How To Move Forward When He Lets Go But You're Still Holding On
He's still in my dreams. Why do I still have dreams about him? I remember confiding to one of my friends about how my situationship that had ended. The truth was, not only was he in my dreams, but I thought about him often.
Why was it so hard for me to move on? Granted, I obsessed over why we didn't end up together. I wondered why the situationship that had once seemed so promising, didn't formulate into a real relationship. Why couldn't I get him off my mind?
Sometimes we get so caught up in wondering what we may have done wrong, we fail to see that the man we were so head over heels for was not the right person for us. If you're still holding on to a man that is simply not holding on to you, here's your sign sis, let him go. Here's how:
Stop Stalking Him
I know, I know. It's easier said than done. But riddle me this, how are you ever going to get over him if you are constantly trying to keep up with what he is doing?
The things we see, especially before bed, manifest themselves into our dreams. If you're stalking his IG, Facebook, Twitter, reading old messages, or looking at his pics before you fall asleep, of course he's going to pop up in your dreams. Some might find it a bit much to block him, but regardless of what he or anyone else thinks, you need to stop looking at his social media. And if that means blocking, welp, hit that button girl and move on.
Let's say you don't go through his social media, but he still is constantly the topic of all of your conversations. It's time to stop talking about him.
With each mention of his name in each conversation, you are only going to manifest him into your thoughts even more. Instead, spend your time talking about things that actually matter. Discuss your goals with your girls and write them out. Spend your extra time actually working towards your overall goals in life.
Becoming a better you is way more satisfying than worrying about someone who is not worrying about you.
Realize That He Just Wasn't The One
This is a very hard pill to dry swallow on an empty stomach.
Yes, it felt like you were meant to be together at times. Yes, you shared things with him. Yes, you loved him. But you were never really one. And he wasn't either.
Yes, it hurts like hell still, but acknowledging this should grant you some peace. You simply dated a man that you are no longer dating. Don't continuously punish yourself over a man who did not see all of your value and beauty; it is counterproductive to you ever moving on. Find peace in the fact that aside from emotional wounds, you are unbound to him, and free to move on to someone who sees your worth.
Reclaim Your Self-Worth And Eliminate Negative Self-Talk
When we've been hurt, we feel worthless. We do this to ourselves, and we allow other people to do it and replay these same hurtful agreements in our minds until it becomes tied to us and our own DNA.
If I was in better shape he wouldn't have left. If I was more outgoing he would have found me more interesting. If I dressed sexier, I probably could have kept his attention. If I had sex with him, he probably would still be here.
Whatever your "What if?" is, you have to let it go. There are men that will love you at your smallest and biggest. There are men that will love your quirky personality just the way it is. There is someone that will love everything about the way you dress, and be willing to wait until you are ready to be intimate.
So break those agreements you have with yourself immediately. There is someone out there who will love and accept you flaws in all. Your perceived flaws are not the problem, it's your sense of self-worth.
Nobody's perfect, but when you learn to see beauty in your imperfections, you truly win.
Everything, and I do mean everything, happens for a reason. Ultimately, if it's meant to be, you will find your way back together. My husband and I broke up in our early twenties, dated other people, and lived in two different states, but still found our way back to each other and will soon be celebrating our first year of marriage.
So if this guy is as great as you thought he was, then perhaps you will find your way back together. In the meantime, continue loving yourself, living your best life, and improving on yourself.
It is so much easier to navigate through the dating world when you know your self-worth, just remember to add tax.
Featured image by Shutterstock
Ashley Renee is a soul food enthusiast, sometimes vegetarian, writer and spoken word poet, who doesn't trust boxed macaroni or cats. keep up with her @ashleyreneepoet on Twitter & Instagram.
ItGirl 100 Honors Black Women Who Create Culture & Put On For Their Cities
As they say, create the change you want to see in this world, besties. That’s why xoNecole linked up with Hyundai for the inaugural ItGirl 100 List, a celebration of 100 Genzennial women who aren’t afraid to pull up their own seats to the table. Across regions and industries, these women embody the essence of discovering self-value through purpose, honey! They're fierce, they’re ultra-creative, and we know they make their cities proud.
VIEW THE FULL ITGIRL 100 LIST HERE.
Don’t forget to also check out the ItGirl Directory, featuring 50 Black-woman-owned marketing and branding agencies, photographers and videographers, publicists, and more.
