
Poetry has always been an art form that transcends boundaries, enhances understanding, and expands the ability to wonder. It's a magnificent medium only mastered by those who know the nuances of language, expression, and flow. And today, poets have continued to carry the torch passed to them by our favs like Maya Angelou, Audre Lorde, Ntozake Shange, Sonia Sanchez, and Rita Dove.
As we near the close of April, commemorated as National Poetry Month, let's check out a few Black women who are taking poetry to the next level, continuing to serve empowerment, imagination, and revelation:
Lisa Allen-Agostini
Hailing from Trinidad and Tobago, she's written poetry that gets behind the veil of grief, love, adventure and loss with Swallowing the Sky. She's also the author of fiction works The Bread The Devil Knead and Home, Home and the editor of Trinidad Noir, a short-story collection of mystery, sex, and crime—each making their way onto favorite lists for book lovers.
Jasmine Mans
Mans is an acclaimed performance poet and author whose debut collection of poetry, Chalk Outlines of Snow Angels, put her on the map in 2012. Her latest book, Black Girl, Call Home, is a New York Times best-seller that explores themes of Black girlhood, rape culture, homophobia, and teen love.
Amanda Gorman
She made all of us proud when she became the first-ever National Youth Poet Laureate in 2017 and when she performed her work, "The Hill We Climb," at President Joe Biden's inauguration. The Harvard grad is also the author of Change Sings: A Children’s Anthem, and a collection of poetry, Call Us What We Carry. Her work focuses on themes of discrimination, feminism, Black identity, and climate change.
Jamila Woods
Woods is a poet, singer, and songwriter who wrote The Truth About Dolls, a collection of poetry that was inspired by a quote from Toni Morrison's Sula. More of her work appears in collections including The Breakbeat Poets: New American Poetry in the Age of Hip-Hop, Courage: Daring Poems for Gutsy Girls, and The UnCommon Core: Contemporary Poems for Learning & Living.
Aja Monet
Monet held her own as the youngest winner of Nuyorican Poets Café’s Grand Slam, and later published two collections, The Black Unicorn Sings and Inner-City Cyborgs and Ciphers. The poet and activist, whose work often focuses on fighting against oppression, violence against women, and discrimination, has also co-edited the spoken-word collection Chorus: A Literary Mixtape with award-winning poet Saul Williams.
Tanya Shirley
She Who Sleeps With Bones, her debut collection of poetry, was a Jamaican bestseller, and many of her works touch on raw snapshots of life and love with a Caribbean twist. Her work has been published in journals including Small Axe, The Caribbean Writer, New Caribbean Poetry: An Anthology (ed. Kei Miller) and So Much Things to Say: 100 Calabash Poets.
Camonghne Felix
This poet is an accomplished journalist and communications strategist who became the first Black woman (and youngest) speechwriter for former New York Gov. Andrew Cuomo in 2015. Build Yourself A Boat, her debut poetry collection, was longlisted for the 2019 National Book Award and explores the political and social issues for Black women, related to poverty, freedom, inequality, and socioeconomic class.
Dawn Lundy Martin
Martin is the author of four poetry books including, Good Stock Strange Blood, winner of the 2019 Kingsley Tufts Award for Poetry, and Life in a Box is a Pretty Life, which won the Lambda Literary Award for Lesbian Poetry. She’s also the director of the Center for African American Poetry and Poetics at the University of Pittsburgh and the Toi Derricotte endowed chair of African American poetry. Her groundbreaking work centers on redefining the constructs of identity, race, and gender.
This month, be sure to add these women's works to your literary collections and enjoy the adventure and power of poetry that overcomes traditional constraints and gives voice to the depictions of all of our lives.
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Exclusive: Viral It Girl Kayla Nicole Is Reclaiming The Mic—And The Narrative
It’s nice to have a podcast when you’re constantly trending online. One week after setting timelines ablaze on Halloween, Kayla Nicole released an episode of her Dear Media pop culture podcast, The Pre-Game, where she took listeners behind the scenes of her viral costume.
The 34-year-old had been torn between dressing up as Beyoncé or Toni Braxton, she says in the episode. She couldn’t decide which version of Bey she’d be, though. Two days before the holiday, she locked in her choice, filming a short recreation of Braxton’s “He Wasn’t Man Enough for Me” music video that has since garnered nearly 6.5M views on TikTok.
Kayla Nicole says she wore a dress that was once worn by Braxton herself for the Halloween costume. “It’s not a secret Toni is more on the petite side. I’m obsessed with all 5’2” of her,” she tells xoNecole via email. “But I’m 5’10'' and not missing any meals, honey, so to my surprise, when I got the dress and it actually fit, I knew it was destiny.”
The episode was the perfect way for the multihyphenate to take control of her own narrative. By addressing the viral moment on her own platform, she was able to stir the conversation and keep the focus on her adoration for Braxton, an artist she says she grew up listening to and who still makes her most-played playlist every year. Elsewhere, she likely would’ve received questions about whether or not the costume was a subliminal aimed at her ex-boyfriend and his pop star fiancée. “I think that people will try to project their own narratives, right?” she said, hinting at this in the episode. “But, for me personally – I think it’s very important to say this in this moment – I’m not in the business of tearing other women down. I’m in the business of celebrating them.”
