I Took A Two-Month Leave From Work For My Mental Health
When I was 19, I lost my father, the only caretaker I'd known my entire life.
Growing up in Brooklyn, NY in the '80s, it was common for black children to be raised by drug-addicted parents. My mother abandoned my sister and I while succumbing to her addiction to crack cocaine. But my father, he stayed. And that man loved me fiercely for the years we had, while battling his own addiction to heroin. Despite his own pain, he took care of me. Losing him is still the worst pain I've ever felt in my life.
Throughout my 20s, I was excessively drinking, crying uncontrollably, and thinking of ways to cause myself harm. It wasn't until 2015 that I was finally able to put a name to the despair: I was diagnosed with major depressive disorder at 27.
For as long as I can remember, I soothed the painful experiences of my life with achievement.
As a child, it was E (excellent) and G (good) marks on my report cards, perfect spelling test scores, and Student of the Month awards. As a teenager, it was acceptance to every college I applied to, thanks to my 1800 SAT score. After my father died, I kicked that soothing into high gear with college and starting my career. I loaded my school schedule to the brim. I pulled long nights at the college paper. I brought home A's and B's. I interned at VIBE Magazine, and nabbed an editor job. I worked 14-hour days on weekends. From VIBE, I landed at BET Digital and became the Entertainment Director. I worked and worked––all day, and all night.
After my diagnosis, I was in and out of therapy, wholly unprepared to tackle the roots of my gripping sadness. By 2017, I decided to commit to the work: I began weekly sessions, started learning coping practices and adding two-and-two together between my childhood traumas and my current behaviors. I began what was, and still is, a necessary and exhausting crawl towards my own healing.
While doing this healing work, I had to face some tough realities. The first one was that I simply could not handle the external workload I'd piled onto myself anymore; I began to find it more and more difficult to get through the day with dry eyes. Secondly, but more piercing, I had to face the fact I had made success a mechanism of distraction and a marker of my self-worth. I wasn't just achieving all my life to numb pain, I was achieving to find reasons to love myself.
My inner work was showing me my unhealthy relationship with my outer work.
Ultimately, I had to put one on hold for the other. Without a healthy mental and emotional state, I was not able to perform at work, and was asked to take a short-term disability leave. Disability? I struggled with the term for weeks. But according to the World Health Organization, depression and anxiety cost the United States $1 trillion in lost productivity, and is one of the leading causes of disability filings.
For the first few weeks of my leave, I grappled with feelings of failure. How dare I not be strong enough to cry and work? I wrestled with anxiety by putting pressure on myself to "figure this out". I wept on the phone as I told insurance reps things I had never said out loud: "I have a hard time getting out of bed in the morning," "I ask to work from home when I'm crying and can't figure out why," "I'm having a hard time focusing," "Some days I'm really sad and have a hard time being around people." I felt useless. Defeated. Unworthy.
But as the weeks went on, a necessary detachment from achievement took place. I started to muse over who I was outside of all the gold stars. I started to find things I liked to do that didn't include my job. I found things to be happy about that didn't equal "success". I cried––a lot. I made room for myself outside of the hustle and bustle. I slowed down.
And when I did all of this, I learned something that I will never forget for the rest of my life: I am not a superhero.
Black women are groomed to be super. We are groomed to carry heavy weight, to endure––all while still getting shit done. But we are human. Humans who deserve healing. Humans who deserve to be extraordinary without being left on empty. And I am glad I afforded myself that space and time. I don't have anything figured out. But I feel more prepared to continue the fight.
To all the black women pouring from an empty cup: Take a break. It is so necessary.
xoNecole is always looking for new voices and empowering stories to add to our platform. If you have an interesting story or personal essay that you'd love to share, we'd love to hear from you. Contact us at submissions@xonecole.com.
Originally published June 20, 2019.
- 7 Unapologetic Women Share Their Personal Journey To Self-Love ›
- Dear Queen: To The Woman Who Is Phenomenal & Broken ... ›
- I Took A Break From My Ambitions For A Year To Self-Heal ... ›
- How To Give Yourself A Break - xoNecole: Women's Interest, Love, Wellness, Beauty ›
ItGirl 100 Honors Black Women Who Create Culture & Put On For Their Cities
As they say, create the change you want to see in this world, besties. That’s why xoNecole linked up with Hyundai for the inaugural ItGirl 100 List, a celebration of 100 Genzennial women who aren’t afraid to pull up their own seats to the table. Across regions and industries, these women embody the essence of discovering self-value through purpose, honey! They're fierce, they’re ultra-creative, and we know they make their cities proud.
