Every September, fashion lovers from all over the world descend on New York City to take in all the fashions from the runways to the streets. The city is transformed into a fashion mecca, with shows, parties, and events taking place all over town. Fashionistas can see the latest trends from top designers, and street-style photographers capture the best looks from the city's most stylish residents and transplants. It's a week of non-stop fashion, and it's a must-see for any fashion lover.
This fashion week definitely hit different for me. It felt heavier and not as fun as it used to be. One day, once I’ve processed everything with my therapist, I’ll be able to talk about the psychological Olympics that overwhelm me, from what to wear to not being accepted by certain groups — it’s just so much. And we don’t talk about what it does to your mental. I’m definitely living in the BOTH/AND space — it felt grueling, and I felt blessed. So let’s run back my week so you can see what it’s like to be a fashion writer during New York Fashion Week.
Day 1
Harlem Fashion Row celebrated its 16th year by hosting the Style Awards at the Apollo Theater. Kelly Rowland, Wayman and Micah, Gabriela Karefa-Johnson, Stella Jean, Johnny Nunez, and A$AP Rocky were among the honorees. Megan Renee, Nicole Benefiled Portfolio, and A. Potts showed off some head-turning designs. The show concluded with a tribute to hip-hop by Doug E. Fresh.
Fit Check — I opted for an all-black look comprised of a bralette, voluminous tulle skirt, combat boots, and bedazzled NY fitted cap. I wanted to give rose in Harlem.
Day 2
When I received the Hanifa presentation invitation, my life was made. For me, Hanifa has always been a showstopper with its inclusive designs and larger-than-life collections. Not to mention, the designer, Anifa, is proof of what resilience looks like. From being the first designer to put on a virtual fashion show during the pandemic to creating another collection after just giving birth. The event brought out some of our favorite fashion girlies like Serayah, Maiya the Don, and Aaliyah Jay. The playlist was lit, the drinks were hitting, and the looks were looking.
Photo courtesy of Joce Blake
Fit Check: Since I love a Hanifa piece, I just had to remix one of my favorite skirts of all time. I coupled a daring knitted top with a Hanifa maxi skirt and accessorized with a matching knit bag. To stay comfy, I kicked back in orange Nike Dunks.
Day 3
On the third day, I pulled up to the Miss Circle NYFW Kickoff Party. Miss Circle CEO Isabel Deng expressed her excitement about hosting the event again to kick off New York Fashion Week in a press release. She said that Miss Circle is deeply intertwined with the New York fashion scene because their flagship store is located in the heart of Soho. She added that the evening is their way of celebrating this New York moment with their devoted fans and the local community. And while this isn’t a Black-owned brand, the melanin was all over. Riley Burruss, Ciara Miller, Sofi The Oddity, and Tarah Lynn were just some of the fashion lovers who arrived in style.
Photo courtesy of Joce Blake
Fit Check: I donned a black and gold top complete with sequin and fringe that perfectly paired with my golden bottoms from Char Workroom. It was really the golden cowboy boots that sealed the deal.
Day 4
Day 4 was a doozy. First up, I stopped by the Cinq à Sept presentation set against New York’s stunning skyline. The Cinq à Sept Spring 2024 Collection is inspired by Old Hollywood glamour and the Côte d’Azur. It is sophisticated, romantic, and celebratory. The collection embodies a sense of slowing down and new beginnings.
After that, I went to Kate Spade at The Standard High Line, where the colors and patterns were on full display. I was in heaven, surrounded by polka dots and sequins. The presentation was filled with vibrant and eye-catching clothing and accessories. I could have spent hours browsing the clothes, but I eventually had to tear myself away and head to the Raise Fashion Collective at The Standard Hotel.
Specifically, I wanted to support one of my favorite brands, CISE, because “Protect Black Women” is forever the motto. One of the advantages of attending fashion showcases is that I have the opportunity to see new brands like Concept 26, a jewelry collection created by Shari Smith; she birthed it to accompany women's life journeys and enhance their confidence. Or Vontélle Eyewear, founded by Tracy Green & Nancey Harris, to meet the demand for vibrant color and patterns and better fitting eyewear. It’s all about fit, fashion, and functionality.
