
The 60-Second Instagram Series For Black Women Who 'Ain't Got Time'

Since the inception of shows like HBO's Insecure and Netflix's Chewing Gum, millennial Black women have sought comic relief from the pressure of simply being us.
As empowering as it is to soak up the fierceness of Olivia Pope and Cookie Lyon, it's hard sometimes to draw a correlation between what being a Black woman looks like and what being a Black woman feels like. We make mistakes, we have weird inside jokes with our friends, we fail at our jobs sometimes, and we struggle with the highs and lows of dating in the age of social-media. We swipe through our timelines and feel that pull in our gut willing us to compare our realities with the posed and poised images of influencers and thought leaders. It's a lot to be a woman in 2018, and the pressure can feel like it's pushing us through the floor.
Thank goodness for creators in media who have used their time and talents to offer a different narrative.
For Jessica Washington and Chloe Longchamp, best friends and co-creators of the Instagram series SZNED (pronounced "seasoned"), turning the tables on the common Black narrative was on their mind since graduating from St. John's University together in 2013. "When we met, we bonded over our similar, random and sometimes crass sense of humor, " says Jessica.
They sat with the heaviness of post-college life and that ever-looming question, "What now?" As they settled into their mid-twenties, they found themselves feeling bored and unfulfilled creatively. They wanted to fill their time with something that would keep them busy and make them smile, or even better - laugh. So, they decided to put their college experience, in PR and production respectively, to good use and develop a comedy series.
Their objective was simple: look at daily life for 20-something Black women and find the humor. "We toyed with the idea of creating a full-blown web series," Jessica explains, "One weekend during the fall of 2016, we spent an entire evening brainstorming potential loglines, conceptualizing themes, and developing characters."
But, eventually the pair got so overwhelmed by the idea of how costly production would be that they actually scrapped the entire project. A year later, Chloe raised the idea of creating a smaller-scaled version of their series idea. Instead of full-blown traditional episodes, she suggested developing the series for Instagram and keeping each episode 1-minute each in length. "We revisited our character development notes and re-evaluated the direction of the show, and by the next week, we filmed our first three episodes."
The show's main characters are Jordyn (played by Jessica) and Tori (played by Chloe) and focuses on their daily life as roommates. The juxtaposition of a quirky 60-second comedy existing on a platform like Instagram led the start-up series to finding a faithful audience after just one season. Jessica and Chloe have created a safe and funny space to reflect on the wins and the losses that come with getting your life together, something that can be hard to embrace in a filter-focused society. "While I enjoy seeing all the snatched waists, engagement photos, vacations, babies, and inspirational quotes on my Instagram timeline," Jessica shares, "I have to make sure I know there will be a few good 'lmao' moments coming each time I scroll my feed."
She thanks IG comic queens like B. Simone, Jasmine Luv, and Jess Hilarious for paving the way in bringing situational comedy to social media. Jessica explains, "Its liberating to use Instagram to expose people to more of the identities available to black women than the media shows."
This is a point both women are perfectly aligned on. Co-creator Chloe chimes in with her thoughts on the Instagram effect. "Life isn't about striving to reach perfection. It's about making mistakes and learning lessons from them. Nobody said life would be easy, but it makes it a lot more entertaining when you find humour in your failures."
"Life isn't about striving to reach perfection."
Not only is the show's content fitting and much needed to change the image of the "unbreakable black woman," but the format is also conscious of the busy lives of its target audience. Jessica and Chloe's limited production budget was a blessing in disguise that led them to a genius 60-second format. We have plenty of bingeworthy long-format shows that suck us into consumption as soon as they are released. SZNED is a quick dose of exactly what we need - a good laugh and some much needed validation. It's stated plainly in the bio of their show page, "1-minute episodes because you ain't got time and neither do we."
Jessica and Chloe have unabashedly tackled topics around sex and dating, career, friendship, and even racism and colorism. One storyline found Tori out to lunch with a local rapper who dropped her mid-date for a woman he assumed was white, touching on the "white is right" mentality that we've all come across at least once while navigating the dating world.
There's the episode where Jordyn's white cousin (by marriage) is introduced and they have a candid conversation about how it feels when white people touch our hair. Tori also struggles with securing a job and being the "broke friend" - something we've all had to go through.
While they dabble with some pretty wild storylines, the entire series in many ways reflects the creators' real-life struggles and the process has led to new growth for them both. "My character Jordyn is struggling with weight loss," Jessia says. "This is something that, like my character, I've struggled with for much of my life. To be honest, creating SZNED is helping me with accountability in that area and working toward that goal!"
Chloe has also gone through a transformation behind the creative process. "The series has also given me an immense amount of personal growth. Being an introvert that suffered from social anxiety a few years ago, I could have never imagined posting videos of myself for the whole world to see that showcased my true goofy personality."
Now that Jessica and Chloe have wrapped their first season, gained over 11K followers on their show page, and proven to themselves that they are capable of anything, they set out to drop season two in November. This time taking on new challenges and striving for new heights, their focus remaining still on connecting with an audience that seeks a break from the grind to laugh and reflect for exactly one minute. "The outpour of support that SZNED has received lets us know that our viewers share the exact same sentiments," says Chloe. "I can't even begin to describe the joy that I feel when someone sends us a message saying our videos make their day or that we put a smile on their face."
The overarching takeaway when we see women in media striving to create content that sits just outside of what is "typical" is that they are making strides in how our community is presented and perceived by the world. Humanizing what daily life looks like for us is an absolutely necessary tool in our fight to preserve a seat at all the tables we dare to demand a place at.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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