I've been friends with my best friend since the second grade. It's a friendship that now feels like family, and I'm forever grateful we connected in the library that day. Unfortunately, all my friendships haven't lasted for over twenty years. Many of the people I was friends with five years ago are no longer part of life—people I thought would always be there.
At first, losing people made me feel a bit ungrounded. I spent most of my time with these friends; shared so many of my secrets. I spent a lot of time ruminating over what I could have done differently to salvage the relationships. But after years of reflection, I realized the only thing that could have saved the relationship was for me to stay the same. Those relationships ended because I changed. I wasn't the same person I used to be and it caused a lot of friction in my relationships.
As we age, many of us lose friends because we evolve—our needs and priorities are different. Sometimes our friendships can withstand the strain of growing into different versions of ourselves, but most times, they won't. And, that's okay.
Finding people that will walk with you through life is rare. So, if you've found yourself navigating a few friendship breakups or experiencing unsteadying moments in your friendships lately, try to keep the following in mind:
1.All friendships won't last forever.
Friendship breakups are difficult because it's hard to imagine yourself parting ways with a friend the same way you see yourself splitting up with a romantic partner—you may not even think it would hurt just as much or even more. People grow apart. People will come into our lives for a season and leave once our time together ends. Some of these endings will feel natural and some may be a bit more traumatic. The ending of a friendship doesn't mean either of you were "bad" people. Nor does it mean you all were never "real" friends to begin with (endings have a way of clouding judgment). The truth is, even good friendships have expiration dates, and that's okay.
2.Your needs in friendship change as you get to know yourself better.
The things you needed from your friends when you were a teenager or in your early 20s are different than what you need as you get closer to 30. When you're younger, you're likely still figuring things out and deciding how you want to show up in the world. As you become more grounded in who you are, liking someone is no longer a good enough reason to continue being friends, especially when your values and beliefs about friendships begin to clash. It can be hard to admit, but sometimes your friends evolve into people you don't like. Being dishonest about how you feel and forcing yourself to be around someone can create resentment in the friendship.
3.Emotional safety matters.
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Feeling emotionally safe with my friends is important to me. Do they respect boundaries? Do we assume the other is operating with good intent? Are they kind to me in public and private? Do they talk about me behind my back? Some of us are accustomed to drama being at the center of our friendships because we used to be ineffective communicators, or we witnessed adults have drama-filled relationships as a child. If we're going to have healthy friendships, we must unlearn unhealthy relationship patterns. We also have to be responsible for the harmful things we've done in the past and commit to doing things differently in the future to establish safety. We may also need to raise our friendship standards.
4.Life is too short for one-sided friendships.
Sometimes we hurt our own feelings by holding on to things that are no longer holding on to us. In a one-sided friendship, the other person has stopped participating, but we keep fighting to maintain our position in their lives. For whatever reason, this person has decided they no longer want to keep investing in a friendship with us, and we have to accept that boundary and move on. Easier said than done, especially if they haven't directly stated they want out. They may stop returning your calls and start canceling plans at the last minute. Magically they're always busy. Sometimes it isn't personal. Your friend may be going through a challenging time and doesn't have the energy to be around people. They may also be finding it hard to communicate what's going on. Either way, you have to decide how you want to be treated and what you're willing to tolerate in the name of friendship.
5.Different stages of your life require different levels of understanding.
As we age, we may get partnered, get married, or become a parent. These new relationships require a substantial amount of time—especially in the beginning. Some of us may have chosen careers that require us to work outside of the standard 9 to 5. At some points, you'll have fewer things binding you together than you do pulling you apart, and sometimes life ushers in a 'quiet season' in your friendship. If you've been missing your friends, tell them you'd like to see them. Sometimes people need a gentle nudge.
6.As you age, quality becomes more important than quantity.
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It's easier to make friends and maintain friendships when you're younger because most of the people you connect to are in your hometown or go to school with you. As you get older, you prioritize certain friendships over others. Studies show that on average, most adult Americans have four close friends. Sometimes you gradually realize that you're spending a lot of time trying to maintain superficial relationships and decide to spend the little time you have pouring into friendships that have the chance to stand the test of time.
7.Every relationship isn't a friendship.
We're taught to make friends as kids in ways that don't benefit us as adults. Being friendly and being friends is not the same thing. You just met someone, and now they're your friend. You just ended a relationship with someone, and now you're friends. Your dating situation didn't work, and now you're friends. Friendship is built. Sometimes we rush into friendships with people to maintain connections, but it isn't always the healthiest decision. Nor is it the most genuine response. A friendship is a mutual agreement and investment from both people. It's important to vet people for friendship, just as you would vet someone for romance. You may know many people, but you don't have many friends.
8.A friend doesn't have to tell you everything to be your friend.
"There's a difference between being in someone's business and being in someone's corner." I don't know who said that quote, but it's one of my favs. Some people associate friendship with how much they know about someone. But, knowing everything about someone doesn't make you all friends. I've seen people get mad at a friend for being what they deemed "secretive." Try not to take someone's non-disclosure personally. A friend may feel stressed out, overwhelmed, or ashamed and not rush to tell you because they're still processing their situation. People are allowed to tell you things when they're ready. They also don't have to share at all.
9.Communication is key.
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It can be easy to think people should just understand and get you, especially if you all have known each other for a long time. But just like a romantic relationship, friendships benefit from communication too. Continue getting to know your friends and be open to seeing their different sides as they evolve. One of the best books I've read on friendship is Frientimacy: How to Deepen Friendships for Lifelong Health and Happiness by Shasta Nelson. This book helped me make sense of my experiences when I started losing friends. I could go back to all my friendships that ended and point out exactly where things went wrong. According to Shasta, "frientimacy" is intimacy experienced in friendships based on positivity, consistency, and vulnerability.
All healthy friendships require a strong foundation built on positive experiences. Consistency is vital because even if we like someone, we will begin to question where we stand with them if they can't make time for us, ultimately making us feel unsafe in the relationship. Without vulnerability, the relationship doesn't have the chance to deepen, which means there will always be a feeling of distance between the two of you. All three things need to work together to make a friendship last. If one of these things becomes unbalanced, the friendship can still last if you all can communicate effectively to get the relationship back on track.
As we get older, our friendships evolve. And while it can be scary to part ways with people, it allows us to connect with people who fit with who we are and who we're becoming. And for that, we can be both excited and grateful.
Remember, friends, are the family you choose, so choose wisely.
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Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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