A Movie Buff's Guide To The Ultimate Thanksgiving Movie Marathon

Thanksgiving is the ideal occasion to unwind, indulge, and enjoy movies with loved ones. Therefore, for your inevitable movie marathon, we have curated a selection of comedies, dramas, and thrillers to keep you and your family entertained. With so many fantastic Thanksgiving films to pick from, the ones on this list are guaranteed to bring you joy and tears through empathy and compassion. These films will serve as a mirror to your daily life and lighten the mood of the holidays, whether they bring back memories of your own family, your in-laws, or your friends.
Thanksgiving Movies To Watch That Focus on Family & Chosen Family Dynamics
The top 15 movies that you should watch this holiday season are listed in no particular order. Though they don't all revolve around Thanksgiving as a theme, they do involve family and chosen family. Some of them will make you think of the dysfunctional family you may be trying to avoid (The Temptations and Soul Food), the political arguments that everyone can't help but talk about (The Oath and Remember the Titans), or the chaos that has been created in your chosen family (Dreamgirls and Friendsgiving). Whichever movie you choose, you'll be able to appreciate the various families that are reflected throughout the list.
Soul Food (1997)
What a crazy, dysfunctional family the Josephs are. From the opening scene to the rolling credits of the movie Soul Food, this family screams "red flag" brightly and boldly during the holidays. Yet, we can't help but watch their madness. Every Sunday, the family gathers for dinner adorned with soul food and inevitable family antics. However, the Joseph family experiences turmoil when "Big Mama" Joseph (Irma P. Hall), the family's matriarch, goes into a coma following a diabetic episode and limb amputation procedure.
From there, Ahmad (Brandon Hammond) observes his mother, Maxine (Vivica A. Fox), aunts Teri (Vanessa Williams) and Bird (Nia Long), and other family members as they attempt to keep up with the long-standing custom of Sunday dinners while falling back on old grudges, family rivalries, and a possible life without "Big Mama."
Guess Who's Coming to Dinner (1967)
I'll give you one guess, but it's not Morgan Freeman, I promise. In a way, the 1967 romantic comedy Guess Who's Coming to Dinner was both ahead of its time and right on time. The renowned Sidney Poitier and Katharine Houghton portray an interracial couple who want to be married far too soon in this once-controversial romantic comedy classic. Joey Drayton brings her fiancé, the exceptionally talented Dr. John Prentice, back to her parents' house following a Hawaiian vacation. However, the sole issue is that Joey is white, and John is Black.
Their parents are taken aback to learn that their children plan to marry someone of a different race when they get to dinner. Consequently, the families discuss the challenges surrounding their son and daughter's nuptials and how they can possibly disband it.
The Wiz (1978)
Diana Ross. Michael Jackson. Mabel King. Richard Pryor. Nipsey Russell. Lena Horne. Ted Ross. All in one musical. That’s it. That’s the selling point. Those names alone should be a good enough reason for you to ease on down that yellow brick road. You’re welcome.
The Oath (2018)
The Oath captures just how frustrating it is to realize that you and your family have become so distant since your previous visit, just as you are going home for the holidays. And your family just won't stop talking about politics, even if there's an unwritten taboo about it. Your elderly uncle is bringing up something offensive with pride. The things your grandma is saying are inappropriate or no longer relevant in your culture. Your mom and dad are always discussing the wrong side of politics. Furthermore, your aunt won't stop talking about the candidates she supported and how America is rapidly going to hell in a handbasket. It's a mess. A hot mess, and it doesn't appear to be getting easier anytime soon.
This film depicts what happens when a family is so devoted to the past that they allow it to ruin the present. Chris and Kai (Tiffany Haddish) promise in the oath not to swear allegiance to the U.S. in exchange for tax breaks. Black Friday is the deadline, and it's a politically fraught Chris who pours over the news of The Oath while concentrating on getting through the holiday with his family. Nevertheless, when the police arrive the day after Thanksgiving, the family finds that they have to make a decision on how to keep their family safe and avoid going to jail.
Black Nativity (2013)
Although this is a Christmas movie, as you and I both know, very few people have watched it, and it hasn't even been a part of our holiday traditions. This movie is the awkward in-between, much like Thanksgiving, unlike Home Alone or This Christmas. But it doesn't mean it's not entertaining to watch. Black Nativity, which stars Jennifer Hudson, Angela Bassett, and Forest Whitaker among its star-studded ensemble, centers on Langston, a teenage boy from Baltimore raised by a single mother, as he visits New York City to celebrate Christmas with his estranged cousins, the Rev. Cornell Cobbs and his wife Aretha.
Langston quickly discovers, although, that Cobbs has severe guidelines, and he refuses to abide by them. Rather, he embarks on a voyage of return to his mother, discovering the significance of religion, healing, and family in the process.
The Temptations (1998)
Say it with me: "Ain't nobody coming to see you, Otis." And in a way, he is right, we’re all here for The Temptations. Even though it's dreadful, the tale of the original The Temptations is worth knowing, especially if you're with family. Why? Well, because The Temptations were a family unto itself and, prior to their notoriety, a fraternity that encouraged one another to pursue their own goals. They were the band that was Motown's greatest success story; they went on to become platinum-selling vocalists and had the whole world in the palm of their hands. However, a cocktail of conceit, cocaine addiction, and strained relationships ultimately brought them to an end.
With this four-hour miniseries, it’s easy for families to understand what happens when they stop considering one another and begin living selfishly for themselves.
Four Brothers (2005)
To put it plainly, this film shouldn't work. The casting director chose two musicians (Tyrese Gibson and André 3000), an actor who was not well known (Garrett Hedlund), and Marky Mark, who was a combination of the two but on the well-known side of things. With a cast like that, Four Brothers just shouldn't work, but strangely enough, it does. This film is all you could ask for in a Thanksgiving movie since it depicts the lengths individuals can go to in order to show an unconditional act of love. These foster brothers come home to seek justice—pardon, retribution—for their mother's murder after learning of her death. Local police are pursuing them throughout this time as they are aware that they are going home for more than just a funeral.
Is this the best film you have ever watched? Not at all? However, it's amusing, and you will be pleased to watch people relate to each other so well, even if they have to commit several crimes to do so.
Black Friday (2021)
Black Friday is, in my opinion, the Seinfeld of films. The film is enjoyable even though it doesn't really have a purpose—everything simply happens as they go about their ordinary lives. In the film Black Friday, the action takes place on Thanksgiving night, when irate workers at toy stores reluctantly show up for work in order to open the store at midnight on the largest shopping day of the year. The narrative abruptly changes course as a meteor carrying an extraterrestrial parasite hits Earth.
