
Someone once told me that being happy was a choice. Like the English aphorism, "fake it until you make it" the idea of obtaining happiness can be as simple as imitating an optimistic mindset and achieving what you seek. Though this idea has been proven true and beneficial in many situations, it is not the solution for everything and rarely works 100 percent of the time. In fact, sometimes, the only way to be truly be happy, is to first embrace the sadness. Sometimes, giving yourself the permission to fall apart, break down, and cry it out, is all one needs to truly find happiness.
So, to assist you on your quest to contentment and relentless joy, I present to you 20 movies (and limited series) on Netflix that will give you the cathartic release you need. Whether you're looking for a happy cry, angry cry, or sad cry, xoNecole's got you covered with films guaranteed to open the floodgates.
Fatherhood (2021)
Based off the 2011 memoir, Two Kisses for Maddy: A Memoir of Loss and Love by Matthew Logelin, comes Netflix original film, Fatherhood. Fatherhood tells the story of Matthew Logelin (Kevin Hart), a new father, who struggles raising his daughter, Maddy, after the sudden death of his wife. In the comedy-drama film, watch as Logelin deals with "doubts, fears, and heartache" as he learns to navigate life and fatherhood after his devastating loss. In addition to Hart, the film stars DeWanda Wise, Alfre Woodard, Deborah Ayorinde, Melody Hurd and Anthony Carrigan.
Loving (2016)
In another biographical piece comes the story of the Lovings. Loving follows interracial couple, Mildred and Richard Loving, as they navigate being in love during the Jim Crow Era. Shortly after marrying in 1958, the Lovings are arrested for the crimes of living as husband and wife. In hopes to avoid jail, the Lovings agree to leave the state of Virginia never to return, again. Nevertheless, after growing tired of living in isolation, the Lovings return to the Virginia to challenge the anti-miscegenation laws, laws that reinforce racial segregation by prohibiting interracial marriage, in the Supreme Court and across the nation. The film stars Joel Edgerton and Ruth Negga.
Get on Up (2014)
Starring the late Chadwick Boseman is 2014 biographical drama, Get on Up. Based on the life of singer James Brown, the film nonlinearly tells of Brown's journey from a childhood riddled with poverty and abandonment, to an adulthood of fame and stardom. Though, the film has comedic moments from time to time—the opening scene comes to mind—the heart of the film comes from moments of reflection, where Brown considers what has been sacrificed for the sake of his dream. Also starring Viola Davis, Octavia Spencer, Nelsan Ellise, Craig Robinson and Dan Akroyd, this is a film that will have you seeing legendary musician James Brown in another light.
When They See Us (2019)
When They See Us is a limited series by award-winning and critically acclaimed director Ava DuVernay, which focuses on a group a teenage boys, coined "The Central Park Five." After a brutal attack on a white woman in Central Park, five teens from Harlem become the targets of a racially influenced allegations when they are falsely accused of rape and violent assault. A biographical story, When They See Us shows the lives of Kevin Richardson, Raymond Santana, Antron McCray, Yusef Salaam, and Korey Wise as they face the racial profiling, discrimination, and inequality of the American justice system and media while on a heavily publicized trial.
13th (2016)
Exploring the "intersection of race, justice, and mass incarceration in the United States," is the 2016 documentary film, 13th. Reframing American History, director Ava DuVernay explores how the 13th Amendment, infamously known for freeing those enslaved, led to an epidemic of mass incarceration in the United States. In the 13th amendment, lawmakers created a loophole, which proclaims a form of slavery is acceptable in the legal form of criminal punishment.
Due to this loophole, America's prisoners make up 25 percent of the world's prisoners, despite the American population making up for five percent of the world population. In this heart-wrenching documentary, watch how DuVernay and experts, explore the shortcomings of America's justice system and politicians, while demanding the acknowledgement of racial injustice and the influence of racism in our criminal and legal systems.
American Son (2019)
When their son goes missing, an estranged couple reunite at a police station in hopes to find an answer. Based on the 2018-2019 Broadway play of the same name, American Son, discusses the social issues of discrimination and racial inequality in the legal system. Starring Kerry Washington, Steven Pasquale, Jeremy Jordan, and Eugene Lee, American Son shows the devastation and helplessness one faces when the system one should trust remains untrustworthy.
