

Black women should probably stop talking or “raising awareness,” as I’d like to call it. Yes, you read that correctly. Because, at this point, it is quite clear that the internet is not a safe space for Black women to air out their grievances about the world, the workplace, and especially about how they’re treated.
By now, you’ve caught wind of the comments A-list actress Taraji P. Henson made about wanting to leave Hollywood for good. In addition to pay disparity being an issue, the 53-year-old co-star of The Color Purple added that food and transportation were also a concern while filming, forcing her to stand up not only for herself but for her fellow costars. But not long after her revelation to the public, Taraji suddenly became a villain simply because social media decided that her problem was not our problem. Her frustrations and her tears were quickly diminished to her simply complaining too much. The worst part about it, though, is that a lot of those complaints came from Black people!
Talk To Your Therapist, Not Us
Taraji’s story paints the perfect picture of why people do not speak out about being disenfranchised. Instead of standing in solidarity with Taraji, social media users suggested she should have waited until the film was over before airing out her grievances. People also suggested that because Taraji is rich, she shouldn’t have much to complain about. So, does that mean that Black women who get paid less than her or those who work a 9-5 get treated better? Help me understand.
Taraji has received so much negative feedback online that she’s now asking us to redirect our focus back to the film. However, she is still standing on her comments regarding pay disparity, telling Today.com that we can’t keep pretending like this isn’t happening in Hollywood, adding that change happens by talking about it.
We've Literally Heard It All Before
While Taraji’s comments are recent, we’ve heard this story several times before. The Oscar-nominated star previously expressed how Tyler Perry was the first (and at this point, only) executive to pay her her worth. We’ve also been here before with esteemed comedian and actress Mo’Nique. She, too, expressed how she’s had to fight back against a Hollywood that can award her with shiny trophies but not pay her what she’s earned. Following her claims of being lowballed, Mo’Nique also had to defend herself against social media backlash, from being called “Donkey of the Day” on The Breakfast Clubto even having to defend how she handled the (lowballing) situation, from her brother in comedy, Steve Harvey on The Steve Harvey Show.
More recently, Mo’Nique addressed being on the outs with Hollywood heavyweights again during an interview with Shannon Sharpe on Club Shay Shay. After being seemingly blackballed from the industry, she has since somewhat bounced back. Time will tell if Taraji’s transparency will end in the same fate, but this piece isn’t about Taraji or Mo’Nique. It’s about us, Black people. This was our chance to finally stand with our Black women, and we are failing them yet again.
Taraji's Problem Is "Not" My Problem
So many Black folks online truly believe this and are working so hard to ignore what Taraji said because she’s rich. The truth is, you do relate to her. Why? Because you are her. What Taraji is fighting for is not new. But we have to raise the bar on how we see ourselves in our own work spaces, to fully get it. We have to raise the bar on how we allow our own jobs to treat us and pay us. Do we not have enough examples to prove how these corporations like to play in our faces…unprovoked? If we can’t see our own worth, then we’re never going to understand what Taraji P. Henson, Mo’Nique, Viola Davis, or even Angela Bassett are fighting for.
What Happens When We Publicly Discredit Each Other Online
If we keep at it this way, Black content will continue to get shelved. Us not understanding our own value, is why we continue to have these same old conversations online. Understand that the powers that be see our division and will have ZERO incentive to change anything if we have ZERO incentive to change anything.
It is counterproductive to have these types of debates on social media platforms that are NOT OWNED BY US! How is it that we can all agree that these women weren’t wrong…but at the same time, we’re shaming them for talking about it? Which one is it? What started out as a conversation about equal pay and proper treatment on set has now spiraled into so many other things, including an alleged beef between Taraji and Oprah (beef which both women have strongly denounced).
When they see us being divided online about issues like this, what does that tell them?
It tells them that Black people are not on one accord, do not have each other’s backs, and will also contribute to each other’s downfall. And nothing will change. They will continue to play in our faces. Think I’m wrong? Take a quick glimpse at the uproar from social media after learning that MAX has canceledRap Sh!t, yet another popular Black show. Take a look at Netflix. The streaming service received backlash in 2022 after firing an entire team full of diverse, well-established, creative women of color. The same group of women were courted by the company and then let go within months of getting hired.
