
We often hear about social media's power to destroy. From messy breakups to overindulgent or overly provocative posts that unveil your insecurities, test your self-esteem or rob you of your productivity, it's easy to label digital platforms as the culprit of our complications. But like with everything in life there's balance, and in the case of social media, it lies within its power to create. It has enabled many to bypass the middleman and turn a "no" into a "yes" by proving that there's a market for what is being offered, and those social media stars who chose to use it for good have witnessed how moments can be monetized at simply a click of a button.
For Andrew “King Bach” Bachelor, social media not only gave him a voice, it gave him control—turning a fresh out of college grad into a well-paid content king in a matter of months.
In just six seconds, he has amassed 2.2 million loops and counting on his latest Vine post. It’s titled “Superman’s girlfriend’s new hairstyle,” and is a comedic spin on the comic book character’s supposed kryptonite: his girlfriend’s new neon green tresses send him into a series of convulsions.
In a world where becoming a celebrity seems as easy as uploading a video and garnering a large following, King Bach reigns supreme. The Canadian-born actor hailing from West Palm Beach, Florida has turned what for many is an unprofitable pastime into a multi-million dollar career—complete with movie roles, television deals, and the launch of his own production company, Bach Enterprises. It’s quite the come-up for someone who just a few years ago couldn’t even get callbacks from castings.
Social media has allowed those who would previously have been overlooked to build their own bridge and walk right over the gatekeepers of Hollywood. In an industry where only dollars make sense, being crowned the top Viner with a 15.3 million following proves that hard work and strategic execution can catapult a career beyond fifteen minutes of fame. For the Florida State University alumn, it was all about putting his business degree—and his talent—to good use.
Despite the expectations of his Jamaican parents, whom Bach says thought he would join the family career path in corporate, he packed his bags and relocated to Los Angeles soon after graduating in 2010 to pursue his dreams of acting and filmmaking.
Before The Fame
In 2011, just a semester shy of graduating with his Master’s at the New York Film Academy, Bach dropped out of school, but not before his short film, Agent Steele, made its way to NBC’s Dateline. Yet, despite having his foot in the door with the success of his first project, Bachelor still struggled to land acting gigs. “I was doing a lot of auditions and castings and I would always be in the room with people who had a bigger following,” says Bach on our call. “I was like the only way I can master that is if I can create my own following. So I did just that.”
Bach turned to YouTube, uploading his first video for Bachelor’s Pad TV channel on March 2012, which, according to Vanity Fair, he did with his own personal funds earned from his return on Apple stock investments. But producing high-quality content for $5,000 to $35,000 a video proved to be costly, so when fellow friend and Viner Brittany Furlan introduced him to the six-second platform for a fraction of the cost in May 2013, he didn’t hesitate to begin creating captivating content for his community of followers. It was just the break that he needed. Within five months, he had gained 2.5 million followers. “It was new and nobody was creating content like I was—viral videos that were six seconds,” he said.
The Breakthrough
It wasn’t long before sponsors and television came calling. In fact, he says that at about 300,000 followers, he had already started padding his pockets, charging sponsors such as Samsung a reported $1,000 per 100,000 followers. At a current 15.3 million followers, that’s a lot of zeroes. In addition, he landed regular gigs on shows like House of Lies, Wild’n Out, and Black Jesus, and throughout 2015 he continued making appearances on a number of television shows, but it’s the big screen that he had really set his eyes on.
Like many of his comedic predecessors, such as Jim Carey and Marlon Wayans who got their break on In Living Color, Vine has become more of a platform to launch Bach’s career, and a potential means to an end. Towards the end of 2014 he told The New Yorker, “When I start doing movies, that’ll be the time to pack Vine in. Quit when you’re on top. Be the king.”
With the recent release of his first feature film Fifty Shades of Black, where he plays Jesse opposite comedic kings, Marlon Wayans and Mike Epps, his ongoing loyalty to the digital app still has yet to be determined. Though he recently told Time in reference to leaving his Vine fans, “I can’t just leave them hanging,” there’s been a noticeable decrease in the consistency of his posts.
Regardless, you can’t blame the 27-year-old for putting Vine on the backburner while he heats it up on the big screen. This year alone he will star in at least four feature films, including the upcoming release of Meet the Blacks, a spoof on horror film The Purge. Bach plays the boyfriend of Mike Epps’ daughter, who attempts to confront Epps about his disapproval for dating his daughter on the one day of the year where murder is legal. Similar to many of his Vine skits, Bach’s role is an over-exaggerated stereotype of the black male that often times comes off crude, but to be clear, he doesn’t intend for comedic roles to be the culmination of his career. “I do it all. I do acting, comedy, and I have a dramatic movie that’s coming out. I don’t limit myself, I just like having fun,” he says.
Taking risks with his craft is a part of the game that he enjoys playing, and it’s a fearless approach for someone who once said that his biggest mistake was doubting himself and not going after certain opportunities that could’ve benefited him. “You can’t be afraid to fail. If you’re afraid to fail, then you’re not going to succeed. The only way to learn is by failing; nobody learns by doing good all of the time. You learn from the mistakes you make along the way.”
Luckily, he has the support of many of the same comedians that he grew up watching, and who have witnessed his seemingly overnight success in part due to the digital platform that has launched the careers of a number of his peers. “All of them really put me under their wings and gave me tips here and there. They basically told me to don’t give up, just keep going.”
As to his dating life, that, like Vine, has also become subservient to his slew of projects. “I’m not really looking for anything, I’m just keeping focused and keeping my eye on the prize of what I moved out here to do,” he says.
After all, building a legacy where he’s paid to do what he loves and create his own opportunities takes a certain level of dedication—no distractions permitted. Besides, if you ask the modern-day king of comedy, King Bach just wants to have fun.
Check out King Bach in Meet the Blacks, in theaters April 1st.
Because We Are Still IT, Girl: It Girl 100 Returns
Last year, when our xoNecole team dropped our inaugural It Girl 100 honoree list, the world felt, ahem, a bit brighter.
It was March 2024, and we still had a Black woman as the Vice President of the United States. DEI rollbacks weren’t being tossed around like confetti. And more than 300,000 Black women were still gainfully employed in the workforce.
Though that was just nineteen months ago, things were different. Perhaps the world then felt more receptive to our light as Black women.
At the time, we launched It Girl 100 to spotlight the huge motion we were making as dope, GenZennial Black women leaving our mark on culture. The girls were on the rise, flourishing, drinking their water, minding their business, leading companies, and learning to do it all softly, in rest. We wanted to celebrate that momentum—because we love that for us.
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.

