5 Poems By Black & Brown Authors That Speak To The Erotic
Poetry, much like music, has a way of seducing you with its words. The cadence lives with you long after you’ve heard something that touches your soul. Poets express themselves and their emotions – joy, sorrow, love, the erotic – can be felt through each stanza. In my mind, poetry is yet another genre of music. It holds some of the same elements, but those elements that differ allow it to stand out from the crowd slightly. However, it’s my hope to focus on the erotic here and now.
Though the erotic seems specific, what I’ve learned from my small dip into Audre Lorde is that the erotic is a very broad concept. The erotic is pleasure in the feminine form – not merely sexual pleasure or “pornographic” as we have come to know it as. Though I’m still mystified by what exactly it means, I wanted to explore the erotic through poetry and my personal interpretation of Lorde. And thus, here we are. Below are poems that I feel express the erotic through a feminine lens. Some poets you may know, others may be new to you. Nevertheless, their words breathe life and love into the pockets of the world that need the most oxygen and restoration–us women.
These poems honor the erotic – each one speaking to different parts of our lives and time here on this Earth, as intended.
"3 O’clock in the Morning" by Jasmine Mans
This poem is from Jasmine Mans' debut book, Black Girl, Call Home. Not only is the artwork exquisite but the poems hit home. This poem in particular speaks of a deep and warming love, an expression of emotions and feeling that can feel difficult to come by. It speaks of a love that is reciprocated and feels like a religious experience. I can’t help but think this is what Lorde spoke of when she spoke of the erotic.
"what if this body" by Adrienne Maree Brown
True to their nature, Pleasure Activism author Adrienne Maree Brown is challenging European standards of beauty in this piece from their blog. They speak in depth about all the things that their body might be able to do as the world continues to shape and the privilege that actually comes along as a self-proclaimed “fat girl.” Lorde speaks to how when we learn to stop speaking and thinking ill of ourselves and embrace our superpowers, we become more in touch with the erotic and I believe Adrienne Maree Brown's "What if This Body" speaks to that.
"Phenomenal Woman" by Maya Angelou
While we’re instructed not to think of the erotic as merely the pornographic, it’s my opinion that Maya Angelou’s poem "Phenomenal Woman" actually speaks to the feminine energy that women exude when they’re tapped into the erotic. When women are confident in who they are and unashamed, they have a way of commanding attention. In this classic poem, we witness this and it’s done in a way that’s graceful.
"Desire" by Alice Walker
In her work, Lorde offers that the use of the erotic will empower us to do things we find meaningful in this world–things we are passionate about without force. Through "Desire," Alice Walker taps into this freeing and rare occurrence as she talks about nurturing herself in a way that fills her heart, and the way her desire to grow turns into devotion.
"A Woman Speaks" by Audre Lorde
Yet another poem about the challenges that come with being a Black woman in this world, but finding empowerment to embrace it. In "A Woman Speaks," Audre Lorde speaks of the generations that came before her and the power we hold as a collective to seek out and make a change in this world. One of the more notable parts of this piece is she doesn’t waste time pointing fingers but instead chooses to speak her own truth without placing blame.
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Motor City native, Atlanta living. Sagittarius. Writer. Sexpert. Into all things magical, mystical, and unknown. I'll try anything at least once but you knew that the moment I revealed that I was a Sag.
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UnPrisonedhas returned for its highly anticipated second season, delving deeper into the complex dynamics of the Alexander family.
The series premiere comes a year after its debut season garnered rave reviews from fans and critics and earned record-breaking ratings for Hulu's Onyx Collective brand. UnPrisoned's success can be attributed to its raw, relatable themes and comedic appeal.
Inspired by creator Tracy McMillan's life, the show follows Paige (Kerry Washington), a therapist and single mother whose life takes an unexpected turn when her father, Edwin (Delroy Lindo) --who was released from prison-- moves in with her and her teenage son, Finn (Faly Rakotohavana).
Throughout UnPrisoned's first season, viewers witnessed how Edwin's incarceration deeply affected Paige's life and relationships. In the series, Paige unpacks her trauma through interactions with her inner child and her online followers. Meanwhile, Edwin is overcoming specific struggles with his own past that led to his life of crime, including a dysfunctional upbringing and his mother's arrest. As the Alexanders attempt to reconcile, new challenges arise.
This new season promises to further explore their unconventional family dynamic. Here are several compelling reasons why season two of UnPrisoned should be on everyone's watchlist.
The Alexander Family Life Is Still In Shambles
UnPrisoned's second season resumes where the series left off, with Paige grappling with the fallout from her troubled therapy practice and Edwin navigating life independently after moving out. Meanwhile, Finn faces his own challenges. The teenager is battling anxiety and seeking information about his father—a topic Paige avoids discussing.
The Alexander Family Are Attending Therapy To Resolve Their Underlying Issues
Amid the chaos in their lives, the Alexander family decides to mend their bond by confronting their past traumas. They seek professional help and attend therapy sessions with a “family radical healing coach,” played by John Stamos, a new cast member. This collective effort aims to unravel the complexities of their shared history and strengthen their relationships.
