

Why Every Woman Should Go On A 'Get Your Heart Pieces Back' Tour
A few months ago, in the article, "The 'Pre-Commitment Interview' Every Dating Couple Should Have", I referenced a lil' tour that I took back in 2015 (wow, five years ago). At the time when I started it, I didn't know that I was on a mission to get my heart pieces back. But, as life would have it at the time, that is exactly what went down. Anyway, because I seem to get interviewed about "the tour" more and more, I decided it was only right to share with the xoTribe just what I did, why I did it, and how to played a huge role in making my heart truly whole again.
Why Our Hearts Are Do Divine and Must Be Protected at all Costs
The Classic Amplified Version of Proverbs 4:23 instructs us to, "Keep and guard your heart with all vigilance and above all that you guard, for out of it flow the springs of life." If there's something that I tell soon-to-be parents is there are two things that children definitely need; two things that get overlooked far too often in the raising and nurturing (or, as the Bible puts it, "training"—Proverbs 22:6) process. First, children need to be taught how to be financially responsible and second, children need to be taught how to properly guard their heart. That second one is super layered because, by definition, the heart is a complex thing.
It's an organ that pumps blood throughout our bodies. It's the center of our emotions. It's also the center of our personality. In the Hebrew language, it's our mind and thoughts. Some synonyms for heart include our character, our soul and even our temperament. No wonder the Word tells us that out of our heart flows the springs of life. No wonder that a broken heart devastates—and sometimes totally alters us—so much.
This is why it's super crucial that we keep and guard our heart. For the record, this does not mean that we're supposed to be unapproachable, bitter or that we put up such a high wall up that no one can ever reach us. What it does mean is we need to handle our heart with an incredible amount of TLC. We need to be careful about who we let enter into our body. We need to be cautious about how we allow others to affect our emotions or influence our personality. Influence is a big freakin' deal. That's why we also need to watch what kind of folks are able to use their words, actions and even energy to infiltrate our thoughts.
Growing up, because I wasn't taught this well at all, I didn't know how to guard my heart. Sure, the rules in my house were semi-strict but what was modeled (parents, we watch what you do far more than what you say) was also pretty toxic. So, by the time I went to college and was in my own space, guys were able to…basically do with my heart whatever they wanted to. It wasn't until I got abstinent that I realized just how much damage had been done. Once I "detoxed", in the physical sense, from the 14 partners I had been with ("Each Of My 14 Sex Partners Taught Me Something New" pretty much breaks that down), I realized there were still parts of me that "belonged" to some of those men; belonged in ways that I had totally underestimated until I went…on tour.
What the Heck Is a “Get Your Heart Pieces Tour”, Anyway?
The love of my life. The one who got away. The best sex I ever had. These were the titles that I had given to certain men from my past. Although those resolves weren't untrue, because they were a part of my reality, those fellas still had a bit of power over me; power that I didn't even realize until I actually stopped and thought about my choices, my patterns and why, in some ways, I was stagnant when it came to my personal relational progress. And so, back in 2015, I decided that I would be intentional about finding those fellas and having a little convo with them.
The love of my life. When it came to this guy, clearly the Universe was in agreement that we needed to find real closure. I say that because my running statement is, "If you find your ex on Facebook, that's you. If you run into him in the grocery store, that's God." After looking for him for a couple of weeks (after not speaking for several years) and finally declaring to a friend that I was going to give it a month and then try to let it all go, the very next day after that phone call, I ran into ole' boy. It wasn't on Facebook, so you know what that means.
My first love had always been able to reel me back in, in a way that no other man could. But this time, I wasn't interested in romanticizing our situation. I wanted to know what the heck it was that we had been doing, basically since I was three months shy of 19. We talked off and on and met up a couple of times for a few weeks. Then one day, while we were having lunch, I realized that no matter how much he professed to love me, when we were in love, loved or liked each other, his treatment was pretty much the same. Meaning, there was no change in how he loved me beyond his words.