Up next, the Kensington Grey Brunch filled me up as Black creators took over Neuhouse to talk all things fashion and creation. Their annual NYFW event was a conversation with American Fashion Designer Dapper Dan, Ami Colé Founder and CEO Diarrha N'Diaye-Mbaye, Topicals Founder and CEO Olamide Olowe, Jeneé Naylor, Kia Marie, Karen Blanchard, and Kensington Grey Founder and CEO Shannae Ingleton Smith. The event was held to discuss the intersection of fashion, entrepreneurship, and brand strategy.
(L-R) Olamide Olowe, Diarrha Ndiaye and Jenee Naylor
Photo courtesy of Kensington Grey
The panelists discussed their experiences as Black entrepreneurs in the fashion industry and how they are using their platforms to promote diversity and inclusion. They also spoke about the importance of using fashion as a tool for social change.
It’s not NYFW if I don’t hit up the Essence Fashion House. This year’s theme: WHERE BLACK CREATIVITY REDEFINES FASHION. This event celebrated Black culture and fashion, providing tools for Black-owned brands and creatives to thrive. Attendees gathered to learn, be celebrated, and be inspired.
The lineup included:
- Hip Hop, “Haute” Sh*t, & Heritage: The Best of Bed Fellows
- Navigating Mental Health And Wellness Behind The Scenes In Fashion
- What is Sustainability in Black Fashion
- African Fashion and Garments
- Are Black People Buying Black Luxury
- SOKO MRKT, a retail pop-up of emerging & established Black designers
Fit Check: This look was sponsored by my mama. *cues On My Mama* My mom thrifted an amazing black and white polka dot shacket that I decided to pair with wide-leg camo pants that I stole from her closet. I accessorized with an edgy basketball purse.
Day 5
At this point, I wasn’t sure what day it was, but my first stop was the Flying Solo show featuring Denver-based designer HAUS. This Black-owned and queer-led design house creates urban contemporary, gender-affirming, and inclusive clothing with an emphasis on sustainability. HAUS designs are primarily intended to fit gender non-conforming people, and they offer both standard and customizable options to fit everyone. By using vegan and recycled materials in a small-batch production process, HAUS is able to achieve its mission of creating garments that truly include all bodies, all people, all the time.
Then, it was on to Son Jung Wan, one of my favorite designers. The "Harmony" collection was inspired by the beauty of natural movements and personifies humanity in its most artistic form. The collection features powerful silhouettes with delicate gentleness, created with ruffles, light silk, organza, chiffon, and mesh.
The last stop was alice + olivia by Stacey Bendet, where the weather gods thought a torrential rain shower was appropriate. The brand's Spring 2024 Collection was inspired by Capote’s Swans and high-society of the 1960s, presenting a fresh take on the historic era.
(L-R) Adee Erhabor, Courtney Simpson, a guest, Joce Blake, and Ashley Weddington
Photo courtesy of Joce Blake
Fit Check: Since corsets and cargos are in, I went for an ethereal yet edgy vibe in a vibrant blue corset with metallic cargo pants. I was feeling gaudy, so I layered up some diamond necklaces to coordinate with the diamonds in my top and the shine of my pants.
Day 6
Only two things mattered on Day 6 - the Sergio Hudson Show & Afterparty. Even before Sergio graced the cover of Essence with THEE Keke Palmer, I was a fan. The way he designs for the magic that is the Black women keeps me in awe. And I’m not the only one because he brought the girls out from La La Anthony to Marsai Martin to Nene Leakes to Angela Rye to Yvonne Orji to Kimora Lee Simmons. The runway was awash with feminine pieces that skillfully blended classic staples with risqué pieces. The models wore everything from delicate silk blouses to daring leather pants, and the overall effect was both elegant and edgy. The collection was a clear statement from the designer that femininity is not one-dimensional and that it can be expressed in many different ways.
Photo courtesy of Joce Blake
Fit Check: I had to save my multicolored structured jacket for this day. I wanted to be like Kanye West the entire night — DO YOU SEE THIS COAT!? Underneath, I wore an ombre dress and finished the look with orange heels and a Coach Tabby.
