Gee, I think we've all had moments when we've gotten out of bed, went into the bathroom to style our hair and, it seems like no matter what we do, nothing comes out as we planned. Ugh. Usually what we call that is a "bad hair day," right? Oh, but is it really? If you've been finding yourself wearing more head wraps and hats these days and you've chalked it up to having more bad hair days than usual, I just want to provide you with a few things to consider — ones that, if you take them into serious consideration, you could end up having a whole lotta less bad hair days in your future.
First of All, There Is Absolutely No Such Thing As “Bad Hair”
You know what's a trip about bad hair days? Have you ever noticed that when it seems like you have one that a whole lot of other stuff isn't going all that right either? What I mean by that is, it's not usually that our hair decides that all of a sudden, it's not going to cooperate. Sometimes, we woke up on the wrong side of the bed. Other times, we're rushing too much to give our tresses the time that it needs and deserves. Many times, we didn't "prep it well" the night before.
Whatever the case may be, the main thing to keep in mind is, no matter how much your hair may seem to be throwing a bit of a temper tantrum right along with you at any given time, there really is no such thing as "bad hair". Therefore, if your hair seems to be showing out a bit, it's usually not because of your actual hair (so don't do anything drastic just yet) but some other circumstances that could be causing it to not get in line with what you want it to do. I call these "hair inconveniences". Inconveniences like what?
6 Hair Inconveniences That Can Lead to Bad Hair Days
Too Much Humidity
OK. Since most of us have some sort of curly texture to our hair, that's a part of the reason why it stays drier than non-Black women's locks do. The "science" of it all is the natural sebum that comes from our scalp has difficulty moisturizing our strands from root to tip, due to the twists and turns that it experiences while trying to get down our hair shaft. As a direct result, we have to take a few extra steps in order to keep our hair hydrated such as deep conditioning, sealing our ends, sometimes using a humectant on our hair and/or sleeping with a humidifier.
However, as with most things in life, there is such a thing as "too much of a good thing". In this case, when our hair is affected with too much humidity, that won't only result in shrinkage but frizzing too. So, if your hair is frizzy as all get out and you sleep with a humidifier every night, you might want to turn your setting down. If you're going to use heat to style your hair, make sure you apply a thermal heat protectant (it will protect your hair from outdoor humidity). And when you're styling your hair, in general, applying some whipped shea butter certainly can't hurt. It will help to add a little "weight" to your hair, so that it can combat frizz while also making sure that your hair maintains the moisture that it needs.
Maryam Hampton is a popular YouTuber who has a video that can walk you through how to make whipped shea butter from the comfort and convenience of your own home. You can check it out here.
Too Little or Too Much Protein
I don't know about you but a huge mistake that I tend to make is not giving myself a regular protein treatment. This is necessary because well, your hair is made up of mostly protein (keratin). According to most professional stylists, a protein treatment is something that needs to happen every 4-6 weeks.
So, how do you know if your hair needs a protein treatment? It doesn't have a lot of elasticity. It's limp and can't hold a style. It's breaking a lot. You've recently color-treated your hair. It feels "gummy" to the touch. If any of these things are the case, no wonder you're having a so-called bad hair day. And what if you're someone who actually does give yourself protein treatments but you're not sure if you're overdoing it? If your hair feels super stiff, is hard or brittle, lacks sheen, snaps off at the ends rather easily and/or you've got more tangles or split ends than usual — lay off on the protein treatments for a couple of months and focus on deep conditioning your hair instead.
For the record, a conditioner that has jojoba in it is awesome because that is something that is really effective when it comes to treating protein-sensitive hair. Give it a shot if your hair seems to be over-processed from protein.