The powers that be are telling us directly in our faces that they are not on our side. So when Black social media users and even fellow Black co-actresses publicly denounce what Taraji is saying by adding that you “can’t relate” or over-explain how good you have it on your TV show….just know that you are a part of the problem. It is counterproductive! It is quite literally stepping back on all the progress we’ve made for Black women. Since when do we need to relate to someone who’s been victimized? This rule only applies to Black women! She doesn’t need to be perfect, to look like you, or to work the same job as you for her story to be valid. It is such a cop-out to deflect from the message.
People Get Treated Unfairly All the Time…AND?
The victim blaming has to stop. Does your job require you to pay a team full of people? No. Does your job require you to be away from your family for months on end? No. This attempt to try to humble Taraji for her decision to pursue acting as a career is insane. Telling her she should have “waited” to say something is also insane. There is literally “no such thing” as the perfect victim.
Standing up for yourself is never limited to time, space, or opportunity, and I really wish we could grasp that. The real question is, why aren’t you (the consumers) following in these women’s footsteps? Why aren’t you fighting to get paid what you’re worth at your job? Why are we so comfortable and accepting of being looked over, paid less, treated less, and everything else in between…instead of rallying together to “make” change?
Black women are allowed to speak out about their experiences, celebrity or not….they are still working individuals. They are still fighting for their livelihoods just like everyone else. What do you think the writers’ and actors’ strike was for exactly?
But I Watch Black Content, So I Do Support It
It’s about more than just watching Black content. We’ve made it crystal clear that we can show up in droves to support Black creatives, Black content, etc; we are the trendsetters! But dare I say, what’s happening in the back of the house is just as important, if not more. We’ve seen how powerful social media is in making changes happen. We, as black people, must use social media to stand behind each other. Keep your counterproductive comments in the group chat. Stop speaking against us on public platforms that are NOT OWNED BY US.
Issa Rae didn’t give a call to action for us to boycott Max after Rap Sh!t's cancellation, but look how quickly people started posting that they’re boycotting MAX for consistently canceling Black shows. We also had no problem supporting Katt Williams and are even entertaining the idea that he should get his own podcast to air out more Hollywood tea, but the goal-post somehow gets moved when Taraji speaks up for herself? Come on. We also have to stop supporting corporations, films, employers, etc, who do not hear us. We can’t claim Taraji, Mo'Nique, and Viola Davis as ours, say they should’ve won the Oscar, etc., but then other them when they’re asking for our support. It’s not enough to say, “Well, that’s how is.” Stop accepting scraps! Raise the bar!
What's the End Goal Here?
We are too comfortable seeing Black women struggle in silence. We are too used to seeing them so strong that we don’t give them space to be vulnerable, to be human, to make mistakes, and not get reprimanded for doing so.
We need to figure out what we want as a collective, specifically as Black consumers. Do we want change? Do we want to get treated fairly and paid fairly? Do you want to be told the truth, or do you just want to be entertained no matter what’s happening behind the scenes and who it’s happening to? Do you want people to be able to share their experiences, or do you want them to suffer in silence? Or is outrage only allowed when it affects you?
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Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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Sterling K. Brown & Ryan Michelle Bathe Relationship Timeline
Sterling K. Brown and Ryan Michelle Bathe are one of our favorite Hollywood couples. We can't get over their adorable moments together on the red carpet and on social media. While they're both from St. Louis, they didn't meet until college, which they both attended Stanford. And the rest is as they say, history. Read below as we dive into their decades-long relationship.
Mid to Late1990s: Sterling K. Brown & Ryan Michelle Bathe Meet
Sterling and Ryan met as freshmen at Stanford University. "We were in the same dorm freshman year...that's kind of how we met," Ryan said in an interview with ET. "I was mesmerized," she said after watching him audition for the school play, Joe Turner's Come and Gone. Sterling revealed that The First Wives Club star was dating someone else, so they started off as friends.