The process of unraveling each character's internal conflicts and their potential impact on future relationships may clash with Paige's textbook therapy approach. While Paige is used to being in the therapist's seat in both career and family, this forces her into the unfamiliar role of a patient during therapy sessions. This shift would compel her to look in the mirror and try a radically different approach.
The Alexander Family Learned A Big Lesson During A Therapy Session
In therapy, the Alexanders are tasked with addressing their individual traumas to salvage their remaining relationships. One of the family therapist’s eccentric suggestions was an exercise involving a family wrestling match. During this session, Paige faces tough questions about her refusal to share information about Finn's father.
While it's unclear whether this scene is reality or fantasy, the image of the family duking it out in the ring certainly makes for hilarious yet compelling television.
Paige Tries Dating Again Following Failed Relationships
Amid her life's chaos, Paige decides to step back into the dating field. However, her many attempts have left her with mixed results. The dating apps have turned out to be a fail, and an outing with her ex Mal (Marque Richardson), who is also her father's parole officer, doesn’t go quite as expected after he brings an unexpected guest – his new girlfriend.
The situation takes an awkward turn when Mal's new partner learns why the former couple split, partly due to Paige's self-sabotage.
UnPrisoned Is A Perfect Balance Of Comedy And Drama
As a dramedy, UnPrisoned takes a comedic approach to its heavy subjects. The show takes us on a ride with Paige's dating misadventures and navigating a friendship with her ex.
Other lighthearted moments include Edwin's attempts at CPR based on online videos and, of course, the antics of the Alexander family's unconventional new healing coach.
The second season of UnPrisoned is now available on Hulu.
UnPrisoned | Season 2 Trailer | Hulu
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Blair Underwood Initially Turned Down 'Sex And The City' Because 'It Was About How Samantha Was Fascinated By Dating A Black Man’
Actor and heartthrob Blair Underwood is opening up about why he turned down Sex and the City the first time he was offered a role. Many fans of the HBO series may recall Blair's time on the show in which his character was dating Miranda (Cynthia Nixon). However, he was previously offered another role where his character would date Samantha (Kim Cattrall).
During his interview with AV Club, the Set It Off star revealed that he was uncomfortable with the initial offer due to the character's fascination with him being a Black man.
“I actually did say ‘no’ the first time,” he said. “The first time they had offered the role, to be honest with you, it was about how Samantha was fascinated by dating a Black man and wanted to know if, uh, all of the rumors were true about our anatomy! And I said, ‘Listen, I’m honored, thank you, but I just don’t want to play a character based on race, on curiosity about a Black man.'”
But that didn't stop them from reaching out again. This time he was offered to play Dr. Robert Leeds, the love interest to Miranda and he decided to go for it. "So they were nice enough to call about a year later, and I said, 'Well, is it gonna be about race?' And they said, 'No, no, no, we’re not even gonna mention race!' And I think it really did only come up maybe once," he recalled.
"It did five episodes, and I think Samantha mentioned it once, saying something about 'a Black doctor' that Miranda was dating. And that’s really been a consistent thing in my career: not wanting to be boxed as 'the Black guy.'
"I’ve had that conversation with many producers along the way, and they were so great. They said, 'No, he’s just a doctor who Miranda meets in the elevator, and they have a nice little fling.' And it was amazing."
Blair has had a wide-ranging career playing everything from a lawyer on L.A. Law to playing Madame CJ Walker's husband on Self Made: Inspired by the Life of Madame CJ Walker. And during his interview, he revealed another role that he initially turned down, Set It Off. The movie, which is considered a classic in Black culture, stars Queen Latifah, Jada Pinkett Smith, Vivica A. Fox, and Kimberly Elise. Blair's character, Keith, played a banker and love interest to Jada's character, Stony.
He explained why he said no at first and eventually accepted the offer. "I had initially said “no” to that. Because I was playing this historic, iconic African-American historical figure in Jackie Robinson, and the time, y’know, there was Boyz N The Hood, and Menace II Society was out there, and I’d finished playing this noble Negro… [Laughs]," he said.
"And I’m reading the script, and there’s a scene where Jada Pinkett’s character—Jada Pinkett-Smith now—was going to sell her body so she could make some money to send her brother to college. And I remember, honestly, I threw the script across the room. I was, like, “I don’t want to do this. I want to do something uplifting for the Black culture and Black characters, and I don’t know if I want to see this.”
After a conversation with the movie's director F. Gary Gray and the actor's manager encouraging him to finish reading the script, Blair had a change of heart. What he first thought about the movie turned out to be totally different.
"So I finished the script, and I saw that the character they were asking me to play was really the love story in the midst of all of this turmoil of all of these characters, the four ladies: Queen Latifah, Vivica Fox, Kimberly Elise, and Jada," he explained.
"It was so well-written, it was such a great platform for them. And to be able to play the love story and the storyline that gave Jada’s character a leg up and a way out of this world, something to hope for, to wish for, someone to love her… I said, 'You know what? I’d like to be a part of that.'
"And I’m so glad I did, because that film resonates to this day. People all the time come up to me and say that they love that movie. So I’m glad that I did it."