This gang of outcasts, led by longstanding employee Ken and store manager Jonathan, eventually find themselves in conflict with throngs of Black Friday consumers who have been transformed into hideous beasts determined to go on a deadly spree.
Knives Out (2019)
It is easy to gripe about family members around the holidays and even threaten to murder them if they have irritated you too much. However, it is rarely carried out or genuinely intended. In Knives Out, this is a different story. In this film, the very problematic Thrombey family comes under suspicion when it is discovered that crime author and family member Harlan Thrombey's death was caused by unexplained circumstances. To find the truth, renowned detective Benoit Blanc (Daniel Craig) must sort through a maze of falsehoods and red herrings in this dark comedy starring an ensemble cast that includes Ana de Armas, LaKeith Stanfield, Don Johnson, Jaime Lee Curtis, Chris Evans and more.
Finding the ideal harmony between dark comedy, drama, and humor, this movie is an excellent choice for a family viewing experience.
Friendsgiving (2020)
Friendsgiving: I'm not sure who came up with the phrase, but my entire soul yearns to give Leslie Knope, the legendary character from Parks and Rec, all the credit. Leslie emphasizes the value and beauty of friendships in her Friendsgivings, demonstrating how the holiday is an excellent alternative to the custom of spending the day with close and extended family, which is sometimes draining and toxic. However, in spite of its lovely idea, this Friendsgiving is not that.
Friendsgiving, also called Dinner With Friends, demonstrates how sometimes the family we choose may be just as offensive as the family we were born into. Molly and Abbey (Malin Åkerman and Kat Dennings), together with their group of close friends, throw a dysfunctional and chaotic Thanksgiving meal in this comedy from 2020. Demonstrating how even the family we choose may occasionally be questionable and blatantly obnoxious.
Chicken Run (2000)
Unexpectedly, this film still holds up. I recall thinking this movie was the oddest thing I had ever seen or experienced when I watched it for the first time as a child. The jokes were beyond me. I was unaware that it made a communist allusion and missed all the innuendos. Thus, the sheer brilliance of this film delighted me greatly when I saw it as an adult. The narrative of Chicken Run centers on a group of hens destined for a life of egg-laying on a Yorkshire farm. The hens believe a flashy American rooster is capable of showing them how to fly to freedom.
August Osage County (2013)
What a disaster this family is.
There is a cruel mom who is hooked on prescription drugs. A daughter who is addicted to being anywhere else. The lovebird cousins. A father who has suddenly vanished and a strained couple who no longer understand one another. This movie is exactly how I see a horrible Thanksgiving going. A toxic, codependent, manipulative family forced to survive time together without murdering one another. In the beginning, you sympathize with the characters, but around halfway through, you start to think that maybe they deserve each other. It's a comedy about tragedy and how terrible it can get. That being said, this is advantageous for those who become irritated with their own families quickly during holidays. After all, you will have a greater appreciation for your family after witnessing the devastation that this one brings to one another.
Remember the Titans (2000)
Na na na na na na na na hey, hey, hey, goodbye...
I can't exactly say what it is about Remember the Titans that makes it so special. It could be the brotherhood Gerry and Julius have for one another. It could be the fierceness and compassion Denzel Washington brings to Coach Boone. It could be the hilarity brought by singing "Sunshine" in a high-pitched voice. It could be the genuine smiles created from hearing "Ain't No Mountain High Enough" being sung by big football players. It could even be that it is based on a true story.
Whatever the case may be, this film is unique and ideal for the Thanksgiving holiday because it exemplifies the beauty that arises from putting aside differences and embracing your chosen family. This film explores the importance of human connection. A breath of fresh air, this masterpiece shows individuals truly choosing to love one another unconditionally, in spite of their differences and upbringings.
Left side. Strong side.
Dreamgirls (2006)
I was forced to listen to the school choir sing several arrangements of "Family" from this musical during my whole time in high school. They played it at Thanksgiving, Christmas, and any other occasion when they needed to jog our memories that we were a family and not just a group of people compelled to know one another by virtue of our shared school zone and residential communities. And although that was a nice message to deliver, I think they completely misunderstood it. It was comical how the group first used this song to manipulate listeners by singing about being a family before betraying their, let's face it, somewhat conceited and demanding friend.
This musical is ideal for the occasion since it depicts the dysfunction that our chosen families may also create in us, particularly if we are unable to learn how to properly connect with one another. This family is turbulent and frequently causes harm to one another for sport, but in the end, they demonstrate how, with time and when we put our egos aside and realize that we are family, we can find our way back to one another and support one another no matter what. Plus, who wouldn't want to hear Jennifer Hudson and Beyoncé give performances of a lifetime?
Fantastic Mr. Fox (2009)
Fantastic Mr. Fox is a superbly written and beautifully animated movie that addresses the issue of greed. Following twelve years of idyllic bliss, Mr. Fox betrays his wife by raiding the fields owned by Boggis, Bunce, and Bean, their human neighbors. His marriage, his family's life, and the lives of his animal companions are all at risk when he gives in to his primal cravings. Mr. Fox must use his innate cunning abilities to overcome the farmers attempting to drive him and his group deep below.
This movie is ideal for the occasion since it emphasizes the importance of contentment and gratitude for what you already have rather than always yearning for more. This film ultimately demonstrates that you will never be content if your wants exceed what you now have.
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Featured image by DjelicS/Getty Images
Because We Are Still IT, Girl: It Girl 100 Returns
Last year, when our xoNecole team dropped our inaugural It Girl 100 honoree list, the world felt, ahem, a bit brighter.
It was March 2024, and we still had a Black woman as the Vice President of the United States. DEI rollbacks weren’t being tossed around like confetti. And more than 300,000 Black women were still gainfully employed in the workforce.
Though that was just nineteen months ago, things were different. Perhaps the world then felt more receptive to our light as Black women.
At the time, we launched It Girl 100 to spotlight the huge motion we were making as dope, GenZennial Black women leaving our mark on culture. The girls were on the rise, flourishing, drinking their water, minding their business, leading companies, and learning to do it all softly, in rest. We wanted to celebrate that momentum—because we love that for us.
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.