Day 7
Each season, the Global Fashion Collective brings fashion designers from all over the world to present their latest collections. This event is a celebration of the power of creativity and the beauty of diversity, as it features everything from avant-garde designs to classic fashion staples. I’m always blown away by the emerging designers’ stylish iterations.
I concluded the night with the fabulous creations by Sammy B Designs. Ever since Samantha Black burst onto the scene years ago, she has been one to watch, and Beyoncé agrees. This season, she elevated her ready-to-wear clothing line, which is feminine with an eclectic edge, with sequins, mesh, vibrant colors, logomania, cutouts, and puffed fabric, ranging from joggers to coordinated sets to dresses. After she slayed the runway, then we partied all night with some fire tunes and groovy drinks from Appleton Estate.
(L-R) Ashley Weddington, Joce Blake, and Courtney Simpson
Photo courtesy of Joce Blake
Fit Check: I can’t lie — this look was not planned, but when my girls said they were going with all-denim looks, then I knew I needed to come through. I rocked my denim jacket from the Daquane Cherry and Steve Madden collection because it was giving Basquiat art on the back. On the bottom, I wore flared denim jeans and brought the look to completion with an urban take on the cowboy hat. Altogether, we were giving Destiny’s Children.
Day 8
I had to take a break on Tuesday to get my life together. By Wednesday morning, I was jumping back in with Indonesia Now as my first show. Indonesian fashion designers Ivan Gunawan, Merdi Sihombing, Ayumi, IKAT Indonesia by Didiet Maulana, Ghea Panggabean, Amero X Livette, and Suedeson by Kimberly Tandra X MANDY'S' all showcased their Spring/Summer 2024 collections. The collections were inspired by a variety of sources, including the golden age of the Majapahit empire, traditional Batak patterns, street style, the diversity of Indonesia's traditional clothing silhouettes, the strength of Sumbanese women and weavers, the Borobudur temple, geometric abstract triangle motifs, and Indonesian women with different styles and dreams.
I stopped by the Black in Fashion Council showroom to indulge in more emerging designers. Fumi the Label brought the colorful knots we need all year round. KHOI introduced a new jewelry collection full of intention. Tejahn Burnett presented the footwear selection of our dreams. I was really impressed with all of the designers, and I can't wait to see what they come up with next.
The Black in Fashion Council is an organization that supports and promotes Black designers in the fashion industry. The showroom is a great place to see the latest designs from Black designers and to learn more about their work. I highly recommend checking it out if you're interested in fashion or supporting Black businesses.
WhenSmokeClears brought the New York City flavor we all love and adore. It was the way every model rocked Timberlands. The collection is undoubtedly an extension of the brand's previous collections, which create community like never before. My favorite moment: the most beautiful pregnant woman stole the show in a denim cape dress with coordinating denim pants.
Photo courtesy of Joce Blake
Fit Check: The last day’s fit was giving blushing bride as I adorned an all-pink look complete with pink cargo pants, a pink frilly, floral top, and a pink veil outlined with roses that fell to the floor. To add more pink, I carried my favorite pink paisley Brandon Blackwood bag.
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Feature image courtesy of Joce Blake
Joce Blake is a womanist who loves fashion, Beyonce and Hot Cheetos. The sophistiratchet enthusiast is based in Brooklyn, NY but has southern belle roots as she was born and raised in Memphis, TN. Keep up with her on Instagram @joce_blake and on Twitter @SaraJessicaBee.
For Us, By Us: How HBCU Alumni Are Building Legacies Through Entrepreneurship
Homecoming season is here, and alumni are returning to the yard to celebrate with their friends and family at the historically Black colleges and universities (HBCUs) that have changed their lives forever.
No matter where their life journeys have taken them, for HBCU students from near and far, returning to where it all started can invoke feelings of nostalgia, appreciation for the past, and inspiration for the future.