That a-ha moment gave me my heart piece back. I will always love him, no doubt. But that lunch—coupled with a run-in that we actually had in December—solidified the fact that we had a past, no future, and that the part of me that always kinda sorta held out hope that one day we'd be like the characters inLove Jones or Dear John wasn't going to—and didn't need to—happen. No longer do I have this sinking feeling and wondering suspicion that if I were to get married but he was to reach out, there would be a possibility that he might be able to reel me back in; even if it was just with an emotional affair (which is still cheating, y'all). The mouse hole is finally closed. That chapter—which was more like a novella—is done. Next stop.
The one who got away. Whew. This. Man. Right. Here. He's fine—and then some mo' fine. Smart. Charming. Accomplished. Hilarious. SEXY (and yes, I'm screaming the last part!). After all these years, he's still that. And, up until 2015, he was my biggest regret. Nothing was really "wrong" with us; the timing just was off. Way off. It was so off that one day, while he was in college, he called to say, "You're like crack and I choose to no longer be addicted." He hung up and I never heard from him again. I must admit that, in many ways, I totally got where he was coming from because I continued to think of him, sometimes dream about him, and always refer to him as the one who got away. This means that he still had some type of hold on me. So, one day I Googled him, found one of his office numbers (you can read between the lines right there, sis) and left a message referring to myself as "crack". Later that evening he called, we stayed on the phone for eight hours, partly discussing how, umm, ravenous we both made each other feel. Whew. I seriously considered hopping on a plane. ASAP.
Why didn't I? For a few reasons, really. One, it was evident that while there was still a deep connection there, spiritually, we are in very different places now. Secondly, I'm not so sure that reuniting wouldn't have been more than months—maybe years—of off-the-chain sex, nice dates, but not much more than that…on his part. But more than anything, he's divorced, and I hold a personal conviction about that (I Corinthians 7:10-11). Because my niche, as a marriage life coach, is reconciling divorces, I personally don't want to "be in the way" of a couple, who was once in that type of covenant, possibly getting back together. And so, after a few weeks of chatting—and I'll be honest, fantasizing—I sent him an email that it was so good to reconnect, to get to a good place, and to be able to wish him well. Now, he's no longer the guy who got away from me. He's just the fine divorced man who I used to know.
The best sex I ever had. How do you get past this one? Hmph. You might be surprised. As we emotionally heal and even physically mature, our take on what "best sex" is tends to shift (see "What GROWN Women Consider Great Sex To Be"). It was important for me to have a brief (LOL) conversation with this dude because, up until I did, I kept replaying how the physical part of the sex was without factoring in how absolutely wack everything else had been. I was never really "into him"; I liked the sex.
And chile, if you live on this earth long enough, you realize that great sex isn't super hard to come by; that oftentimes, sex is what you make it. Still, it was necessary to talk to him because now I don't feel like he has the ability to "hit some spots" like no other man can. He simply was one of the lucky ones who was privileged enough to do it. My future husband will be even more blessed. Yep. Got that heart piece back too.
Why It’s So Important to Restore Your Heart Before Moving Forward.
Although I can't recall exactly where it came from, I once heard someone say, "It's hard to walk away from a train wreck once the train has run you over." Indeed. Some of us don't realize that "the wreck" is a relationship (or several relationships) and "the train" is a guy. We don't get that we're emotionally stagnant, internally bitter or not thriving in a new relationship like we could and should be, and that it's all because there are men out here who still have parts of our heart. They still trigger our emotions. They are still able to love bomb or gaslight us. They prevent us from fully trusting. They keep us living in the past. They have us holding out. Or, perhaps worst of all, they are able to keep coming back—if not physically, mentally.
