Whether you ever intended on watching Tyler Perry's Why Did I Get Married? and Why Did I Get Married Too?, for better or for worse, BET doesn't really give you much of a choice. It seems like at least once a week, one or both films are airing on that channel. And, if there's a couple that is truly memorable, it's Marcus (played by Michael Jai White) and Angela (played by Tasha Smith).
To call them "dysfunctional" would be a major understatement. They have serious trust issues, their communication sucks, there's little to no respect given, they seem to find extreme pleasure in throwing each other under the bus in front of their friends (especially Angela) and they appear to get on each other's last nerve, more times than not.
I've seen clips of both movies so much that they both seem to run in together at this point. But I do know for sure that, in one of them, there's a scene where Marcus is asked why he keeps putting up with all of the crazy. His response? "The make-up sex is insane!" (or something along those lines).
That's not just a line from a movie. If you put "make-up sex" in any search engine, you're gonna see articles about why so many of us like—no, LOVE—it. From the research that I've done on the topic, a lot of us are super into make-up sex because it tends to be wilder, more exciting and more intense than so-called "regular sex" is. That's cool. But like most things in life, there is such a notion as too much of a good thing.
How can you tell the difference between make-up sex being a hot way to conclude a fight vs. something that is masking a layer of issues that sex alone really can't solve? I've got five points that can at least get you on the path of seeing what's really going on in your bedroom—and ultimately, your marriage.
Is Make-Up Sex How You Always “Resolve” Arguments?
Personally, whenever a couple tells me that they never argue, whether they say it directly on my face or not, I'm giving them the side-eye. While I don't think that every couple has ugly knockout drag-outs, I find it very hard to believe because if two people are being open and honest with one another, sometimes boats are gonna get rocked. And there's nothing wrong with that. We all have our own way of seeing things and oftentimes, looking at another's perspective is just what we need in order to grow as individuals.
The problem with arguing is when a couple has no idea how to resolve their issues when they arise. If there is a lot of grudge-holding, deflecting, hitting below the belt, yelling and screaming or even a ton of passive aggressiveness, not only does this reveal poor communication skills, it will only make matters worse over time.
What really needs to be addressed is the fact that some couples are either so used to arguing that they don't realize how unhealthy their communication is or they are so accustomed to having sex to "fix matters" that, ironically, nothing really ever gets fixed.
I'm big on saying that sex shouldn't be about "making love" so much as celebrating it.
Along these same lines, make-up sex shouldn't be about avoiding resolutions but the celebration of actually coming to one. Which is it for you and yours?
Is Make-Up Sex a Stress Coping Mechanism?
Life has its stress-filled moments. There's no doubt about that. And when it comes to the health benefits of sexual activity, the reduction of the stress hormone cortisol is a strong one. So yeah, I totally get why couples would resort to having sex in order to release a little anxiety and tension. That's not why I'm bringing this point up, though.
It's one thing to have a few days when your schedule has you feeling overwhelmed or to receive some news that's got you a little more than just irritated. It's another to be sick all of the time, an insomniac or noticing things like body aches and hair fall. If these things are transpiring, they're usually red flags that you are too stressed for your own good and all sex is doing is masking a deeper issue.
Sure, sex can distract you for a few minutes (or, if you're lucky, a couple of hours), but the problems are gonna still be there when you're done. If all you really do to handle your stress is having sex, that's something else to really look into; preferably with a therapist and/or physician.
Is Make-Up Sex the Only Time That You Truly Feel Connected?
So, there is such a thing as arousal transfer. What's that? In a nutshell, it's when our bodies go from one kind of stimuli to another and then we pass it on to someone else. In the context of make-up sex, it's basically going from an emotion like anger to another like excitement. Then, when pleasure is brought into it all, it can create the illusion that reconciliation has happened when really all that's gone down is you connected on a physical level (and the oxytocin calmed you down a bit).
Arousal transfer is normal, but if it's the only time you and your partner truly feel like you're on the same page, it's also an illusion. Healthy relationships have mental, emotional and spiritual connections not just physical ones. Healthy couples are able to feel close to one another, whether sex comes into play or not.
Is Make-Up Sex What You Do When You Don’t Know What to Do?
GiphyA lot of us were not fortunate enough to grow up in a two-parent household and/or one that consisted of two people who loved and respected each other and communicated well. Because this was lacking, we didn't really get the foundational skills required to deal with conflict in a romantic relationship.
Two things typically happen because of this. One, we (internally) freak out whenever relational issues arise and/or two, we either think that running from the relationship or doing whatever makes our partner feel better is the solution. And oftentimes, that feel-good-remedy is sex.
The problem with that is even the best (and most realistic) sex only lasts a couple of hours. Once it's over, the problems still exist. If you and yours are always having sex during or immediately following a fight because you don't know what else to do, this is another reason to strongly consider getting into some marital counseling. Just so the two of you can learn how to hash things out and "fight fair" in the process.
Is Make-Up Sex How You “Handled” Relationships When You Were Dating Too?
There is a lot of baggage that many of us bring into our current relationship, oftentimes not realizing it until we get triggered or a particular pattern is brought to our attention. That said, if you can relate to all of what I shared here and a part of you is wondering where it came from, take a brief walk down memory lane to see if make-up sex is how you handled issues with your boyfriends as well.
A huge mistake that a lot of people make in relationships is assuming that what they did in their dating situations won't creep into their marriage. The only way you can be sure of that is by taking the time, as a single person, to do some self-evaluating and healing. If you're just now seeing that make-up sex has been your modus operandi all along, ask yourself two things—1) how did it work for you back then and 2) if it wasn't a big deal, why aren't you still with your exes? Hmm.
Again, make-up sex isn't a bad thing. Not at all. But if you're dependent on it in order to get through the hard/bad times in your marriage, be careful. You might look up and discover that it didn't fix anything. It just bought you more time to not deal with the inevitable—some real serious problems in your relationship.
You might discover that sex was more like icing on a garbage lid than anything. Sweet for a second but what was underneath? Eww.
Featured image by Getty Images.
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Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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