Kayla Nicole is among xoNecole’s It Girl 100 Class of 2025, powered by SheaMoisture, recognized in the Viral Voices category for her work in media and the trends she sets on our timelines, all while prioritizing her own mental and physical health. As she puts it: “Yes, I’m curating conversations on my podcast The Pre-Game, and cultivating community with my wellness brand Tribe Therepē.”
Despite being the frequent topic of conversation online, Kayla Nicole says she’s learning to take advantage of her growing social media platform without becoming consumed by it. “I refuse to let the internet consume me. It’s supposed to be a resource and tool for connection, so if it becomes anything beyond that I will log out,” she says.
On The Pre-Game, which launched earlier this year, she has positioned herself as listeners “homegirl.” “There’s definitely a delicate dance between being genuine and oversharing, and I’ve had to learn that the hard way. Now I share from a place of reflection, not reaction,” she says. “If it can help someone feel seen or less alone, I’ll talk about it within reason. But I’ve certainly learned to protect parts of my life that I cherish most. I share what serves connection but doesn’t cost me peace.
"I refuse to let the internet consume me. It’s supposed to be a resource and tool for connection, so if it becomes anything beyond that I will log out."

Credit: Malcolm Roberson
Throughout each episode, she sips a cocktail and addresses trending topics (even when they involve herself). It’s a platform the Pepperdine University alumnus has been preparing to have since she graduated with a degree in broadcast journalism, with a concentration in political science.
“I just knew I was going to end up on a local news network at the head anchor table, breaking high speed chases, and tossing it to the weather girl,” she says. Instead, she ended up working as an assistant at TMZ before covering sports as a freelance reporter. (She’s said she didn’t work for ESPN, despite previous reports saying otherwise.) The Pre-Game combines her love for pop culture and sports in a way that once felt inaccessible to her in traditional media.
She’s not just a podcaster, though. When she’s not behind the mic, taking acting classes or making her New York Fashion Week debut, Kayla Nicole is also busy elevating her wellness brand Tribe Therepē, where she shares her workouts and the workout equipment that helps her look chic while staying fit. She says the brand will add apparel to its line up in early 2026.
“Tribe Therepē has evolved into exactly what I have always envisioned. A community of women who care about being fit not just for the aesthetic, but for their mental and emotional well-being too. It’s grounded. It’s feminine. It’s strong,” she says. “And honestly, it's a reflection of where I am in my life right now. I feel so damn good - mentally, emotionally, and physically. And I am grateful to be in a space where I can pour that love and light back into the community that continues to pour into me.”
Tap into the full It Girl 100 Class of 2025 and meet all the women changing game this year and beyond. See the full list here.
Featured image by Malcolm Roberson
Jon B. Talks New Album, 18-Year Marriage & Being A Girl Dad
Since 1995, Jon B. has been entertaining us with his soulful voice, belting out R&B classics like “They Don’t Know” and “Someone to Love.” Despite his immense success, Jon decided to prioritize his family and take a step back from the music scene. He got married, and together, he and his wife had daughters. While he didn’t release any new music during this period, Jon remained dedicated to his fans by touring and maintaining his connection with them.
"I'm raising two daughters," he tells xoNecole exclusively. "One is 11 now, and one is 18, and both need their dad. Besides being a father, a rock star on the weekends, and a husband of 18 years, the real thing that kept me the busiest over the last 10 years was the road, keeping the bread on the table, and staying with my fans. Nevertheless, connecting with the fans and keeping that relationship alive. Regardless of whether I was on the radio every five minutes or whatnot. I just wanted to keep that relationship alive, and the best way to do that is just go and perform."
A decade later, Jon B. dropped a new album, WAITING on YOU. The album title alone is a nod to fans who have been waiting on him to release new music. The "Are You Still Down" singer collaborated with Rick Ross, Alex Isley, Tank, and Donell Jones on the album, giving fans a little bit of everything.
"Compiling this album was a labor of love because it was me sort of picking the gems. I wrote so many songs over the last 30 years. I wanted to go back and dust some old gems off and see if I can rework these records," he says. "Some of them are kind of reworks from back in the day, from back in the late '90s. I just kind of love the beat. One of the songs on my album is a vintage cut. I'll call it a vintage cut because I did it in '98. It's a song called "Pick Me Up."
"There's a little bit of the old and a little bit of the new, but WAITING on YOU, I felt was an appropriate name for the album, being that it was 10 years and it's really about my relationship that I have with my fans. Not only is it the relationship I have with my wife and my children, it's the extended relationship I have with with you guys, the listeners."
"There's a little bit of the old and a little bit of the new, but WAITING on YOU, I felt was an appropriate name for the album, being that it was 10 years and it's really about my relationship that I have with my fans."
His wife and kids are his biggest supporters and he shared that they sometimes give their opinion on his music. When it comes to his relationship with his wife, he says communication and patience are the keys to lasting. "I don't mean to sound like Dr. Phil up in here, but 18 years, going on 19, and it's like, I'm not counting, but I guess we're doing something right because we're very happy people," he says.
"I'm making music that reflects what I feel in my heart, which is pretty cool to share with the world now as a grown ass man instead of a guy who was growing up and had an old soul and I was figuring stuff out. I'm grateful for those records, but I really feel like these records are like a guy celebrating everything that I've been blessed to experience so far."
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