VIEW THE FULL ITGIRL 100 LIST HERE.
Don’t forget to also check out the ItGirl Directory, featuring 50 Black-woman-owned marketing and branding agencies, photographers and videographers, publicists, and more.
THE ITGIRL MEMO
I. An ItGirl puts on for her city and masters her self-worth through purpose.
II. An ItGirl celebrates all the things that make her unique.
III. An ItGirl empowers others to become the best versions of themselves.
IV. An ItGirl leads by example, inspiring others through her actions and integrity.
V. An ItGirl paves the way for authenticity and diversity in all aspects of life.
VI. An ItGirl uses the power of her voice to advocate for positive change in the world.
Let’s make things inbox official! Sign up for the xoNecole newsletter for daily love, wellness, career, and exclusive content delivered straight to your inbox.
Sheila Rashid's Androgynous Approach To Unisex Clothing Is A Lesson In Embracing Individuality
The ItGirl 100 List is a celebration of 100 Black women who aren’t afraid to pull up their own seats to the table.
For Sheila Rashid, it all started with some free-hand drawings and a few strokes of paint.
The Chicago-based clothing designer and creative director of Sheila Rashid Brand recalls using her spare time in high school to hand paint designs on t-shirts and distressed hoodies, distributing them to classmates as walking billboards for her art.
Rashid sought to pursue fashion design at Columbia College in Chicago but eventually took the self-taught route to build upon her knack for crafting one-of-a-kind, androgynous pieces.
Courtesy
Thanks to the mentorship of local designers taking her under their wings, Rashid was able to gain valuable experience in putting together collections and creating patterns; equipping her with them with the necessary skills to pursue her own collections.
After two years of living in New York, Rashid returned home to the Chi and uncovered the unique flair she could offer the city. “I moved to New York after that because I wanted to be in the fashion capital world,” she tells xoNecole. “That's when I really got a leg up. I found myself when I moved back to Chicago after moving to New York.”
For the Midwest native, inspiration comes from her time around creative peers and the city’s notorious winters — known to be a main character in many Chicagoans stories. “It's a different perspective and mindset when I'm making stuff because of the weather here,” she explains. “When we get summer, it’s ‘Summertime Chi’ — it's amazing. It's beautiful. Still, I find myself always making clothes that cater to the winter.”
"I moved to New York after that because I wanted to be in the fashion capital world. That's when I really got a leg up. I found myself when I moved back to Chicago after moving to New York.”
Courtesy
Many designers have a signature aesthetic or theme in their creations. In Rashid’s design story, dancing between the lines of femininity and masculinity is how she’s been able to distinguish herself within the industry. Her androgynous clothing has garnered the eye of celebrities like Zendaya, Chance the Rapper, WNBA star Sydney Colson, and more — showing her range and approach to designs with inclusivity in mind.
“I think I do reflect my own style,” she says. “When I do make pieces, I'm very tomboyish, androgynous. My work is unisex because I feel like everybody can wear it. I cater to everybody and that's how I try to approach my clothes.” From denim to overalls, and color-drenched outerwear, Rashid has mastered the structure of statement pieces that tell a story.
“Each collection, I never know what's going to be the thing I'm going to focus on. I try to reflect my own style and have fun with the storytelling,” she shares. “I look at it more like it's my art in this small way of expressing myself, so it's not that calculated.”
"My work is unisex because I feel like everybody can wear it. I cater to everybody and that's how I try to approach my clothes."
Courtesy
Still, if you were able to add up all the moments within Rashid’s 20-year career in design, one theme that has multiplied her into becoming an “ItGirl” is her confidence to take up space within the fashion industry as a queer, Black woman. “Being an ItGirl is about being yourself, loving what you do, finding your niche, and mastering that,” she says.
No matter where you are on your ItGirl journey, Rashid says to always remain persistent and never hesitate to share your art with the world. “Don’t give up. Even if it's something small, finish it and don't be afraid to put it out,” she says, “It's about tackling your own fear of feeling like you have to please everybody, but just please yourself, and that's good enough.”
To learn more about the ItGirl 100 List, view the full list here.
Featured image Courtesy