

Meet Sadé + Shaniya, The Design Duo Leading Fashion's New Class Of Designs
When it comes to the fashion world, there's no denying the direct influence and contribution of Black women.
Although recognition and credit tend to go unsaid, the simple truth is: Black women are the blueprint. As the tides shift within the industry, the true measure of sustainable progress will be weighed by how well the new class of designers and emerging brands are embraced and amplified. However, it's important to note that this isn't a request for permission: this is an announcement. Black designers aren't waiting for a chance for their stories to be told, they're letting their brands speak for themselves. And if you truly want to know where the future of fashion is headed, you must first tap into the rising voices who are creating history today.
Meet Sadé Lewis and Shaniya Charles, the design duo behind the self-titled fashion and lifestyle brand, Sadé + Shaniya. When the two Brooklynites met in their high school English class, their bond was formed over their shared interest in extracurricular activities, like Modeling Club and their desire to dissect the ambiguity of the industry they aspired to break into. As Sadé shares, "I feel like we align on things that we didn't like about the fashion industry and how it real mysterious and superficial, as well as not really seeing people that looked like us at the forefront."
Shaniya Charles, left. Sadé Lewis, right.
Photo Credit: Pia Fergus
As graduates of the prestigious Fashion Institute of Technology, FIT, the pair have been able to combine their talents beyond the textbooks, weaving their story into the fabric of their take on accessible high fashion and ready-to-wear pieces. Drawing inspiration from their personal journey, Black culture, and womanhood, the complex and nuanced experience that Black women share serves as a natural muse for everything they put their hands to.
Their signature design, the Mora Bag, tells a story of the duality of Black womanhood that serves as a stylish and metaphorical reminder to pack light and be light. "The color palettes that we looking into were [colors] that would trigger us to be soft and more vulnerable. There's always the notion that the Black woman is hard, she's strong, and she can do all these things. And she can, but she also has to step into the power of being vulnerable, being open, and being able to feel like you can release," Shaniya shares.
When the innovation of two Black women joins forces, there's no limit to the possibilities that they can unleash. Luckily, xoNecole has a front-row seat to the beginning stages of these dynamic designers, destined to dominate the fashion world on their own terms.
xoNecole: As Black women, sometimes we don't always have control over our narratives. With storytelling being such a huge part of you all’s design process, how does Black womanhood play the role of muse for you two?
Sadé Lewis: The origin of our collections, everything is based off a real story or feeling. For example, The Looking Glass [collection] was very much about looking yourself in the mirror and seeing this multifaceted person. You don't have to fit into one version of yourself, or one version of what people think you should be, you are many things. So that was our individual journey during that time. Literally, accepting us being women who can be everything at once, you know? It definitely always comes from something that we're going through. We don't try to pressure ourselves to create timing. It just comes when it comes. And yeah, it's always from within us, navigating our own lives, then figuring out how can we make a physical manifestation of how we feel.
Shaniya Charles: We also grab inspiration from the woman that we talk to, the people that we deal with on an everyday basis, and the majority of them are Black women. We try to make sure that we're telling their stories as well. Although it's our narrative, we want to make sure that our consumers are connecting to what we're putting out and feel or see themselves in what we are creating.
Sadé Lewis: As Black women, we want to be safe, we want to be able to control our narratives and our lives. This brand for us isn't just popularity. It's so we can have the freedom to be our absolute selves and create how we want to create, tell our story how we want to tell our story, and live how we want to live - and be an avenue for other people to do the same. The overall goal is to be able to support other women and other creatives in their endeavors.
"As Black women, we want to be safe, we want to be able to control our narratives and our lives. This brand for us isn't just popularity. It's so we can have the freedom to be our absolute selves and create how we want to create, tell our story how we want to tell our story, and live how we want to live - and be an avenue for other people to do the same. The overall goal is to be able to support other women and other creatives in their endeavors."
Photo Credit: Pia Fergus
Let’s get into your short film which premiered on the Council of Fashion Designers of America (CFDA)! That was you all’s first short film too. What was the inspiration behind the 'Green Eyes'' story?