The seeds for these entrepreneurs were planted during their time as students at schools like Spelman, North Carolina A&T, and more, which is why xoNecole caught up with Look Good Live Well’s Ariane Turner, HBCU Buzz’s Luke Lawal and Morehouse Senior Director of Marketing and Comms and Press Secretary Jasmine Gurley to highlight the role their HBCU roots play in their work as entrepreneurs, the legacy they aim to leave behind through the work that they do, and more as a part of Hyundai’s Best In Class initiative.
On Honoring HBCU Roots To Create Something That Is For Us, By Us
Ariane Turner
Courtesy
When Ariane Turner launched Look Good, Live Well, she created it with Black and brown people in mind, especially those with sensitive skin more prone to dryness and skin conditions like acne and eczema.
The Florida A&M University graduate launched her business to create something that addressed topical skin care needs and was intentional about its approach without negative terminology.
Turner shared that it is important to steer clear of language often adopted by more prominent brands, such as “banishing breakouts” or “correcting the skin,” because, in reality, Turner says there is nothing wrong with the way that our skin and bodies react to various life changes.
“I think what I have taken with me regarding my HBCU experience and translated to my entrepreneurial experience is the importance of not just networking,” Turner, the founder and CEO of Look Good, Live Well, tellls xoNecole.
“We hear that in business all the time, your network is your net worth, but family, there’s a thing at FAMU that we call FAMU-lee instead of family, and it’s very much a thing. What that taught me is the importance of not just making relationships and not just making that connection, but truly working on deepening them, and so being intentional about connecting with people initially, but staying connected and building and deepening those relationships, and that has served me tremendously in business, whether it’s being able to reach back to other classmates who I went to school with, or just networking in general.”
She adds, “I don’t come from a business background. As soon as I finished school, I continued with my entrepreneurial journey, and so there’s a lot of that traditional business act and the networking, those soft skills that I just don’t have, but I will say that just understanding how to leverage and network community and to build intentional relationships is something that has taken me far and I definitely got those roots while attending FAMU.”
On Solving A Very Specific Need For The Community
Luke Lawal Jr.
Courtesy
When Luke Lawal Jr. launched HBCU Buzz, his main focus was to represent his community, using the platform to lift as they climbed by creating an outlet dedicated to celebrating the achievements and positive news affecting the 107 historically HBCUs nationwide.
By spotlighting the wonderful things that come from the HBCU community and coupling it with what he learned during his time at Bowie State University, Lawal used that knowledge to propel himself as an entrepreneur while also providing his people with accurate representation across the internet.
“The specific problem in 2011 when I started HBCU Buzz was more so around the fact that mainstream media always depict HBCUs as negative,” Lawal says. “You would only see HBCUs in the mainstream media when someone died, or the university president or someone was stepping down. It was always bad news, but they never shed light on all the wonderful things from our community."
So, I started HBCU Buzz to ensure the world saw the good things that come from our space. And they knew that HBCUs grew some of the brightest people in the world, and just trying to figure out ways to make sure our platform was a pedestal for all the students that come through our institutions.”
“The biggest goal is to continue to solve problems, continue to create brands that solve the problems of our communities, and make sure that our products, our brands, our companies, and institutions are of value and they’re helping our community,” he continues. “That they’re solving problems that propel our space forward.”
On How Being An HBCU Alum Impacts The Way One Shows Up In The World
Jasmine Gurley
Courtesy
Jasmine Gurley is a proud North Carolina Agricultural and Technical State University alum. She is even more delighted with her current role, which enables her to give back to current HBCU students as the Senior Director of Brand Marketing and Communications and official press secretary at Morehouse College.
“It was a formative experience where I really was able to come into my own and say yes to all the opportunities that were presented to me, and because of that, it’s been able to open the doors later in life too,” says Gurley of her experience at North Carolina A&T. “One thing I love about many HBCUs is that we are required to learn way more about African American history than you do in your typical K through 12 or even at the higher ed level."
She adds, “It allowed us to have a better understanding of where we came from, and so for me, because I’m a storyteller, I’m a history person, I’m very sensitive to life in general, being able to listen to the stories and the trials that our ancestors overcame, put the battery pack in my back to say, ‘Oh nothing can stop me. Absolutely nothing can stop me. I know where I came from, so I can overcome something and try anything. And I have an obligation to be my ancestors’ wildest dreams. Simultaneously, I also have a responsibility to help others realize that greatness.
