I'll admit, that planning any trip can feel like a daunting task. There are so many variables to consider, so much preparation, but the end result is so worth it (read: there are still bound to be f*ck ups). Europe was no different.
I wanted to go to London since I was a little girl watching the Olsen twins in the direct-to-video film Winning London. It had a lasting effect, similarly to the way Passport to Paris did. I was going to delay my travels until 2019, but ultimately decided why should I wait any longer. I can work anywhere, the nature of my life warrants flexibility, so I am finally free to move like the water I have always felt a special connection to. And so, I decided to start planning my long lusted trip to London, England with plans to also stop in Paris.
Initially, I chose April, but after a death in the family inspired me to press pause for just a bit, reconnect to what I really want (hello, apartment), and second-guess traveling this year once again all together, I was going to cancel. Luckily, my heart sang a different tune and I decided to sing to that instead - opted for October, paid the $308 fee to change my flight, and was London-bound for the fall.
And for those of you who might be feeling overwhelmed by the planning of it all, I've done some of the necessary work for you by gathering some of the tips that helped me plan my first European travel excursion. Check 'em out below:
Do All The Necessary Prep Work Ahead Of Time
Arriving at St. Pancras International in London
Photo Cred: Terrence Porter
Note that while there's no such thing as an "off-peak" season in Paris, you can find cheaper airline deals between September-December range (anytime after or before summer is best to avoid the heavy tourist crowd). Ensure that your passport is up to date, also read up the parameters of travel limitations for the place you plan to visit. You can read up on that via the Bureau of Consular Affairs for the given country's international travel information. Before you travel abroad, also be sure to make copies of your important travel and identity docs, i.e. your passport, license, and perhaps your social security card. In addition to your plane tickets, book any additional transportation plans, like a rental car, public transportation passes, or a train if necessary.
In our case, purchasing our train tickets for Eurostar ahead of time were a must too. It's advised to start booking your train from London to Paris at least three months in advance (find them here). We did our best to leave a couple of hours between our flights' arrival and our train's departure so that once we touched down in London, we'd take the train to Paris to pack our travel day as much as possible and do a one-shot to our next destination.
In reality, what actually happened was we missed our train by about five minutes and had to pay 44 euros for a new ticket for the next train to Paris. Some research on my part would have been helpful in figuring out how to map out the train departure in relation to our flight arrival, especially because London St. Pancras International ended up being kind of far from the airport (about 35-45 minutes to be exact). And if you do nothing else, get an International plan with your cell phone service because the data will be needed for Ubers and such. Trust. And because my friend and I had Airbnbs in both locations, WhatsApp and some data comes clutch for the check-in process. So again I say, TRUST.
Lodging Recommendations
In Paris:
Hotel Emile - it's located in Marais, relatively close to a metro station, and offers free breakfast with direct booking.
Airbnb - we stayed in this studio apartment. It was very quaint and located in a trendier complex in the North part of Paris. Close to laundry, cafes, food, grocery stores, and only a few miles away from big attractions.
In London:
The Pilgrm - it's located in Paddington, relatively close to the tube station, and is very stylish. If I didn't stay in an Airbnb, this was going to be the one.
Airbnb - Huma's Victorian townhome feels so authentically London, it was so dope to stay there for a few days. Definitely recommend.
See All The Must-See Attractions
Capturing moments at the Louvre
Photo Cred: Terrence Porter
It is impossible to see everything a city has to offer, especially in the span of three days. Think about it, there are people who call these cities home and still haven't seen everything it has to offer. On your first day, make a running list of attractions that you feel are the Must-See places and hit them up when the day breaks. See as much as possible, and do as much as possible, especially during your first day in a new place. This will give allow you to see all of the touristy spots, while also allowing the freedom of sticking a pin in some of your favorite sights to potentially go to again before your trip is over.
In London, everything was very centralized and the tube was really easy to navigate, so hitting up Big Ben, London Bridge, the London Eye, Buckingham Palace, Hyde Park, and Kensington Palace was done pretty effortlessly. On our first day in Paris, we walked to Montmartre, the Arc du Triomphe, and the Eiffel Tower. Because we chose walking over public transportation, we saved the Louvre for the next evening and allowed ourselves to indulge a little with the next tip.
Tour The City Like A Local
Taking in the Seine River in Paris
Photo Cred: Terrence Porter
This is the day to get lost, to take your time, and really take in the beauty and the history, the sights and sounds of the city in a less strategical way. While in Europe, I noticed that people had places to go but I also noted how lax a lot of the locals were with spending time in a state of experiencing. In Paris, they'd bring espresso and crepes to talk and gaze at the Seine or drink beer alongside the Thames. I even saw a guy outside of the Gare du Nord train station with an espresso cup that he rested on a newspaper stand as he stood and people watched in the middle of the sidewalk. Or in London, where people took midday breaks at the pub with a draft beer and wrote in their moleskins as the city moved around them.
My point is, everyone seemed to take their time a bit more. So, as we got lost, it was important to me to take breaks and take in the city, take in the life, take in the quiet and just be still. It was a lesson in being present that I really enjoyed.
Sit Back & Relax Your Mind
A glimpse of our beautiful Airbnb
Photo Cred: Terrence Porter
Don't let the go-go-go mentality of travel stop you from relaxing in the moment and showing gratitude for the fact that you are there. Make sure you don't allow guilt to dictate the moves you make or don't make. If you want to relax and recoup from your 16-hour travel day, take your time. Rest up. Enjoy yourself. You've earned it. My travel buddy was an up and at 'em kind of traveler that wanted to be up by 7 am to explore until 11 or noon, and then we'd convene and spend the day and evening together until I was ready to wrap up the night (especially because this ninja had the motto of walking everywhere in Paris).
I took my time though. I slept in. I did my morning routine. I read a book and highlighted passages. I updated my emails and checked on my site. And when I rose to reemerge into the city for hours on end, I lived.
Europe was absolutely magical. 10/10, I definitely recommend. Click through the gallery below to see some of the things I saw and experienced while over there.
Paris Photo Diary
Photo Cred: Terrence Porter
London Photo Diary
Photo Cred: Terrence Porter
Kensington Palace
*Originally published on Postcards & 808s
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