In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.

In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.

And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.

We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.

So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.

That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.

This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
These Black Women Left Their Jobs To Turn Their Wildest Dreams Into Reality
“I’m too big for a f***ing cubicle!” Those thoughts motivated Randi O to kiss her 9 to 5 goodbye and step into her dreams of becoming a full-time social media entrepreneur. She now owns Randi O P&R. Gabrielle, the founder of Raw Honey, was moving from state to state for her corporate job, and every time she packed her suitcases for a new zip code, she regretted the loss of community and the distance in her friendships. So she created a safe haven and village for queer Black people in New York.
Then there were those who gave up their zip code altogether and found a permanent home in the skies. After years spent recruiting students for a university, Lisa-Gaye Shakespeare became a full-time travel influencer and founded her travel company, Shakespeare Agency. And she's not alone.
These stories mirror the experiences of women across the world. For millions, the pandemic induced a seismic shift in priorities and desires. Corporate careers that were once hailed as the ultimate “I made it” moment in one's career were pushed to the back burner as women quit their jobs in search of a more self-fulfilling purpose.
xoNecole spoke to these three Black women who used the pandemic as a springboard to make their wildest dreams a reality, the lessons they learned, and posed the question of whether they’ll ever return to cubicle life.
Answers have been edited for context and length.
xoNecole: How did the pandemic lead to you leaving the cubicle?
Randi: I was becoming stagnant. I was working in mortgage and banking but I felt like my personality was too big for that job! From there, I transitioned to radio but was laid off during the pandemic. That’s what made me go full throttle with entrepreneurship.
Gabrielle: I moved around a lot for work. Five times over a span of seven years. I knew I needed a break because I had experienced so much. So, I just quit one day. Effective immediately. I didn’t know what I was going to do, I just knew I needed a break and to just regroup.
Lisa-Gaye: I was working in recruiting at a university and my dream job just kind of fell into my lap! But, I never got to fully enjoy it before the world shut down in March [2020] and I was laid off. On top of that, I was stuck in Miami because Jamaica had closed its borders due to the pandemic before I was able to return.

