Hip-hop and its influences are everywhere! It started in the South Bronx 50 years ago and was born from the social and economic disparities of a forgotten part of New York City struggling with poverty, drugs, and crime. Before it was called hip-hop, it was called "the culture," which included four elements: DJing, emceeing, B-boying or B-girling, and graffiti.
Throughout history, people of color have created innovative and transforming expressions of art within challenging environments. Hip-hop was created by men, who used it as a tool to dream bigger than their reality. It was supported by women with a vision that propelled the culture forward.
The Early Vision
Anthony Barboza/Getty Images
One of the groundbreaking groups in the early days of hip-hop was Funky Four plus One More, featuring M.C. Sha Rock, the first female of hip-hop culture.
"I'm the first female of hip-hop culture! I started as a B-girl, carrying records to the parties, and my presence elevated there," Sha-Rock shared with xoNecole. "I was fortunate to be a member of the first hip-hop group ever to appear on national television. My group appeared on Saturday Night Live, hosted by Deborah Harry of Blondie in 1981." Today, Sha-Rock is making waves on the radio show Rock the Bells and touring all across the U.S. to celebrate the 50th Anniversary of hip-hop. Eric Adams, mayor of New York City, recently declared June 3 as M.C. Sha Rock Day.
Sylvia Robinson's foresight and belief in hip-hop's potential laid the foundation for the genre's success today. Despite major record companies' lack of interest, Robinson released hip-hop on vinyl independently on her Sugar Hill Records label.
Other women from that era included vocalist Angie Stone and the hip-hop trio The Sequence. "I speak for the group when I say we want to thank everyone who has acknowledged us this late in the game," she said. "My group was the first female hip-hop group signed to Sugar Hill Records. In our song 'Funk You Up,' we mixed the element of vocals with hip-hop, which is still prominent today."
"My group was the first female hip-hop group signed to Sugar Hill Records. In our song 'Funk You Up,' we mixed the element of vocals with hip-hop, which is still prominent today."
Stone would go on to become an integral part of the early neo-soul movement in music and has continued to have a successful career for more than four decades. Her latest album, Love Language, is available now on streaming services.
Passing The Torch
Raymond Boyd/Getty Images
The trailblazing achievements of female Hip-Hop artists in the early days paved the way for future generations. The 2023 Netflix documentaryLadies First: A Story of Women In Hip-Hopnarrates the stories of game changers like Salt-N-Pepa, whose record sales exceeded 15 million, making them one of the most successful female hip-hop groups ever. Roxanne Shanté was known as one of the first battle rappers, fearlessly taking on some of the most skilled lyricists in the game. There was MC Lyte, Yo-Yo, Queen Latifah, and J.J. Fad, the first female hip-hop group nominated for a Grammy.
In the '90s, there was a rise of female rappers such as Lil' Kim and Trina, who unapologetically embraced their sexuality, leading the way for the creation of a sub-genre of hip-hop called "pussy rap."
Trailblazing women like Missy Elliott introduced us to eccentric personas, setting the stage for artists like Nicki Minaj to push the boundaries further.
KMazur / Contributor/Getty
Running Things
In the '90s, there was a rise of independent hip-hop labels like Def Jam and Bad Boy, both started by men. However, many women behind the scenes helped keep the hip-hop culture alive. Unfortunately, these women often do not receive their flowers for their contributions. Michelle Joyce, former director of marketing, and Lajoyce Brookshire, former head of publicity at Bad Boy Records, were surprised by the lack of women mentioned in the documentaryCan't Stop, Won't Stop.
As a result, they collaborated on a book calledWomen Behind The Mic: Curators of Pop Culture, which features 22 stories of women record company executives who helped shape the careers of some of hip-hop's most influential artists.
"The industry was male-dominated, and we had to fight to get our voices heard. However, we formed a strong bond with other women," the authors shared with xoNecole. "We created a lasting sisterhood we still cherish to this day."
Jennifer Perry, a former features writer at The Source, added, "Women helped to influence hip-hop's style, culture, and trajectory. Still, because we're in a male-centered world, women were regulated to roles of reduced acknowledgment, participation, and financial compensation."
"Women helped to influence hip-hop's style, culture, and trajectory. Still, because we're in a male-centered world, women were regulated to roles of reduced acknowledgment, participation, and financial compensation."
Style Architects
During the '90s, April Walker, creator of the urban clothing brand Walker Wear, emerged in urban hip-hop fashion. Her designs were loved by old-school artists like Biggie Smalls, Tupac, and Wu-Tang Clan and are still sported by Joey Bada$$ today. In a recent interview, Walker shared her experiences as a woman in the fashion industry, stating that it is a microcosm of a male-dominated society. Despite this, she believed in herself and her talents and stood up for herself when necessary.
Her commitment to her craft ultimately paid off as the world stood up to assist her in achieving her dreams. Stacy Gray, a renowned hair stylist in the celebrity world, shared that she owed a significant portion of her successful career to the hip-hop industry. She began her journey working with some of the most prominent hip-hop artists and has been thriving in the field for over 25 years.
According to Gray, hip-hop allowed her to embrace her creativity and showcase her skills to the world; she will always be grateful.
Power Forward
Women in hip-hop have played an integral role in shaping the culture and have paved the way for a quintessential part of its narrative through triumphs and struggles. We are all a part of hip-hop, and it is up to us to continue to push the envelope forward.
Tami Cooper, former manager of Mobb Deep, has shared some inspiring words for the next generation of women in hip hop: "Build your networks, embrace your uniqueness, and stay informed and confident."
Let’s make things inbox official! Sign up for the xoNecole newsletter for daily love, wellness, career, and exclusive content delivered straight to your inbox.
Featured image by Cecilie_Arcurs/Getty
- 'Rap Sh!t' Ep. 1 & 2 Recap: Bad Bitch Renaissance ›
- Coco Jones Wins Best New Artist, Latto Wins Best Female Hip-Hop Artist, And More Women Shut Down 2023 BET Awards ›
- This Hip-Hop Medium Became A Self-Made Millionaire By Walking In Her Purpose ›
- On Black Women, Feminism & The Evolution Of Hip-Hop ›
RELATED
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image by Rob Latour/Shutterstock