well as giving insight on what she and her sister are doing to make a lasting impact on students who want to pursue careers in the arts.
xoNecole: In a previous interview you said, “I think most of the damage that happens, especially as adults, comes from relationships that we should've never had or been in, in the first place." Earlier in your career, how did you discern who wanted to be your friend or in a relationship with you for the wrong reasons?
Meagan Good: Pray about every relationship that you allow into your life and you'll receive discernment. The truth is if what we want to do and what we're supposed to do are conflicting, that feeling is what causes confusion. But there's no confusion when you know deep down inside what's the right thing to do; it's just usually not what you want to do.
I went through that a lot in my twenties. There were so many friendships that I wanted so badly. I loved these people so much but the things they would do to me, other people or to themselves, I would make excuses for. I'm really good at assessing why people do what they do, but what I've learned later in life is regardless of the "why" they're still doing those things.
You have to believe and release someone when they show you who they are. It doesn't mean you can't love them. Doesn't mean you can't be there for them, but sometimes it has to be from a distance to protect your own spirit. Look at people's actions and really pray about it, and that's how you'll be able to discern their intentions. When you feel confused, just know it's not what you want to do or it's probably not what you're supposed to do.
With the challenges women of color face with getting leading roles in Hollywood, what validation did you feel when Viola Davis mentioned your name in her Emmy speech?
I cried. It meant so much to me to be acknowledged by someone like Viola, whom I have so much respect for. We all face challenges in this business, especially as Black women. It's been a really long crawl for me to transition from being a child actress to an adult actress, in addition to being in that "sex kitten" role in my early 20s and fighting to be taken more seriously. It's been a really long journey and to hear her say my name really blessed me. To listen to her journey and to know what she's gone through to be acknowledged for the great actress that she is…it's all of our struggles to get out of the box that people always try to put us in.
It's an incredible time for women and minorities in TV and film. There's been a massive shift that we've all been patiently waiting for. I'm a big believer in not complaining about the things that are wrong. Instead, I place my energy into being on the front line of change, having a positive attitude and fighting to see things shift. To be in Hollywood right now and have these opportunities as the shift is coming is incredible.
I loved your NBC show Deception. I was so sad that it only got one season, but it seemed to have been pitted against Scandal. Now we have so many more options of women of color on TV. You mentioned in another interview that you turned down another action role prior to landing Minority Report. How have you learned to wait for the right role instead of jumping at every opportunity?
I pray and read my Bible every single day, I stay close to God because He's what matters the most--everything else is secondary. My career can never give me what God can give me. When Deception initially came to me, I was afraid to do TV because it's a huge time commitment and you'll potentially be playing the same character for several years. And for at least six months of the year you're away from your family in a different state or even a different country.
I had all of these stipulations about what the situation had to be in order for me to do television. When the opportunity for me to star in Deception presented itself, it was everything I said it had to be, so I knew it was God. When it ended, I was very thankful because it created so many other opportunities for me in the process. Deception opened the door for Minority Report as well as my role in Anchor Man 2: The Legend Continues. God wanted me to have those different roles to be able to build a platform where I could be more affective as a Christian.
Deception allowed people to see me in a really different light. At the time I had just gotten married and being away from my family I had a lot of time to grow personally and professionally. So I wasn't disappointed when the show got canceled because I knew God had something else lined up. Similarly with Minority Report, I asked God for certain things within the role and it was everything I said it needed to be. It's a testament to not settling. I trust God so much that even if my decisions don't make sense to other people, I know that God knows what He's doing.
You and your sister, La'Miya established a foundation, For The Greater Good where you developed an arts education curriculum for the Compton Unified School Districts. How do you relate to the kids and what made you and your sister want to go above and beyond a traditional mentorship program?
You can definitely make a difference sharing your story through speaking engagements, but you don't really get to follow up and be a consistent part of their lives. My sister and I developed a curriculum to figure out how we could impact this generation in a consistent way. Growing up in the school systems, you're made to think something is wrong with you because your brain is creative. As a kid, I wasn't super book smart but I had a lot of wisdom. Our curriculum is geared towards the kids that learn creatively. They need to have history, math, science, etc., but it's infused with art and music. It definitely helps keep these students out of trouble and it includes mentorship at the same time.
We wanted to do something that had a lasting affect. We want to expand the reach of the program because this generation has a lot of negative influences. Young ladies are being encouraged to sleep around, do drugs and compromise their integrity. The images that are out there of what you need to do to get guys attention and what you need to do to be valuable are going to lead them in a direction that's destructive. So, we want to do what we can to give students another option.
Featured image by Kathy Hutchins / Shutterstock.com
RELATED
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.
In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.
In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.
And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.
We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.
So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.
That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.
This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
Then there were those who gave up their zip code altogether and found a permanent home in the skies. After years spent recruiting students for a university, Lisa-Gaye Shakespeare became a full-time travel influencer and founded her travel company, Shakespeare Agency. And she's not alone.
These stories mirror the experiences of women across the world. For millions, the pandemic induced a seismic shift in priorities and desires. Corporate careers that were once hailed as the ultimate “I made it” moment in one's career were pushed to the back burner as women quit their jobs in search of a more self-fulfilling purpose.
xoNecole spoke to these three Black women who used the pandemic as a springboard to make their wildest dreams a reality, the lessons they learned, and posed the question of whether they’ll ever return to cubicle life.
Answers have been edited for context and length.
xoNecole: How did the pandemic lead to you leaving the cubicle?
Randi: I was becoming stagnant. I was working in mortgage and banking but I felt like my personality was too big for that job! From there, I transitioned to radio but was laid off during the pandemic. That’s what made me go full throttle with entrepreneurship.
Gabrielle: I moved around a lot for work. Five times over a span of seven years. I knew I needed a break because I had experienced so much. So, I just quit one day. Effective immediately. I didn’t know what I was going to do, I just knew I needed a break and to just regroup.
Lisa-Gaye: I was working in recruiting at a university and my dream job just kind of fell into my lap! But, I never got to fully enjoy it before the world shut down in March [2020] and I was laid off. On top of that, I was stuck in Miami because Jamaica had closed its borders due to the pandemic before I was able to return.
Randi O
xoN: Tell us about your journey after leaving Corporate America.
Randi: I do it all now! I have a podcast, I’m an on-air talent, I act, and I own a public relations company that focuses on social media engagement. It’s all from my network. When you go out and start a business, you can’t just say, “Okay I’m done with Corporate America,” and “Let me do my own thing.” If you don’t build community, if you don’t build a network it's going to be very hard to sustain.
Gabrielle: I realized in New York, there was not a lot to do for Black lesbians and queer folks. We don’t really have dedicated bars and spaces so I started doing events and it took off. I started focusing on my brand, Raw Honey. I opened a co-working space, and I was able to host an NYC Pride event in front of 100,000 people. I hit the ground running with Raw Honey. My events were all women coming to find community and come together with other lesbians and queer folks. I found my purpose in that.
Lisa-Gaye: After being laid off, I wrote out all of my passions and that’s how I came up with [my company] Shakespeare Agency. It was all of the things that I loved to do under one umbrella. The pandemic pulled that out of me. I had a very large social media following, so I pitched to hotels that I would feature them on my blog and social media. This reignited my passion for travel. I took the rest of the year to refocus my brand to focus solely on being a content creator within the travel space.
Gabrielle
xoN: What have you learned about yourself during your time as an entrepreneur?
Randi: [I learned] the importance of my network and community that I created. When I was laid off I was still keeping those relationships with people that I used to work with. So it was easy for me to transition into social media management and I didn’t have to start from scratch.
Gabrielle: The biggest thing I learned about myself was my own personal identity as a Black lesbian and how much I had assimilated into straight and corporate culture and not being myself. Now, I feel comfortable and confident being my authentic self. Now, I'm not sacrificing anything else for my career. I have a full life. I have friends. I have a social life. And when you are happy and have a full quality of life, I feel like [I] can have more longevity in my career.
Lisa-Gaye: [I'm doing] the best that I've ever done. The discipline that I’m building within myself. Nobody is saying, ‘Oh you have to be at work at this time.’ There’s no boss saying, ‘Why are you late?’ But, if I’m laying in bed at 10 a.m. then it's me saying [to myself], 'Okay, Lisa, get up, it's time for you to start working!’ That’s all on me.
xoNecole: What mistakes do you want to help people avoid when leaving Corporate America?
Randi: You have to learn about the highs and lows of entrepreneurship. You have a fast season and a slow season and I started to learn that when you're self-employed the latter season hits hard. Don't get caught up on the lows, just keep going and don't stop. I’m glad I did.
Gabrielle: I think everyone should quit their job and just figure it out for a second. You will discover so much about yourself when you take a second to just focus on you. Your skill set will always be there. You can’t be afraid of what will happen when you bet on yourself.
Lisa-Gaye: When it comes to being an influencer the field is saturated and a lot of people suffer from imposter syndrome. There is nothing wrong with being an imposter but find out how to make it yours, how to make it better. If you go to the store, you see 10 million different brands of bread! But you are choosing the brand that you like because you like that particular flavor.
So be an imposter, but be the best imposter of yourself and add your own flair, your own flavor. Make the better bread. The bread that you want.
Lisa-Gaye Shakespeare
xoNecole: Will you ever return to your 9 to 5?
Randi: I wouldn’t go back to Corporate America. But I don’t mind working under someone. A lot of people try to get into this business saying, “I can't work under anyone.” That’s not necessarily the reason to start a business because you're always going to answer to somebody. Clients, brands, there’s always someone else involved.
Gabrielle: I went back! I really needed a break and I gave myself that. But, I realized I’m a corporate girl, [and] I enjoy the work that I do. I’m good at it and I really missed that side of myself. I have different sides of me and my whole identity is not Raw Honey or my queerness. A big side of me is business and that’s why I love having my career. Now I feel like my best self.
Lisa-Gaye: I really don’t. For right now, I love working for myself. It's gratifying, it's challenging, it's exciting. It’s a big deal for me to say I own my own business. That I am my own boss, and I'm a Black woman doing it.
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Featured image courtesy of Lisa-Gaye Shakespeare
Originally published on February 6, 2023