Gurley does not take her position at an HBCU, now as a leader, lightly.
“People think I’m joking when I say I’m living the dream, but I really am,” she notes. “So I wake up every day and know that the work that I do matters, no matter how hard it might be, how frustrating it may be, and challenging it. I know the ripple effect of my work, my team, and what this institution does also matter. The trajectory of Black male experiences, community, history, and then just American advancement just in general.”
On the other hand, through her business, Sankofa Public Relations, Gurley is also on a mission to uplift brands in their quest to help their respective communities. Since its inception in 2017, Sankofa PR has been on a mission to “reach back and reclaim local, national, and global communities by helping those actively working to move” various areas of the world, focusing on pushing things forward for the better.
“Through Sankofa, we’ve worked with all different types of organizational brands and individuals in several different industries, but I would think of them as mission-based,” says Gurley.
“So with that, it’s an opportunity to help people who are trying to do good in the world, and they are passionate about what they’re doing. They just need help with marketing issues, storytelling, and branding, and that’s when my expertise can come into play. Help them get to that moment where they can tell their story through me or another platform, and that’s been super fulfilling.”
Join us in celebrating HBCU excellence! Check out our Best In Class hub for inspiring stories, empowering resources, and everything you need to embrace the HBCU experience.
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An Intimacy Coordinator Gives The Tea On Our Favorite Love Scenes (& How To Can Recreate Them)
Have you ever watched a movie or TV show with a spicy or romantic love scene that you couldn’t help but replay a few times? Don’t worry; I’m not judging you. That’s part of the movie magic—those moments are literally choreographed to make viewers feel connected. If you don’t believe me, just ask Zuri Pryor-Graves, an intimacy coordinator who helps make romantic scenes come to life while making sure everyone on set feels comfortable and respected.
Zuri’s work spans networks like HBO Max, BET, Starz, Apple TV, Hulu, Prime, Netflix, and more. In this exclusive interview with xoNecole, she gives us insight into her career, shares some surprising details about our favorite love scenes, and offers a few tips to elevate our own intimate experiences. Check it out below!
xoNecole: As I understand, the role of an intimacy coordinator is relatively new. Could you tell me about what it entails and what drew you to this line of work?
Zuri Pryor-Graves: Absolutely. Well, yes, it’s fairly new. We’ve been around since 2017 or 2018 after the Me Too Movement. And in my opinion, I feel like we’re an added layer of physical, psychological and emotional safety for everyone involved in creating these scenes. Because some scenes can be very hypersensitive from the mental health side of things, it’s not just about nudity or simulated sex. We’re liaisons from actors to production, but we’re also choreographers. We get to be in a unique space where we are a part of the creative and business side of the production.
xoN: Now I want to talk a little bit about consent. When working on scenes like you mentioned, how do you go about making sure everyone is comfortable?
Zuri: As a therapist, I can get very clinical. But I don’t want things to feel static or sterile. Because entertainment and TV is a creative process. It’s important to note that no actual sex is had. But for consent-based practices, I’ve seen intimacy coordinators come in and try to sit everyone down for a formal discussion, and I can do that when it’s needed. But I really try to lean on my actors and figure out what they need and how they move. If they already have a relationship, I might be the new person stepping in.
So instead of dictating how things should go, I focus on offering a different language or modeling that language. It’s not about talking to them like they’re in kindergarten, but more about saying, ‘In this situation, here's what I would need—what do you all need?’ It’s about normalizing and standardizing that language and behavior, especially when working with actors who have been doing this longer than I’ve been alive.
It’s not about talking to them like they’re in kindergarten, but more about saying, ‘In this situation, here's what I would need—what do you all need?’ It’s about normalizing and standardizing that language and behavior, especially when working with actors who have been doing this longer than I’ve been alive.
xoN: Got it. So I have to ask, what do you think gives a love scene that IT factor?
Zuri: An IT factor love scene comes from people willing to have really honest, vulnerable conversations about what they’re comfortable with, and from those who are intuitive enough to pick up on boundaries and respect them. Without that, you can see the discomfort on screen—and we, behind the camera, see it too. We’re sitting there like, 'Okay, cut.'
