

“I talk to my friends all the time. Their DMs be crazy lit up with naked pictures—all types of craziness, and I get girls that hit me up and say, ‘yo I want to marry you.’”
Mack Wilds confesses this to me as if he’s surprised that women would be drawn to his dimpled, sometimes-crooked smile or his seemingly good-boy charm. Like the falsettos that he hit on the single “Don’t Turn Me Down” off of his debut album New York: A Love Story didn’t curl toes and provoke deep…umm…feelings. Or that his ability to slip in and out of multiple characters—his breakout role as the troubled teen in The Wire, the passionate pilot in Red Tails, the new kid on the block in 90210—doesn’t demonstrate his level of versatility and dedication to mastering his craft. Or perhaps we should ignore the fact that even Adele—a musical beast in her own right—saw something in this American boy that led to him being cast as the leading man in her record-breaking hit “Hello.” Yeah, Mack, I’m not buying that you don’t know why you’re deemed as husband-material.
Not to mention that he has this thing for love songs—ones that talk about embracing love, making love, and getting back to love like in the 90s. It’s no wonder that the ladies are taking him up on his invitation to be his dream girl.
But Mack Wilds is more than just a lover boy with good acting chops, he’s a self-proclaimed Renaissance Man that believes that “nothing’s too much” for him, and won’t stop until the world sees Mack Wilds as a brand, and not just one of the many characters that people identify him by.
While he’s busy building his legacy, the Staten Island native managed to slip in some time for good conversation about courtship, overcoming fear, and what makes him worthy of being a leading man. Trust me, you’ll fall in love with more than just his television characters.
Congrats on the new season of “The Breaks.” During the first season, you released a new single around the premiere. Was that intentional?
Mack Wilds and his "father" Method Man in "The Breaks."
You know what’s crazy, the way that it all came out and played out it was weird, uncanny timing. I was planning on dropping "Love In The 90's" anyway, but when the promo for The Breaks started ramping up and right after the Adele stuff I had already locked in everything with the label, so it was all perfect.
Your single "Love In The 90s," is an ode to old school love. It seems like in our generation the whole idea of love, marriage and even intimacy has kind of shifted. What is your perception of what love was back in the 90s vs. what it is today?
I think our generation, when it comes to what that old sense of love and courtship, it’s kind of disappeared. I think men and women on both sides have different expectations, and I think even in this information age we are too privy to a lot more information that we usually would get during a courtship scene, or during that romancing phase. So when you would take a girl out and chill with her you possibly realize where her mind is, or to even get even deeper, to see what her body looks like outside of her clothes. Now you can go on Instagram and see all of that. So I think the courtship and everything, a lot of stuff has changed for this generation. It’s not necessarily bad, it’s just a part of the generation.
Do you feel like the air of mystery is gone in a sense because everything is so easily available?
I think there still is going to be mystery when you first meet someone because you have to figure out who they really are. You can only get so much from a tweet, or you can only see so much on Snapchat or on Instagram. I think there’s still a certain level of mystery, I just think that the timing that we would get to know each other has changed. How long it would take to really build something strong has changed. I think a lot of times, those relationships that we know and love from the older days, they took a little more time to harvest and to make [a relationship] concrete. It’s not the relationships where you first meet the girl and you’re like, ‘you know I love you. I love everything I see on Instagram.'
What’s a lesson that your mom taught you about women?
To be smart, I think that’s the biggest thing. To be smart and think with the head that I have on my shoulders. Not the one anywhere else (laughs).
I read that Cancers always on lookout for a partner who would resemble his mother in terms of the perfection exuded by her. Is that true?
I think it is to a certain extent. My mom is an extremely strong woman. Raising six Wilds kids, it definitely gets crazy, but you know watching her and watching my dad take care of us and do everything that they needed to do to make sure that we were good, you can see the human spirit, you can see the strength. So I definitely look for that strength, that intelligence, that resilience in the different women that I encounter.
In an interview a couple of years ago you said that as an actor people look at you as a vessel and not as who you are. So who is Mack Wilds? Is it hard for people to fall in love with you versus his character or the idea of him?