Shaniya: First and foremost, we both love Erykah Badu! Green Eyes is one of our favorite songs. Sadé was listening to the song in the shower. And she came out and she was like, "I have an idea. We're going to create a visual fashion show based on this!" From there, we just started planning out what we wanted the story to be, the garments we would create for it, and how that would be an introduction to our actual collection that was coming up. We partnered with a Black woman to create the film; we wanted to make sure that although it's our story, that the people involved in it were also authentic and Black.
Sadé: That shower moment was literally me listening to the song. It almost felt like I was in a trance. There's no visual for that song, so it was just me envisioning alone and in a way pleading to this man. When it comes to communication between a man and a woman, sometimes it's just not there. We have egos and pride. The story that Erykah was telling was a matter of pride. It's not time to put your pride out there when you really feel this is your person. This is your soulmate, but your pride is literally ruining everything.
It was really cool to work with the director, Kyra Andrews. She has a theme about her work where she does love stories and Black romance shorts. It was really cool to tell her about our ideas and how we connect to the song and see how she could visually support that the film. It was very hands-on for all of us, even the actors in the film. We did it in one day, in the middle of a snowstorm, but it was really fun. Seeing the end result was like, wow.
As two Black women and emerging designers, I’m sure there have been obstacles that you’ve had to overcome through your trajectory. What are some of the challenges that you all experienced starting out?
Sadé: This is an industry that in all honesty, a lot of the cultural, creative, and artistic design aspects do come from Black people - we are at the forefront of a lot of those things. It's also hard as women to be respected and to be taken seriously. I don't know when those challenges will ever end for our people. So when things get hard and we might feel like our message is not getting across or things didn't perform as well as we want it to, we do have each other to remind us why we're here and that we're in it for the long run; we're not in it to be a quick trend.
You both have been friends for over a decade. How has it been working together while maintaining your friendship? How do you all make it work?
Shaniya: Our communication has always been at the forefront. From high school, we've always been very honest with each other. We make sure that we are each others' open and safe space. Even if something's bothering me, or something's bothering her, we try our best to communicate that. And I think the communication aspect and comfortability that we both have in each other allows us to explore different avenues of friendship and business partnership.
Sadé: We don't really have much of a system in place because I know it's important to separate business from friendship; it's not much a strict structure. But I think the both of us know when it's time to talk business and just time to just be friends. We have a good sense of understanding each other's needs. Just having that grace for each other and knowing when to read the room.
"I think the both of us know when it's time to talk business and just time to just be friends. We have a good sense of understanding each other's needs. Just having that grace for each other and knowing when to read the room."
Photo Credit: Pia Fergus
The whole “networking across” concept that Issa Rae famously coined has really become a collective mindset for many creatives. For those who are looking for their creative partner-in-crime, what are some tips that you would give to finding one successfully?
Sadé: I would say, be open and honest about your needs. I think a lot of times when people are doing something creative, or looking for a service, they go to Google and type in, "Photographers. NYC." And it's like, you might know someone from your high school or your college who's into photography. I think we have to have more of a mindset of working together. If we all came together with our respective interests, we could be so powerful.
It's not necessarily always about looking up to these big names. Because a lot of the time, they're not going to have the same respect. Or uphold your ideas and your project to the same reverence as someone who is grinding just like you. And then you'll learn who you can really build with. Just be open to the people around you and what they can offer.
Shaniya: Be authentic to who you are. It's a lot of pressure and there's a lot coming at you at once in terms of being creative, but I feel like you should just be authentic to who you are. If you like photography or designer, you'll align with the people that you're supposed to align with. We have so much pressure around us now from social media and a whole bunch of different outlets saying, you should do this, you should do that. But just be authentic and true to who you are as a person. And whatever is supposed to align with you and the people that you are supposed to meet will come your way and those relationships will foster and grow to be what you need them to be.
"It's not necessarily always about looking up to these big names. Because a lot of the time, they're not going to have the same respect. Or uphold your ideas and your project to the same reverence as someone who is grinding just like you. And then you'll learn who you can really build with. Just be open to the people around you and what they can offer."