I Am Not Your Negro (2016)
Inspired by Remember This House, an unfinished manuscript that consists of a collection of letters and notes written by James Baldwin in the 1970s, I Am Not Your Negro explores the fate of a nation Baldwin believes is intertwined with that of a Black man. In James Baldwin's critique of American society, he states, "I can't be a pessimist, because I'm alive...so I'm forced to be an optimist. I am forced to believe we can survive, and we must survive. But the future of the Negro in this country, is precisely as bright or as dark as the future of the country. It is entirely up to the American people..."
Divided into four chapters, the social documentary focuses on the school integration era of the Civil Rights Movement, the depiction of the White gaze in film and its impact on society, social racial division, and the continuous exploitation of Blacks in America.
I Called Him Morgan (2016)
I Called Him Morgan is a documentary on the life and death of jazz trumpeter Lee Morgan. Created over the course of seven years, the documentary is told as Helen Morgan recounts the couple's life and Morgan's triumphant legacy, decades after she has been imprisoned for his murder. This enticing documentary beautifully, captivatingly, and unapologetically tells a story of what happens when an exasperated, possessive lover, an adulterous recovered musician, and a record breaking blizzard collide.
Miss Virginia (2019)
There is no doubt that systematic inequality creates barriers to jobs, healthcare, and education within the Black community. In Miss Virginia, the challenges facing Black America are brought to light when a struggling mother sacrifices everything to ensure her son is given a good education. Based on true a story, Virginia Walden places her son into a private school, as a last resort to losing him against drugs and violence of the street. When tuition proves unreasonable, she creates a movement to change the system that is destroying him and other minorities alike. In an impassioned performance, Emmy Winner Uzo Aduba is Virginia Walden Ford, a single mother who fought for the creation of a scholarship program for at-risk students and won.
Becoming (2020)
"Unplugged for the first time" is Michelle Obama in the 2020 documentary Becoming. Focusing on the former First Lady, Becoming is based on the bestselling and acclaimed memoir of the same name. The documentary highlights footage of Michelle Obama as she travels and works during her time as First Lady. Nevertheless, the film also chooses to focus on Michelle Obama's accomplishments before joining the White House. Returning to her children in South Side of Chicago, the documentary travels through Obama's days in school, her old law firm, early stages of marriage, parenthood, and even marriage counseling.
In this 90-minute film, Michelle Obama invites the audience to explore—with supervision—her accomplishment and life outside of her husband's legacy. After all "so little of who [she is] happened in those eight years, so much of who [she was] happened before."
Monster (2018)
"What do you see when you look at me? Boy? Artist? Outsider? Should one moment define my life?"
From 1999 book of the same name by Walter Dean Myers, Monster tells about the injustices young, Black men face at the hands of the court and legal system. Once an aspiring artist, Steve Harmon, a 17-year-old, and three others are labelled "monsters" as they stand trial for murder. Arguing to have only been involved in a robbery and not a murder, Harmon must convince the jury that he made the mistake of being look out, while discrediting the claims that he pulled the trigger.
Two Distant Strangers (2020)
It is fascinating, yet terrifying to think that you're most celebrated day, could also be your worst. In this Academy Award-winning live action short film, Two Distant Strangers meet and launch an examination of Black American deaths at the hands of the police. Carter experiences his best day and worst nightmare when he finds himself stuck in a Groundhog Day time loop. In a loop that inevitably ends in death, Carter tries to get home to his dog, after he is repeatedly confronted and harassed by white Officer Merk. In this clever, yet enraging short film, cast Joey Bada$$, Andrew Howard, and Zaria Simone, show the frustrations and helpless Black Americans feel while merely existing in America.
Giving Voice (2020)
From executive producers Viola Davis and John Legend, Giving Voice follows the annual August Wilson Monologue competition, and the high school participants who compete for the opportunity to perform on Broadway. Well-known for creating stories that were "epic in scope, tragic in circumstance, and yet still somehow hopeful," August Wilson leaves behind the legacy of "giving voice" to the voiceless Black community. Now, in hopes of honoring his legacy, young students and actors work alongside coaches and teachers as they speak up and out about their love for theatrical performances and Wilson's life-changing work.
Middle of Nowhere (2012)
Nine years ago, Ava DuVernay released her first acclaimed written and directed film, Middle of Nowhere. Winner of Best Director Award for 2021 Sundance Film Festival, Middle of Nowhere tells the story of nurse, and aspiring doctor, Ruby who devotes her time to visiting her imprisoned husband Derek. When she discovers the legitimacy of her husband imprisonment and deception, Ruby must decide whether to stay in the familiarity of living in the "middle of nowhere" or embrace the uncertainty of navigating the world alone.
In Our Mother's Garden (2021)
"Black women often aren't exposed to the idea that healing is possible."
In her debut film, In Our Mother's Gardens, Shantrelle P. Lewis creates a space for Black women and the lineages who helped shaped them. Celebrating the determination and resiliency of Black women and families, Lewis explores the idea of self-healing, self-importance, and self-care while analyzing the relationship between Black mothers and daughters. Throughout the film, various Black women account impactful stories that show feminist love and familial love, within the African-American community. Often explaining the central issues Black women face today, In Our Mother's Garden inspects the issues Black women face with imposter syndrome, ingrained indoctrinated servitude replacing self-care, and the generational trauma of racism and sexism.
Da 5 Bloods (2020)
For decades, the idea of joining the military has been sold to the American people as one's patriotic duty. From the World War to the Afghan War, the idea of joining the forces has been encouraged amongst all communities alike. Though, within the Black community, joining the armed forces is viewed with more trepidation than patriotism. This is mainly due to the Vietnam War where African-Americans risked their lives for a country—which at the time—openly showed they wouldn't do the same. In Spike Lee's Da 5 Bloods, he explores the imbalanced relationship between Black veterans and the country they fought for. Returning to Vietnam 50 years later, four Black vets attempt to find the body of their fallen brother and the gold they've buried as repayment for fighting "an immoral war."
Come Sunday (2018)
Based on the excommunication of Christian minister Carlton Pearson, is the drama Come Sunday. After the death of a relative, Reverend Pearson (Chiwetel Ejiofor) experiences a moment of introspection which causes him to question his faith. Unable to accept the idea that suffering people who haven't been saved will be damned to Hell, he concludes, that there isn't a Hell at all. After announcing this conclusion within his sermon, his trouble begins when his congregation demands his removal.
Let It Fall: Los Angeles 1982-1992
After the publicized death of George Floyd, the chairman of Black Lives Matter of Greater New York, Hawk Newsome, told an interviewer, "If this country doesn't give us what we want, then we will burn down this system and replace it." This warning came after years of civil protest, demands for change, and government inaction. As if history demands to repeat itself, this same cry for justice can be heard from decades before in the cities of Atlanta and, more recently, Los Angeles. In an in-depth examination of a clamorous time in the city of Los Angeles, Let It Fall: Los Angeles 1982-1992, details a decade of tension that leads to the culmination of citywide violence in 1992. After years of oppressive police aggression, failed justice for Black lives, and continuous neglect from government officials, citizens of Los Angeles show what happens to a city when its people decide to let it fall.
Whose Streets? (2017)
"We're trying to mourn, and you came here with 300 cop cars and riot gear and canine units. This is the same thing that pretty much got us here."
Whose Streets? is a documentary about the killing of Michael Brown and the Ferguson uprising of 2014. Told by activists and leaders, instead of news reporters and government officials, Whose Streets? follows the lives of the men and women who live and breathe the Black Lives Matter Movement. This documentary doesn't only focus on unrest ignited by Brown's killing and verdict, but it also focuses on understanding the people lived it. With a lens that seeks to understand the community, Whose Streets? focuses on the trauma and confusion created by those in Ferguson, Missouri when they officials have given them nowhere to turn. Directed by Sabaah Folayan and Damon Davis, Whose Streets? is a film definitely worth watching.
Ma Rainey's Black Bottom (2020)
Ma Rainey's Black Bottom is a biographical musical drama based on August Wilson's 1982 play of the same name. The story follows influential blues singer, Ma Rainey (Viola Davis), who has been recently contracted, by white producers, to record a record. During her recording session, she collides with an overconfident and overly ambitious trumpeter, Levee Green (Chadwick Boseman) who hopes to gain his own record deal, and the producers who only seem to be "interested in [her] voice." Played stunningly by Viola Davis and the late Chadwick Boseman, Ma Rainey's Black Bottom is a "celebration of three real-life Black artists and legends."
Honorable Mentions:
Fruitvale Station (2013)
Les Miserables (2012)
Tangerine (2015)
The Boy Who Harnessed the Wind (2019)
See You Yesterday (2019)
Irreplaceable You (2018)
I Will Follow (2010)
Little Boxes (2016)
Roxanne, Roxanne (2017)
Rodney King (2017)
Featured image by Getty Images
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Because We Are Still IT, Girl: It Girl 100 Returns
Last year, when our xoNecole team dropped our inaugural It Girl 100 honoree list, the world felt, ahem, a bit brighter.
It was March 2024, and we still had a Black woman as the Vice President of the United States. DEI rollbacks weren’t being tossed around like confetti. And more than 300,000 Black women were still gainfully employed in the workforce.
Though that was just nineteen months ago, things were different. Perhaps the world then felt more receptive to our light as Black women.
At the time, we launched It Girl 100 to spotlight the huge motion we were making as dope, GenZennial Black women leaving our mark on culture. The girls were on the rise, flourishing, drinking their water, minding their business, leading companies, and learning to do it all softly, in rest. We wanted to celebrate that momentum—because we love that for us.
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.

In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.

In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.

And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.

We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.

So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.

That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.

This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
Someone's Trying To Hook You Up? Ask These 6 Questions First
As we all know, it’s cuffing season. We’re also on the cusp of the holiday season, and that happens to be the time of year when a lot of people get engaged. And that’s why the fall and winter seasons are the times of the year when folks wanna play matchmaker.
And so, sis, if at least one person in your life is currently trying to set you up with someone they know right now — charge it to it being “tis the season” more than anything else. Because let’s be real — folks tend to be more lovey-dovey than ever right about now, and that is usually what inspires them to try to get as many people boo/bae’d up as possible. Chile…CHILE.
It’s not like it has to be a bad thing. In fact, studies say that somewhere around 15 percent of engaged couples actually met through a friend. All I’m saying is, before you entertain someone’s “I’ve got someone I want you to meet” invitation, it would benefit you to interview them first — for the sake of all parties involved.
The questions that I recommend asking? The following six are what I think can get everyone on the same page, so that there is more pleasure than regret from the hook-up attempt.
1. Why Are They So Invested?
GiphyTwo things that I recently watched over again are the series Survivor’s Remorse (the writing is so damn good) and a movie called Trapped in Temptation (both are currently on Tubi). Something that both of them made me think about is the fact that motive reveals a lot when it comes to why people say and do the things that they do.
When it comes to the movie, specifically, without giving the film away — let me just say that, if you are in a relationship, be really careful about listening to individuals who try to talk you out of maintaining it. More times than not, the motive is shady as hell. And honestly, sometimes people who are close to obsessed with you being in one deserve a bit of side-eye too.
Now, if it’s someone who loves all things love, they are in love and they want you to experience something similar — that’s sweet. Just make sure that they are approaching the set up from a healthy space. What I mean by that is they don’t see singleness as some sort of relational handicap or they aren’t trying to override what you want for your life as if they somehow know better (there are so many ways to be a control freak, y’all).
Hmph. Now that I think about it — make sure that the set-up crew isn’t trying to use you to “save” some male friend or relative of theirs. I say that because I once knew a mother whose son had — count ‘em — 10 kids and she was FOREVER trying to get me to date him. Girl, that wasn’t for me. She was looking for a Holy Ghost Jr. for that child of hers. I’ll pass. HARD PASS.
Bottom line with this one — if someone wants to set you up with someone else, the first thing to ask is why? Make sure to really listen to what their answer is. Then pay attention to if your mind, body and spirit are at peace with their answer(s).
2. Do They Know What You Want?
GiphyI don’t know about y’all, but the people (and let’s be honest, by far, it’s usually women) who have tried to set me up with someone? They didn’t even know what my preferences or type was. Hell, they didn’t even know my thoughts or timeline as it relates to being in a serious relationship were either. And what that boils down to is they were trying to hook me up based on their agenda, not mine — and that usually meant that the guys who they came up with? Yeah…I was good on them. LOL.
Yeah, if someone wants to hook you up, you definitely should ask them if they know what you are looking for in a guy when it comes to his looks, personality, passions, spirituality, relational desires and goals, location, etc. Because, indeed, what is the point in going out with someone who is fine as hell and yet, you want kids and he doesn’t (or vice versa) or who has a great personality yet he isn’t even in the same ballpark of your spiritual beliefs?
If your friend really wants to help you out, valuing your time should come with that — and that means bringing someone into your life who complements your lifestyle. No wiggle room here.
3. Are They Aware of Your Deal-Breakers?
GiphyLast year, I wrote an article for the platform entitled, “Should Bad Sex Actually Be A Relationship Deal-Breaker?” The thing that I think needs to go on record about deal-breakers is they aren’t exactly standards that you have. No, a deal-breaker is something that can’t be worked out even after trying to negotiate or compromise. When it comes to relationships, a deal-breaker might be how long two people should date before becoming exclusive or getting engaged. Another deal-breaker might be if being religious is more important than being spiritual and how that manifests itself (church or no church, etc.). And yes, another deal-breaker may be what each other’s sexual needs and expectations are.
When someone is setting you up, it is imperative that they know about your standards. For instance, for me, I am not interested in dating a divorced person, pretty much ever (I Corinthians 7:10-11). I’ve had friends who have tried to hook me up with that demographic before and it has always been a moot effort. The fact that some of them have gotten frustrated with my convictions has absolutely nothing to do with me. Some have tried to get me to compromise my deal-breakers too — like a long-distance relationship. Is it a firm “naw”? No. However, it’s not really something that I am interested in, so why not just…recommend someone local?
Yeah, if someone thinks that they know you well enough to hook you up, they absolutely should be well-versed in what your deal-breakers are before they do. And if they’ve never asked, all they are doing is assuming — and we know what that typically means. LOL.
4. What Is Their Track Record?
GiphyIt’s kind of wild that we now live in a time when more couples meet online than they do through “old-fashioned ways” like via their friends (although some reports say that Gen Z is getting back to that) — and yet, here we are. Still, if you are willing to let someone play pseudo matchmaker in your life, you are well within your rights to inquire about their track record in that department. Have they hooked others up, successfully, before? Has any of their “Cupid work” caused both people to get exactly what they wanted out of the situation? If/when things went awry, why was that?
I know someone who is constantly trying to hook people up. Thing is, maybe 10-15 percent (no joke) of their efforts have proven to be positive and fruitful — and we’re talking about close to close to two decades of them doing it. Listen, time is too precious to be out here doing stuff ONLY to please other people. That said, if someone wants you to devote some time to one of their grand ideas, you are well within your rights to ask about their past and current success score when it comes to it.
5. Can They Keep Their Own Feelings Out of It?
GiphyWanna know if someone who is offering to do something for you is actually doing it more for themselves? If they try to make it be about them when things don’t go the way they would like, that is a dead ringer. An example? They post a message about you on social media and then question you about why you didn’t do the same thing in return. Another example? They do something for you and then throw it in your face during an argument. Still another example? They set you up with someone, it doesn’t work out, and suddenly you’ve put them in a weird spot. No dear — you put your own self in that position by trying to hook two people up in the first place.
I promise you, it will spare everyone unnecessary energy spent (or even drama experienced) if, before you agree to be hooked up, you get the matchmaker on record stating that they will keep their emotions out of it as much as possible. MEANING — they will do the introductions and then let the chips fall where they may. If they can’t do this, my two cents (save it or spend it) would be to decline the offer. Because all you need is someone texting you about why you haven’t called their cousin back or having an attitude with you when you break up with some guy at their church who they thought was the perfect catch (P.S. These aren’t hypothetical examples — LOL).
6. Will They Respect Your Boundaries? Start to Finish?
GiphyYeah, this final one is a biggie. Just because someone sets you up with another person, that doesn’t automatically or necessarily mean that they should have the right to the details of the dynamic. I don’t care if it’s the first date or the 10th date. I don’t care if you decide to just be sex buddies or to have a full-blown relationship. I don’t care if you stay together or break-up — it’s your relationship which makes it your business. Whatever you share is privileged data.
Yeah, I would say that probably the most challenging thing about being hooked up by someone you know is they have a tendency to think that they are a part of the relationship too — and that is a lie. If things go well beyond a couple of dates, you and the guy should discuss what you will both share with the person who introduced you and then agree to stick to that boundary, no matter what. It’s a great way to protect the dynamic, to keep “outside voices” from influencing the growth and to navigate how you want to move, moving forward.
Someone who hooked you up for the right reasons and knows how to honor limits? They will understand. Will they ask questions? Absolutely. Will they pry? Nah.
___
Should you sit and let someone hook you up? I mean, you never know how your blessing will come. Just make sure that they are prepared for you to do some digging into their mindset before they start sweetly meddling into your love life.
It’s only fair. Hell, and right. LOL.
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Featured image by PeopleImages/Shutterstock