THE ITGIRL MEMO
I. An ItGirl puts on for her city and masters her self-worth through purpose.
II. An ItGirl celebrates all the things that make her unique.
III. An ItGirl empowers others to become the best versions of themselves.
IV. An ItGirl leads by example, inspiring others through her actions and integrity.
V. An ItGirl paves the way for authenticity and diversity in all aspects of life.
VI. An ItGirl uses the power of her voice to advocate for positive change in the world.
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We Need To Talk About The Current State Of Black Cinema
In the last decade, Black cinema has seen a revival like no other, thanks to writers and directors Jordan Peele, Barry Jenkins, and Ava DuVernay. Through their narratives, we have been enamored with Black stories of normalcy and horror that have captivated audiences and shown exactly what narratives are deserved and desired by Black viewers. Nevertheless, the current state of Black films still has some ways to go, and can easily accomplish the next stage of its reemergence if it considers the genres where representation is still lacking.
For years, Black audience members have been treated like they're secondary, forced to enjoy the experiences of their white counterparts as if they were sidekicks to their journey instead of walking in their shoes.
On the heels of his Oscar win for "Best Screenplay" for the 2023 comedy/drama American Fiction, first-time director Cord Jefferson shared his perspective on the narrow view of Black characters on-screen and why there's a need for diversity in the Black stories we choose to tell in film. "There is an appetite for things that are different and a story with Black characters that’s going to appeal to a lot of people," Cord explained. "[Black films don’t] need to take place on a plantation, they don’t need to take place in the projects. It doesn’t need to have drug dealers in it and doesn’t need to have gang members in it. There’s an audience and market for depictions of Black life that are as broad and as deep as any other depictions of people’s lives."
Now, as Black cinema continues to grow, they must challenge themselves to create tales that reflect the Black experience beyond the narratives of racism, slavery, and segregation. Instead of creating more window-filled films, where we must peek into the lives of others in hopes of seeing ourselves, it is imperative the new films provide mirrors for Black audiences to finally see themselves as worthy of romance, levity, fantasy, action, and time.
The art we create must challenge Black cinema as they know it to create the Black movies that should have always been. Here's how:
Black Cinema Needs More Romance and Romantic Comedies
Black cinema deserves whirlwind romances with tenderness, complexity, kindness, erraticness, playfulness, and compassion.
Instead of being the second-hand side quest to a tale filled with hardship and misery, Black romantic stories should be placed center stage with intentionality and eloquent execution. It is important that Black romantic comedies be recreated with the same gusto they did in the early 2000s for white romantic comedies, with narratives that are better than the ones we idealize today. In these new narratives, Black romance must show that Black men can be whole and Black women can be easy to love. It is also essential to show that love can be held by same-sex couples.
In Black films, our love needs levity. It needs warmth. It needs nurture, and it needs to come in abundance so that we have examples of more than one way to love. Because at this moment, the only narrative we have been given on Black love comes from that of sadness and grief. Love that requires one or both parties be broken and bruised and bleeding all over the other to the point that hate and self-loathing breed a love like one has never known. This narrative is overplayed, and even more so, it is cruel in creating a falsehood that everything black must be birthed from sorrow.
Take Love & Basketball, the romance/drama, for example, which many consider to be the pinnacle of Black love. I don't need to tell you why because there are a thousand and one comments and videos on how everyone tries to defend this romance. Instead, I’ll tell you why it is not. Their romance is toxic. Simple as that. It’s cultural and controversial, so I won’t go too much into detail, and if I need to, we can have a separate article for that. But the relationship is toxic, and there are moments when both Monica and Q are giving nothing, but expecting everything.
Omar Epps and Sanaa Lathan in 'Love & Basketball'
They never truly learn how to love one another properly and justify their bad examples of love on what they experienced in the past (read "generational trauma"). Though that could be the reason, it did not justify the ultimate outcome. And though some of us might have felt seen by a story like this, especially in our own imperfect love and dating experiences, the Black experience is not a monolith, and it does not represent the healthy love we now seek to cultivate in our lives.
Plus, with such an emphasis placed on films that are dramas, there is a focus on the struggle, whether it be life or love. Paving the way to see ourselves in more films as romantic leads that offer levity, like a romantic comedy, is a welcomed change to the moving and culturally impactful stories we see. When we think of Black romantic comedies of yesteryear, actresses like Queen Latifah and even Gabrielle Union come to mind, but since the early 2000s, we haven't seen nearly as much traction in the world of romantic comedies overall, but especially ones that feature Black leads with Black love interests.
When Black romance stories are made, love should be given to the characters as a gift, not a sentencing. It should unravel beautifully, and the characters and their romance should be cherished. Their love should be watered, tended, and filled with so much beauty the gods themselves cry.
