
All The Black-Led Films That Did It For The Culture In 2019 (So Far)

We're officially halfway through 2019, and while plenty of great movies are still scheduled to premiere--like Disney's Lion King or the highly anticipated Luce--the year has delivered an array of great, black-led movies. Many of which can be an instant fave for any movie-goer. From superhero stories and teen thrillers to movies about basketball players and eye-opening documentaries, films this year have shown that not only are they capable of having captivating black leads, but they are capable of telling some groundbreaking stories, too.
What's also groundbreaking is the fact that rather than in your local theater, most of these films can be found on streaming platforms in the comfort of your own home. And while all of them might not be your cup of tea, the top black led-movies of 2019 so far all have one thing in common: they're pioneering, original, and worth every second of your time.
Here are the top nine black-led movies of 2019, where you can find them, and reasons why you should.
See You Yesterday, Netflix
Tribeca Film Institute
What can be said about See You Yesterday that already hasn't been said? The movie's cinematography is enough to entice you, but the story is more than enough to make you stay. Following sixteen-year-old Claudette "CJ" Walker, the story of See You Yesterday tells of two science prodigies who travel back in time to save CJ's older brother from dying at the hands of police. Along the way CJ and friends encounter problem after problem, discovering the truth of the police brutality that we are all afraid to say. Despite teaching our black brothers and sisters what to do and what not to do at the hands of cops, it isn't them who really need to change. It's society itself. And until that happens, we will all be seeing each other, in some way or form, continuously living the problems of yesterday. With outstanding performances by Stro, Eden Duncan-Smith, and Dante Crichlow, this movie is certainly a must watch for 2019.
High Flying Bird, Netflix
Peter Andrews/Netflix
Three years ago, EuropaCorp released a film titled Miss Sloane about a lobbyist who has been called to appear at a congressional hearing, to answer questions about possible violations of Senate ethic rules. The movie was written to have sharp dialogue, even sharper characters, and it was meant to tell a story of a world unfamiliar to us. But when it premiered, it fell flat. The characters weren't real. The dialogue and characters were so sharp that it completely severed the audience from the story; and although the political world of lobbyist was unfamiliar, we couldn't care less about it or the people in it. High Flying Bird is really similar to Miss Sloane. The only difference: High Flying Bird gets it right.
Following sports agent Ray Burke, High Flying Bird takes us into the world of the NBA during the lock-down. It tells about the importance of an NBA player's talent, their charisma, their public image, and how difficult it can be to manage the three harmoniously. The characters are razor sharp, revealing the concerns that define the modern athlete while also remaining wickedly entertaining at the same time. The dialogue welcomes you into the world but doesn't seclude you. And the story gets more and more interesting as the minutes add up to the final one. With appearances from actual NBA players and top-notch performances from their all-star cast, High Flying Bird, shows that there are innumerable ways to be witty, innovative, and entertaining. Plus, the whole damn film was shot entirely on an iPhone 8. What could be better than that?
Us, Amazon and YouTube
Industrial Light & Magic/Universal Pictures
Anytime someone establishes an "us" there is a "them." And the "them" in this movie…well, they're "us," and that's truly something to be terrified of. Starring Black Panther and Yale alums, Lupita Nyong'o and Winston Duke, the story of Us follows Adelaide Wilson (Nyong'o), who returns to the beachfront home where she grew up as a child. Nevertheless, things spiral quickly—as they always do—when the family returns home and are acquainted with their very violent, very malicious doppelgängers. With Jeremiah's bible scripture, "Therefore this is what the Lord says: 'I will bring on them a disaster they cannot escape. Although they cry out to me, I will not listen to them," continuously rearing its ugly head, Peele tells a petrifying story of one of the biggest problems we face as a society: ourselves. And it's hard to escape a problem when we are unwilling to faithfully and diligently look in the mirror.
The Black Godfather, Netflix
Netflix
Netflix's The Black Godfather accounts the exceptional and unlikely rise of Clarence Avant, a music executive whose cutting-edge behind-the-scenes accomplishments impacted the legacies of icons such as Bill Withers, Quincy Jones, Muhammad Ali, and Hank Aaron.
Driven by a sense of equality, loyalty, and justice, Avant left the Jim Crow south behind to emerge as a powerhouse negotiator at a time when deep-seated racism penetrated every corner of America. Avant defied notions of what a black executive could do, redefining the industry for entertainers and executives of color, and leaving a legacy of altruism for others to emulate.
Black Mother, Netflix
Cinereach
New York photographer Khalik Allah's Black Mother is littered with lyricism, spirituality, culture and history in this "vivid pictorial and philosophical journal" dedicated to Jamaica and its tough yet burdened women. Black Mother is a fresh piece of work in both how it progresses from shocking and gentle to chaotic and serene extremes, and how it's assembled like a scrapbook of remembrances.
Homecoming: A Film by Beyoncé, Netflix
Parkwood Entertainment/Parkwood Entertainment
I have no words.
I have absolutely no words.
The title alone should entice you enough to watch the documentary. However, if you're one of those people who need a little more before you select "play," here it goes: It's Beyoncé, doing Beyoncé, the only way Beyoncé can—pretty damn well.
The Boy Who Harnessed the Wind, Netflix
Ilze Kitshoff/Netflix
The Boy Who Harnessed the Wind tells the true story of William Kamkwamba, a young Malawian genius who built a windmill to save his family and village from drought and famine. Written and directed by Oscar-nominated actor Chiwetel Ejiofor, the story of William Kamkwamba is an unforgettable child prodigy film that is much-needed for black children in 2019. The film is charming and ambitious and there's something disconcerting about rooting for a character to invent something that should have been easy to access in the first place—but Kamkwamba has will have your unshakable support the entire time.
Guava Island, Amazon
Amazon Studios
Filmed secretly in Cuba and released with little fanfare on Amazon, Guava Island is a musical-romance-thriller from the team behind FX's Atlanta, director Hiro Murai and Donald Glover. Cast as the man of the people, Glover plays Deni—a musician on Guava Island who wants to liberate his people and inevitably faces the consequences for such a life. With the supporting cast of musician and actress Rihanna, who plays his girlfriend Kofi, Guava Island showcases what it is like to have a dream and what happens when you face you do the right thing.
The Last Black Man in San Francisco, Select Movie Theaters
Peter Prato/A24
Awarded Best Director and the Special Jury Award from Sundance Film Festival, The Last Black Man in San Francisco tells the story of best friends, Jimmie and Mont, who are trying to reclaim the house built by Jimmie's grandfather. While trying to reclaim the house the duo revisit their past, test their friendship, and find a sense of belonging in the place they call home. Based on the life of star Jimmie Fails and the friendship of Fails and screenwriter Joe Talbot, Fails describes the movies as a "love story about [himself] and a house." Critically acclaimed for its cinematography and story, The Last Black Man in San Francisco is surely a movie to add to your must-watch list this year.
Want more stories like this? Sign up for our newsletter here and check out the related reads below:
Everything You Need To Know About 'Us'
Here's A List Of Everything That's New & Black AF On Netflix This July
Everything We Learned From Beyonce's 'Homecoming'
Taysha Robinson is a writer and high school English teacher, based in metro-Atlanta. A self described philomath, you can find her reading books and articles of every genre, attending educational conferences, and hiking wherever the terrain will allow.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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Feature image by AFF-USA/Shutterstock