It’s Time for a Cut (or Trim)
If you've got a lot of fairy knots. If your hair can't seem to hold any definition or style. If your ends are "see through" and straggly. If your locks seem "stuck" when it comes to growth. If it's been a couple of months since you've put some shears to your head. These are all strong indications that you need to either get a cut, a trim or at least that you need to dust your own ends (you can watch a video on how to do that here). If you ignore these signs, not only do you increase your chances of having even more bad hair days, you also run the risk of damaging your hair even more because, the less your hair does what you want it to do, the more prone you will be to constantly manipulating it with styling tools or even your hands. That's why you really should make a practice of trimming/dusting every eight weeks or so and getting a professional cut once a season (no less than twice a year).
You Need to Switch Up Your Hair Products
I'm pretty sure I'm not the only one who has at least one space that is designated for all kinds of hair products — and at least 65 percent of them, you don't even use.
While finding the right ones that complement your hair are about as taxing as finding the right partner, it's important to keep in mind that 1) just because a particular product might work for your favorite YouTube naturalista or even one of your girlfriends, that doesn't mean that it's going to work for you and 2) there are clear signs when a product isn't really your hair's homie — if it leaves behind a ton of build-up or residue; it irritates your scalp; it zaps out moisture; it reduces volume; it severely alters your hair texture; it makes your hair less manageable; it causes the color of your hair to fade at an accelerated pace and/or it doesn't complement the season that you're in.
For instance, when it's cold outside, you're probably going to use your central heat more. That, on top of the fact that cold air can actually raise your hair's cuticles and dry them out, you need to make sure that you not only deep condition your hair, each and every wash day, but that you add an oil like grapeseed (it adds moisture and shine); avocado (it adds moisture and repairs damaged hair); olive (it softens and boosts your hair's antioxidant levels); argan (it protects your hair and scalp from environmental damage) and/or pumpkin seed oil (it nourishes your hair follicles and increases volume) to your conditioner (even if you use a leave-in conditioner), so that your hair is provided with extra moisture and your scalp is provided with extra protection. During the warmer months, your hair needs products that will protect it from UV damage, creams and gels that will encourage less heat styling and deep conditioning masks to combat things like sweat, salt water and chlorine.
Bottom line, failing to alter your products with the seasons or not observing how your hair is reacting to a particular product can also lead to bad hair days, if you're not careful.
You Need to Switch Up Your Mood
Maybe it's just me but it seems like if I'm already in a bad mood, it's about a definite that I'm going to be hypercritical when it comes to my looks or mad impatient while I'm in the process of figuring out what the heck to do with my hair. That's why, if you know that you know that you know that you woke up on the wrong side of the bed, avoid a mirror for a while. Instead, do some meditating; listen to some of your favorite (non-triggering) music; eat a favorite food that will put you in a good mood (check out "In A Bad Mood? These Foods Will Lift Your Spirits!" and "Eating Well: 10 Foods That Can Improve Your Mental Health"); throw on a hat and take a quick walk outdoors; engage in some morning or shower sex; audibly declare some things that you love about yourself or pull out your gratitude journal and jot down some things that you are truly thankful for. Once you do something that can offer up some "silver linings", it'll be easier to look at your hair with the love and patience that it truly deserves.
You Need to Give Your Hair a Break
Think about it for a second. How would you feel if you were constantly being tugged or pulled on? My point is, sometimes, what we perceive to be a bad hair day is simply the universe's way of saying, "Give your hair a break, why don't you?" That same-placed ponytail is adding too much pressure to the same spot on your head. That flat iron is starting to damage your hair's natural texture. The way you've been parting your hair is training it to not be very flexible anymore. Sometimes, all we need to do with a so-called bad hair day is just…leave our hair alone. Put on that turban, hat, wig or weave and just give it a chance to be totally left alone. Or we can really go all out and just let it do…whatever it wants to do.
Was this little write-up supposed to convince you that your hair is always going to cooperate with you? Nope. That's not how life works. Hopefully, though, it helped to shed some light on the fact that oh, about 7 times outta 10, you've got more control over bad hair days than you've probably been giving yourself credit for. Now that you know that, seize the bad hair days, sis! Straight up.
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On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Noted.
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
No flex.
Credits
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
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