Photo Credit: Pia Fergus
It’s really encouraging to hear that you all are able to lean on each other through the ups and the downs of your journey. Is there anything that you all tell each other to keep each other motivated?
Sadé: We have these little moments where we'll just go to each other and we'll be like, "Girl, you the sh*t." Or, "Wow, you really my best friend, you a bad b*tch." Stuff like that. Also, because we put a lot of storytelling and meaning behind our collection, we use that to align ourselves. This work comes from a place within.
It's always from a place based on the story that we're telling and our experiences together. I feel like that is our anchor; reminding each other that you're creating from a real place. And also, we both come from the fashion industry. We studied it in college and we also work in it. It's like, you really know what you're doing. Just trust yourself and keep going.
To stay connected to Shaniya and Sadé's upcoming collection, and cop a Mora Bag of your own, click here.
Featured image courtesy of Sadé + Shaniya
Aley Arion is a writer and digital storyteller from the South, currently living in sunny Los Angeles. Her site, yagirlaley.com, serves as a digital diary to document personal essays, cultural commentary, and her insights into the Black Millennial experience. Follow her at @yagirlaley on all platforms!
Exclusive: KJ Smith Talks Viral Wedding With Skyh Black: ‘We Did What We Wanted To Do’
Whether it was your group chat, social media feed, or your favorite media outlet covering the spectacle, I’m pretty sure you’ve come across the viral Black wedding between actress KJ Smith (Sistas, Raising Kanan) and actor Skyh Black (All the Queen’s Men, Sistas). From their grand entrance to Jay-Z, Kayne West, and Beyoncé’s song “Lift Off” to KJ’s standout dance routine and the endless celebrity appearances, it’s an addictive TikTok scroll you can’t help but delve into.
But what many people would be surprised to know is that the couple’s original wedding plan was nothing like what it grew to be. What started as her simply scrolling through posts to get ideas eventually transformed into what the internet knows now as #TheBlackExperience. In an exclusive conversation with xoNecole, KJ walked us through her planning process, the morning of her wedding, and what she thinks of the online response.
Some women have their whole wedding planned out, from the bridal gown and venue to the bridal party and playlist. However, KJ was not one of those people. “I didn’t foresee a wedding in my future,” she reveals. “I was just gonna be the boss chick, rich auntie. I didn’t force love in my life until recently. I never had an idea of what a dream wedding would look like, it was easier for me to elope.”
KJ Smith
Photo by Stanley Babb/ Stanlo Photography
And to many people’s surprise, that was their original plan – until Skyh brought up a valid concern. He was raised by his grandmother and thought she should be at the wedding, and naturally, that led to KJ wanting her grandmother to be there as well – then her mom – and later her sister – and, you’ve gotta invite the besties too, right? From there, the guest list continued to blossom. Much like the updo and pop of color bold red lip, she wore on her special day, which was initially on her Pinterest board as a soft glam look with her hair hanging on her shoulders, KJ is okay with changing her plan if it brings her and her loved ones happiness.
So let’s get into the wedding, which took place in Malibu, CA. The first thing you should know about the celebrity couple is that they’re non-traditional. They know, and they don’t care. So, in true unconventional fashion, they shared the morning of the wedding together.
“I woke up with Skyh, we walked our dog, had black coffee, and said good morning to the people who stayed at the venue with us,” she says.
Now, it was time for hair and makeup. While she was getting glammed up, she had Black-owned McBride Sisters wine and champagne (which ties into The Black Experience theme) on deck with her mom and friends, had her besties help rework her vows, retried on every outfit (sis is very Type-A), took photos, and ended the early-celebration with prayer and meditation. It seems very non-Bridezilla, I said.
“Yeah, I was the most unbothered bride ever. Everyone was just so supportive. As entertainers, we go on red carpets all the time. We actually have a production company,” she explains. “The get-ready process was like a day at work, but with people we love the most. Being entertainers, we didn’t feel stressed at all, but my excitement was so high.”
Things moved quickly, and before she knew it, it was time to line up to walk down the aisle.
