

Weddings, for many people, are beautiful affairs where we celebrate and witness the blending of two people into a union of one. They are fairytale gatherings as old as time. While a wedding is not always a dream that each of us cherishes for ourselves — it is a celebration that we all enjoy being a part of. Hell, I think more people get ready to scrap it out or feel slighted when they don’t get a wedding invite than they do about catching the bouquet. However, for those getting married, it can also be a stressful season for many reasons. But overall, it comes down to the planning process.
And, though I have yet to plan a wedding myself I imagine even the smallest details become some of the gravest stressors. One little detail that many of us may not consider when planning a wedding or even dreaming of one is tradition. Because if nothing else, weddings are often steeped in tradition. I think these traditions, and whether or not to participate, can prove even more challenging to decide on if you and your betrothed aren’t a traditional pair or are on the more modern side of things. Being a modern gal, in a traditional world, can be frustrating. As a modern woman, I also find that the difficulty lies in really and truly not falling into the binary. I’m somewhere in the middle — I do enjoy the benefits of some gender roles and I do enjoy some tradition.
So what’s a girl to do? First, you can know more about each of these traditions before you jump through hoops when the goal is to simply jump the broom. While there are some people who enjoy full-out tradition regardless of how they came to be, I’m not judging either way. Pinky promise. But for those who fall somewhere in the middle, being informed may be the key to ruling some of them out.
1. Getting the Father's Approval and the Giving Away the Bride Tradition
Both of these practices are rooted in the same patriarchal concepts of possession over women. Historically speaking, single women were viewed as property and their fathers "owned" them until they were married to another man. Asking for a woman's hand in marriage was a tradition born out of the necessity of the father approving the marriage and ensuring that the man asking for her hand could provide a good future for the daughter. In other customs, asking for a father's approval was also a way of establishing some sort of arrangement, like a dowry in exchange for "ownership" of the daughter. Giving away the bride at a wedding ceremony was seen as the person, usually, the father, walking the bride down the aisle and "giving her away" to the groom at the end was a form of blessing the unity.
While it can be a sweet gesture to ask for permission to marry your betrothed from their father or for a father to "give" the bride away at ceremonies, it’s not entirely necessary. Both practices have evolved with the times, offering some creative freedom for ways to include important family members during the ceremony. For example, some brides opt to have their mother or even both parents walk them down the aisle as an honorable gesture for what they mean to them in their lives.
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2. The Tradition of the Bride Wearing White
Wearing white as a bride has been a tradition in Western culture that has spanned hundreds of years. And why do brides wear white? If you guessed that it's because wearing white is derived from purity culture, you were right. Traditionally, white was symbolic of virtue and purity and represented a woman's chastity upon walking down the aisle and meeting her betrothed. Again, the white dress is beautiful and I wouldn’t necessarily mind keeping this particular tradition for my own vain reasoning. However, if you don't want to wear white because of what it represents or because you want to veer away from tradition, wear whatever makes you feel your best.
3. The Bridal Bouquet Tradition
This is going to blow your mind! But, you can do without your bouquets. Really both you and the squad. The purpose of a bouquet traditionally is that of a deodorizer for your B.O. The bridal bouquet came to be to mask the smell of body odor, obviously well before we had deodorant in the 20th century. This tradition is beautiful and does add a certain touch to weddings, but also floral arrangements are typically very pricey. Even the most bougie of deodorants is cheaper than bouquets, which run you anywhere from $80 - $200, according to Brides. Alternatively, if you don’t want to forgo floral arrangements on your big day completely, you might opt for artificial flowers, feathers, or something else in the form of your bridal bouquet.
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4. The Tradition of the Bride's Family Paying for the Wedding
Much like the first two points on this list, this tradition is predicated on women being the property of men. First, their fathers and then their husbands. Women were seen as chattel to trade, and because the most beneficial marriage arrangements were made if and when the bride’s family was able to pay a suitable dowry to the husband-to-be (and his family). This is what I mean when I say marital arrangements were more often about financial gain for the parties directly involved and not love until relatively recently. This differs from now where the financial gain is also commercial – fancy rings, extravagant venues, etc.
5. The Wearing a Veil Tradition
Wearing a veil is yet another sexist and really odd, insignificant way of signifying a virginal or pure woman. Interestingly enough, an expert at Brides’ indicates that this is one of the first and oldest “bridal ensembles.” Wearing a white veil in combination with the white gown was the visual embodiment of delivering a bride to her groom as a "modest and untouched maiden." For the woo-woo girls, you might be interested in the fact that it was also thought to keep evil spirits at bay – particularly from attempting to rain on the bride’s parade.
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6. Having a Wedding Party
The point of having people at your wedding was simply the need for witnesses. Back in the day, multiple witnesses (specifically 10 at minimum) were required for a wedding. Over time, this requirement evolved into a more fun, celebratory committee of peers known as the wedding party – made of bridesmaids and groomsmen. Though this is not the most costly arrangement since the parties typically pay for their own dresses – you are paying for flowers and even going through the motions of dealing with other people which can add to the intense planning process.
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Motor City native, Atlanta living. Sagittarius. Writer. Sexpert. Into all things magical, mystical, and unknown. I'll try anything at least once but you knew that the moment I revealed that I was a Sag.