Randi O
xoN: Tell us about your journey after leaving Corporate America.
Randi: I do it all now! I have a podcast, I’m an on-air talent, I act, and I own a public relations company that focuses on social media engagement. It’s all from my network. When you go out and start a business, you can’t just say, “Okay I’m done with Corporate America,” and “Let me do my own thing.” If you don’t build community, if you don’t build a network it's going to be very hard to sustain.
Gabrielle: I realized in New York, there was not a lot to do for Black lesbians and queer folks. We don’t really have dedicated bars and spaces so I started doing events and it took off. I started focusing on my brand, Raw Honey. I opened a co-working space, and I was able to host an NYC Pride event in front of 100,000 people. I hit the ground running with Raw Honey. My events were all women coming to find community and come together with other lesbians and queer folks. I found my purpose in that.
Lisa-Gaye: After being laid off, I wrote out all of my passions and that’s how I came up with [my company] Shakespeare Agency. It was all of the things that I loved to do under one umbrella. The pandemic pulled that out of me. I had a very large social media following, so I pitched to hotels that I would feature them on my blog and social media. This reignited my passion for travel. I took the rest of the year to refocus my brand to focus solely on being a content creator within the travel space.

Gabrielle
xoN: What have you learned about yourself during your time as an entrepreneur?
Randi: [I learned] the importance of my network and community that I created. When I was laid off I was still keeping those relationships with people that I used to work with. So it was easy for me to transition into social media management and I didn’t have to start from scratch.
Gabrielle: The biggest thing I learned about myself was my own personal identity as a Black lesbian and how much I had assimilated into straight and corporate culture and not being myself. Now, I feel comfortable and confident being my authentic self. Now, I'm not sacrificing anything else for my career. I have a full life. I have friends. I have a social life. And when you are happy and have a full quality of life, I feel like [I] can have more longevity in my career.
Lisa-Gaye: [I'm doing] the best that I've ever done. The discipline that I’m building within myself. Nobody is saying, ‘Oh you have to be at work at this time.’ There’s no boss saying, ‘Why are you late?’ But, if I’m laying in bed at 10 a.m. then it's me saying [to myself], 'Okay, Lisa, get up, it's time for you to start working!’ That’s all on me.
xoNecole: What mistakes do you want to help people avoid when leaving Corporate America?
Randi: You have to learn about the highs and lows of entrepreneurship. You have a fast season and a slow season and I started to learn that when you're self-employed the latter season hits hard. Don't get caught up on the lows, just keep going and don't stop. I’m glad I did.
Gabrielle: I think everyone should quit their job and just figure it out for a second. You will discover so much about yourself when you take a second to just focus on you. Your skill set will always be there. You can’t be afraid of what will happen when you bet on yourself.
Lisa-Gaye: When it comes to being an influencer the field is saturated and a lot of people suffer from imposter syndrome. There is nothing wrong with being an imposter but find out how to make it yours, how to make it better. If you go to the store, you see 10 million different brands of bread! But you are choosing the brand that you like because you like that particular flavor.
So be an imposter, but be the best imposter of yourself and add your own flair, your own flavor. Make the better bread. The bread that you want.

Lisa-Gaye Shakespeare
xoNecole: Will you ever return to your 9 to 5?
Randi: I wouldn’t go back to Corporate America. But I don’t mind working under someone. A lot of people try to get into this business saying, “I can't work under anyone.” That’s not necessarily the reason to start a business because you're always going to answer to somebody. Clients, brands, there’s always someone else involved.
Gabrielle: I went back! I really needed a break and I gave myself that. But, I realized I’m a corporate girl, [and] I enjoy the work that I do. I’m good at it and I really missed that side of myself. I have different sides of me and my whole identity is not Raw Honey or my queerness. A big side of me is business and that’s why I love having my career. Now I feel like my best self.
Lisa-Gaye: I really don’t. For right now, I love working for myself. It's gratifying, it's challenging, it's exciting. It’s a big deal for me to say I own my own business. That I am my own boss, and I'm a Black woman doing it.
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Featured image courtesy of Lisa-Gaye Shakespeare
Originally published on February 6, 2023









