'Black People Love Paramore' Creator Talks Kid Fury's Influence, Meeting Hayley Williams, And More
Over the summer, podcast host Sequoia Holmes sent me a screenshot of an email with some exciting news. The email came from someone at Spotify who said that Hayley Williams of Paramore listened to Holmes’ podcast Black People Love Paramore and wanted to be on the show. Holmes would attend Paramore’s concert in Los Angeles and go backstage to conduct the interview.
By the time the logistics had been squared away, Holmes had asked me if I’d be willing to fly from Atlanta to accompany her and provide moral support. I helped her prep for the moment, but looking back, I never really asked her how it had come about. When one of your best friends asks you if you want to go meet one of your favorite musicians, you don’t ask a lot of questions.
I’d just met Holmes when Black People Love Paramore launched in 2021, and like most people, I wrongly assumed it was a podcast just about the band. I’ve appeared on the show a few times since then and have come to realize that the alternative band is just the launching pad from which Holmes has conversations about the many, varied interests of Black folks. Recently, for instance, she had The Read podcast host Kid Fury on an episode to talk about why Black people love the sitcom Golden Girls.
Black People Love The Golden Girls ft. Kid Fury of The Read | Black People Love Paramore PodcastYouTube
Whether delving into the cultural impact of all-white parties, Uno, or Princess Diana, Holmes, and guests provide a mix of serious analysis and hilarious banter about common Black experiences.
Earlier this month, Holmes announced that Black People Love Paramore joined the worker-owned podcasting network Maximum Fun, which will allow the creator to continue to grow the show with the help of a new producer, and access to a professional studio and audio engineer. Joining the cooperative network will allow her to retain artistic control of the show, while also providing her with the help she needs to continue to grow her audience heading into the show’s third year. The podcast host, who recently went from attending Kid Fury’s stand-ups and live podcast tapings to interviewing him, said she hopes to host a live event of her own in the forthcoming year.
With this year’s success in mind, I called up my friend to ask her a few questions about Black People Love Paramore and her future goals.
xoNecole: I’ve realized that I’ve never actually talked to you about most of this because I met you right around the time you started the podcast. What was the inspiration behind starting Black People Love Paramore?
Sequoia Holmes: As a former emo child, I did love Paramore. A lot. But, I found it interesting that every time anybody would tweet about Black people loving Paramore, the responses would be filled with other Black people saying, ‘Yeah, why do we love Paramore?’ It was interesting to me that so many Black people corroborated that sentiment, but no one was sure why that was. Or people would give theories and I thought those were fun.
I thought to myself, what else do Black people overwhelmingly enjoy? Not something super obvious. I brainstormed a list and decided to make it a podcast. I had already been podcasting for some years at that point.
xoN: How do you come up with the topics for Black People Love Paramore, though? You always reach out to me with a fully formed idea, so I’m curious how you decide what fits into the identity of the show.
SH: Tony Hawk was not really in my purview like that, but someone [suggested] him on my social account, and it had the most likes. [Ideas] are either suggested to me, or it’s something that I just really want to talk about. I know a lot of Black people like Degrassi, and I love Degrassi,and I really wanted to talk about it.
xoN: What’s a topic that you weren’t previously into, but once you researched and recorded the episode, you became a true fan of?
SH: It’s definitely Golden Girls or Reba. I turned both of those on, and I was like, oh, these are a good, Black ass time with no Black characters. But I understand how we arrived here.
xoN: The Golden Girls episode featured Kid Fury. Did he come up with that topic?
SH: No, I came up with that one.
xoN: Ohh, because you knew he liked it?
SH: Yeah, just having listened to his podcast for years, I knew he really liked Golden Girls and Zelda. I pitched both, and he chose Golden Girls.
xoN: You’re a huge fan of Kid Fury and Crissle’s The Read. What other podcasts were you listening to before you decided to get into podcasting?
SH: I think The Read obviously was the most instrumental one, and most Black podcasters, I assume, would have the same take on that. I think I started listening in 2016, and I think that was the only one I listened to for years.