In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.

In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.

And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.

We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.

So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.

That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.

This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
These Black Women Left Their Jobs To Turn Their Wildest Dreams Into Reality
“I’m too big for a f***ing cubicle!” Those thoughts motivated Randi O to kiss her 9 to 5 goodbye and step into her dreams of becoming a full-time social media entrepreneur. She now owns Randi O P&R. Gabrielle, the founder of Raw Honey, was moving from state to state for her corporate job, and every time she packed her suitcases for a new zip code, she regretted the loss of community and the distance in her friendships. So she created a safe haven and village for queer Black people in New York.
Then there were those who gave up their zip code altogether and found a permanent home in the skies. After years spent recruiting students for a university, Lisa-Gaye Shakespeare became a full-time travel influencer and founded her travel company, Shakespeare Agency. And she's not alone.
These stories mirror the experiences of women across the world. For millions, the pandemic induced a seismic shift in priorities and desires. Corporate careers that were once hailed as the ultimate “I made it” moment in one's career were pushed to the back burner as women quit their jobs in search of a more self-fulfilling purpose.
xoNecole spoke to these three Black women who used the pandemic as a springboard to make their wildest dreams a reality, the lessons they learned, and posed the question of whether they’ll ever return to cubicle life.
Answers have been edited for context and length.
xoNecole: How did the pandemic lead to you leaving the cubicle?
Randi: I was becoming stagnant. I was working in mortgage and banking but I felt like my personality was too big for that job! From there, I transitioned to radio but was laid off during the pandemic. That’s what made me go full throttle with entrepreneurship.
Gabrielle: I moved around a lot for work. Five times over a span of seven years. I knew I needed a break because I had experienced so much. So, I just quit one day. Effective immediately. I didn’t know what I was going to do, I just knew I needed a break and to just regroup.
Lisa-Gaye: I was working in recruiting at a university and my dream job just kind of fell into my lap! But, I never got to fully enjoy it before the world shut down in March [2020] and I was laid off. On top of that, I was stuck in Miami because Jamaica had closed its borders due to the pandemic before I was able to return.