I think once you actually get to know me, once you understand who I am and what I am, I think you automatically get a different sense of who I am. As Mack Wilds, I’m just a kid from the projects who loved being creative and used something that he loved to change his life, his family’s life, and hopefully change the lives of others, and continue to strive for more. I’m never really content with myself. I’m always reaching for my next dream and trying to make that come true. I’m never not working, so I think the girls that can deal with it, they fall in love with my work ethic. I’m not fully content with just sitting back and just chilling. I mean, I enjoy my time where I’m just sitting back at home on vacation or something you know you cut your phone off, chill in the crib, Netflix and chill it up. But I think there’s something that’s sexy about ambition. I’m extremely ambitious.
Does that make it hard for you to date or do you gravitate towards women who are equally ambitious or are you pretty open as long as they can handle your lifestyle?
I’m pretty open, but again ambition is a beautiful thing. I’d rather take towards the more intelligent, ambitious woman rather than someone who’s sitting home dealing with me and living through my ambitions.
[Tweet "I'd rather take towards an ambitious woman than someone living through my ambitions -@mackwilds"]
You mentioned courtship earlier. So, I’ve never been to Staten Island. Let’s say we’re going on a date in Stapleton (his hometown). Where are you taking me?
First and foremost, we’re going to get out of Stapleton (laughs).
Oh is it that bad?!
I’m just saying, it’s the projects. So unless you want to get some crown fried chicken.
Oh okay! So we’re out of Stapleton (laughs). Where are we going?
Honestly, I remember as kid when I first was just running around the city with any girl from Staten Island, a lot of people don’t leave Staten Island. So even getting on that ferry boat and just going somewhere, finding a dope little restaurant in Battery Park, or going to the movie theaters just across the water is an adventure. Then you have to start to get close to the person--just trust the person and that they won’t have you lost out here. But I knew my way around the city at 13 or 14, so just moving around trying to get off of Staten Island, it would be one of my go-to’s.
If a girl were to surprise you with a date, what’s one of your dating fantasies?
One of the things that I love, especially as a Cancer, I love the feeling of home. I move around a lot and I’m working a lot, so I don’t always get a chance to be home. So if she were to surprise me, a dope date would be a candlelight dinner at the house. Cook something for me at the crib. Make it real dope, romantic, sexy so that we don’t have to go nowhere else. We can watch the movies here, we can eat here, and then we can lead into other things (laughs).
You had an interview recently with Wendy Williams where you mentioned that you love dark skin women, and she kind of reacted in surprise. What did you think about her reaction?
Honestly, I didn’t think anything of it. Wendy is like family to me, so that’s a conversation that we have all the time. So I don’t think it was anything; it was her being playful. I don’t think that there was any type of ill intent towards what I was saying. Especially for me, like I said [in the interview], my mom is a brown skin woman, so growing up in an household with my mom who is brown skin and my aunt who is brown, like I have so many beautiful colors and women around me my entire life, you learn to appreciate every single color of a woman. It’s not like I would ever look down. I know some girls who would be considered dark skin that are way prettier than your average light skin girl, and vice versa. I think with Wendy in particular, especially since we talk about it all the time, I think it just got blown out of proportion.
You’ve been the leading man in a lot of videos (Adele's “Hello,” Bridget Kelly's “Act Like That,” Sevyn Streeter's “nEXt and “B.A.N.S.”). What does being a man and being a leader mean to you?
A leader, I think it’s not necessarily just about intelligence or being brave, it’s all of those things into one. It’s about being strong enough to lead something. To be the person who everyone has to follow and watch and pay attention to, and to understand that if you’re a leader people trust you with the mission. Whether it’s their lives, a song, a video, they trust you enough to push forward and to make the right choices in order to make this mission successful.
And to be a man I think is everything that we know about being a man. You always hear to be strong, to hold your own, to take care of the family and protect, and all that and more. Especially now, with the single mothers and the single fathers, you see fathers and men having to be nurturing and to be careful of hearts, and expectations.
Do you feel like there’s a lack of leadership among men or that women are not allowing men to be the leaders and they’re assuming those roles?
