

When Trayvon Martin was senselessly murdered for doing what any average teenager does on a rainy afternoon - making a run to the corner store wearing a hoodie - it made blatant to the world what Black people have long suspected. That, despite centuries of injustice, despite having a Black president, and despite living in a so-called post-racial society, our Black lives still didn't matter.
I remember hearing the audio tape of his killing as I carried my unborn child. I followed Trayvon's trial extremely close that year as I struggled through a high-risk, life-threatening pregnancy. It was an extremely low, uncertain period in my life exacerbated by frequent hospitalizations, the brutal murder of Trayvon Martin, and the realization that I, my family, and my unborn child were not safe from racial violence. In fact, I myself had been a victim of excessive force by police officers seven years prior.
My pregnancy was marked by frequent instances of pre-term labor, symptoms of heart failure, and dangerously high blood pressure. It wasn't until late into my second trimester that my mother made a startling connection:
Every single time I watched the trial or allowed myself to get worked up by new developments in the case, I ended up being hospitalized. My physical symptoms were directly connected to the emotions the trial brought up in me.
She told me to turn off the TV and to block out the violence and negativity going on around me. "Pregnancy is supposed to be the happiest time of your life. Watch comedies, eat the foods you enjoy. Don't expose yourself to negativity." Despite my initial resistance, I found that, surprisingly, my hospitalizations immediately ceased once I took her advice to heart.
This experience made me realize two things:
- The mind-body connection is incredibly strong, especially for empaths, introverts, and highly-sensitive people like me.
- People of color internalize trauma so deeply that we may not realize the effect it has on us, on our children, on our relationships, and on our physical and emotional well-being.
Studies show a direct link between being exposed to racial injustice and generational trauma. Stress hormones, susceptibility to anxiety and depression, and symptoms of PTSD, throughout history, have been passed down from traumatized Black mothers to their unborn children through the womb.
Renowned author and researcher Joy DeGruy has coined a term for this phenomenon: Post-Traumatic Slave Syndrome. "Post Traumatic Slave Syndrome is a condition that exists when a population has experienced multigenerational trauma resulting from centuries of slavery and continues to experience oppression and institutionalized racism today." Healthline.com notes:
"For the Black community, the impact of centuries of unaddressed trauma still manifests today...being Black in America means living with chronic post-traumatic stress disorder (PTSD) caused not only by one's lived experiences, but the experiences of our ancestors…"
Black people have been exposed to racial injustice and police brutality for centuries. But for the past eight years especially, since the brutal murder of Trayvon Martin and the wide availability of smartphones, coverage of these events has markedly increased. Much to our benefit, but also to the detriment of our physical and emotional health.
Exposure to graphic images of murder and death is adversely affecting our collective health. This is quite literally a public health crisis that isn't being adequately addressed.
Until it is, it's on us to protect ourselves and our loved ones. Here are 4 steps that you can take to off-set the dangerous effects of these traumatic events on your psyche and on your physical health:
1.Unplug
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Turn off your television. Take a break from Instagram, Twitter and Facebook. In fact, turn off your phone altogether. Limit your exposure to negative news, conversations and graphic violence. Our generation, more than generations prior, is subject to an "always on, 24-hour" news cycle that makes it difficult to turn away from what's trending in the news and on social media.
Studies show that our generation is experiencing "information overload" by the constant influx of news. This increased access is linked to an increased risk of depression.
2.Evaluate Your Feelings
It is normal to experience FOMO (the Fear Of Missing Out), but you don't have to know and publicly react to everything that's going on in the world. Often, when incidences of racial violence go public, there is a pervasive pressure to immediately issue a public reaction. There is a feeling that if you don't respond right away, you're not "woke."
Don't ever allow yourself to feel guilty about protecting your emotional and mental health.
Empaths and highly sensitive people need time to process traumatic events. This is especially true for empaths who absorb everyone else's feelings so deeply to the point where you may become confused about where your feelings end and someone else's begins! You need time to process your feelings and to determine whether or not you're actually carrying on the emotions of someone else or of society at large. Take your time.
Take a moment to connect with nature. Take a walk in the park. Run a bath. Allow yourself some solitude and the chance to clear your mind. Practice grounding exercises and carry dark crystals like Black Tourmaline and Black Obsidian to stave off negative vibes.
3.Think Critically
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Don't allow yourself to be so easily persuaded by what's being reported in the news, by social media influencers and by social media justice warriors. Some of these people and groups profit off of permanent outrage. The louder and the more outraged they sound, the more "woke" they seem, the more clout they get and the more followers they receive.
Be introspective. Reflect on whether or not the feelings you are experiencing are indeed your own, or if you are being influenced by performative outrage. The same adage about cutting off negative people, environments and situations also applies to the people and pages you spend time on on social media too!
Don't underestimate the impact social media has on mental health. Studies show that since social media first appeared on the scene in the early 2000s, rates of suicide, anxiety and depression have surged.
4.Don’t Bottle Up Your Emotions
Set an appointment with a therapist. Speak with a trusted friend. Pour your emotions out in your journal or through your preferred artistic medium like illustration, music, or dance. Allow yourself to deeply feel and experience the influx of emotions that you may not be able to express outwardly. Cry if you need to. Go somewhere private and scream at the top of your lungs. Allow yourself to fully experience the pain that these events inevitably bring. And then LET IT GO.
Don't allow stress and pain to live and fester inside of your mind and body. It will inevitably manifest in harmful ways.
Brutality against people of color has been embedded into the fabric of America since the days of our founding fathers. Instances of police brutality will likely continue until major systemic reforms are made.
Remaining mindful of the effects these events have on you can help you survive and prosper in the face of injustice and brutality against people of color.
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Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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