"She got cast in the play as well, and we would ride bikes to rehearsal, and we would just talk. We found out that we were both from St. Louis. We didn't know that we were both from St. Louis, like, our parents went to rival high schools. We were born in the same hospital. Like, we were friends," he said.
The first few years of their relationship involved many breakups and makeups. However, they ended up graduating and attended NYU's Tisch Grad Acting Program together.
Early 2000s: Sterling K. Brown Tells Ryan Michelle Bathe She's 'The Love Of My Life'
The Paradise star opened up about telling Ryan that she was the one. "We broke up for three and a half years before we came back into each other's lives," he said. "She was on the treadmill working out, and I had this epiphany, 'I have to go tell this woman she's the love of my life.'"
"I go to her apartment, I tell her, and she's like, 'Well, I'm working out right now,' and I was like, 'No, I can see that—I'll just talk to you while you're on the treadmill,' and she's like, 'Well, I feel like going outside. So I'm gonna go on a run,'" he continued. "So I'm like dressed [in a suit], and she starts running through Koreatown, and I start running along with her. Brother had to work, but it was well worthwhile."
2006: Sterling K. Brown & Ryan Michelle Bathe Tie The Knot
The St. Louis natives eloped in 2006 and a year later held a larger ceremony. According to the bride, the best part of their wedding was the food. "The best thing about it was the food," she told ET.
"Can I just say, sometimes you go to weddings, and you get the winner-winner chicken dinner and you're like, 'I pay. OK, it's fine.' But I wanted people to remember their experience -- their culinary experience. So I was happy about that. The food was good."
2011: Sterling K. Brown & Ryan Michelle Bathe Welcome Their First Child
In 2011, Sterling and The Endgame actress welcomed their first son, Andrew. In a 2017 tweet, Sterling revealed they had a home birth. "An unexpected home delivery is something my wife and I went through ourselves with our first born, so this was round 2 for me!" he wrote while referring to a scene involving his character Randall, in This Is Us.
2012: Sterling K. Brown & Ryan Michelle Bathe Appear On-screen Together
A year later, the couple acted together on the Lifetime series Army Wives.
2015: Sterling K. Brown & Ryan Michelle Bathe Welcome Their Second Child
In 2015, Sterling and Ryan welcomed another son, Amaré. Sterling shared an Instagram post about their latest addition to the family. "1st post. 2nd child. All good! #imoninstagram," the Atlas star wrote.
2016: Ryan Michelle Bathe Joins Sterling K. Brown On 'This Is Us'
Ryan guest appears on her hubby's show, This Is Us.
Sterling K. Brown Reveals Ryan Michelle Bathe's Mother Didn't Like Him At First
During their sit-down interview for the Black Love series, Sterling revealed that Ryan's mother wasn't a fan of him, which caused friction in their relationship.
2024: Sterling K. Brown & Ryan Michelle Bathe Explain How Jennifer Lopez Once Broke Them Up
While visiting The Jennifer Hudson Show, Sterling and Ryan share their hilarious Jennifer Lopez break-up story. "We had just gone out, we were living in New York City, we were in grad school, and we had gone to see a Broadway play and we came back to my place and my roommate was playing the ["Love Don't Cost A Thing"] video on MTV," Sterling said.
"Now I'm a fan of Jennifer Lopez's dancing, and I was watching the video and I knew my young...21, 22-year-old girlfriend was looking at me watch the video. And I know I'm not supposed to have a reaction. In trying NOT to have a reaction, what had happened was, my eyes began to water."
Ryan jumped in, "Otherwise known as, TEARS! I turn around and my boyfriend is weeping, tears like big fat [tears]. And I'm looking and she's just a shakin' and a shimming, and he's just crying. I said 'Oh no, I got to go.' "
2024: Sterling K. Brown & Ryan Michelle Bathe Launch Their Podcast, We Don't Always Agree
The couple launched their podcast, We Don't Always Agree, where they disclose more intimate details about their love story.
Feature image by Chelsea Lauren/Shutterstock