Devale Ellis On Being A Provider, Marriage Growth & Redefining Fatherhood
In this candid episode of the xoMAN podcast, host Kiara Walker talked with Devale Ellis, actor, social media personality, and star of Zatima, about modern masculinity, learning to be a better husband, emotional presence in marriage, fatherhood for Black men, and leading by example.
“I Wasn’t Present Emotionally”: Devale Ellis on Marriage Growth
Devale Ellis On Learning He Was a ‘Bad Husband’
Ellis grew up believing that a man should prioritize providing for his family. “I know this may come off as misogynistic, but I feel like it’s my responsibility as a man to pay for everything,” he said, emphasizing the wise guidance passed down by his father. However, five years into his marriage to long-time partner Khadeen Ellis, he realized provision wasn’t just financial.
“I was a bad husband because I wasn’t present emotionally… I wasn’t concerned about what she needed outside of the resources.”
Once he shifted his mindset, his marriage improved. “In me trying to be of service to her, I learned that me being of service created a woman who is now willing to be of service to me.”
On Redefining Masculinity and Fatherhood
For Ellis, “being a man is about being consistent.” As a father of four, he sees parenthood as a chance to reshape the future.
“Children give you another chance at life. I have four different opportunities right now to do my life all over again.”
He also works to uplift young Black men, reinforcing their worth in a world that often undermines them. His values extend to his career—Ellis refuses to play roles that involve domestic violence or sexual assault.
Watch the full episode below:
On Marriage, Family Planning, and Writing His Story
After his wife’s postpartum preeclampsia, Ellis chose a vasectomy over her taking hormonal birth control, further proving his commitment to their partnership. He and Khadeen share their journey in We Over Me, and his next book, Raising Kings: How Fatherhood Saved Me From Myself, is on the way.
Through honesty and growth, Devale Ellis challenges traditional ideas of masculinity, making his story one that resonates deeply with millennial women.
For the xoMAN podcast, host Kiara Walker peels back the layers of masculinity with candid conversations that challenge stereotypes and celebrate vulnerability. Real men. Real stories. Real talk.
Want more real talk from xoMAN? Catch the full audio episodes every Tuesday on Spotify and Apple Podcasts, and don’t miss the full video drops every Wednesday on YouTube. Hit follow, subscribe, and stay tapped in.
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Calling All Lovers: October London, Tamar Braxton & Ro James Deliver A Soulful Serenade
If there was ever a night to pull out your best leather jacket, call up an old flame, and lean into your soft, sultry era, The October Nights: Calling All Lovers tour was it.
Presented by Black Promoters Collective, the show brought an evening of lush vocals, smooth grooves, and unapologetic grown-folks business to Atlanta—with Ro James, Tamar Braxton, and the man of the hour, October London, leading the charge. The energy? Sensual. The vibe? Intoxicating (literally and figuratively—more on that in a minute).
Ro James kicked off the night with his signature raspy vocals and a cool confidence that immediately set the tone. While “Permission” was the undeniable crowd favorite (with couples slow-dancing in their seats and people swaying with their phones in the air), he also dug deeper into his catalog, delivering seductive mid-tempos and moody ballads that reminded us he’s not a one-hit wonder—he’s a whole vibe.
Next up, Tamar Braxton took the stage with diva energy and vocal acrobatics that had the crowd on their feet. Her set was a perfect mix of emotion and edge—songs like “My Man,” “All the Way Home,” and “Love & War” hit every heartstring, but she didn’t stop there.
Tamar tapped into her earlier work, showing her full vocal range and reminding everyone that she’s one of the most powerful voices of her generation. Between tracks, she got personal with the audience, sharing laughs and stories like we were all cousins at the family reunion.
Oh—and in case you missed it: “Braxtons are coming back.” 👀 Consider that a soft launch if we’ve ever heard one.
Then came the velvet king himself: October London.
From the moment he stepped on stage, it felt like time slowed down. Backed by a silky live band and powerhouse background vocalists The Shindellas — Kaso, Stacy, and Tam, October’s set was pure R&B indulgence.
He opened with songs like “She Keeps Calling” and “Make Me Wanna,” blending retro soul with modern sensuality. Every note was intentional, every lyric soaked in emotion.
“Touch On Me” and “3rd Shift” had the crowd in a trance, while “Lovers Interlude” and “You Look Better” brought things to a tender, candlelit close.
And because this is October London we’re talking about—of course, he came with the charm. “If I come down there and sing with you,” he teased one woman in the front row, “you gon’ get pregnant.” The entire room screamed.
He also took a moment to introduce his newest venture—a signature whiskey that he’s currently promoting on tour. Smooth music, smooth vocals, smooth whiskey? A trifecta for the grown and sexy.
To top off the night, there was even a surprise pop-up from Tyrese, sending the crowd into full nostalgic overload.
By the end of the night, it was clear: this wasn’t just a concert—it was a love letter to R&B. The October Nights: Calling All Lovers tour captured the essence of grown-up intimacy, storytelling, and soul. No gimmicks. Just real voices, real feelings, and really good music.
If October London is the future of modern soul, we’re all in.
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