In 2019, I started looking for a wellness podcast, and I found Balanced Black Girl. I had already been podcasting at that time, but it inspired me to continue doing so, and I became friends with Les, the creator and host.
xoN: When you had Kid Fury on the show, did you tell him what he meant to you as a podcaster, or were you trying not to be that person?
SH: I didn’t want to freak him out just because I know he’s mentioned he gets weirded out by that type of stuff. I did [show him] an eight-year-old piece of merch, a denim hat with his avatar from their artwork cover. He was like, ‘This is crazy. I love this. This needs to come back.’ And, I brought him weed.
xoN: Earlier this year, you had a huge moment for the show where you interviewed Hayley Williams of Paramore. I don’t think I know how this originally came about. Did you reach out to Spotify, or did they contact you?
SH: I received a DM on the podcast’s account, and it was from someone who worked at Spotify, Chissy. She was inviting me to a Black alternative dinner that was taking place in LA. When I arrived, she was talking to me about Paramore and was like, ‘I’m sure you’ve seen them live, right?' I was like, unfortunately, I have not. I tried to see them live, but they canceled the show, and then when they rescheduled, I was out of town. She was like, ‘Stop right there. We’re going to change this.’
She reached out to Hayley’s manager for me to go to their show in LA. I thought that was it, but then she messaged me again a week later and was like, ‘Ummm, Hayley says she wants to come on your show. Would you be okay with that?’ ...Yeah, I’d be super okay with Hayley Williams coming on my show.
xoN: A few of the clips from the interview went viral, and you got a lot of press from it. What was it like seeing the response once the episode came out?
SH: It was shocking, overwhelming, heartwarming...I’d like to emphasize overwhelming. It was great.
xoN: Have you started to think about other dream guests that you’d want to have on the show?
SH: My top three dream guests are Kid Fury, who we can scratch off the list, Issa Rae, and Quinta Brunson. They’re harder to get, but I’ll try.
xoN: Have you thought about what else you want to do in the podcasting space?
SH: I love podcasting as a medium, so I will absolutely always do this. I’m happy to have help with this podcast because I also have a second podcast that I produce entirely myself. Right now, it’s called Glass House by Sequoia Holmes, but right now, I’m brainstorming a new title and revamping it. I fell off a little bit this year, so in 2024, I would love for it to come back stronger and have a better sense of identity to it.
For more of Sequoia, follow her on Instagram @sequoiabholmes.
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This Black Woman-Owned Creative Agency Shows Us The Art Of Rebranding
Rebranding is an intricate process and very important to the success of businesses that want to change. However, before a business owner makes this decision, they should determine whether it's a rebrand or an evolution.
That's where people like Lola Adewuya come in. Lola is the founder and CEO of The Brand Doula, a brand development studio with a multidisciplinary approach to branding, social media, marketing, and design.
While an evolution is a natural progression that happens as businesses grow, a rebrand is a total change. Lola tells xoNecole, "A total rebrand is necessary when a business’s current reputation/what it’s known for is at odds with the business’s vision or direction.
"For example, if you’ve fundamentally changed what your product is and does, it’s likely that your brand is out of alignment with the business. Or, if you find your company is developing a reputation that doesn’t serve it, it might be time to pump the brakes and figure out what needs to change.
She continues, "Sometimes you’ll see companies (especially startups) announce a name change that comes with updated messaging, visuals, etc. That usually means their vision has changed or expanded, and their previous branding was too narrow/couldn’t encompass everything they planned to do."
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The Brand Doula was born in 2019, and its focus is on putting "the experiences, goals, and needs of women of color founders first," as well as brands with "culture-shifting missions."
According to Lola, culture-shifting is "the act of influencing dominant behavior, beliefs, or experiences in a community or group (ideally, for the better)."
"At The Brand Doula, we work with companies and leaders that set out to challenge the status quo in their industries and communities. They’re here to make an impact that sends ripples across the market," she says.
"We help the problem solvers of the world — the ones who aren't satisfied with 'this is how it's always been' and instead ask 'how could this be better?' Our clients build for impact, reimagining tools, systems, and ways of living to move cultures forward."
The Brand Doula has worked with many brands, including Too Collective, to assist with their collaboration with Selena Gomez's Rare Beauty and Balanced Black Girl for a "refresh," aka rebrand. For businesses looking to rebrand, Lola shares four essential steps.