Randi O
xoN: Tell us about your journey after leaving Corporate America.
Randi: I do it all now! I have a podcast, I’m an on-air talent, I act, and I own a public relations company that focuses on social media engagement. It’s all from my network. When you go out and start a business, you can’t just say, “Okay I’m done with Corporate America,” and “Let me do my own thing.” If you don’t build community, if you don’t build a network it's going to be very hard to sustain.
Gabrielle: I realized in New York, there was not a lot to do for Black lesbians and queer folks. We don’t really have dedicated bars and spaces so I started doing events and it took off. I started focusing on my brand, Raw Honey. I opened a co-working space, and I was able to host an NYC Pride event in front of 100,000 people. I hit the ground running with Raw Honey. My events were all women coming to find community and come together with other lesbians and queer folks. I found my purpose in that.
Lisa-Gaye: After being laid off, I wrote out all of my passions and that’s how I came up with [my company] Shakespeare Agency. It was all of the things that I loved to do under one umbrella. The pandemic pulled that out of me. I had a very large social media following, so I pitched to hotels that I would feature them on my blog and social media. This reignited my passion for travel. I took the rest of the year to refocus my brand to focus solely on being a content creator within the travel space.

Gabrielle
xoN: What have you learned about yourself during your time as an entrepreneur?
Randi: [I learned] the importance of my network and community that I created. When I was laid off I was still keeping those relationships with people that I used to work with. So it was easy for me to transition into social media management and I didn’t have to start from scratch.
Gabrielle: The biggest thing I learned about myself was my own personal identity as a Black lesbian and how much I had assimilated into straight and corporate culture and not being myself. Now, I feel comfortable and confident being my authentic self. Now, I'm not sacrificing anything else for my career. I have a full life. I have friends. I have a social life. And when you are happy and have a full quality of life, I feel like [I] can have more longevity in my career.
Lisa-Gaye: [I'm doing] the best that I've ever done. The discipline that I’m building within myself. Nobody is saying, ‘Oh you have to be at work at this time.’ There’s no boss saying, ‘Why are you late?’ But, if I’m laying in bed at 10 a.m. then it's me saying [to myself], 'Okay, Lisa, get up, it's time for you to start working!’ That’s all on me.
xoNecole: What mistakes do you want to help people avoid when leaving Corporate America?
Randi: You have to learn about the highs and lows of entrepreneurship. You have a fast season and a slow season and I started to learn that when you're self-employed the latter season hits hard. Don't get caught up on the lows, just keep going and don't stop. I’m glad I did.
Gabrielle: I think everyone should quit their job and just figure it out for a second. You will discover so much about yourself when you take a second to just focus on you. Your skill set will always be there. You can’t be afraid of what will happen when you bet on yourself.
Lisa-Gaye: When it comes to being an influencer the field is saturated and a lot of people suffer from imposter syndrome. There is nothing wrong with being an imposter but find out how to make it yours, how to make it better. If you go to the store, you see 10 million different brands of bread! But you are choosing the brand that you like because you like that particular flavor.
So be an imposter, but be the best imposter of yourself and add your own flair, your own flavor. Make the better bread. The bread that you want.

Lisa-Gaye Shakespeare
xoNecole: Will you ever return to your 9 to 5?
Randi: I wouldn’t go back to Corporate America. But I don’t mind working under someone. A lot of people try to get into this business saying, “I can't work under anyone.” That’s not necessarily the reason to start a business because you're always going to answer to somebody. Clients, brands, there’s always someone else involved.
Gabrielle: I went back! I really needed a break and I gave myself that. But, I realized I’m a corporate girl, [and] I enjoy the work that I do. I’m good at it and I really missed that side of myself. I have different sides of me and my whole identity is not Raw Honey or my queerness. A big side of me is business and that’s why I love having my career. Now I feel like my best self.
Lisa-Gaye: I really don’t. For right now, I love working for myself. It's gratifying, it's challenging, it's exciting. It’s a big deal for me to say I own my own business. That I am my own boss, and I'm a Black woman doing it.
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Featured image courtesy of Lisa-Gaye Shakespeare
Originally published on February 6, 2023