“Yeah, I was the most unbothered bride ever. Everyone was just so supportive. As entertainers, we go on red carpets all the time. We actually have a production company. The get-ready process was like a day at work, but with people we love the most. Being entertainers, we didn’t feel stressed at all, but my excitement was so high.”
KJ Smith and her bridal party
Photo by Stanley Babb/ Stanlo Photography
Since everything started with their grandmothers, the couple wanted to ensure they honored them and planned to keep an element of their wedding traditional. Although we’ve all seen the reception videos and photos online, you may have noticed visuals from the wedding itself are harder to find.
“We planned for it to be traditional, but we’re not like that, so we tried to create those moments. We jumped the broom and had a salt ceremony (where the bride and groom individually pour salt into a glass container, symbolizing their lives becoming one.) But honestly, still, nothing was traditional about it.”
She goes on to explain that her mom caught the holy ghost coming down the aisle, her glam team was on deck, and she became so nervous with excitement that she had an anxiety attack – something she struggled with for years, she explains tearfully. Her friends had to literally cheer her down the aisle because of how overwhelmed she felt until she eventually calmed down.
“Skyh was standing there with his hand on his heart; we have our own little language, and I could feel the support,” she shares.
It was surprising to hear all these emotional moments happened before the party we saw online. That is until she once again got into the backstory.
“As a Black woman actress, for so long, it was popular to be mysterious and secretive, but that’s not who I am or what I like. Plus, we both wanted to create an experience for everyone there. We are the people who always host family and friends,” she says. “Like for me, the first order of business was getting sandals for the women so they can dance all night long. We had oxtail, D'ussé, and a coffee and sativa lounge – which is part of Skyh and I’s lifestyle and routine. We wanted to bring them into our world.”
Skyh Black (L) and KJ Smith (R)
Photo by Stanley Babb/ Stanlo Photography
She went on to discuss the dance routine she did for her husband at the reception, which has taken over the internet. Apparently, that’s another thing that didn’t go according to plan. According to KJ, she had promised a performance at their joint bachelor/ bachelorette party, but her outfit got stolen from her car. So, Skyh ended up performing for her – complete with a strip tease. Still, she never forgot her promise to dance for him.
So, she hired her friend as a choreographer, learned the routine, made friends and family watch it endless times, and attended Beyoncé’s Renaissance show a few days before for a confidence boost. It ended up being a show to remember. But that wasn’t all the night offered. Lil Mo performed, and the guests received special goody bags featuring their favorite Black-owned products like journals, hair care, and more.
“We made sure everyone was taken care of all night. That kind of stuff makes us happy. I wanted everyone there to experience the joy and love I have for myself, my partner, and for them. I wanted them to feel full and whole, and they had the time of their lives,” she says.
But naturally, the internet is going to internet, and while there were countless people praising the event and applauding the newlyweds, some thought it was too over the top. I was curious to know her thoughts on some of the criticism.
“It’s cool. We did what we wanted to do. I’ve decided to share my world with people. Just how I went on social media platforms and found inspiration, I want people to do the same,” she explains. “I don’t think it's fair to my supporters not to give that out. There’s so much I wanna share with brides, specifically Black brides. I love that people are adding it to their Pinterest boards."
"I wanted everyone there to experience the joy and love I have for myself, my partner, and for them. I wanted them to feel full and whole, and they had the time of their lives."
KJ Smith
Photo by Stanley Babb/ Stanlo Photography
“I’m happy with it because we did what we wanted to do. They can do what they wanna do. Don’t be cruel, though, because you will get blocked,” she said, laughing.
The more I spoke with her, the more her sense of freedom shined through. People are always going to have their opinions, but at the end of the day, it’s you who has to live your life, and it seems like the couple realizes that and embraces that power. She also stressed the importance of not living for others and the lessons life has taught her.
“I’ve been to countless weddings, and I’ve been in countless weddings. I’m a generally older bride. So when women in my demographic get married, and you and your husband are busy working people like us, you deserve to have the one you want to have,” she shares.