1. Do an audit of your current brand experience — what’s still relevant and what needs to change? Reflect on why you’re doing the rebrand in the first place and what success would look like after relaunching.
2. Tackle the overall strategy first — before you start redesigning logos and websites, align on a new vision for your brand. How do you want your company to be positioned moving forward? Has your audience changed at all? Will your company have a fresh personality and voice?
3. Bring your audience along the journey — there’s no need to move in secret. Inviting your current audience into the journey can actually help them feel more connected to and invested in your story, enough to stick around as changes are being made.
4. Keep business moving — one of my biggest pet peeves is when companies take down their websites as soon as they have the idea to rebrand, then have a Coming Soon page up for months! You lose a lot of momentum and interest by doing that. If you’re still in business and generating income, continue to operate while you work on your rebrand behind the scenes. You don’t want to cut existing customers off out of the blue, and you also don’t want so much downtime that folks forget your business exists or start looking for other solutions.
While determining whether the rebrand was successful may take a few months, Lola says a clear sign that it is unsuccessful is negative feedback from your target audience. "Customers are typically more vocal about what they don’t like more than what they do like," she says.
But some good signs to look out for are improvements in engagement with your marketing, positive reviews, press and increase in retention, and overall feeling aligned with the new branding.
For more information about Lola and The Brand Doula, visit her website, thebranddoula.com.
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'Power Book II: Ghost' Star LaToya Tonodeo Doesn't Think Her Character's Mom Is A Toxic Parent
The Power Book II: Ghost finale episodes resumed on Friday, Sept 6, and the Tejadas appear to be in deep trouble. Spoiler alert: Diana Tejada, played by LaToya Tonodeo, is pregnant with Tariq St. Patrick's (Michael Rainey Jr.) baby while simultaneously dealing with her family's new arrangement with dirty cop Don Carter (Michael Ealy).
Diana doesn't want her child near the drug game, but due to her family and her child's father's active roles in that lifestyle, she may not have a choice. In a xoNecole exclusive, LaToya opens up about the reality of Diana's options.
"My advice would be like, girl, you better pray about it and make the best decision. But in actuality, like looking at the circumstances, I don't necessarily think it's best for her right now to leave her support system," she admits.
"She needs all the support she can get. It just doesn't make sense. You're saying you don't want Tariq to be a part of the life, but that's clearly what he is doing in his path. And then you're a Tejada, your family is a part of that life. And then you're in school. How are you going to support yourself and a child off the candy store like it's not going to work.
She continues, "So you need to keep, in my opinion, I would say, keep the family as close as you can, because regardless of who they are and how they operate, it's definitely beneficial for her."
"So you need to keep, in my opinion, I would say, keep the family as close as you can, because regardless of who they are and how they operate, it's definitely beneficial for her."
If you watch Power Book II: Ghost, then you are familiar with the family dynamic between the Tejadas. The family's matriarch, Monét, played by R&B legend Mary J. Blige, groomed her kids to be gangsters and help her run their drug empire.
But her parenting has often caused a wedge between her kids Diana, Dru (Lovell Adams-Gray), and Cain (Woody McClain), especially after she killed their father. This led to Diana and Dru recruiting Tariq to kill Monét, but it was unsuccessful and now, Monét is now trying to repair her relationship with her kids.
While Monét ticks off many of the boxes of what a toxic parent may look like, LaToya has another point of view. "I feel like even though, on the outside, it could look like she's a toxic parent, I believe that we try to show that there's still elements of love there, and there are moments where Diana, for the sake of family, still will forgive all the things that, like if she feels blamed for certain things," she explains.
"Like the time, I think it was last season or season three, when Monét actually went into Diana's dorm room and apologized and all the things-- she's okay with it, because Diana really wants family."
She continues, "And at the end of the day, Diana wants her mother to see her. So it might sound toxic to say that I don't believe she's fully toxic, but Diana is okay with giving chances, and maybe that's to her detriment, but she's okay with giving chances, and the growth between them is a push and pull, but Diana needs it."
Watch the full interview below:
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