Actors often accept roles thinking it will be more comfortable than it is, or hoping for some magical ease, but the truth is, it’s going to be uncomfortable. The key is accepting that and figuring out how to move through it together. My ideal is when people are upfront and honest about their boundaries and what they need, and when they’re given the time to rehearse and prepare properly. But often, we discuss things, and next thing you know, we’re on set—without proper rehearsal, which is far from ideal, but happens.
xoN: So, honesty, vulnerability, and boundaries – sounds like that would create magic in real life too. Well, speaking of ‘IT” factor love scenes, our team put together a list of some of our favorites. Would you mind talking through a few of the background components and what made them stand out?
Zuri:Sure, let’s do it!
xoN: Let’s start with Love and Basketball’s scene where Monica experiences her first time with Quincy.
Zuri:So I’ve watched the Love and Basketball scene a lot—both as a kid and in my work now. I’ve even been asked to remake versions of that scene for other projects, but they haven’t always been as successful. But I think we love it because of their character development—we fell in love with those characters.
For any scene like that, it’s important to remember there’s no actual sex happening. So, part of my job is figuring out the modesty measures and what’s being placed between the actors' bodies. Since Love and Basketball was filmed years ago, I’d be curious to know what techniques they used – but something was between them. Another scene that comes to mind is from Jason’s Lyric. If you look closely, you can actually see the modesty wear in some shots—a tape or strapless thong, for example.
I love scenes that can be extremely sexy without being overly explicit. For instance, in Love and Basketball, we see his butt briefly, but there’s no full nudity. They had clear boundaries around that, which I think is great.
So I’ve watched the Love and Basketball scene a lot—both as a kid and in my work now. I’ve even been asked to remake versions of that scene for other projects, but they haven’t always been as successful. But I think we love it because of their character development—we fell in love with those characters.
xoN: Speaking of nudity, the next one on our list is Insecure. Specifically, we are referring to Issa and Daniel’s infidelity scene. When this show aired, I remember discussing how the men in the series often show more nudity than the women, which is usually the opposite in film. It’s interesting to see that dynamic play out. Can you talk a bit about that?
Zuri:In terms of nudity, every scene comes with individual contracts. When negotiating a simulated sex scene or one involving nudity, we create specific contracts known as nudity riders or simulated sex riders. These are provided to the actors 48 hours before the scene and outline every detail, specifying what will be shown—like whether we can see a left nipple, side breast, etc.
Many actors come to a production with overarching nudity-related clauses in their contracts, detailing what they can or cannot do, regardless of having seen the script. My guess is that on Insecure, all the women had a no-nudity clause in their contracts.
When shows don’t feature much nudity but want to suggest it, they often use a day player—an actor brought in just for that scene—who may appear naked while the main cast maintains their no nudity clauses.
xoN: Finally, the current show we landed on is Reasonable Doubt. I know you worked on that one! It’s a fan favorite right now, and the chemistry between all of the actors is so hot. What was it like working on that set, and what do you think took those love scenes to the next level?
Zuri: Reasonable Doubt was a really amazing project for me to work on as a mental health professional because all of the intimacy was so layered. Peeling back the relationships between these dynamic characters who were experiencing infidelity, domestic assault and violence, financial wellness, and so much more was a lot. Because all of these things factor into how people interact with each other in intimate settings.
One of the scenes I really liked is the scene with Chanel and Von in the hotel room. That is one of my favorite scenes, and it's because of how generous those actors were with one another and me in their creative process. They made the scene goal-oriented in a different way. For example, Chanel really wanted to show that she felt free in this moment - so it was a question of how do we bring that to life in intimacy.
xoN: Finally, I’ll close with this question: what are some elements that bring these creative scenes to life that we can actually take home to elevate our own sexual experiences?
Zuri: Knowing yourself and communication. You can’t communicate with someone else unless you know yourself. So when I’m having these conversations with actors, it always starts with 1:1 convo. I ask about boundaries, what makes them feel like they’d create their best work and comfortability. I think that’s for anyone. Intimacy starts with you before you share it with anyone.
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