I think that could be part of it, but I think one of the biggest things about love that a lot of people don’t realize is the balance. You can’t be a man if you expect your woman to be a man. It’s a balance. You’re putting too much on one side of the scale. People should look at love a lot more like a balance system, especially now that there are so many strong-minded, amazing women that can go out here and hustle and protect just like any other man. When it comes to love, the man that you’re with you’re supposed to have some sort of balance with him. If you’re going to be the man, then he’s going to have to assume the role of more of a feminine one, and vice versa.
If you’re going to be a man out in the world, when you come home be the woman for your man.
I think it all depends on how we all look at it, and I don’t think we have enough leaders telling us that because they never went through it. It’s brand new. Back in their day courtships and everything that they were doing was completely different. That’s why I say I can’t blame anyone, it’s just that we don’t have any representatives that are old enough that we can look to like, ‘yo, OG help me with this!’ Steve Harvey was the closest one so far with his books.
What’s one of your biggest fears that you had to overcome?
One of the biggest fears, and I think it’s any kid anywhere in the world because I was legit about to make it just a kid from the projects thing, but I think any kid in the world you have fear of it not working and having to go back to your regular everyday norm. My regular everyday norm was back in the projects. I was cutting hair in my dad’s barbershop. I was in school. When you get a taste of something different, to go back to your every day norm is scary. You don’t know if you’ll be able to keep it up or even compete with any of the stuff that you’ve done in the past. If people would look at you as a has-been. Or something. So I think that’s one of the biggest fears.
Fear is a crazy thing, something that you fear the most will lead you to that fear. You being afraid of that fear will lead you into that fear. So I try to keep the right people around me, my parents are all up in my ear at the same time. And my friends and my family, you kind of keep the mindset of I don’t want to do that so I’m not going to do it. Keep working and keep striving and keep fighting for more.
[Tweet "When you get a taste of something different, to go back to your every day norm is scary."]
What’s something that you’re working on within yourself?
I think staying as proactive as possible. A lot of times I feel I don’t use time as much as I want to, and that sounds crazy because I work all the damn time. But there’s a lot of times that I’m sitting down and I’m like man, I could really be playing my guitar right now or I could be writing this script right now. Or man, I could write up this treatment for another music video, and I guess one thing I’ve learned to work on myself is being a little more proactive with my time.
What do you want your legacy to be?
When I’m long gone, I want people to know me as the new age Renaissance Man. I’m not a “jack of all trades and a master of none,” I’m legit a Renaissance Man. Anything I touch has a certain quality of amazing--a certain level of dopeness attached to it. If you see Mack Wilds or the brand attached to it, you understand that it’s a certain quality, and that I will never rest unless I give you the best that I have.
Are you still living by the words “nothing’s too much” or has that changed?
Nah, I definitely live by that now, there’s so many scripts that I’m reading right now, that would make the average man’s head spin off. But I don’t think there’s anything that I can’t accomplish. I don’t think there’s nothing that is too much, so I definitely live by those words.
Tell me about the tattoo on your right arm. I see John 3:16, what was the inspiration behind that tattoo?
It’s a skull with a crown of thorns. It’s adorned by roses and it has the banner that says John 3:16, you know that’s when God gave up his own begotten son for our salvation. So with the skull, with the crown of thorns and the roses around it, it keeps me in the right mindset that there's something beautiful that can come from something major that you lose. You can lose something, but you gain something even greater. You just have to remember to see the beauty in the loss.
[Tweet "There's something beautiful that can come from something major that you lose. - @MackWilds"]
I got it right after I finished 90210, and I remember thinking what are we going to do now? It was a bittersweet feeling, so I was in a weird place of trying to figure out how I was going to move and how I was going to do everything. And Salaam [Remi] called and I was thinking if I was to keep going on 90210, I wouldn’t have been able to get this album off and make the album that I wanted. So the tattoo just symbolizes that moment in my life where I didn’t know what to do because I had just lost something, but it was something beautiful that came out of that loss.
What’s something about you that a lot of people don’t know?
How into the arts I am. I’m very much an artist in the sense that I use other art forms and things that inspire me for my music or character development with acting. I try to use all different art forms: music, paintings I see, drawings, graffiti or whatever I try to use all of that to help me with other art that I do.
Featured image by Santiago Felipe/WireImage
'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock