My friends and I are huge music fans. Basically any genre, at any time, can get some sort of shout-out but, because I was a freshman in college in 1992 (and a lot of my crew is around my age), the 90s—especially when it comes to R&B and hip-hop—is considered to be a truly a golden era. On so many levels. For that reason, it's fairly common that either I or a friend will initiate a round of "So, where were you when?" where we'll mention a particular song and then share the memories we have from around the time that it came out.
Recently, what came up was the total NSFW explicit version of "Call Me" by Too Short featuring Lil' Kim (from 1997). If you've never heard that song before, I'll put it to you this way—if you've never had sex before, you'll definitely feel like you did by the time "Call Me" ends (which reminds me, ALL female rappers need to give Lil' Kim her props; her flow was the sickest. There's no debating that…ever). Anyway, as my friend was asking me if that was the kind of music I would "get down to" back in the day, I shared that jams like Jodeci's "U & I" (1991); Usher's "Nice and Slow" (1997); Sade's "No Ordinary Love"; Mary J. Blige's (featuring Jodeci) "If Loving You Is All I Have To Do" (1992), and "Make Love to Me" by Lorenzo (1992) was more my speed. As we both went back and forth with different songs that we could directly connect different sexual memories to, that got me to wondering why music seemed to be such a powerful aphrodisiac and seduction tool (I mean, when's the last time you watched a sex scene that didn't have any background music?).
If reading this intro has you now wondering the same thing, here's what my research on the topic revealed.
Men Look Better When There’s Music Playing
I've never had a one-night stand before. I've never been much of a clubber either. But I do recall some college parties where I would first meet someone and think they were sexy as hell, only to see them in the university center a few days later and literally be like "WTF?". I can also count the amount of times I've ever been drunk so I can't, pun intended, blame it on the alcohol. But it seems like various studies do believe that I can connect that "limited attraction" to the DJ and the music that he was playing at the party.
Take this one control group that consisted of 64 women and 32 men. Oddly enough, if the women listened to music before looking at a picture of a man for the first time, they actually found him to be more attractive than if they saw a shot of him without hearing any music beforehand. The guys? Music didn't affect their overall opinion of the women they looked at, one way or another (shocking, right?). That got me to wondering if that's why music can be so effective on a date.
Could it be that we ladies end up being drawn to a man more if we're in a club or at a concert because the music is "triggering" some feelings within us that we're actually transferring onto our date—whether we realize it or not? Goodness. That made me want to dig deeper.
Music Affects Us in the Same Way That Food and Sex Does
OK, so if music is powerful enough to alter the way we see someone, what in the world is that all about? Well, according to another article that I read, it would appear that music is able to trigger a pretty solid dopamine release within us. Dopamine is a neurotransmitter that helps our brain to decide what movements we want to make, along with what emotions we should feel, at any given moment.
Well, within the article, another study on how music affects us, stated that, when a song that we like hits its peak, it is able to mimic a similar reaction that we encounter while we are eating a meal or while we are having sex.
I don't know about you, but a good meal or some great sex gets me pretty excited. And much to my surprise, when I thought about some of my all-time favorite songs, they do tend to bring a similar type of satisfaction—at least to my mind. And that revelation made we want to dig even deeper.
Did You Know That Music Can Determine the Kind of Sex You Have?
Yeah. This is where it gets really real. A website called Tick Pick once conducted a survey that consisted of 1,010 people who enjoyed music and were sexually active. The results? Chile, they were truly something else.
The Breakdown of People Who Were Sexually Satisfied Based on Their Preferred Music Genre
- Country: 66.3%
- Blues: 64.3%
- Jazz: 63.2%
- Reggae: 62.8%
- Hip-Hop/Rap: 61.3%
- R&B: 61.2%
- EDM: 60.0%
- Classical: 58:9%
- Pop: 57.2%
(For the record, I didn't include every gene that was listed. You can click here to see that.)
Reportedly, blues fans lasted the longest in bed, hip-hop fans were the least likely to go down on a woman (hmm…) and, 1 in 4 folk music lovers cried during sex. People who liked listening to reggae music enjoyed being on top more than any other genre and people who enjoyed listening to country preferred the bottom the most.
There's more. Who is shocked to hear me say that hip-hop fans preferred the doggy style position the most (Lord knows there are enough rap songs that mention it), while pop fans lean most towards the missionary position? As far as who gets into the cowgirl and reverse cowgirl the most, that award goes to heavy metal. People with different tastes in music typically have sex six days a month while those with similar tastes get it in eight days a month. As far as sexual fetishes go, EDM listeners hold the top spot, hip-hop and reggae hold the fifth and sixth position, and R&B gets 10th place. Indie rock goes for BDSM the most, country music lovers are all about role playing and anal more than anyone else, pop people want the most lingerie and jazz listeners apparently have the biggest foot fetish. Something else that I found to be a trip is heavy metal fans get the top spot for using birth control the most consistently while reggae gets the 10th position, R&B gets the 12th and pop comes in at the 14th (that's out of 15 genres, y'all).