Man…when I tell you that words can't express, just how freeing it feels to know that, while there are some faint scars from some of my past experiences, all of the wounds are totally gone? It is so refreshing! Going on that tour has shown me that it really is possible to be fully restored, to not hate or even resent an ex and, no matter how deep or profound an experience—or set of experiences—may have been, it no longer has to affect or infect me. A tour can be "one and done". No matter how much of myself that I gave to a man, I can get all of me back.
All of this said, I will say this—the title of today's soul food for thought is a little bit of clickbait. Does every woman who has a past need to go on this kind of tour? Eh, probably not. But if you're like a lot of women I know who reflect on their past and have given men certain titles or accolades like the examples that I just provided, 8.5 times out of 10, what that means is those guys still have a stronger hold on them than they ever should. Whether those ladies realize—or choose to accept—it or not, those fellas still have a piece of their heart; a piece that they need to get back. That means that, on some level, they are stuck. And when you are stagnant, it is impossible to move forward. And you need to move forward.
If that means saying a prayer, taking a deep breath and hitting up an ex or two to have a talk, so be it. Better to get your heart piece via the clarity that you need than to allow a man to still have a part of you because you haven't found resolve with—or from—him. Take the tour. Get the T-shirt. I did. And I'm oh so very whole because of it.
Want more stories like this? Sign up for our newsletter here and check out the related reads below:
6 Reasons Why You STILL Can't Over Your Ex
How To Get Closure If Your Ex Won't Give It To You
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After being a regular contributor for about four years and being (eh hem) MIA in 2022, Shellie is back penning for the platform (did you miss her? LOL).
In some ways, nothing has changed and in others, everything has. For now, she'll just say that she's working on the 20th anniversary edition of her first book, she's in school to take life coaching to another level and she's putting together a platform that supports and encourages Black men because she loves them from head to toe.
Other than that, she still works with couples, she's still a doula, she's still not on social media and her email contact (missnosipho@gmail.com) still hasn't changed (neither has her request to contact her ONLY for personal reasons; pitch to the platform if you have story ideas).
Life is a funny thing but if you stay calm, moments can come full circle and this is one of them. No doubt about it.
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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Queen Latifah On Her Journey To Self-Acceptance: 'I've Been Trying To Maintain My Freedom To Be Me'
Actress and rapper Dana "Queen Latifah" Owens is defying societal standards by refusing to be confined in a box regarding her personal and professional life.
Owens, who has been a part of the entertainment industry for over three decades, is widely recognized for her empowering songs and the variety of acting roles she has obtained throughout her career, among other things. The list includes Living Single, Set It Off, Chicago --with which she earned an Oscar nomination-- Just Wright, Girls Trip, and most recently, The Equalizer series on CBS.
Owens is also very tight-lipped about her personal life. However, in 2021, The Last Holiday actress showed appreciation to Eboni Nichols, who is reportedly her partner, and their son Rebel after receiving a Lifetime Achievement Award.
Since then, Owens has revealed why she doesn't want to be defined as anything but herself and how she maintains her sense of freedom. In a resurfaced video from theGrio Awards, Owens opened up about those topics when she accepted the Television Icon Award for her past contributionsIn a clip uploaded on theGrio's Instagram account last week, Owens explained that she often had to fight to be herself because "the world" kept trying to put her in a box based on what society thought a woman should be.
"My whole life, I feel like I've been trying to maintain my freedom to be me. And the world is trying to put these things on me to stop me from being who I am," she said.
Further into the speech, Owens explained that although many would have their own opinion about her from what the media spews out, she would continue to be herself by wearing "beautiful gowns and dresses," playing in the dirt, participating in basketball games with men and loving who she loves because that's what makes her happy.
The Beauty Shop star also added that despite her celebrity status, she would continue to show respect for others because that's who she is as a person and how she was raised.
"So I wear these beautiful gowns and dresses because I want to because that's part of me. I play in the dirt. I play basketball with the boys because that's me,” she stated. "I love who I love because that's me. I love all of you who have supported me. I give you your respect. I don't have to be above you because that's me. I know me."
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