Kofi Siriboe and Jade Eshete in 'Really Love'
Netflix
Black Cinema Needs More Sci-Fi and Fantasy
In the last three decades, we have seen films about a boy who flew across the sky because of the alien he carried in his bicycle basket, objects that have come to life to tell children stories, vampires who glitter in the sun, and children who can visit a magical world by running through brick walls. Yet, you’re still telling me that our imaginations cannot expand far enough to see all this done with characters who are Black? Ridiculous. Pure absurdity. There needs to be more moments of wonderment and amazement in Black cinema.
There needs to be realms that children and adults can escape into when the reality of institutions becomes too much to bear or rationalize. We shouldn’t be thankful that white stories change characters into Black ones so that we can travel along and hope to experience the same sense of wonder as our white counterparts.
Instead, we should have stories that were made for Black characters to travel freely and happily escape the challenges faced in our society. We need realms where we fit perfectly in and can be just as magical and enchanting as we’ve always been.
Black Cinema Needs More Action and Thrillers
Last year, the Times wrote an article focusing on the influence of Richard Rountree's Shaft on the Black action hero narrative. In this article, the writer listed eight movies that were essential to watch that held Black leads as action heroes. Unfortunately, the majority of these movies listed came from the 1900s, with very few films featuring Black action leads in the 2000s or later.
Recently, Amazon Prime released their version ofMr. and Mrs. Smith, where Donald Glover has the chance of being the infamous spy that stole our hearts in 2005. In this, he is the same, charismatic character that he always portrays, with a little more action and thrill than we have associated with him before. Although the show has its flaws, Glover as an action hero makes for an entertaining watch and an interesting take on what it would mean to be a Black spy during moments where blending in in white spaces is essential.
Donald Glover starring in 'Mr. & Mrs. Smith' (2024)
Prime Video
On the other hand, we have Michael B. Jordan, who finds himself in action and thrillers where he is either the villain (Black Panther), anti-hero(Creed), or reluctant, and controversial savior (Without Remorse). In his films, he shows how Black characters can be both the hero and the villain simultaneously based on circumstances and unfortunate interactions with institutions that he has sworn to protect and have sworn to protect him. And of course, we cannot forget about the action films Samuel L. Jackson has starred in, including a revival of the aforementioned Shaft in the 2000s.
However, despite the list of Black actors above, the film industry still lacks tremendously in the Black action protagonist department. Despite its need, we rarely see Black actors allotted the opportunity to run from exploding buildings like Tom Cruise in any Mission Impossible film or the ability to hunt down the kidnappers of various Black girls taken from their father's home, as Liam Neeson does in Taken.
To enhance Black cinema, the industry needs to consider making Black characters the hero of their own stories, and for their own people. These action films must be just as outlandish and enticing as the action films made before, without a greater chance of a happy ending and outcome. Now that the action and thriller genre is looking for a revival, it is wise to consider using Black people as the heroes they've always been and rarely recognized as.
Black Cinema Needs More Black Period Pieces (outside of slavery and segregation)
The last thing we need is another damn story rotted in our nation’s mistreatment of Black people. Don’t get me wrong, I’m not saying that these stories are not important. I am just saying it is the last damn thing that we need. Why? Because we already have 101 Dalmatians worth of these, and we don’t need more. If you want a period piece on slavery and segregation, watch 12 Years a Slave or Harriet, or Birth of a Nation, or Emancipation, or Antebellum, or Hidden Figures, or Freedom, or Remember the Titans, or Emperor, or….you get the point. There are plenty of movies about Black people and our centuries’ worth of hardship.
However, our stories are more than this, and there are moments in history that I believe fiction writers can integrate Black people and their experiences without making slavery and segregation stand in the forefront; think series likeBridgertonor Queen Charlotte.
India Ria Amarteifio as Queen Charlotte in 'Queeen Charlotte: A Bridgerton Story'
Netflix
Hell, take Lovecraft Country, for example. This story acknowledged racism, segregation, and mistreatment of Black people. However, the narratives given to the characters in this period piece were so complex and intricate, that the last thing they worried about was racism itself. In a world where monsters are rooted at every corner, the societal pressures of segregation are in the back of their minds.
Though they still dealt with moments relating to racism, their character’s experiences weren’t based only on it. The only time it was was when they were around white characters, and outside of it, they were well-rounded characters who experienced life as it was, most importantly outside of the box society tries to fit them in. This needs to happen, again. I want stories where Black people speak in modern English, walking around their big ass gardens in dolly, vintage, and cottage-core dresses, and pleated pants with suspenders.
We need stories in history where Black people can exist outside of the white historical lens.
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Featured image via Giphy