How in the heck could all of this be? A lot of it is connected to how our body naturally responds and reacts to different kinds of music tempos. For instance, there are plenty of studies that point to the fact that listening to upbeat music typically puts us in a good mood while music with a slower tempo is able to calm us down and make us feel less anxious. Not only that but, listening to music that is our personal preference can ignite feelings of passion as it encourages us to tap into our imaginative sides. All in all, music has a powerful affect on us mentally and emotionally…and clearly, sexually as well. I think one of the main reasons why this is the case can be summed in the article, "Music can complement your sex aesthetic":
"Sex is kinda like art…like the way an artist paints, draws, watercolors. They usually prefer one of these types but have dabbled in all. On top of that, you can add all these layers. When you draw, you have shapes. Then you layer colors. Then you layer shades and textures. Sex is the same thing, where you do it, what positions, who it's with, and music is another layer."
Indeed and agreed. So, before you pull out your next playlist for your next "session", think about why you're choosing the songs that you do and how it actually will influence the kind of sex you will have. According to all of this research—if you want to feel calmer, put on some slow jams. If you want your toes sucked on, jazz might be your best bet. And, if you're into role play, Dolly Parton might need to be added to the rotation. I mean, it's all according to science and research. Guess it couldn't hurt (wink).
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Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
Credits
Director of Content: Jasmine Grant
Campaign Manager: Chantal Gainous
Managing Editor: Sheriden Garrett
Creative Director/Executive Producer: Tracey Woods
Cover Designer: Tierra Taylor
Photographer: Ally Green
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Digital Tech: Kim Tran
Video by Third and Sunset
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One way to learn self-love is by practicing daily affirmations. Affirmations are a powerful tool that can help foster self-acceptance and boost self-esteem. Here are 15 self-love affirmations you can incorporate into your daily routine, cultivate a positive mindset, and embrace your beauty, curves, and all.
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15 Self-Love Affirmations
I am worthy of love and respect, regardless of my size. In a society that often equates worth with physical appearance, it is essential to remind yourself that your size does not define your value. You deserve love, respect, and happiness just as you are.
I embrace my body and celebrate its strength and beauty. Shift your focus from perceived flaws to appreciating the strength and beauty of your body. Recognize all that your body has accomplished and the unique ways it carries you through life.
I am more than my physical appearance; my worth extends far beyond my size. Your worth as an individual goes beyond physical appearances. Emphasize your accomplishments, intelligence, kindness, and qualities that make you remarkable.
I choose to surround myself with people who uplift and support me. Surround yourself with positive influences who celebrate your body and encourage your self-love journey. Seek out friends, family, and communities embracing body diversity and encouraging self-acceptance.
I release the need for society's validation and define my own beauty standards. Challenge societal beauty standards and define beauty on your own terms. Reject that your worth depends on external validation and embrace your unique beauty.
I release the need for society's validation and define my own beauty standards. Challenge societal beauty standards and define beauty on your own terms. Reject that your worth depends on external validation and embrace your unique beauty.
I am grateful for my body, and all it does for me.Practice gratitude for your body and all the incredible things it allows you to do. Focus on your body's functionality, strength, and resilience rather than its appearance.
I am comfortable and confident in my own skin. Develop a sense of comfort and confidence in your own skin. Recognize that your worth is not contingent upon fitting into societal norms but on your ability to embrace and express yourself authentically.
I nourish my body with love and kindness. Adopt a self-care routine that emphasizes nourishing your body physically, mentally, and emotionally. Prioritize activities and practices that make you feel good, whether nourishing foods, exercise, mindfulness, or engaging in hobbies that bring you joy.
I am an advocate for body positivity and inclusivity. Become an advocate for body positivity and inclusivity for yourself and others. Spread awareness, challenge stereotypes, and promote acceptance of all body types.
I am allowed to set boundaries and prioritize my well-being. Setting boundaries is an act of self-love. Recognize your limits and prioritize your well-being. Surround yourself with people who respect and support your boundaries.
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I am proud of my journey and the person I am becoming. Acknowledge and celebrate your journey of self-love and personal growth. Embrace the person you are becoming and take pride in your accomplishments, both big and small.
I forgive myself for opposing thoughts or judgments about my body. Release yourself from the burden of self-judgment. Forgive yourself for any negative thoughts or judgments you may have held about your body in the past. Choose to focus on self-acceptance and compassion instead.
I forgive myself for opposing thoughts or judgments about my body. Release yourself from the burden of self-judgment. Forgive yourself for any negative thoughts or judgments you may have held about your body in the past. Choose to focus on self-acceptance and compassion instead.
I am beautiful, inside and out. Recognize and affirm your own beauty, both inside and out. Remember that beauty comes in all shapes and sizes; your unique qualities make you truly beautiful.
I choose self-love over self-criticism. Make a conscious choice to replace self-criticism with self-love. Whenever negative thoughts arise, redirect your focus to affirmations that promote self-acceptance and self-care.
I am enough, exactly as I am. Embrace the powerful affirmation that you are enough, exactly as you are. Remember daily that your worth is not defined by your size or appearance but by your inherent value as a human being.
Embrace your body, celebrate your worth, and stand as a beacon of empowerment for other plus-size women on their own self-love journeys. You are beautiful, and you are deserving of love and acceptance exactly as you are.
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