“This is what we wanted to do. Our loved ones love and support us. We did so much to honor them, but we also wanted to start our own tradition, legacy, and creation. I'm not going to be pulled back into ideas of the past when I’m trying to create a future with my partner. “
If you’d like to see more of the couple, you probably won’t have to wait long. Although no content is planned yet, she admits to being an oversharer. “Me being open and transparent about my experiences lets people know it’s okay to have flaws; it makes you human, and for many years, I didn’t believe that was okay. I had pressure to be perfect, and I’d crumble every time,” she explains to xoNecole.
Now, she owns her flaws and uses them as a superpower to connect with her community and feel and express her love.
“Some people give us [Skyh and KJ] a hard time because they say we just seem too perfect. I’m like, why is that a bad thing? I love the people I love. From my man to my mama, to my friends - unabashedly. We move through time and space how we want to move. If we did it another way, we’d let ourselves and our union down.”
Let’s make things inbox official! Sign up for the xoNecole newsletter for daily love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image by Stanley Babb/ Stanlo Photography
Aoki Lee Simmons Recalls Being Talked About For Her Looks As A Child & Where She Stands With Her Dad
It's hard to grow up underneath the harsh light and the scrutiny of the public eye. Add a supermodel mogul mom, a media mogul dad, reality TV shows, and Baby Phat runway shows to the mix, and you'll have a taste of what it was like for Aoki Lee Simmons growing up in the limelight. All that glitters isn't gold, and personal challenges don't discriminate against tax brackets.
Earlier this year, Aoki made headlines alongside her mom, Kimora Lee Simmons, as they publicly revealed what they had been going through privately as a family. Russell Simmons' reputation took a hit amid rape and sexual misconduct allegations, which he vehemently denies. The 65-year-old entrepreneur is also estranged from the family, which came to a head following a public dispute about Father's Day. Aoki supported her mother's claims that Russell had allegedly threatened their lives and also posted a recording of a video call between the two where he could be seen yelling at Aoki. She admitted to the public how damaging their conversations and relationship had become for her mental health.
Aoki would eventually stand by her truth in the days that followed, posting to her Instagram account, "Until a short time ago, this is the man who told me 'always defend and look after your mother girls' and 'never let a man curse at you, you call daddy if a man ever tries to yell at you or scare you that's never ok! Real men don't shout at women and girls." She added, "So to all the toxic men in my comments using 'I'm defending him' to be foul and talk about all the grievances you have with women, you can save it. It's pathetic. He would agree I know that for sure."
Despite navigating troubling times as a family, Aoki had an incredible year so far in terms of achievements. Alongside her part-time pursuit of modeling, she was able to graduate from Harvard University with a double major. At 20 years old at the time, she stands in history as one of the youngest Black women to accomplish such a win. One of her latest career moments can be found on the September cover of Teen Vogue.
The now-21-year-old spoke candidly about reading online about her looks as a kid, the advantages of being a "nepo baby," and where she stands on what happened with her dad.
Aoki on her looks being scrutinized and critiqued at a young age:
“At the time, I was reading a lot of crazy stuff: 'Poor her, she got the dad genes.' There were literally articles like, ‘Celebrity Kid Gone Wrong’ — and I was like, ‘Okay, I’m 11.’"
On benefitting from being a nepo baby:
“It’s totally true. I had no idea if I’d do modeling without my family, without their name helping me. I sometimes think when I look at shows or shoots — if I had done it, and it was that bad, and I was not me, would I get another shot? Would I have had the chance to develop the way that I have?”
“All you can do is be grateful and try to stay in your lane a bit."
Aoki on having no regrets about exposing her fractured relationship with her dad online:
“I don’t regret it. Part of it was already out there. There were reasons I thought it was reasonable to publish, because it was playing out in, like, a silent bubble.”
To read the cover story in full, head over toTeen Vogue.
Let’s make things inbox official! Sign up for the xoNecole newsletter for daily love, wellness, career, and exclusive content delivered straight to your inbox.
Featured image by Jamie McCarthy/Getty Images for NYFW: The Shows